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Transnational Chinese Theatres: Intercultural Performance Networks in East Asia (Transnational Theatre Histories)
by Rossella FerrariThis is the first systematic study of networks of performance collaboration in the contemporary Chinese-speaking world and of their interactions with the artistic communities of the wider East Asian region. It investigates the aesthetics and politics of collaboration to propose a new transnational model for the analysis of Sinophone theatre cultures and to foreground the mobility and relationality of intercultural performance in East Asia. The research draws on extensive fieldwork, interviews with practitioners, and direct observation of performances, rehearsals, and festivals in Asia and Europe. It offers provocative close readings and discourse analysis of an extensive corpus of hitherto untapped sources, including unreleased video materials and unpublished scripts, production notes, and archival documentation.
Transnational Mobilities in Early Modern Theater (Studies in Performance and Early Modern Drama)
by Robert Henke Eric NicholsonThe essays in this volume investigate English, Italian, Spanish, German, Czech, and Bengali early modern theater, placing Shakespeare and his contemporaries in the theatrical contexts of western and central Europe, as well as the Indian sub-continent. Contributors explore the mobility of theatrical units, genres, performance practices, visual images, and dramatic texts across geo-linguistic borders in early modern Europe. Combining 'distant' and 'close' reading, a systemic and structural approach identifies common theatrical units, or 'theatergrams' as departure points for specifying the particular translations of theatrical cultures across national boundaries. The essays engage both 'dramatic' approaches (e.g., genre, plot, action, and the dramatic text) and 'theatrical' perspectives (e.g., costume, the body and gender of the actor). Following recent work in 'mobility studies,' mobility is examined from both material and symbolic angles, revealing both ample transnational movement and periodic resistance to border-crossing. Four final essays attend to the practical and theoretical dimensions of theatrical translation and adaptation, and contribute to the book’s overall inquiry into the ways in which values, properties, and identities are lost, transformed, or gained in movement across geo-linguistic borders.
Transnational Trailblazers of Early Cinema: Sarah Bernhardt, Gabrielle Réjane, Mistinguett (Cinema Cultures in Contact #5)
by Prof. Victoria Harriet DuckettA free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. At the forefront of the entertainment industries of the late nineteenth and early twentieth centuries were singular actors: Sarah Bernhardt, Gabrielle Réjane, and Mistinguett. Talented and formidable women with global ambitions, these performers forged connections with audiences across the world while pioneering the use of film and theatrics to gain international renown. Transnational Trailblazers of Early Cinema traces how these women emerged from the Parisian periphery to become world-famous stars. Building upon extensive archival research in France, England, and the United States, Victoria Duckett argues that, through intrepid business prowess and the use of early multimedia to cultivate their celebrity image, these three artists strengthened ties between countries, continents, and cultures during pivotal years of change.
Transylvanian Clockworks
by Don NigroMystery / 4m, 3f / Unit set / The author of Ravenscroft investigates the Dracula myth in a powerful, complex, darkly funny and utterly terrifying vampire play unlike any you have ever experienced. Set in London and Transylvania in 1888 the year of Jack the Ripper, it captures the erotic power and poetry of Stoker's novel while looking more deeply into the characters' souls to examine the sensual and frightening undercurrents of this captivating Victorian tale. Jonathan Harker has returned from Transylvania so profoundly disturbed that he is confined to Dr. Seward's mental hospital and Van Helsing has been called in to help unravel the mystery of Jonathan's dementia. Jonathan's version of events at Castle Dracula leads them into a horrifying nightmare involving the mysterious foreign gentleman who seems to be seducing the women in Jonathan's life. A complex labyrinth of fear, desire, violence and lurking evil spirals into a horrific and surprising conclusion. The Transylvania Clockworks is an elegant, original, subtle, poetic and exhilarating piece of Gothic theatre.
