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Toronto's Local Movie Theatres of Yesteryear: Brought Back to Thrill You Again
by Doug Taylor2017 Theatre Library Association Book Awards — Nominated, Richard Wall Memorial Award 2017 Heritage Toronto Book Award — Nominated Slip once more into the back rows of the favourite movie theatres of your youth. “Brought Back to Thrill You Again” was an advertisement employed by theatres to disguise that they were offering older films that were past their prime. In the 1950s a sign appeared outside Loew’s Downtown (the Elgin) displaying these commonly used words. The theatre was screening Gone With the Wind, released in 1939. However, in this instance the claim was accurate, as the film did indeed thrill audiences one more time. Similar to this cinematic classic, this book will thrill you again as it brings back memories of Toronto’s old movie theatres. Relive the experience of sitting in their darkened auditoriums, witnessing the adventure, comedy, and romance of the silver screen. Most of the theatres have been demolished, but to visually recreate them, the book includes 128 historic pictures of the theatres — exteriors, marquees, colourful neon signs, and auditoriums — many of the photos never before published in books or on the internet.
The Total Work of Art: From Bayreuth to Cyberspace
by Matthew Wilson SmithThe Total Work of Art provides a broad survey that incorporates many canonical artists into a single narrative. With particular attention to the influence of the Total Work of Art on modern theatre and performance, this brief introduction will also be of interest to students in such fields as film studies, music history, history of art, cultural studies, and modern European literatures.
Touch and the Masquerades of Nigeria (Mask - A Release Of Acting Resources Ser. #Vol. 4)
by David Griffiths D. GriffithsFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
A Touch of the Poet
by Eugene O'NeillWritten in 1936, but first staged posthumously in the late fifties, this play is the sole survivor of an ambitious cycle of plays spanning several generations of one "far from model" American family. The author received the Nobel Prize for Literature in 1936 and four Pulitzer Prizes.
Touched Bodies: The Performative Turn in Latin American Art
by Mara Polgovsky EzcurraWhat is the role of pleasure and pain in the politics of art? In Touched Bodies, Mara Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy. Based on original documents and innovative readings, her book brings politics and ethics to the discussion of artistic developments during the “long 1980s”. She describes the rise of performance art in the context of feminism, HIV-activism, and human right movements, taking a close look at the work of Diamela Eltit and Raúl Zurita from Chile, León Ferrari and Liliana Maresca from Argentina, and Marcos Kurtycz, the No Grupo art collective, and Proceso Pentágono from Mexico. The comparative study of the work of these artists attests to a performative turn in Latin American art during the 1980s that, like photography and film before, recast the artistic field as a whole, changing the ways in which we perceive art and understand its role in society.
Tough Case
by David S. CraigSixteen-year-old Dane and his mom have relocated to Nova Scotia hoping to flee an abusive relationship with Dane’s father. In the midst of this, Dane has been getting into trouble with the law. He’s been caught breaking into and vandalizing an elderly woman’s home and is about to be charged with a host of serious offences unless he participates in a court-ordered restorative-justice program. With dreams of joining the military, Dane decides to co-operate so a criminal record won’t follow him. There he meets Nessa, a social worker who grew up in a tough north Halifax housing project and the only person able to connect with Dane. A contemporary story about one teen’s journey through the restorative justice system, a mother fighting for her son, the scared and angry victims of a senseless crime, and the mediator who helps them all come together.
TOUGH COOKIES
by Edward Crosby WellsPlease add item description: Short Play, Comedy / 3W /Unit Set Set in the formerly oil-rich desert Southwest, this play explores the lives of two generations of women living under one roof. The story centers on Jo who, after her father dies, takes in her feisty mother. The dialogue between them and with a long-time neighbor is, at once, outrageously funny and heart-breakingly tragic. These women tear and rip into each other¿s psyche with reckless abandon and something barely resembling love. The cookies in question may or may not be poisoned, but just beneath the surface these women hide a more potent poison¿the deadly venom accumulated over years of unfulfilled dreams mixed with the sudden and bitter acceptance of a life unrealized. If you like your tragedies hysterically funny then take a bite of this.
