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Why Theatre Matters
by Kathleen GallagherWhat makes young people care about themselves, others, their communities, and their futures? In Why Theatre Matters, Kathleen Gallagher uses the drama classroom as a window into the daily challenges of marginalized youth in Toronto, Boston, Taipei, and Lucknow. An ethnographic study which mixes quantitative and qualitative methodology in an international multi-site project, Why Theatre Matters ties together the issues of urban and arts education through the lens of student engagement. Gallagher's research presents a framework for understanding student involvement at school in the context of students' families and communities, as well as changing social, political, and economic realities around the world.Taking the reader into the classroom through the voices of the students themselves, Gallagher illustrates how creative expression through theatre can act as a rehearsal space for real, material struggles and for democratic participation. Why Theatre Matters is an invigorating challenge to the myths that surround urban youth and an impressive study of theatre's transformative potential.
Why Torture Is Wrong, and the People Who Love Them: And Other Political Plays
by Christopher Durang&“[A] hilarious and disturbing new comedy about all-American violence&” and other whip-smart political satires by the Tony Award-winning playwright (Ben Branley, The New York Times). Christopher Durang, who The New York Observer called &“Jonathan Swift&’s nicer, younger brother,&” became one of America&’s most beloved and acclaimed playwrights by marrying gonzo farce with incisive social critique. Now collected in Why Torture Is Wrong, and the People Who Love Them and Other Political Plays are Durang&’s most revealing satirical plays. Why Torture Is Wrong, and the People Who Love Them is the story of a young woman in crisis: Is her new husband, whom she married when drunk, a terrorist? Or just crazy? Or both? Is her father&’s hobby of butterfly collecting really a cover for his involvement in a shadow government? Does her mother frequent the theater for mental escape, or is she just insane? Add in a minister who directs porno, and a ladylike operative whose underwear just won&’t stay up, and this black comedy will make us laugh all the way to the waterboarding room. Also included in this volume are: Excerpts from Sex and LongingCardinal O&’ConnorThe Book of Leviticus ShowEntertaining Mr. HelmsThe Doctor Will See You NowUnder Duress: Words on FireAn Alter Boy Talks to GodThe Hardy Boys and the Mystery of Where Babies Come From
Widdershins
by Don NigroCharacters: 4 male, 6 female. Interior. Inspector Ruffing, the troubled hero of Nigro's Ravenscroft, Demonology, Creatures Lurking In The Churchyard, The Rooky Wood and Mephisto returns in this baffling mystery that was an audience favorite at the First International Mystery Festival in 2007. In a peaceful house near the Welsh border, an entire family has vanished suddenly without a trace one evening with supper on the table and no apparent violence. Ruffing's attempt to understand what's happened to a couple and their two daughters leads him deep into his own dark soul. The only clue is a piece of paper left on a desk with the word 'Widdershins' written on it. Beautiful women, dark secrets, the Impressionists and the Druids all figure in this unusual and thought provoking play.
The Widowing of Mrs. Holroyd
by D. H. LawrenceThe Widowing of Mrs. Holroyd is one of D. H. Lawrence's most significant early works, first published in 1914.
The Wife of Willesden
by Zadie SmithZadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic The Wife of Bath&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes . . .&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden shows why Zadie Smith is one of the sharpest and most versatile writers working today.
The Wife of Willesden
by Zadie SmithZadie Smith's first time writing for the stage, a riotous twenty-first century translation of Geoffrey Chaucer's classic "The Wife of Bath"&“Married five times. Mother. Lover. Aunt. Friend. She plays many roles round here. And never Scared to tell the whole of her truth, whether Or not anyone wants to hear it. Wife Of Willesden: pissed enough to tell her life Story to whoever has ears and eyes...&” In her stage-writing debut, celebrated novelist and essayist Zadie Smith brings to life a comedic and cutting twenty-first century translation of Geoffrey Chaucer&’s classic The Wife of Bath. The Wife of Willesden follows Alvita, a Jamaican-born British woman in her mid-50s, as she tells her life story to a band of strangers in a small pub on the Kilburn High Road. Wearing fake gold chains, dressed in knock-off designer clothes, and speaking in a mixture of London slang and patois, Alvita recalls her five marriages in outrageous, bawdy detail, rewrites her mistakes as triumphs, and shares her beliefs on femininity, sexuality, and misogyny with anyone willing to listen. A thoughtful reimagining of an unforgettable narrative of female sexual power, written with singular verve and wit, The Wife of Willesden exemplifies why Zadie Smith is one of the sharpest and most versatile writers working today.
