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The Tragedye of Solyman and Perseda: Edited from the Original Texts with Introduction and Notes (Routledge Revivals)
by John J. MurrayPublished in 1991 The Tragedye of Solyman and Perseda is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. This volume contains the original text along with textual and critical notes.
Tragic Conditions in Shakespeare: Disinheriting the Globe (Rethinking Theory)
by Paul A. KottmanPaul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest. The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved. According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing "but growth itself" before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike. Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.
Tragic Muse
by Rachel BrownsteinThe great nineteenth-century tragedienne known simply as Rachel was the first dramatic actress to achieve international fame. Composing her own persona with the same brilliance and passion she demonstrated on stage, she virtually invented the role of "star. " Rumors of her extravagant life offstage delighted the audiences who flocked to theaters in Boston and Paris, London and Moscow, to see her perform in the tragedies of Racine and Corneille. InTragic Muse, Rachel M. Brownstein reveals the life ofla grande Racheland explores—at the boundary of biography, fiction, and cultural history—the connections between this self-dramatizing woman and her image. Born to itinerant Jewish peddlers in 1821, Rachel arrived on the Paris stage at the age of fifteen. She became both a symbol of her culture’s highest art and a clue to its values and obsessions. Fascinated with all things Napoleonic, she was the mother of Napoleon’s grandson and the lover of many men connected to the emperor. Her story—the rise from humble beginnings to queen of the French state theater—echoes and parodies Napoleon’s own. She decisively controlled her career, her time, and finances despite the actions and claims of managers, suitors, and lovers. A woman of exceptional charisma, Rachel embodied contradiction and paradox. She captured the attention of her time and was memorialized in the works of Matthew Arnold, Charlotte Brontë, George Eliot, and Henry James. Richly illustrated with portraits, photographs, and caricatures,Tragic Musecombines brilliant literary analysis and exceptional historical research. With great skill and acuity, Rachel M. Brownstein presents Rachel—her brief intense life and the image that was both self-fashioned and, outliving her, fashioned by others. First published by Knopf (1993), this book will attract a broad audience interested in matters as wide ranging as the construction of character, the cult of celebrity, women’s lives, and Jewish history. It will also be of enduring interest to readers concerned with nineteenth-century French culture, history, literature, theater, and Romanticism. Tragic Musewon the 1993 George Freedley Award presented by the Theater Library Association.
Tragic Pathos
by Dana Lacourse MunteanuScholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes a different purpose for the two emotions and mode of presentation and, to a degree, understanding of them. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions.
Tragic Resistance: Feminist Agency in Performance (Routledge Advances in Theatre & Performance Studies)
by Megan SheaTragic Resistance analyzes playwrights, directors, and performers who shatter gender norms to gain agency within the patriarchal institutions restricting them.The artists in this book work against the tragic narratives that would otherwise constrict them: the tragedy of Antigone unmade by Judith Malina, the history of "The Venus Hottentot" pulled into the present in Suzan-Lori Parks's Venus, the narrative of the rape "victim" eschewed in Emma Sulkowicz's performances, the story of brides jilted by the homophobic state government in the case of Annie Sprinkle and Beth Stephens, the tragedy of Anna Nicole as told by Margaret Cho, and the reclamation of the female body from traditional hip hop by Nicki Minaj. All these performers and performances subvert traditional notions of gendered roles that people should or could hold.This book examines the nature of these performances to interrogate how theatrical and performative resistance works and why performance might be a vehicle for altering patriarchal structures that withhold agency from women and trans/genderqueer+ people.
Tragic Seneca: An Essay in the Theatrical Tradition
by A. J. BoyleTragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition.Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus, analysing the declamatory form of the plays, their rhetoric, interiority, stagecraft and spectacle, dramatic, ideological and moral structure and their overt theatricality. Each of Seneca's plays is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture.The later chapters focus on Seneca's influence on Italian, English and French drama of the Renaissance. A.J. Boyle argues that tragedians such as Cinthio, Kyd, Marlowe, Shakespeare, Webster, Corneille, and Racine owe a debt to Seneca that goes beyond allusion, dramatic form and the treatment of tyranny and revenge to the development of the tragic sensibility and the metatheatrical mind.Tragic Seneca attempts to restore Seneca to a central position in the European literary tradition. It will provide readers and directors of Seneca's plays with the essential critical guide to their intellectual, cultural and dramatic complexity.