Touring Performance and Global Exchange 1850-1960: Making Tracks (Routledge Advances in Theatre & Performance Studies)
by Gilli Bush-BaileyThis collection uncovers connections and coincidences that challenge the old stories of pioneering performers who crossed the Atlantic and Pacific oceans from the mid-nineteenth to the mid-twentieth century. This book investigates songlines, drama, opera, music theatre, dance, and circus—removing traditional boundaries that separate studies of performance, and celebrating difference and transformation in style, intention, and delivery. Well known, or not known at all, travelling performers faced dangers at sea and hazardous journeys across land. Their tracks, made in pursuit of fortune and fame, intersected with those made by earlier storytellers in search for food. Making Tracks takes a fresh look at such tracks—the material remains—demonstrating that moving performance does far more than transfer repertoires and people; it transforms them. Touring performance has too often been conceived in diasporic terms, as a fixed product radiating out from a cultural centre. This collection maps different patterns—ones that comprise reversed flows, cross currents, and continually proliferating centres of meaning in complex networks of global exchange. This collection will be of great interest to scholars and students in theatre, music, drama studies and cultural history.
Touring Theatrical Productions: An International Guide
by Dinesh YadavTouring Theatrical Productions: An International Guide is a practical and comprehensive overview of planning, staging and closing international touring productions. This book offers a step-by-step chronological journal of preparing a company for international touring, from applying for international visas to returning home after a tour. It includes discussions of invitations, contracts, scheduling, health and safety, personnel, packing and shipping, certifications, insurance, travel, unions, hotels, ethics and cuisines. Each chapter is filled with guidelines, samples of paperwork and checklists to ensure the smooth running of any international tour. Written by the Production Manager and Technical Director of India’s most travelled show The Manganiyar Seduction with Can & Abel Theatres, this book includes examples, incidents and experiences of performing in over 20 countries with over 200 shows. This how-to guide will benefit Technical Directors and Production Managers of touring productions, as well as students in Production Management, Tour Management, Art Administration and Technical Theater courses.
Touring Variety in the Asia Pacific Region, 1946–1975 (Transnational Theatre Histories)
by Jonathan BollenAviation extended the horizon of international touring across Asia and the Pacific in the 1950s and 1960s. Nightclubs in Hong Kong, Manila, Melbourne, Singapore, Sydney, Tokyo, and Taipei presented an international array of touring acts. This book investigates how this happened. It explores the post-war formation of the Asia Pacific region through international touring and the transformation of entertainment during the ‘jet age’ of aviation. Drawing on archival research across the region, Bollen investigates how touring variety forged new relations between artists, audiences, and nations. Mapping tours and tracing networks by connecting fragments, he reveals how versatile artists translated repertoire in circulation as they toured, and how entrepreneurial endeavours harnessed the production of national distinction to government agendas. He argues that touring variety on commercial circuits diversified the repertoire in regional circulation, anticipating the diversity emerging in state-sanctioned multiculturalisms, and driving the government-construction of national theatres for cultural diplomacy.
(toward) a phenomenology of acting
by Phillip ZarrilliIn (toward) a phenomenology of acting, Phillip Zarrilli considers acting as a ‘question’ to be explored in the studio and then reflected upon. This book is a vital response to Jerzy Grotowski’s essential question: "How does the actor ‘touch that which is untouchable?’" Phenomenology invites us to listen to "the things themselves", to be attentive to how we sensorially, kinesthetically, and affectively engage with acting as a phenomenon and process. Using detailed first-person accounts of acting across a variety of dramaturgies and performances from Beckett to newly co-created performances to realism, it provides an account of how we ‘do’ or practice phenomenology when training, performing, directing, or teaching. Zarrilli brings a wealth of international and intercultural experience as a director, performer, and teacher to this major new contribution both to the practices of acting and to how we can reflect in depth on those practices. An advanced study for actors, directors, and teachers of acting that is ideal for both the training/rehearsal studio and research, (toward) a phenomenology of acting is an exciting move forward in the philosophical understanding of acting as an embodied practice.
Toward A Just Pedagogy Of Performance: Historiography, Narrative, And Equity In Dramatic Practice (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Charles O’MalleyThis book is a compendium of resources largely by and for artists and scholars interested in engaging in conversations of justice, diversity, and historiography in the fields of theatre and performance studies. For these students, and for the future instructors in our field who will use this book, we hold a tripartite hope: to expand, to enable, and to provide access. In its whole, we intend for this book to provoke its readers to question the narratives of history that they’ve received (and that they may promulgate) in their artistic and scholarly work. We aim to question methods and ethics of reading present in the western mode of studying drama and performance history. The contributions in the book—not traditional chapters, but manifestos, experiences, articles, conversations, and provocations—raise questions and illuminate gaps, and they do not speak in a unified voice or from a static position. These pieces are written by artists, graduate students, teachers, administrators, and undergraduates; these are expressions of hope and of experience, and not of dogma. This book is aimed toward instructors of undergraduates, both graduate students and faculty at all levels of seniority within theatre and performance studies, as well as at artists and practitioners of the art that wish to find more just ways of viewing history.