Wig Making and Styling: A Complete Guide for Theatre & Film
by Martha Ruskai Allison LoweryWig Making and Styling: A Complete Guide for Theatre and Film, Second Edition is the one-stop shop for the knowledge and skills you need to create and style wigs. Covering the basics, from styling tools to creating beards, it ramps up to advanced techniques for making, measuring, coloring, and cutting wigs from any time period. Whether you’re a student or a professional, you‘ll find yourself prepared for a career as a skilled wig designer with tips on altering existing wigs, multiple approaches to solving wig-making problems, and industry best practices.
The Wild Duck: A Play In Five Acts (classic Reprint) (Dover Thrift Editions: Plays)
by Henrik IbsenThe idealistic son of a corrupt merchant exposes his father's duplicity, but in the process destroys the very people he wishes to save. Gregers Werle forces his friends, the Ekdals, to confront the truth about their lives -- but the truth only serves to wound them further.
Wild Dust: The Musical
by Cindy Marcus Dennis Poore Flip KoblerMusical Comedy / 1 m., 8 f., plus 1 m. extra. / Interior / Based on the original play Wild Dust, this engaging Wild West story has been delighting audiences for years. And now, the original playwright, Flip Kobler, has joined forces with veteran composer Dennis Poore to turn Wild Dust the play into Wild Dust: The Musical. It's 1887 and a dust storm is about to hit the town of Willow Creek. The west was still wild, but the wind was wilder. Wild Dust the Musical, takes place at a time when the "west was wild, the women were soft and the men were brave." The worst dust storm in a decade was about to hit the town, and all the men had gone to drive the horses and cattle to safer shelter to ride out the storm. That left the women of town to fend for themselves in the only building strong enough to withstand the pounding sand - the town brothel. So four "fallen ladies" and three "ladies of the town" are thrown together for the next 72 hours, along with a mysterious cowboy and a dancing corpse! For three days they confront the elements, each other, and hardest of all - themselves. It's a comic romp with lots of slamming doors, mistaken identities, and one very dead body. No one is exactly what they seem, and everyone's got a secret hidden up their sleeve. Wild Dust: The Musical is a comic romp that's not to be missed.
Wild Mushroom
by Anne PieComedy / 2m,3f, / Interior / This present-day comedy set in the Bronx, revolves around life in the Benny Scrivente family as seen through the eyes of Benny's thirteen year-old son, Joey. Benny is no match for Joey. a gifted, wise-mouthed boy. A widowed postal worker, Benny struggles to raise Benny and his two beautiful daughters, Dodie and Regina, hoping to marry them the old-fashioned Italian way so he can pursue his dream of opening a trattoria. / Sweet, simple-minded Dodie, lacking in the IQ department, (which drives Joey to his wit's end) is already engaged to Mario, a man of questionable character. Sensual Regina prefers to play the field, much to Benny's consternation. Joey, feeling neglected by them all, manages to attract more than just his family's attention. He pens a literary masterpiece that borders on being an exposé. / Enter clairvoyant Aunt Rose, Benny's older sister. She is a true eccentric and Joey's champion. Her constant shower of predictions makes her a perpetual source of irritation to Benny. Proud of her father's cooking, Dodie unwittingly invites the Mafia over for Sunday dinner, which sends Benny into a tizzy. It's Aunt Rose's unorthodox hors d'oeuvres which pack the wallop that results in a happy ending.
