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Tracing Stars
by Erin E. MoultonA charming novel about sisterhood, self-identity, and friendship from the author of Flutter Indie Lee Chickory knows she's not as cool as her older sister Bebe. Bebe has more friends, for one. And no one tells Bebe she's a fish freak, for two. So when Indie accidentally brings her pet lobster to school, makes a scene, loses him in the ocean and embarrasses Bebe worse than usual, she makes a wish on a star to become a better Chickory. She tries to do this by joining the stage crew of the community's theater production, The Sound of Music. (Bebe has a starring role.) But Bebe is worried that Indie will embarrass her again, so she gives her a makeover and tells her who she should be friends with. That means Owen is out. But he's fun and smart, so Indie keeps her friendship with him a secret. At night, Indie and Owen rebuild a tree house into a ship in the sky to catch Indie's pet lobster. But during the day, Indie has to hide her friendship with Owen. When things come to a head, Indie realizes that being true to yourself is more important than being cool. But what's even more surprising is that Bebe realizes it, too.
Tracing Your Theatrical Ancestors: A Guide for Family Historians
by Katharine M. CockinAn essential source of reference for researchers trying to uncover the theatrical experience of one of their forebears. How can you find out about the lives of ancestors who were involved in the world of theater: on stage and on film, in the music halls and traveling shows, in the circus and in all sorts of other forms of public performance? Katharine Cockin’s handbook provides a fascinating introduction for readers searching for information about ancestors who had clearly defined roles in the world of the theater and performance as well as those who left only a few tantalizing clues behind. The wider history of public performance is outlined, from its earliest origins in church rituals and mystery plays through periods of censorship driven by campaigns on moral and religious grounds up to the modern world of stage and screen. Case studies, which are a special feature of the book, demonstrate how the relevant records and be identified and interpreted, and they prove how much revealing information they contain. Information on relevant archives, books, museums and websites make this an essential guide for anyone who is keen to explore the subject.
Tradition & Change Performance (Musical Performance Ser. #Vols. 2, Pts. 2.)
by TsaoFirst published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Tradition of the Actor-author in Italian Theatre
by Donatella Fischer"The central importance of the actor-author is a distinctive feature of Italian theatrical life, in all its eclectic range of regional cultures and artistic traditions. The fascination of the figure is that he or she stands on both sides of one of theatre's most important power relationships: between the exhilarating freedom of performance and the austere restriction of authorship and the written text. This broad-ranging volume brings together critical essays on the role of the actor-author, spanning the period from the Renaissance to the present. Starting with Castiglione, Ruzante and the commedia dell'arte, and surveying the works of Dario Fo, De Filippo and Bene, among others, the contributors cast light on a tradition which continues into Neapolitan and Sicilian theatre today, and in Italy's currently fashionable 'narrative theatre', where the actor-author is centre stage in a solo performance."
Traditional Japanese Theater: An Anthology Of Plays (Translations From The Asian Classics Series)
by Karen Brazell James T. ArakiThis is a collection of the most important genres of Japanese performance -- noh, kyogen, kabuki, and bamrili puppet theater -- in one comprehensive, authoritative volume. <P><P>Organized by genre, each section features a rich selection of representative plays and explorations into each theatrical style and is prefaced by an illustrative essay covering a wide range of subjects, from stage direction to musical accompaniment. <P><P>With classic and new translations of more than thirty plays and scenes -- along with Brazell's detailed, historically rich supplementary material and copious illustrations -- no better anthology exists for students of this most fascinating and diverse dramatic tradition.
Traditional Medicine in the Irish Literary Revival: The Works of W.B. Yeats, Augusta Gregory, and J. M. Synge (New Directions in Irish and Irish American Literature)
by Holly May Walker-DunseithThis book explores representations of traditional medicine and healing practices in Irish Revival-era literature spanning from the late nineteenth century to the early twentieth century. Specifically, the book focuses on the work of William Butler Yeats, Lady Augusta Gregory, and John Millington Synge. The author examines folk medical practices and analyses how folk medicine appears in literature, bringing to light fresh contexts and materials including diaries, letters, folklore collections, and medical texts. By writing the first book to explore the place of traditional medicine in Irish literature, Walker-Dunseith sheds light on a distinctive area of Irish life and practice that gestures towards the possibility of a culture and nation in the act of healing itself and questioning nationalistic discourses.