Towards a Cultural Philology: "Phedre" and the Construction of 'Racine'
by Amy Wygant"Amy Wygant reads Racine's ""Phedre"" (1677) through an analysis of its 17th-century cultural contexts and a consideration of its subsequent reception history. She explores the construction of Racinian language as ""musical"", the poetics of the Racinian gaze, and Racine's labyrinthine eros of memory and forgetting. Reference is made to Lully's operas, the battle between the advocates of colour and the champions of drawing in the Royal Academy of Painting and Sculpture, and Le Notre's centreless garden labyrinth at Versailles. These close textual and contextual studies relate the detail of the tragedy to the conceptual sweep of 17th-century absolutism. Wygant's interdisciplinary study draws on the music history, as well as on emblematics, the history of the formal garden and the arts of memory. Racine's great threnody, the ""recit de Theramene"", is shown as representative of expressions of loss which lie at the root of early modern literature."
Towards a Poor Theatre (Eyre Methuen Dramabooks Ser.)
by Jerzy GrotowskiOriginally published in 1968, Jerzy Grotowski's groundbreaking book is available once again. As a record of Grotowski's theatrical experiments, this book is an invaluable resource to students and theater practioners alike.
Towards a Theatrical Jurisprudence
by Marett LeiboffThis book brings the insights of theatre theory to law, legal interpretation and the jurisprudential to reshape law as a practice of response and responsibility. Confronting a Baconian antitheatrical legality embedded in its jurisprudences and interpretative practices, Marett Leiboff turns to theatre theory and practice to ground a theatrical jurisprudence, taking its cues from Han-Thies Lehmann’s conception of the post-dramatic theatre and the early work of theatre visionary Jerzy Grotowski. She asks law to move beyond an imagined ideal grounded in Aristotelian drama and tragedy, and turns to the formation of the legal interpreter ・ lawyer, judge, jurisprudent ・ as fundamental to understanding what’s “noticed” or not noticed in law. We “notice” most easily through that which is written into the body of the legal interpreter, in a way that can’t be replicated through law’s standard practices of thinking and reasoning. Without more, thinking and reasoning are the epitome of antitheatricality legality; a set of theatrical antonyms, including transgression and instinct, offer instead a set of possibilities through which to reconceive assumptions and foundational concepts etched into the legal imaginary. And by turning to critical dramaturgy, the book reveals that the liveliness that sits behind theatrical jurisprudence isn’t a new concept in law at all, but has a long pedigree and lineage that had been lost and hidden. Theatrical jurisprudence, which demands an awareness of self and beyond self, grounds a responsiveness that can’t be found within doctrine, principle, or the technocratic, but also challenges us to notice what it is we think we know as well as what we know of lives in law that aren’t our own. The book will be of interest to scholars and students in the field of jurisprudence, legal theory, theatre and performance studies, cultural studies and philosophy.
Towards a Third Theatre: Eugenio Barba and the Odin Teatret
by Ian WatsonEugenio Barba is one of Europe's leading theatre directors, at the forefront of experimental and group theatre for more than twenty years. Ian Watson provides the most comprehensive and systematic study of Barba's work, including his training methods, dramaturgy, productions and theories, as well as his work at the International School of Theatre Anthropology.
Towards an Ecocritical Theatre: Playing the Anthropocene (Routledge Environmental Humanities)
by Mohebat AhmadiTowards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world’s iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies.
Towards Embodied Performance: Directing and the Art of Composition
by Rachel DicksteinTowards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance.Through historical context, the author’s 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work. Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based on text analysis and character wants and needs, and the “auteur” director, whose work might focus on visual spectacle at the expense of text or character objectives. This book argues that the director of embodied performance fuses these two approaches, acting as the author of the event. In Part I, readers will explore the core elements of embodied performance – space, time, body, language, and action – through a lens that bridges traditional directing methodology with experimental, devised, collaborative theatre-making. Part II provides examples of this embodied practice by multi-disciplinary artists in visual and sound installation, video and film, dance-theatre, and new music/opera, including such artists as Shirin Neshat, James Turrell, Bill T. Jones, Janet Cardiff, Okwui Okpokwasili, William Kentridge, and Heather Christian. Part III suggests creative prompts and exercises for performance makers to engage the visual, physical, textual, and sonic in compositional storytelling on stage.Towards Embodied Performance is an invaluable resource for theatre directors, devisers, and generative artists at all levels from students to teachers, from early-career to mid-career artists. Directors, actors, choreographers, designers, composers, writers, scholars, and engaged audience members can all use this text to explore collaboratively created performance that invites its audience into the ripest version of the present moment.