Tragic Time in Drama, Film, and Videogames
by Rebecca BushnellThis book explores how classical and Shakespearean tragedy has shaped the temporality of crisis on the stage and in time-travel films and videogames. In turn, it uncovers how performance and new media can challenge common assumptions about tragic causality and fate. Traditional tragedies may present us with a present when a calamity is staged, a decisive moment in which everything changes. However, modern performance, adaptation and new media can question the premises of that kind of present crisis and its fatality. By offering replays or alternative endings, experimental theatre, adaptation, time travel films and videogames reinvent the tragic experience of irreversible present time. This book offers the reader a fresh understanding of tragic character and agency through these new media's exposure of the genre's deep structure.
The Tragical History of Hamlet Prince of Denmark
by William Shakespeare A. R. BraunmullerHamlet, Prince of Denmark is faced by a ghost bearing a grim message of murder and revenge, driving the prince to the edge of madness by his struggle to understand the situation and to do his duty.
Trailblazers: Raising Theater to New Heights (Trailblazers)
by Kurtis ScalettaMeet history's trailblazers! Get inspired by the true story of the creator of the Broadway blockbuster, Hamilton! A biography series for kids who loved Who Was? and are ready for the next level.On July 19, 2015,Lin-Manuel Miranda stepped out on the Broadway stage in Hamilton. His show about Alexander Hamilton, featuring hip hop, R&B, and other music styles, became one of the most successful musicals of all time! Find out how the boy who loved performing blazed a trail in theater!Trailblazers celebrates the lives of amazing pioneers, past and present, from all over the world. What kind of trail will you blaze?Don't miss the other Trailblazers biographies, including Beyoncé, J. K. Rowling, and Simone Biles.
The Train Driver and Other Plays
by Athol Fugard"For me [The Train Driver] is the biggest of them all. Everything I have written before has been a journey to this."-Athol Fugard"A dramatic, moving theater experience written for South Africa. . . . It will save us from hopelessness. See it."-Sunday IndependentThe Train Driver is classic Athol Fugard, and one of his most important plays. The playwright, known throughout the world as a chronicler of his native South Africa's apartheid past, directed its premiere at the newly opened Fugard Theater in one of Cape Town's most politically contentious areas. This seminal work was inspired by the true story of a mother who, with her three children, committed suicide on the train tracks in Cape Town. The two-person drama unfolds between the train's engineer and the grave digger who buries "the ones without names." This edition also includes Coming Home, Fugard's first work addressing AIDS in South Africa, and Have You Seen Us? his first play set in America, about a South African transplanted to San Diego, where the playwright currently resides.Athol Fugard's works includes Blood Knot, Master Harold. . .and the Boys, Boesman and Lena, Sizwe Banzi is Dead and My Children! My Africa! He has been widely produced in South Africa, London, on Broadway, and across the United States.
Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach (Routledge Voice Studies)
by Tara McAllister-VielContemporary actor training in the US and UK has become increasingly multicultural and multilinguistic. Border-crossing, cross-cultural exchange in contemporary theatre practices, and the rise of the intercultural actor has meant that actor training today has been shaped by multiple modes of training and differing worldviews. How might mainstream Anglo-American voice training for actors address the needs of students who bring multiple worldviews into the training studio? When several vocal training traditions are learned simultaneously, how does this shift the way actors think, talk, and perform? How does this change the way actors understand what a voice is? What it can/should do? How it can/should do it? Using adaptations of a traditional Korean vocal art, p’ansori, with adaptations of the "natural" or "free" voice approach, Tara McAllister-Viel offers an alternative approach to training actors’ voices by (re)considering the materials of training: breath, sound, "presence," and text. This work contributes to ongoing discussions about the future of voice pedagogy in theatre, for those practitioners and scholars interested in performance studies, ethnomusicology, voice studies, and intercultural theories and practices.
The Training of Noh Actors and The Dove (Mask - A Release Of Acting Resources Ser. #Vol. 2)
by David GriffithsFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Training of the American Actor
by Arthur BartowSuccessful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.--from the introductionThe first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today's foremost practitioners.Presented in this volume are:* Lee Strasberg's Method by Anna Strasberg, Lee's former student, widow, and current director of The Lee Strasberg Theatre Institute * Stella Adler Technique by Tom Oppenheim, Stella's grandson and artistic director of the Stella Adler Institute in New York * Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University * Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia * Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen's tutelage at the Herbert Berghof (HB) Studio * Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself * The Viewpoints by Mary Overlie, the creator of Viewpoints theory * Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school * Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School * Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York UniversityArthur Bartow is the artistic director of the Department of Drama at New York University's Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director's Voice.