Trapsongs: Three Plays
by Shannon Bramer Sara TilleyWith an introduction by Sara TilleyFrom playwright and poet Shannon Bramer comes Trapsongs, a collection of three dark comedies that navigate the realm of the surreal and absurd.In "Monarita," an intimate friendship between Mona, a frazzled new mother, and Rita, her beloved, estranged friend, is explored. Their interaction is a dance—part ballet, part mud-fight. In "The Collectors," Hanna Parson is being harassed by three ghastly collection agents who force her to confront her debt and isolation as she struggles to create meaningful art in her dishevelled apartment. And in the tragicomedy "The Hungriest Woman in the World," Aimee, a former artist, invites her preoccupied, workaholic husband, Robert, to the theatre to see a play about a sad octopus. His refusal sends her on a dark and playful journey into the topsy-turvy world of theatre itself.Trapsongs is by turns comedic, grotesque, and profane, but is all the while a tender exploration of the human condition in all its hilarious and humbling glory. Although each of these plays is a discrete creation, they contain and hold each other like a Matryoshka doll; all of the main characters are trapped within the song of their own lives.
Trapsongs: Three Plays
by Shannon BramerWith an introduction by Sara TilleyFrom playwright and poet Shannon Bramer comes Trapsongs, a collection of three dark comedies that navigate the realm of the surreal and absurd. In "Monarita," an intimate friendship between Mona, a frazzled new mother, and Rita, her beloved, estranged friend, is explored. Their interaction is a dance—part ballet, part mud-fight. In "The Collectors," Hanna Parson is being harassed by three ghastly collection agents who force her to confront her debt and isolation as she struggles to create meaningful art in her dishevelled apartment. And in the tragicomedy "The Hungriest Woman in the World," Aimee, a former artist, invites her preoccupied, workaholic husband, Robert, to the theatre to see a play about a sad octopus. His refusal sends her on a dark and playful journey into the topsy-turvy world of theatre itself.Trapsongs is by turns comedic, grotesque, and profane, but is all the while a tender exploration of the human condition in all its hilarious and humbling glory. Although each of these plays is a discrete creation, they contain and hold each other like a Matryoshka doll; all of the main characters are trapped within the song of their own lives.
Trapsongs: Three Plays
by Shannon BramerWith an introduction by Sara TilleyFrom playwright and poet Shannon Bramer comes Trapsongs, a collection of three dark comedies that navigate the realm of the surreal and absurd.In "Monarita," an intimate friendship between Mona, a frazzled new mother, and Rita, her beloved, estranged friend, is explored. Their interaction is a dance—part ballet, part mud-fight. In "The Collectors," Hanna Parson is being harassed by three ghastly collection agents who force her to confront her debt and isolation as she struggles to create meaningful art in her dishevelled apartment. And in the tragicomedy "The Hungriest Woman in the World," Aimee, a former artist, invites her preoccupied, workaholic husband, Robert, to the theatre to see a play about a sad octopus. His refusal sends her on a dark and playful journey into the topsy-turvy world of theatre itself.Trapsongs is by turns comedic, grotesque, and profane, but is all the while a tender exploration of the human condition in all its hilarious and humbling glory. Although each of these plays is a discrete creation, they contain and hold each other like a Matryoshka doll; all of the main characters are trapped within the song of their own lives.
Trauma and Embodied Healing in Dramatherapy, Theatre and Performance
by J. F. JacquesThis edited volume explores the singularity of embodiment and somatic approaches in the healing of trauma from a dramatherapy, theatre and performance perspective.Collating voices from across the fields of dramatherapy, theatre and performance, this book examines how different interdisciplinary and intercultural approaches offer unique and unexplored perspectives on the body as a medium for the exploration, expression and resolution of chronic, acute and complex trauma as well as collective and intergenerational trauma. The diverse chapters highlight how the intersection between dramatherapy and body-based approaches in theatre and performance offers additional opportunities to explore and understand the creative, expressive and imaginative capacity of the body, and its application to the healing of trauma.The book will be of particular interest to dramatherapists and other creative and expressive arts therapists. It will also appeal to counsellors, psychotherapists, psychologists and theatre scholars.
