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Troilus and Cressida
by William ShakespeareIt is the seventh year of the Trojan War. The Greek army is camped outside Troy and Achilles - their military hero - refuses to fight. Inside the city Troilus, the Trojan King's son, falls in love with Cressida, whose father has defected to the Greek camp. In an exchange of prisoners the couple are split - they believe forever. The honour of lovers and soldiers is tested as a fierce battle begins and heroes must prove their worth.
Troilus and Cressida (Dover Thrift Editions: Plays)
by William ShakespeareA tragedy of jealousy and betrayal as well as a satire of the consequences of greed and lust, this drama unfolds amid the violent desperation of the Trojan War. After seven years of bloodshed, few illusions remain about the glory of war. The fate of two young lovers - Troilus, a Trojan prince, and Cressida, the fickle daughter of a traitorous priest - is intertwined with the exploits of Ulysses, Achilles, and other immortal figures of classical mythology.Based in part on Chaucer's Troilus and Criseyde, Shakespeare's work offers a darker and more cynical vision than its predecessor. Comic, tragic, and ironic by turns, the drama shifts between the intimacy of the central romance to the broader perspective of the armies' pointless skirmishes. Frequently regarded as the most modern of Shakespeare's dramas, the play debunks heroic ideals and delivers a powerful statement about the futility of war.
Troilus and Cressida (Modern Library Classics)
by William Shakespeare Jonathan Bate Eric RasmussenEminent Shakespearean scholars Jonathan Bate and Eric Rasmussen provide a fresh new edition of this classic tragedy of politics and war, honor and love--along with more than a hundred pages of exclusive features, including: * an original Introduction to Troilus and Cressida* incisive scene-by-scene synopsis and analysis with vital facts about the work* commentary on past and current productions based on interviews with leading directors, actors, and designers* photographs of key RSC productions* an overview of Shakespeare's theatrical career and chronology of his plays Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century.From the Trade Paperback edition.
Troilus and Cressida (The New Cambridge Shakespeare)
by William Shakespeare Anthony B. DawsonLargely neglected during the eighteenth and nineteenth centuries, Troilus and Cressida has recently been proven popular on the stage as well as in studies. In this edition, Dawson views the play from a performance perspective--through commentary as well as in a detailed section on stage history featured in the introduction. His textual choices are often surprising but based on thoughtful analysis.
Trojan Women (Greek Tragedy in New Translations)
by Euripides Alan Shapiro Peter BurianAmong surviving Greek tragedies only Euripides' Trojan Women shows us the extinction of a whole city, an entire people. Despite its grim theme, or more likely because of the centrality of that theme to the deepest fears of our own age, this is one of the relatively few Greek tragedies that regularly finds its way to the stage. Here the power of Euripides' theatrical and moral imagination speaks clearly across the twenty-five centuries that separate our world from his. The theme is really a double one: the suffering of the victims of war, exemplified by the woman who survive the fall of Troy, and the degradation of the victors, shown by the Greeks' reckless and ultimately self-destructive behavior. It offers an enduring picture of human fortitude in the midst of despair. Trojan Women gains special relevance, of course, in times of war. It presents a particularly intense account of human suffering and uncertainty, but one that is also rooted in considerations of power and policy, morality and expedience.
Tropes and the Literary-Scientific Revolution: Forms of Proof (Routledge Studies in Renaissance Literature and Culture)
by Michael SlaterTropes and the Literary-Scientific Revolution: Forms of Proof argues that the rise of mechanical science in the seventeenth century had a profound impact on both language and literature. To the extent that new ideas about things were accompanied by new attitudes toward words, what we commonly regard as the “scientific revolution” inevitably bore literary dimensions as well. Literary tropes and forms underwent tremendous reassessment in the seventeenth century, and early modern science was shaped just as powerfully by contest over the place of literary figures, from personification and metaphor to anamorphosis and allegory. In their rejection of teleological explanations of natural motion, for instance, early modern philosophers often disputed the value of personification, a figural projection of interiority onto what was becoming increasingly a mechanical world. And allegory—a dominant mode of literature from the late Middle Ages until well into the Renaissance—became “the vice of those times,” as Thomas Rymer described it in 1674. This book shows that its acute devaluation was possible only in conjunction with a distinctively modern physics. Analyzing writings by Sidney, Shakespeare, Bacon, Jonson, Brahe, Kepler, Galileo, Hobbes, Descartes, and more, it asserts that the scientific revolution was a literary phenomenon, just as the literary revolution was also a scientific one.