Trance Speakers: Femininity and Authorship in Spiritual Séances, 1850-1930
by Claudie MassicotteFew people know that Susanna Moodie participated in spiritual séances with her husband, Dunbar, and her sister, Catharine Parr Traill. Moodie, like many other women, found in her communications with the departed an important space to question her commitment to authorship and her understanding of femininity. Retracing the history of possession and mediumship among women following the emergence of spiritualism in mid-nineteenth-century Canada – and unearthing a vast collection of archival documents and photographs from séances – Claudie Massicotte pinpoints spiritualism as a site of conflict and gender struggle and redefines modern understandings of female agency. Trance Speakers offers a new feminist and psychoanalytical approach to the religious and creative practice of trance, arguing that by providing women with a voice for their conscious and unconscious desires, this phenomenon helped them resolve their inner struggles in a society that sought to confine their lives. Drawing attention to the fascinating history of spiritualism and its persistent appeal to women, Massicotte makes a strong case for moving this practice out of the margins of the past. A compelling new reading of spiritual possession as a response to conflicting interpretations of authorship, agency, and gender, Trance Speakers shines a much-needed light on women’s religious practices and on the history of spiritualist traditions and travels across North America and Europe.
Transatlantic Broadway: The Infrastructural Politics of Global Performance (Transnational Theatre Histories)
by M. SchweitzerTransatlantic Broadway traces the infrastructural networks and technological advances that supported the globalization of popular entertainment in the pre-World War I period, with a specific focus on the production and performance of Broadway as physical space, dream factory, and glorious machine.
Transatlantic Broadway
by Marlis SchweitzerTransatlantic Broadway traces the infrastructural networks and technological advances that supported the globalization of popular entertainment in the pre-World War I period, with a specific focus on the production and performance of Broadway as physical space, dream factory, and glorious machine. Inspired by post-humanist scholarship, this book pays heed to the non-human entities and the backgrounded or disappeared human laborers who participated in the transnational expansion of theatre networks. In particular, it examines the transnational performances of ocean liners, piers, telegraph cables, telegrams, typewriters, office spaces, newspapers, and postcards and asks how these objects, as participants in a series of complicated networks, transformed the machinery of US theatre as well as the everyday practices of those who produced and consumed it. In so doing, it identifies surprising connections between the most mundane of actions - typing a letter, turning over a postcard - and the most extraordinary - firing a torpedo, declaring war.
Transcending Boundaries: My Dancing Life (Choreography And Dance Studies #Vol. 22)
by Donald McKayle"First Published in 2002, Routledge is an imprint of Taylor & Francis, an informa company."
Transcultural Theater (Routledge Advances in Theatre & Performance Studies)
by Günther HeegTranscultural Theater outlines the idea of a transcultural theater as enabling an approximation to and an interaction with the foreign and the alien. In consideration of the allure of fundamentalist and populist movements that promote the development and practices of xenophobia worldwide, this book makes a powerful plea for the art of theater as a medium of conviviality with (the) foreign(er) that should not be underestimated. This study contributes to transcultural experience, artistic practice, and education in the medium of theater. The book’s investigation extends far into space and time and pays particular attention to the relationship between aesthetic experience, artistic practice, and academic representation. This book is for scholars and students as well as for all those working in the cultural field, especially in the field of cultural transfer.
Transfiguring Tragedy: Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays (ISSN)
by Ryder ThorntonThis book demonstrates Eugene O’Neill’s use of philosophy in the early period of his work and provides analyses of selected works from that era, concluding with The Hairy Ape, completed in 1921, as an illustration of the mastery he had achieved in dramatizing key concepts of philosophy.Analyses of one-act and full-length plays from 1913 to 1921 reveal the influence of the three philosophers and establish that O’Neill was fundamentally a philosophic playwright, even from his earliest dramatic sketches. Specific concepts from Schopenhauer, Stirner, and Nietzsche went into O’Neill’s shaping of character arcs, dramatic circumstances, symbology, and theme. Among them are Schopenhauer’s concept of will and representation, Stirner’s notion of possession, and Nietzsche’s principle of the Apollonian–Dionysian duality. These ideas were foundational to O’Neill’s construction of tragic irony apparent in his early period plays. The critical concepts of these three philosophers are the major pathways in this study. However, such an approach inevitably reveals other layers of spiritual influence, such as Catholicism and Eastern philosophy, which are touched on in these analyses.This book is a much-needed introduction to philosophic concepts in Eugene O’Neill’s early work and would be of great interest to students and scholars in theatre studies and philosophy.