Wild Nights! & Grandpa Clemens and Angelfish 1906
by Joyce Carol OatesDramatic Comedy / 2m, 2f / Wild Nights! is a matched duo of plays about Emily Dickinson and Samuel Clemens/Mark Twain—adapted from a prose work described by the New York Times as “morality tales about sexual power” that “ingeniously” imagine the last days of classic American writers whose true, private lives are unknown to the public.
Wildfire & The Shoe: Two Plays
by David PaquetWith spark and spunk, these two dark yet absurdly charming comedies offer a kaleidoscopic perspective of those who are destined to go down a lonely path and those who choose to share the weight of others’ journeys. In Wildfire, three odd triplets, two misfits, and one misunderstood woman are all burning with solitude and desire. Through an exploration of heredity and fate, these seemingly ordinary characters choose to struggle against their isolation in extraordinary yet relatable ways. In The Shoe, a weary mother, her perplexing son, their shy dentist, and his cocktail-sipping receptionist find themselves drawn together to face problems too daunting to deal with alone. From meltdowns to moments of tenderness, each of them are called on to find reserves of strength and empathy they never knew they had.
Wilhelm Meister's Apprenticeship: Goethe, Collected Works
by Johann Wolfgang Von Eric A. BlackallThe story centers on Wilhelm, a young man living in the mid-1700s who strives to break free from the restrictive world of economics and seeks fulfillment as an actor and playwright. Along with Eric Blackall's fresh translation of the work, this edition contains notes and an afterword by the translator that aims to put this novel into historical and artistic perspective for twentieth-century readers while showing how it defies categorization.
Wilhelm Tell
by William F. Mainland Johann Christoph Friedrich von SchillerWhen Schiller completed his play, Wilhelm Tell, as a "New Year's Gift for 1805" he foretold that it would cause a stir. He was right. In the midst of Great Power politics a play which drew substance from one of the fourteenth-century liberation movements proved both attractive and inflammatory. Since then the work as become immensely popular. This new English translation by William F. Mainland brings out the essential tragi-comic nature of Wilhelm Tell but also emphasizes its impressive formal unity. Schiller based his play on chronicles of the Swiss liberation movement, in which Wilhelm Tell played a major role. Since Tell's existence has never been proven, Schiller, a historian by profession, felt he had to devise a figure who would bring the uncertainties and contradictions of the various Swiss chronicles into focus. Respected for his courage and skill with a bow, for his peaceable nature and his integrity, Schiller's archer--while always ready to aid his fellows--habitually seeks solitude. In the midst of political turmoil Wilhelm Tell is the nonpolitical man of action. Keenly interested in the problematic interplay of history and legend, Schiller turned it to be dramatic advantage. He constructed his play to illustrate the greatest possible development of the character traits suggested for Tell by the chronicles. The result of Schiller's supreme achievement in historical drama.
Will
by Maria BoydTHE CRIME It all started when Will mooned the girls' school bus. It wasn't his finest moment. And it's the last time William Armstrong will sully the St. Andrew's community, says Principal Waddlehead-er, Waverton. THE PUNISHMENT That's when a teacher worried about Will's home situation comes up with an idea. Why not let Will, a talented guitarist, give back to the school in a progressive manner? Why not have him play in . . . THE SCHOOL MUSICAL? THE MUSICAL Now Will is stuck in the school production ofThe Boy Friend. He's a laughingstock, and he has to give up his weekends for a show set at a girls' finishing school. THE PLAYERS There's the trombone-playing seventh grader who proclaims himself Will's best friend and refuses to leave his side. Then there's the undeniably attractive leading lady. Although she might be in love with her costar, the new football hero (and dazzling singer!). Sharp-witted, funny, and poignant all at once, this is the story of a boy going through a difficult time who, in a most unlikely way, discovers the person he truly wants to be.