Trauma–Informed Practices for 9-12 Theatre Education
by Jimmy Chrismon Adam W. CarterThis resource bridges the worlds of education, mental health, and the performing arts to offer a comprehensive roadmap for 9–12 theatre educators looking to promote safe, supportive, and creative spaces for their students. Written by a seasoned theatre educator and a licensed mental health clinician, this book explores trauma-informed teaching techniques tailored specifically for theatre classrooms, encompassing both acting and production processes. Chapters cover a broad range of topics, from fostering resilience in students to collaborating with caregivers, administrators, and communities across the educational journey. The authors introduce essential concepts such as intimacy direction and consent, ensuring ethical and inclusive practices. They also provide strategies for teachers to prioritize their own self-care. Core themes and objectives include: trauma-informed teaching, holistic theatre production, community engagement, ethical theatre practices, and educator wellness. Packed with practical exercises for exploration, discussion questions for book studies, and meticulously researched insights, this resource strikes a balance between therapeutic guidance and professional development. Ideal for 9–12 theatre educators in drama classrooms, after-school programs, and more, this guide equips you with the tools to support students who may have experienced trauma, empowering them in performing arts environments while maintaining healthy boundaries.
Traversing Tradition: Celebrating Dance in India (Celebrating Dance in Asia and the Pacific)
by Stephanie Burridge Urmimala Sarkar MunsiDance occupies a prestigious place in Indian performing arts, yet it curiously, to a large extent, has remained outside the arena of academic discourse. This book documents and celebrates the emergence of contemporary dance practice in India. Incorporating a multidisciplinary approach, it includes contributions from scholars, writers and commentators as well as short essays and interviews with Indian artists and performers; the latter add personal perspectives and insights to the broad themes discussed. Young Indian dance artists are courageously charting out new trajectories in dance, diverging from the time-worn paths of tradition. The classical forms of Bharatnatyam, Kathak, Odissi and Manipuri, to name a few, are rich resources for choreographers exploring contemporary dance. This volume speaks about their struggles of working within and outside tradition as they grapple with national and international audience expectations as well as their own values and sense of identity. The artists represented here continue to question the uneasy relationship that exists between the insular world of dance and outside reality. Simultaneously, they are actively creating new dance languages that are both articulate in a performative context and demand examination by researchers and critics.
Tre racconti gay
by Mari Hegger Annalisa GallucciTre racconti di tre ragazzi che non si conoscono ma hanno molto amore nei loro cuori. Il primo ragazzo, Alessandro, porta dentro il peso e il dolore di essere innamorato di un suo amico di scuola, Fábio, ma i loro destini saranno travolti dalle lacrime. Nel secondo racconto, l'autore tratta di una storia d'amore tra due ragazzi che durò tre mesi, ma che sembrava sarebbe durata per tutta la vita. In questo racconto, il personaggio principale imparerà una lezione: non innamorarti di qualcuno che ti amerà sino ad incontrare una persona migliore. Nell'ultimo racconto, si parlerà di un matrimonio. Un ragazzo molto coraggioso, e innamorato, farà un grande passo avanti e una domanda pericolosa al suo innamorato.
Tres cuentos de Shakespeare
by Charles Y LambLos Cuentos de Shakespeare, escritos por los hermanos Charles y Mary Lamb a principios del siglo XIX, en pleno auge del romanticismo, son un clásico de la literatura inglesa, adaptaciones brillantes y autónomas que han contribuido a difundir y a realzar la modernidad imperecedera de William Shakespeare. Sirvan como muestra los tres que aquí ofrecemos: «Macbeth», «Romeo y Julieta» y «Hamlet, Príncipe de Dinamarca».
Tres cuentos gays
by Mari Hegger Mauricio SantosEl libro tiene tres historias que involucran tres chicos que no conocen, pero que comparten el deseo de amar. El primero es un niño llamado Alessandro, quien tiene la carga y el dolor de haber caído en el amor con su colega Fabio escuela, giros implican su destino de lágrimas. En la segunda historia, el autor cuenta la historia de tres meses de salir con dos hijos, su amor parecía ser algo para toda la vida. En este libro el personaje principal va a aprender una gran lección: no hacer cita con alguien que te ame incluso encontrar algo mejor. Finalmente una historia que implica el matrimonio, donde un niño muy valiente y apasionada hará una pregunta grande y peligroso para su amada.