Traditioneller Fortschritt: Das Stuttgarter Hoftheater, die elektrische Moderne und die Großstadt (1851-1912) (Szene & Horizont. Theaterwissenschaftliche Studien #7)
by Miriam HöllerDie Studie über das Stuttgarter Hoftheater denkt Theater und Stadt zur Zeit der Elektrifizierung um 1900 zusammen. Welchen Einfluss hatte die Theatertechnik auf die werdende Großstadt? Wie wurde umgekehrt das Theater durch die Urbanisierung und Technisierung der Stadt geprägt? Die Studie untersucht anhand historischer Quellen diese Wechselbeziehung über die Analyse neuer räumlich-materieller Vernetzungen. Außerdem analysiert sie kollektive Großstadt-Imaginationen, die zwischen 1902 und 1912 bei der Planung eines Theaterneubaus in Stuttgart aufkamen und die insbesondere über die Architektur und Technik des Theaters verhandelt wurden. Zentral war dabei eine Aushandlung im Spannungsfeld von Tradition und Moderne. So zeigt die Studie, dass auch ein Hoftheater fern der Metropolen als Ort der Moderne erfahren werden konnte, und leistet somit am Schnittpunkt von Theater-, Technik-, Stadt- und Kulturgeschichte einen Beitrag zur Erforschung der Vielfalt des deutschen Theaters um 1900.
Traditions of Medieval English Drama (Routledge Library Editions: Medieval Culture, Society, & Religion)
by Stanley J. KahrlOriginally published in 1974, this book examines in detail some of the finest plays from the great cycles of York, Wakefield and Chester. By considering the plays as plays rather than literary relics of a past age, he throws new light both on their aims and intentions as drama and on the intriguing problems of stage techniques. The major morality plays of the period are discussed not only for the interest of their content but for their effectiveness as theatre. Throughout the book the author stresses the richness and strength of a drama which, despite its small corpus of plays, survived as popular drama for several hundred years.
The Tragedie of Macbeth: The Folio of 1623 (Timeless Shakespeare)
by James RigneyThe Shakespearean Originals Series takes as its point of departure the question: "What is it that we read Shakespeare?" The answer may seem self-evident: we read the words that Shakespeare wrote. But do we? In the case of all the major editions of Shakespeare available in the market, the fact of the matter is that many of the words that we read in an edition of, say, Hamlet, never appeared in the text as it was printed during or shortly after Shakespeare's own lifetime. They are the interpetations and interpolations of a series of editors who have been systematically changing Shakespeare's text from the eighteenth century onwards. This volume offers the text of Macbeth, as printed in the 1623 First Folio.
The Tragedies of Euripides
by EuripidesIn this volume of Euripides tragedies you will find the pays Hecuba, Orestes, The Phúnician Virgins, Medea, Hippolytus, Alcestis, The Bacchae, The Heracleidae, Iphigenia in Aulis, and Iphigenia in Tauris.
The Tragedies of Shakespeare
by William ShakespeareContains the complete text of such Shakespeare tragedies as Romeo and Juliet, King Lear, and Macbeth.
The Tragedies Volume One: Richard III, Coriolanus, King Lear, and Julius Caesar (The\complete Works Of Shakespeare Ser.)
by William ShakespeareThese timeless plays by the great Bard of Elizabethan drama explore the hubris of four powerful men who ultimately bring about their own undoing.Richard III: Through coldblooded guile, hunchbacked royal Richard III assumes the throne of England and will stop at nothing to maintain his rule. But he will pay a price for his machinations in this historical play set in the era of the Wars of the Roses.Coriolanus: The common people of the Roman Republic are rebelling against the elite, but war hero Coriolanus has no patience for those he considers beneath him. When this contempt leads to his exile, his thirst for revenge threatens the very state he once served.King Lear: An aged king attempts to shake off his responsibilities while retaining his stature. Rewarding the flattery of his two elder daughters even as he banishes his youngest for speaking the truth, Lear is led into exile and madness as his country descends into civil war.Julius Caesar: Roman generalJulius Caesar is basking in the glow of military triumph—but his friend Brutus has fallen in with a band of conspirators who argue the general&’s ambitions may soon give way to tyranny. Agreeing to join in Caesar&’s assassination, Brutus&’s betrayal unleashes tragic consequences.