Will I Live Tomorrow?: The Making of The Black Tulip
by Sonia Nassery ColeWhen Sonia Nassery Cole set out to film The Black Tulip in her homeland of Afghanistan, she knew the odds were against her; she was told time and time again that filming inside a war zone would be impossible. What she didn't anticipate was how intent the Taliban and its sympathizers were on halting the film's production-the crew encountered extortion, government corruption, kidnapping attempts, and death threats, even with around-the-clock security. Her cinematographer fled after two days, and many others followed.After 9/11, Cole wrote The Black Tulip, based on a true story of a real Afghan family. The plot was simple: After 2001, when the Taliban was routed, an Afghan family opened The Poet's Corner-a restaurant with an open microphone for all to read poetry, perform music, and tell their stories. But the Taliban didn't approve, and the family's new-found hope proved fleeting as it struggled to maintain the restaurant and vibrant way of life. Selected as Afghanistan's official submission for the Best Foreign Language Film at the 2010 Academy Awards, The Black Tulip is a modern portrait of Afghanistan that captures the plight and resilience of its people.Without financial support from a studio or anyone else, Cole self-financed the film by mortgaging her home and selling her belongings. Then, with everything on the line, she left for Kabul to make the impossible possible and set out to gather the right people who would risk their lives and willingly be part of the production.In Will I Live Tomorrow?: The Making of The Black Tulip, Cole gives an intimate look into what went on behind the scenes of making a controversial film in the heart of a war-ravaged country-the looming terror the Taliban creates among Afghans everywhere and the challenges and fear the cast and crew faced every day.Will I Live Tomorrow? is a memoir about one woman's struggle to make a difference in a violent world.
Will in the World: How Shakespeare Became Shakespeare
by Stephen GreenblattHow does a young man from a small provincial town move to London in the late 1580s and in a remarkably short time, become the greatest playwright of all time?
Will in the World: How Shakespeare Became Shakespeare
by Stephen Greenblatt"Greenblatt knows more about [Shakespeare] than Ben Jonson or the Dark Lady did."--John Leonard, ?Harper's A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? How did Shakespeare become Shakespeare? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world's greatest playwright. ?A Pulitzer Prize and National Book Award Finalist.
Will Power: How To Act Shakespeare In 21 Days
by John Basil Stephanie GunningThousands of young people set their sights on becoming professional actors each year, hoping to get a foot in the door with a solid resume built in high school, college, and local theatre company productions. But competition for parts is fierce, and no list of credits is complete without competency in the classical works of Shakespeare. Will Power guides both professional actors and aspirants through a lively 21-day rehearsal process leading up to the day of an actual audition or performance. Actors need never again be confused about where to begin or how to follow through when developing a Shakespearean role. Clear stepping stones have been laid out before them-by Shakespeare himself. Even seasoned actors, familiar with verse, are fascinated when they learn about the acting clues and stage directions embedded in the original First Folio text of Shakespeare's work, in the form of particular punctuation, capitalized letters, and spelling. Putting actors on their feet in dynamic and fun rehearsals, this practical guide helps them develop the 7 Cs of acting: commitment, concentration, conditioning, control, confidence, courage, and clarity while also demystifying how to perform these these magnificently crafted plays.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. GillWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work. Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes. Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. Gill'Yes, she will: this vivid, honest memoir by a great actress and a natural writer goes down a treat' Tom StoppardWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work. Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes. Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
Will She Do?: Act One of a Life on Stage (Eileen Atkins)
by Eileen Atkins'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' A. A. GillWill She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress.Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work.Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, class, youthful ambition, big dreams and what really goes on behind the scenes.Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner. Her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.
William Forsythe: A Tool For The Analytical Dance Eye
by Senta DriverFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
William Forsythe and the Practice of Choreography: It Starts From Any Point
by Steven SpierWilliam Forsythe’s reinvigoration of classical ballet during his 20-year tenure at the Ballett Frankfurt saw him lauded as one of the greatest choreographers of the postwar era. His current work with The Forsythe Company has gone even further to challenge and investigate fundamental assumptions about choreography itself. William Forsythe and the Practice of Choreography presents a diverse range of critical writings on his work, with illuminating analysis of his practice from an interdisciplinary perspective. The book also contains insightful working testaments from Forsythe’s collaborators, as well as a contribution from the choreographer himself. With essays covering all aspects of Forsythe’s past and current work, readers are provided with an unparalleled view into the creative world of this visionary artist, as well as a comprehensive resource for students, scholars, and practitioners of ballet and contemporary dance today.