Tres días en Septiembre
by Luna Miller Daniel Martín del Campo M/O¿Has sentido alguna vez un anhelo desesperado por algo o por alguien? Quizás no siempre sabemos lo que deseamos, a pesar de que la sensación sea ensordecedoramente fuerte, así es como siente Gabriel, y como el artista joven, muy atractivo y demasiado inquieto que es, ignora ese sentimiento y se va a una aldea desierta en Ludvika para desarrollar una idea de trabajo. Bueno, nada resultará como lo piensa, de repente, él es una de las piezas de un juego donde cada movimiento parece tener consecuencias fatales, consecuencias que se ramifican en una ciudad aparentemente soñolienta. A una velocidad acelerada, Anna, Kessa, Lea, Johan y Niklas pronto enfrentarán su destino, es una novela que trata de la amistad, el amor y la aventura en ciernes, pero también de la manipulación, la infidelidad, la violencia y la muerte. Después de estos tres días en septiembre, no habrá vuelta atrás.
Tres, dos uno... ¡Se abre el telón! (Cole de locos #Volumen 6)
by Dashiell Fernández Pena¡Sexta aventura del cole más loco, una divertida serie de primeras lecturas sobre la escuela, la familia y los amigos! Preparar una obra de teatro no es nada fácil, y menos todavía cuando cada uno hace lo que quiere. Lucas ha modificado el guion incluyendo sus bromas habituales, Asim no consigue recordar su parte y las gemelas no logran actuar de forma creíble. La coordinación es un drama, pero Carlos (con la ayuda de su padre), se encargará de poner orden y conseguir hacer una buenísima actuación. ¡Que empiece la función!
Tribes
by Nina RaineIn Tribes, Billy, who is deaf, is the only one who actually listens in his idiosyncratic, fiercely argumentative bohemian family. But when he meets Sylvia, who is going deaf, he decides he finally wants to be heard. With excoriating dialogue and sharp, compassionate insights, Nina Raine crafts a penetrating play about belonging, family and the limitations of communication. Nominated for both the Olivier and Evening Standard Awards for Best Play, Tribes premiered at the Royal Court Theatre in London in 2011. Under the direction of David Cromer, the comic drama is currently receiving its North American premiere in New York City at Barrow Street Theatre through June 3, 2012.
Trickster Theatre: The Poetics of Freedom in Urban Africa (African Expressive Cultures)
by Jesse Weaver ShipleyTrickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustler who stands at the crossroads between personal desires and collective obligations. Shipley examines the interplay between on-stage action and off-stage events to show how trickster theatre shapes an evolving urban world.
Trilogy of Resistance
by Antonio NegriWith Trilogy of Resistance, the political philosopher Antonio Negri extends his intervention in contemporary politics and culture into a new medium: drama. The three plays collected for the first time in this volume dramatize the central concepts of the innovative and influential thought he has articulated in his best-selling books Empire and Multitude, coauthored with Michael Hardt. In the tradition of Bertolt Brecht and Heiner Müller, Negri&’s political dramas are designed to provoke debate around the fundamental questions they raise about resistance, violence, and tyranny. In Swarm, the protagonist searches for an effective mode of activism; with the help of a Greek-style chorus, she tries on different roles, from the suicide bomber and party apparatchik to the multitude. The Bent Man, set in fascist Italy, focuses on a woodcutter who resists fascism by bending himself in two and using his own now-twisted body as a weapon against war. In Cithaeron, perhaps the most audacious of the three plays, Negri reworks Euripides&’s Bacchae to explore the circumstances that would compel a diverse and creative community to withdraw from both the despotic government that constrains it and the traditional family relationships that reinforce that despotism.First published in France in 2009 and featuring an introduction by Negri, Trilogy of Resistance provides a direct and passionate distillation of Negri&’s concepts and offers insights into one of the most important projects in political philosophy currently under way, as well as a timely reminder of the power of theater to effectively dramatize complex and challenging ideas.