The Tragedies Volume Two: Othello, Macbeth, Henry IV Part One, and Henry IV Part Two
by William ShakespeareFour plays by the revered Elizabethan dramatist tell of men driven to evil by ambition and jealousy—and of one who escapes the dangers of bad influence.Othello: A powerful general in the Venetian army, Othello the Moor is despised by his scheming ensign, Iago, who devises a plan to destroy him. Newly married to Desdemona, Othello is led to believe she has been unfaithful—and his jealous rage leads to tragic consequences.Macbeth: When three witches foretell that Macbeth will be king of Scotland, he does not wait for destiny to run its course. Instead, he and his wife plot to kill the presiding king, an act that will realize their ambitions—and bring them to ruin.Henry IV Part One: This historical play chronicles the rebellions faced by the medieval king of England Henry IV, as well asthe maturation of his son, Prince Hal.The prince indulges in a carefree life with the comical rogue Falstaff but must eventually cast aside his recklessness and live up to his royal destiny.Henry IV Part Two: As Henry IV&’s health grows weaker, Prince Hal&’s ability to assume the crown remains in doubt. The prince&’s friendship with the drunk and thieving Falstaff threatens to be his undoing. Now he faces a choice that will determine not only his own future, but also that of England
Tragedy (The New Critical Idiom)
by John DrakakisTragedy is one of the oldest and most resilient forms of narrative. Considering texts from ancient Greece to the present day, this comprehensive introduction shows how tragedy has been re-imagined and redefined throughout Western cultural history. Tragedy offers a concise history of tragedy tracing its evolution through key plays, prose, poetry and philosophical dimensions. John Drakakis examines a wealth of popular plays, including works from the ancient Greeks, Shakespeare, Bertolt Brecht, Sarah Kane and Tom Stoppard. He also considers the rewriting and appropriating of ancient drama though a wide range of authors, such as Chaucer, George Eliot, Ted Hughes and Colm Tóibín. Drakakis also demystifies complex philosophical interpretations of tragedy, including those of Hegel, Kierkegaard, Nietzsche and Benjamin. This accessible resource is an invaluable guide for anyone studying tragedy in literature or theatre studies.
Tragedy (The\critical Idiom Reissued Ser. #1)
by Clifford LeechProfessor Leech considers the significance of the term ‘Tragedy’ as it has been used from classical times to the present day. He gives examples of tragic writing from a wide variety of dramatic literatures and relates theoretical writings on tragedy and the tragedies that have been contemporaneous with them. Free reference is made to critics from Aristotle to these of the present. Special stress is laid on the tragedies of the Greeks, of Renaissance writers and of our immediate contemporaries, notably Harold Pinter and Tom Stoppard. There is also discussion of tragic writing in the modern novel.
Tragedy (The Critical Idiom Reissued #1)
by Clifford LeechFirst published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day. Beginning with an overview of the meaning of tragedy in Europe through the ages, it goes on to explore common aspects of tragedies such as the tragic hero, the chorus and unities, catharsis, peripeteia, anagnorisis and suffering. This book will be of interest to anyone studying European drama and literature.
Tragedy: A Very Short Introduction
by Adrian PooleTo your local anchorperson, the word "tragedy" brings to mind an accidental fire at a low-income apartment block, the horrors of a natural disaster, or atrocities occurring in distant lands. To a classicist however, the word brings to mind the masterpieces of Sophocles, Shakespeare, and Racine; beautiful dramas featuring romanticized torment. What has tragedy been made to mean by dramatists, storytellers, philosophers, politicians, and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This lively and engaging work presents an entirely unique approach which shows the relevance of tragedy to today's world, and extends beyond drama and literature into visual art and everyday experience. Addressing questions about belief, blame, mourning, revenge, pain, and irony, noted scholar Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering.
Tragedy and Enlightenment: Athenian Political Thought and the Dilemmas of Modernity (Classics and Contemporary Thought #4)
by Christopher RoccoThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997.
Tragedy And Philosophy
by Walter KaufmannA critical re-examination of the views of Plato, Aristotle, Hegel and Nietzsche on tragedy. Ancient Greek tragedy is revealed as surprisingly modern and experimental, while such concepts as mimesis, catharsis, hubris and the tragic collision are discussed from different perspectives.