Transformative Aesthetics: A New Aesthetics (Routledge Advances in Theatre & Performance Studies)
by Erika Fischer-Lichte Benjamin WihstutzAesthetic theory in the West has, until now, been dominated by ideas of effect, autonomy, and reception. Transformative Aesthetics uncovers these theories’ mutual concern with the transformation of those involved. From artists to spectators, readers, listeners, or audiences, the idea of transformation is one familiar to cultures across the globe. Transformation of the individual is only one part of this aesthetic phenomenon, as contemporary artists are increasingly called upon to have a transformative, sustainable impact on society at large. To this end, Erika Fischer Lichte and Benjamin Wihstutz present a series of fresh perspectives on the discussion of aesthetics, uniting Western theory with that of India, China, Australia, and beyond. Each chapter of Transformative Aesthetics focuses on a different approach to transformation, from the foundations of aesthetics to contemporary theories, breaking new ground to establish a network of thought that spans theatre, performance, art history, cultural studies, and philosophy.
The Transformative Power of Performance: A New Aesthetics
by Erika Fischer-LichteIn this book, Erika Fischer-Lichte traces the emergence of performance as 'an art event' in its own right. In setting performance art on an equal footing with the traditional art object, she heralds a new aesthetics. The peculiar mode of experience that a performance provokes – blurring distinctions between artist and audience, body and mind, art and life – is here framed as the breeding ground for a new way of understanding performing arts, and through them even wider social and cultural processes. With an introduction by Marvin Carlson, this translation of the original Ästhetik des Performativen addresses key issues in performance art, experimental theatre and cultural performances to lay the ground for a new appreciation of the artistic event.
Transforming Tradition: The Reform of Chinese Theater in the 1950s and Early 1960s
by Siyuan LiuShortly after the establishment of the People’s Republic of China in 1949, the PRC launched a reform campaign that targeted traditional song and dance theater encompassing more than a hundred genres, collectively known as xiqu. Reformers censored or revised xiqu plays and techniques; reorganized star-based private troupes; reassigned the power to create plays from star actors to the newly created functions of playwright, director, and composer; and eliminated market-oriented functionaries such as agents. While the repertoire censorship ended in the 1980s, major reform elements have remained: many traditional scripts (or parts of them) are no longer in performance; actors whose physical memory of repertoire and acting techniques had been the center of play creation, have been superseded by directors, playwrights, and composers. The net result is significantly diminished repertoires and performance techniques, and the absence of star actors capable of creating their own performance styles through new signature plays that had traditionally been one of the hallmarks of a performance school. Transforming Tradition offers a systematic study of the effects of the comprehensive reform of traditional theater conducted in the 1950s and ’60s, and is based on a decade’s worth of exhaustive research of official archival documents, wide-ranging interviews, and contemporaneous publications, most of which have never previously been referenced in scholarly research.
Transgression in Korea: Beyond Resistance and Control (Perspectives On Contemporary Korea)
by Juhn Young AhnSince the turn of the millennium South Korea has continued to grapple with transgressions that shook the nation to its core. Following the serial killings of Korea’s raincoat killer, the events that led to the dissolution of the United Progressive Party, the criminal negligence of the owner and also the crew members of the sunken Sewol Ferry, as well as the political scandals of 2016, there has been much public debate about morality, transparency, and the law in South Korea. Yet, despite its prevalence in public discourse, transgression in Korea has not received proper scholarly attention. Transgression in Korea challenges the popular conceptions of transgression as resistance to authority, the collapse of morality, and an attempt at self- empowerment. Examples of transgression from premodern, modern, and contemporary Korea are examined side by side to underscore the possibility of reading transgression in more ways than one. These examples are taken from a devotional screen from medieval Korea, trickster tales from the late Choson period, reports about flesheating humans, newspaper articles about same- sex relationships from colonial Korea, and films about extramarital affairs, wayward youths, and a vengeful vigilante. Bringing together specialists from various disciplines such as history, art history, anthropology, premodern literature, religion, and fi lm studies, the context- sensitive readings of transgression provided in this book suggest that transgression and authority can be seen as forming something other than an antagonistic relationship.
Transitions: A Director's Journey and Motivational Handbook
by Pete ChatmonBecoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because you've successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. Chatmon's book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: How-To, Self-Help, and Inspiration.