Triplet
by Kitty JohnsonComedy \ 3 f. \ Int. \ This insightful look at growing up female takes place on a wedding day. As the bride gets ready for the big event, she converses with herself as a 13-year-old princess and as a 21-year-old virgin. The "three" reveal various truths about themselves, their lives as they thought they would be and as they actually are. This is a wonderful play by a distinct and clever voice.
Triptych and Iphigenia: Two Plays (Books That Changed the World)
by Edna O'BrienTwo plays by the acclaimed Irish author: an adaption of Euripides and an “emotionally bruising drama” of three women obsessed with the same man (The New York Times).TriptychWith searing acuity, O’Brien presents the story of three women—a mistress, a wife, and a daughter—who are all helplessly drawn to Henry: their lover, husband, and father. While Henry himself never appears, his specter is never absent as these women confront the ways that love can simultaneously liberate and entrap. Triptych is a powerful work that explores sex, marriage, and predatory relationships.IphigeniaIn this modern take on the Greek tragedy, O’Brien takes creative license with Euripides’s tale of a daughter sacrificed for the sake of war. This taut, contemporary version presents, in O’Brien’s own words, “a more equal representation of the power and presence of both male and female characters” (Edna O’Brien, Independent, UK).“Intriguingly original . . . emotionally brave and engagingly clever.” –R. Hurwitt, The San Francisco Chronicle
Tristan
by Don NigroFull Length, Drama / 3 m, 3 f / Unit set. / A mysterious young girl appears at the aging Pendragon mansion in Armitage, Ohio one night in the midst of a storm and is rescued by Rhys. This young man is enchanted by the girl, but the servant girl Sara, who loves Rhys, resents her, and Rhys's parents are disturbed by her resemblance to a sorceress who was driven from the house long ago. Betrayal and family violence follow in this darkly powerful chapter in the author's series the Pendragon Plays
Troilus and Cressida
by William Shakespeare Stephen Orgel A. R. Braunmuller Jonathan CreweThe acclaimed Pelican Shakespeare series edited by A. R. Braunmuller and Stephen Orgel The legendary Pelican Shakespeare series features authoritative and meticulously researched texts paired with scholarship by renowned Shakespeareans. Each book includes an essay on the theatrical world of Shakespeare’s time, an introduction to the individual play, and a detailed note on the text used. Updated by general editors Stephen Orgel and A. R. Braunmuller, these easy-to-read editions incorporate over thirty years of Shakespeare scholarship undertaken since the original series, edited by Alfred Harbage, appeared between 1956 and 1967. With definitive texts and illuminating essays, the Pelican Shakespeare will remain a valued resource for students, teachers, and theater professionals for many years to come. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Troilus and Cressida
by William Shakespeare Paul Werstine Barbara MowatFor Troilus and Cressida, set during the Trojan War, Shakespeare turned to the Greek poet Homer, whose epic poems the Iliad and the Odyssey treat the war and its aftermath, and to Geoffrey Chaucer, author of The Canterbury Tales and the great romance of the war, Troilus and Criseyde. The authoritative edition of Troilus and Cressida from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Jonathan Gil Harris The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu.
Troilus and Cressida
by William Shakespeare Stephen Orgel"I feel that I have spent half my career with one or another Pelican Shakespeare in my back pocket. Convenience, however, is the least important aspect of the new Pelican Shakespeare series. Here is an elegant and clear text for either the study or the rehearsal room, notes where you need them and the distinguished scholarship of the general editors, Stephen Orgel and A. R. Braunmuller who understand that these are plays for performance as well as great texts for contemplation." (Patrick Stewart) The distinguished Pelican Shakespeare series, which has sold more than four million copies, is now completely revised and repackaged. Each volume features: * Authoritative, reliable texts * High quality introductions and notes * New, more readable trade trim size * An essay on the theatrical world of Shakespeare and essays on Shakespeare's life and the selection of texts
Troilus and Cressida
by William ShakespeareThe story of the Trojan War unfolds from the perspectives of Troilus and Cressida—a Trojan prince and his true love, one of whom is traded to the Greeks as part of a prisoner exchange.