Tragedy and Redress in Western Literature: A Philosophical Perspective (Routledge Research in Aesthetics)
by Richard GaskinThis book offers a unique interpretation of tragic literature in the Western tradition, deploying the method and style of Analytic philosophy. Richard Gaskin argues that tragic literature seeks to offer moral and linguistic redress (compensation) for suffering. Moral redress involves the balancing of a protagonist’s suffering with guilt (and vice versa): Gaskin contends that, to a much greater extent than has been recognized by recent critics, traditional tragedy represents suffering as incurred by avoidable and culpable mistakes of a cognitive nature. Moral redress operates in the first instance at the level of the individual agent. Linguistic redress, by contrast, operates at a higher level of generality, namely at the level of the community: its fundamental motor is the sheer expressibility of suffering in words. Against many writers on tragedy, Gaskin argues that language is competent to express pain and suffering, and that tragic literature has that expression as one its principal purposes. The definition of tragic literature in this book is expanded to include more than stage drama: the treatment stretches from the Classical and Medieval periods through to the early twentieth century. There is a special focus on Sophocles, but Gaskin takes account of most other major tragic authors in the European tradition, including Homer, Aeschylus, Euripides, Virgil, Seneca, Chaucer, Marlowe, Shakespeare, Corneille, Racine, Lessing, Goethe, Schiller, Kleist, Büchner, Ibsen, Hardy, Kafka, and Mann; lesser-known areas, such as Renaissance neo-Latin tragedy, are also covered. Among theorists of tragedy, Gaskin concentrates on Aristotle and Bradley; but the contributions of numerous contemporary commentators are also assessed. Tragedy and Redress in Western Literature: A Philosophical Perspective offers a new and genuinely interdisciplinary perspective on tragedy that will be of considerable interest both to philosophers of literature and to literary critics.
Tragedy and Trauma in the Plays of Christopher Marlowe (Studies in Performance and Early Modern Drama)
by Mathew R. MartinContending that criticism of Marlowe’s plays has been limited by humanist conceptions of tragedy, this book engages with trauma theory, especially psychoanalytic trauma theory, to offer a fresh critical perspective within which to make sense of the tension in Marlowe’s plays between the tragic and the traumatic. The author argues that tragedies are trauma narratives, narratives of wounding; however, in Marlowe’s plays, a traumatic aesthetics disrupts the closure that tragedy seeks to enact. Martin’s fresh reading of Massacre at Paris, which is often dismissed by critics as a bad tragedy, presents the play as deliberately breaking the conventions of the tragic genre in order to enact a traumatic aesthetics that pulls its audience into one of the early modern period’s most notorious collective traumatic events, the massacre of French Huguenots in Paris in 1572. The chapters on Marlowe’s six other plays similarly argue that throughout Marlowe’s drama tragedy is held in tension with-and disrupted by-the aesthetics of trauma.
Tragedy in Ovid
by Dan CurleyOvid is today best known for his grand epic, Metamorphoses, and elegiac works like the Ars Amatoria and Heroides. Yet he also wrote a Medea, now unfortunately lost. This play kindled in him a lifelong interest in the genre of tragedy, which informed his later poetry and enabled him to continue his career as a tragedian - if only on the page instead of the stage. This book surveys tragic characters, motifs and modalities in the Heroides and the Metamorphoses. In writing love letters, Ovid's heroines and heroes display their suffering in an epistolary theater. In telling transformation stories, Ovid offers an exploded view of the traditional theater, although his characters never stray too far from their dramatic origins. Both works constitute an intratextual network of tragic stories that anticipate the theatrical excesses of Seneca and reflect the all-encompassing spirit of Roman imperium.
The Tragedy of Antony and Cleopatra (New Kittredge Shakespeare Ser.)
by William Shakespeare"This edition of Antony and Cleopatra gives contemporary readers access to Shakespeare’s meaning as no other edition does. While other editors may provide basic information about the historical setting of the play, Jan Blits makes palpable the shape and feel of the world in which the action unfolds. His annotations citing classical authors reveal a world of possibility that would have been available to earlier generations, that Shakespeare would have taken for granted, and that is lost on readers today. His excellent Introduction frames the drama in terms of questions regarding the relative place of the public and private in the polity’s life, the claims of the universal and the national on the allegiance of citizens, and the meaning of nobility that will be highly provocative for anyone interested in Shakespeare as a political thinker." —Joseph Alulis, North Park University
The Tragedy of Coriolanus (Focus Philosophical Library)
by William ShakespeareIntended for a wide audience, Jan Blits&’s edition of Shakespeare's The Tragedy of Coriolanus differs from other such editions by focusing upon ancient sources to highlight the play&’s setting during the founding of the Roman Republic. In doing so it sheds new light on both the action of the play and the historical and political significance of its setting.