Troubling Traditions: Canonicity, Theatre, and Performance in the US
by Lindsey MantoanTroubling Traditions takes up a 21st century, field-specific conversation between scholars, educators, and artists from varying generational, geographical, and identity positions that speak to the wide array of debates around dramatic canons. Unlike Literature and other fields in the humanities, Theatre and Performance Studies has not yet fully grappled with the problems of its canon. Troubling Traditions stages that conversation in relation to the canon in the United States. It investigates the possibilities for multiplying canons, methodologies for challenging canon formation, and the role of adaptation and practice in rethinking the field’s relation to established texts. The conversations put forward by this book on the canon interrogate the field’s fundamental values, and ask how to expand the voices, forms, and bodies that constitute this discipline. This is a vital text for anyone considering the role, construction, and impact of canons in the US and beyond.
Trout Stanley
by Claudia DeyDescribed by Variety as 'Yukon Gothic,' Claudia Dey's acclaimed Trout Stanley is set in northern British Columbia, on the outskirts of a mining town between Misery Junction and Grizzly Alley. In this inhospitable setting live a pair of sisters, twins who are not identical in any way: Sugar, a complicated, insecure waif who still wears the tracksuit her mother died in ten years prior, and Grace, a rough-and-tumble hellcat who owns the local dump. At the play's opening, it is their thirtieth birthday, and the TV news has announced the disappearance of a local Scrabble-champ stripper. While Grace is at the dump, housebound Sugar is surprised by a mysterious drifter, one Trout Stanley, foot fetishist and fake cop, who is searching for the lake where his parents drowned - a fishy story if there ever was one. He quickly becomes mired in a surreal love triangle with the two sisters.Trout Stanley is about three people who confuse codependence for co-operation and afliction for affection. An eccentric, captivating story in which the biggest catch of all is love. Lavishly illustrated by Jason Logan. 'Trout Stanley stands out from the crowd ... Dey, whose language has always been striking and whose dramaturgy has sharpened with every play she's written, here delivers a masterwork.' - The National Post
Truculentus: The Fierce One
by David Christenson PlautusThe play Truculentus provides an introduction to the world of Roman comedy from one of its best practitioners, Plautus. As with all Focus translations, the emphasis is on an inexpensive, readable edition that is close to the original, with an extensive introduction, notes and appendices.
True Love Lies
by Brad FraserSparking a series of further revelations, the sudden reappearance of David exposes suppressed emotions and desires in everyone and the family must renegotiate their relationships with each other and, ultimately, redefine their family. In sharp, non-stop dialogue, Brad Fraser brings each of his characters to life with a depth, humour, and emotion that tears open the nuclear family and finds the heart that is often lost and forgotten.
True Relations
by Frances E. DolanIn the motley ranks of seventeenth-century print, one often comes upon the title True Relation. Purportedly true relations describe monsters, miracles, disasters, crimes, trials, and apparitions. They also convey discoveries achieved through exploration or experiment. Contemporaries relied on such accounts for access to information even as they distrusted them; scholars today share both their dependency and their doubt. What we take as evidence, Frances E. Dolan argues, often raises more questions than it answers. Although historians have tracked dramatic changes in evidentiary standards and practices in the period, these changes did not solve the problem of how to interpret true relations or ease the reliance on them. The burden remains on readers.Dolan connects early modern debates about textual evidence to recent discussions of the value of seventeenth-century texts as historical evidence. Then as now, she contends, literary techniques of analysis have proven central to staking and assessing truth claims. She addresses the kinds of texts that circulated about three traumatic events--the Gunpowder Plot, witchcraft prosecutions, and the London Fire--and looks at legal depositions, advice literature, and plays as genres of evidence that hover in a space between fact and fiction. Even as doubts linger about their documentary and literary value, scholars rely heavily on them. Confronting and exploring these doubts, Dolan makes a case for owning up to our agency in crafting true relations among the textual fragments that survive.
True and False
by David MametInvent nothing, deny nothing, speak up, stand up, stay out of school. With these words, one of our most brilliantly iconoclastic playwrights takes on the art of profession of acting, in a book that is as shocking as it is practical, as witty as it is instructive, and as irreverent as it is inspiring. Acting schools, "interpretation," "sense memory," "The Method"--David Mamet takes a jackhammer to the idols of contemporary acting, while revealing the true heroism and nobility of the craft. He shows actors how to undertake auditions and rehearsals, deal with agents and directors, engage audiences, and stay faithful to the script, while rejecting the temptations that seduce so many of their colleagues. Bracing in its clarity, exhilarating in its common sense, True and False is invaluable.From the Trade Paperback edition.
Trusting Performance
by Naomi RokotnitzAn epistemological inquiry into the dynamics of interpersonal trust-relations, combining philosophy, science, and critical theory in the analysis of performing bodies - on stage and in life. Rokotnitz argues for the exploration of drama as a conduit to emotional learning that can change the somatic identity of performers and audiences alike.