Towards Good Lighting for the Stage: Aesthetic Theory for Theatrical Lighting Design
by Marcus DoshiTowards Good Lighting for the Stage: Aesthetic Theory for Theatrical Lighting Design explores the theoretical underpinnings of effective lighting design from conceptualization to live performance. Through an investigation of the author’s own aesthetic point of view—grounded in a broad investigation of art and design that blends pop culture and fine art, theory, and practice—this book documents the author’s thinking on the design process to fill the unexplored gap between an aesthetic philosophy and its expression in composition. Redefinitions of the artist, artwork, and spectator link beauty and artistic efficacy to arrive at a set of principles for assessment that demand that contemporary lighting design surpass utilitarian visibility to become a vital part of the total artwork that is a theatrical production. Inspired by the movements of the broader art and design worlds of the mid-19th century through present day—citing influences as diverse as Jennifer Tipton, Lois Tyson, Dieter Rams, and Dave Hickey—this book charts a course from the artistic team’s dramaturgical work to a solo studio concept to the tech table. Engaging and wide-ranging, Towards Good Lighting for the Stage synthesizes years of cross-disciplinary research and case studies of the author’s own work into provocative reading for practitioners of lighting design, advanced students, and academics, as well as those interested in connecting theatrical practice, aesthetic theory, and visual art.
The Tower of London in English Renaissance Drama: Icon of Opposition (Literary Criticism and Cultural Theory)
by Kristen DeiterThe Tower of London in English Renaissance Drama historicizes the Tower of London's evolving meanings in English culture alongside its representations in twenty-four English history plays, 1579-c.1634, by William Shakespeare, Christopher Marlowe and others. While Elizabeth I, James I, and Charles I fashioned the Tower as a showplace of royal authority, magnificence, and entertainment, many playwrights of the time revealed the Tower's instability as a royal symbol and represented it, instead, as an emblem of opposition to the crown and as a bodily and spiritual icon of non-royal English identity.
Toyer
by Gardner MckayDrama / Characters: 1 male, 1 femaleThis psychological thriller is a favorite in acting workshops. It is a mind game play. Toyer is someone who toys; he is a mass paralyzer who toys with his victims. He does not murder or rape, he seduces and them immobilizes. Following productions in Los Angles and the Actors Studio, it was produced at the Eisenhower Theatre and the Kennedy Center with Kathleen Turner and Brad Davis, directed by Tony Richardson. . "Strong stuff. . .Outlandish mind games. Riveting, breathtaking."-Herald Examiner . "A classic mystery that always keeps you guessing on the edge of your seat."- Variety . "Powerful."- The Washington Post . "Deeply disturbing and entirely relevant."- NPR
trace
by Jeff Ho"I support you when you need, so that you support me when I need." An elegant and sweeping story of a Chinese family’s history, trace follows the footsteps of four generations as their homes and identities are challenged. Jeff Ho brings life to his great grandmother, grandmother, and mother through considerate storytelling as they recount their pasts, leading to a paralleled present. Great Grandmother fled the Japanese during World War II by escaping China into Hong Kong, a traumatic event that’s rippled down the family line. Grandmother married into the family after a childhood of poverty that will always stay with her. Mother decided to leave Hong Kong for Canada with her two sons, pursuing more opportunities, though dissatisfied with her son’s desire to focus on the piano rather than math. Though pain is a constant, there are plenty of wisecracks, games of mah jong, and familiar family anecdotes swirling through Ho’s genealogical journey of survival.
The trace of the fire
by Claudio CalzoniThe trace of the fire by Claudio Calzoni The trace of the fire: from Notre Dame to the Mole Antonelliana. The trace of the fire There is a trace of the fire behind the death of so many people, the destruction of monuments that guard the memory of Humanity and a relic, the most important that Christianity has preserved for millennia. The chess game between Good and Evil has begun. The players move their pieces. Whoever puts the King in check will win. It is not easy to find but the trace of Fire is in the air...
The Trachinian Maidens
by SophoclesThe Trachinian Maidens' (also 'Women of Trachis' or 'The Trachiniae') is an Athenian tragedy by Sophocles, in which Deianeira, the wife of Heracles, is distraught over her husband's neglect of her family. Unable to cope with the thought of losing him, she decides to use a love charm on him, a magic potion that will win him back.