Try: Communion/Was Spring/Small Things
by Daniel MacivorIn Communion, a recovering alcoholic and her estranged daughter try to negotiate a new relationship in spite of vastly different lifestyles; Was Spring tells the story of three women who suffered a tragic accident years ago; and Small Things explores how the little differences keep us from understanding each other.
Trying to Find Chinatown
by David Henry HwangDavid Henry Hwang has the potential to become the first important dramatist of American public life since Arthur Miller, and maybe the best of them all. -Detroit NewsDavid Henry Hwang has created an extraordinary body of work over the last twenty years: the Tony Award-winning play, M. Butterfly; the OBIE Award-winning and 1998 Tony nominated Golden Child; the libretti to The Voyage (included here) and 1000 Airplanes on the Roof (both for composer Philip Glass); and the book to Aida, which he coauthored. He has received fellowships from the Rockefeller and Guggenheim foundations, the National Endowment for the Arts, the New York State Council on the Arts and The Pew /TCG National Artists Residency Program.This eight-play collection includes:FOB: "fresh off the boat" explores the conflicts between old and new worldsThe Dance and the Railroad: a haunting play about the inhuman conditions of railroad workers in the 1860s American WestFamily Devotions: a biting work which probes the religious conflicts in a modern Chinese-American familyThe Sound of a Voice: a meditation on the traditional roles of man and woman set in feudal JapanThe House of Sleeping Beauties: a reworking of a novella by Yasunari KawabataThe Voyage: the libretto to the opera by Philip Glass, which examines Columbus's arrival in AmericaBondage: a one-act set in an S&M parlor, which examines racial stereotypes and sexual mythsTrying to Find Chinatown: a two-person play, in which two Asian-American men-one searching for his Asian heritage, the other trying to shake himself free-meet by chance in New York City"David Henry Hwang knows America-its vernacular, its social landscape, its theatrical traditions. He knows the same about China. In his plays, he manages to mix both of these conflicting cultures until he arrives at a style that is wholly his own. Hwang's works have the verve of the well-made American stage comedies and yet, with little warning, they bubble over into the mystical rituals of Asian stagecraft. By at once bringing West and East into conflict and unity, this playwright has found the perfect
Três dias em Setembro
by Luna MillerTrês dias em Setembro Uma história acerca de amizade florescente, amor e aventura, mas também acerca de infidelidade, violência e morte, que tem lugar durante três dias em Setembro. Não sentimos já todos, alguma vez, uma saudade desesperada por algo ou alguém? Talvez não saibamos sempre por quem ou por quê a sentimos embora o sentimento seja avassaladoramente forte. É isso que sente Gabriel. Mas como o artista ainda jovem, atraente e muito inquieto que é, ignora o sentimento e afasta-se, em vez disso, para uma cabana vazia em Ludvika a fim de desenvolver uma ideia. Enquanto ali está, porém, nada acontece como tinha pensado. Subitamente vê-se como uma das peças num jogo em que, cada movimento, parece ter consequências fatais. Consequências que se espalham sobre a até então sonolenta vila. Em velocidade acelerada, Anna, Kessa, Lea, Johan e Niklas são conduzidos aos seus destinos. Aqui se fala de amizade florescente, amor e aventura, mas também de manipulação, infidelidade, violência e morte. Depois destes três dias em Setembro, não há regresso possível.
Tu aimes mourir?
by Federico RomanoDouze racontes à la première et à la troisième personne. Les personnages bougent sur une ficelle pour maintenir l'équilibre entre fantasme et réalité.
Turkey in the Straw
by Jack SharkeyMusical \ 9 m., 7 f. \ Simple staging. \ How can a trapped troupe of performers on the straw hat circuit salvage a Broadway bound turkey without the producer author discovering they're changing the show behind his back? And how will the lovelorn set painter make the egotistic leading man fall for her? He has a passion for his co-star, a movie queen, he finagled into the show without the producer's knowledge. And how can a heavy handed "message" musical about tolerance and love for aliens from other planets be turned into a smash hit in the show with in the show? A bright, tuneful show you'll enjoy doing with sprightly dialogue and lyrics.
Turks, Repertories, and the Early Modern English Stage (Early Modern Literature in History)
by Mark HutchingsThis book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.
Turn That Thing Off!: Collaboration and Technology in 21st-Century Actor Training
by Rose Burnett Bonczek Roger Manix David StorckAs personal technology becomes ever-present in the classroom and rehearsal studio, its use and ubiquity is affecting the collaborative behaviors that should underpin actor training. How is the collaborative impulse being distracted and what kind of solutions can re-establish its connections? The daily work of a theater practitioner thrives on an ability to connect, empathize, and participate with other artists. This is true at every level, from performing arts students to established professionals. As smartphones, social media, and other forms of digital connectedness become more and more embedded in daily life, they can inhibit these collaborative, creative skills. Turn That Thing Off! Collaboration and Technology in 21st-Century Actor Training explores ways to foster these essential abilities, paving the way for emerging performers to be more present, available, and generous in their work.
Turn for the Nurse
by Rick AbbotFarce / 5m, 5f / Interior / Lovelorn millionaire Oliver Stratton can't recall the name and address of the only woman he'll ever love and decides to go to Tibet leaving his fortune to nurse Peggy. This causes the entire household (no-good nephew Derek, his lover Sylvia, Oliver's noble son George, Oliver's lady lawyer and even the butler and maid) to devise complex ways to get the will changed in their favor or get into the safe containing the estate's liquidated assets in cold cash. When the Tibetan lamasery recruiter comes to claim Oliver, Derek plots to convince Oliver that Peggy is addicted to drink and unworthy to inherit. He brings in anti-drink crusader Cora Van Beck to rehabilitate stone-sober Peggy. Plots, partnerships, betrayals, zany ploys plus all sorts of devices are used in this screamingly funny show inwhich the secret killer prepares to bump Oliver offwhen the will gets rewritten the right way. A hilarious, audience-pleasing hit.
Turner Classic Movies: 50 Show-Stopping Movies We Can't Forget (Turner Classic Movies)
by Richard Barrios Michael FeinsteinSpanning nine decades and showcasing the most memorable songs, dazzling dancing, and brightest stars ever to grace the silver screen, Must-See Musicals is the guide to the greatest musicals of all time from the most trusted authority on film: Turner Classic Movies. Movie musicals have been a part of pop culture since films began to talk, over nine decades ago. From The Jazz Singer in 1927 all the way to La La Land in modern times, musicals have sung and danced over a vast amount of territory, thrilling audiences the entire time. More than any other type of entertainment, musicals transport us to marvelous places: a Technicolor land over the rainbow in The Wizard of Oz; a romantic ballroom where, in Top Hat, Fred Astaire and Ginger Rogers dance cheek to cheek; a London theater where the Beatles perform before hysterical crowds in A Hard Day's Night; even to a seemingly alternate reality where eager throngs still throw rice as they watch The Rocky Horror Picture Show. These titles, and many more, show us that a great musical film is a timeless joy. Covering fifty of the best spanning the dawn of sound to the high-def present, Turner Classic Movies: Must-See Musicals-written by renowned musical historian Richard Barrios-is filled with lush illustrations as well as enlightening commentary and entertaining "backstage" stories about every one of these unforgettable films.
Turning Points In Film History
by Andrew J. RauschFilm expert and author Andrew J. Rausch presents the 32 most pivotal moments in the history of the medium that changed the way movies were produced. Accompanied with insights from noted film historians and filmmakers, Rausch's essays analyze the significance of each influential event, industry pioneer, and technological breakthrough--from Thomas Edison's Kinescopes to computer-generated imagery: - Georges Melies' introduction of narrative story in A Trip to the Moon - D.W. Griffith's first landmark motion picture, The Birth of a Nation - French Impressionism, German Expressionism, and Sergei Eisenstein's montage techniques - The establishment of the Academy Awards - Walt Disney's Snow White and the Seven Dwarfs--the first feature-length animated film - The innovative camerawork and non-linear storyline of Orson Welles's Citizen Kane - The dark side of America--Film Noir - French New Wave - The creation of the ratings system under MPAA President Jack Valenti - The Blaxploitation Movement - "Realist" filmmakers from Hollywood's New Wave - The impact of Home Video - Jaws, Star Wars, and the birth of the modern blockbuster - Pixar's Toy Story--the first fully computer animated film - Includes a timeline and two sidebars per chapter.
Twelfth Night
by William Shakespeare David Bevington David Scott KastanSet in a topsy-turvy world like a holiday revel, this comedy devises a romantic plot around separated twins, misplaced passions, and mistaken identity. Juxtaposed to it is the satirical story of a self-deluded steward who dreams of becoming "Count Malvolio" only to receive his comeuppance at the hands of the merrymakers he wishes to suppress. The two plots combine to create a farce touched with melancholy, mixed throughout with seductively beautiful explorations on the themes of love and time, and the play ends, not with laughter, but with a clown's sad song. Each Edition Includes:* Comprehensive explanatory notes * Vivid introductions and the most up-to-date scholarship * Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English* Completely updated, detailed bibliographies and performance histories * An interpretive essay on film adaptations of the play, along with an extensive filmographyFrom the Paperback edition.
Twelfth Night
by William ShakespeareTwelfth Night is a tale of unrequited love – hilarious and heartbreaking. Twins are separated in a shipwreck, and forced to fend for themselves in a strange land. The first twin, Viola, falls in love with Orsino, who dotes on OIivia, who falls for Viola but is idolised by Malvolio. Enter Sebastian, who is the spitting image of his twin sister...