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#WakingTheFeminists and the Data-Driven Revolution in Irish Theatre (Elements in Women Theatre Makers)

by Claire Keogh

#WakingTheFeminists was a year-long grassroots campaign for gender equality in Irish theatre. Prompted by the gender disparity of Ireland's Abbey Theatre's 2016 programme, 'Waking the Nation', Lian Bell posted a Facebook message that sparked a surge of feminist fury that ignited the #WakingTheFeminists movement. This Element considers the movement both as digital feminist activism and as part of the growing trend of data feminism, by analysing how its combined use of connective and collective action, and qualitative and quantitative data, was critical to its success. It contextualises the movement historically in relation to a series of feminist controversies in Irish theatre since 1990, before considering its impact on both policy and cultural changes across the Irish arts sector. #WakingTheFeminists' national and international resonance derived from its research-informed strategy which made it the most effective campaign for gender equality in the history of Irish theatre.

Walker and Ghost Dance: Plays

by Derek Walcott

Two dazzling dramas on American themes from the Nobel laureate Derek Walcott, Walker and Ghost Dance.On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In the fort nearby, a tiny community splinters apart over how to react. In Ghost Dance, first performed in 1989, Walcott turns a story with a foregone conclusion -- Sitting Bull and his Sioux followers will die at the hands of the Army and Indian agents -- into a portrait of life at a crossroads of American history. In Walker, an opera first performed in 1992 and revised for its revival in 2001, Walcott shifts his attention east, taking for his subject David Walker, the nineteenth-century black abolitionist. In Walcott 's hands Walker becomes a classical hero for his people: a leader who is also a poet.

Walking as Artistic Practice

by Ellen Mueller

Walking as Artistic Practice lays out foundational information about the history of walking and its development as an artistic practice, making it accessible to readers of all backgrounds. It also provides guidance on how to analyze and discuss walking artworks, with vocabulary support, over three hundred examples, and over seventy-five exercises. The chapters offer a variety of topical approaches, allowing readers and instructors to craft an experience most suited to their interests and needs. Themes include observational and sensory experience, leading versus following, who walks where (identity and positionality), rituals, place, activism, connections to drawing, and embodiment. Appendices include information on documentation, sample syllabi, readings and resources, brainstorming tips, community engagement guidance, and tips for travel-based study. Instructors will appreciate this text because it has so many resources to direct students to when they have questions about analysis, history, community engagement, or documentation approaches. It's the type of book that students will hang onto long after the course is done because it is so practical and useful.

Walking On The Moon

by Jason Milligan

Comedy / 10m, 6f / Twenty years ago, astronaut Chad Williams accidently ran over a crew member with the lunar rover during a mission, leaving his colleague in a coma. Racked by guilt and shame, he is reduced to doing commercials for "the carpet so soft you'll swear you're walking on the moon." Now he has a chance at the big time; all he has to do is run over his comatose friend again to vault himself into the headlines. Walking on the Moon was originally presented as a staged reading featuring Burt Reynolds and Joe Mantegna.

Wally's Cafe

by Ron Clark

Comedy / 1m, 2f / Interior / This gag filled comedy by the authors of Norman, Is That You? and Murder at the Howard Johnson's is about a couple who run a diner near Las Vegas. In 1940 their only customer it seems is a footsore Illinois girl hitchhiking to Hollywood and certain stardom. Years later she returns in a limousine to bail out her old friends.

Walpurgis Night, or the Steps of the Commander

by Marian Schwartz Venedikt Erofeev

Walpurgis Night, by acclaimed Russian writer Venedikt Erofeev, is considered a classic in the playwright's homeland. Erofeev's dark and funny five-act satire of Soviet repression has been called the comic high-water mark of the Brezhnev era. Walpurgis Night dramatizes the outrageous trials of Lev Isakovich Gurevich, an alcoholic half-Jewish dissident poet confined by the state to a hospital for the insane. In "Ward 3"--a microcosm of repressive Soviet society--Gurevich deploys his brilliant wit and ingenuity to bedevil his jailers, defend his fellow inmates, protest his incarceration, and generally create mayhem, which ultimately leads to a tragedy of Shakespearean proportions.

The Wanderers

by Kawa Ada

As the Soviet army invades Afghanistan, Aman and Mariam flee to Canada in hopes of putting an ocean between themselves and the daily horrors of war. A championship chess player in Kabul, Aman finds himself working in a pizzeria just to get by. Their fresh start continues to prove difficult as they navigate the trauma and displacement that follows them at every turn, and when their son Roshan is born, their curse of displacement is passed on to the next generation. The family’s only hope for a peaceful future might be Mariam’s past, as her family mythology becomes a source of power. Is her love strong enough to keep Aman and Roshan from destroying themselves or each other?

The Wandering Pine: Life as a Novel

by Per Olov Enquist

When everything began so well, how could it turn out so badly? A blisteringly frank autobiographical novel by Sweden's great man of letters - for readers of K. O. Knausgaard's My Struggle."Some life. Some novel . . . Wonderful, brave, evocative . . . It is a remarkable story, and Enquist is remarkably frank in narrating every last detail" HeraldWhat was it about Hjoggböle, a farming village in the northernmost part of Sweden, that created so many idiots - and writers? There was nothing to indicate that P.O. Enquist would be stricken by an addiction to writing. Nothing in his family - honest, hardworking people. Not a trace of poetry. And yet he worked his way, via journalism, novels and plays, to the centre of Swedish politics and cultural life. His books garnered prize after prize. His plays ran for decades and premiered on Broadway. Why then, living with a new wife in Paris, does he hole up in their palatial Champes-Élysées apartment, talking only to his cat? How is it that he wakes to find himself in an uncoupled carriage on a railway siding in Hamburg, two - or was it three? - days after the first-night party finished? And what is it that drives him to run shoeless through the deep January snow of an Icelandic plain, leaving the lights of the drying out clinic far behind? Narrating in the third person, as if he were merely a character in the eventful, perplexing and ultimately triumphantly redemptive drama of his own life, P.O. Enquist is as elliptical as Karl Ove Knausgaard is exhaustive. Clear-eyed, rueful, written with elegance and humour, this is the singular story of a remarkable man.

War and Theatrical Innovation

by Victor Emeljanow

This book examines the relationship between wartime conflict and theatre practices. Bringing together a diverse collection of essays in one volume, it offers both a geographically and historically wide view of the subject, taking examples from Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day. It explores the ways in which theatre practices have been manipulated for use in political and military propaganda, such as the employment of scenographers to work on camouflage and the application of acting methods in espionage training. It also maps the change in relationships between performers and audiences as a result of conflict, and the emergence of new forms of patronage during wartime theatre-going, boosting morale at periods when social structures and identity were being destabilized.

War as Performance: Conflicts in Iraq and Political Theatricality

by Lindsey Mantoan

This book examines performance in the context of the 2003 Iraq War and subsequent conflicts with Daesh, or the so-called Islamic State. Working within a theater and performance studies lens, it analyzes adaptations of Greek tragedy, documentary theater, political performances by the Bush administration, protest performances, satiric news television programs, and post-apocalyptic narratives in popular culture. By considering performance across genre and media, War as Performance offers an interdisciplinary approach to the study of culture, warfare, and militarization, and argues that spectacular and banal aesthetics of contemporary war positions performance as a practice struggling to distance itself from appropriation by the military for violent ends. Contemporary warfare has infiltrated our narratives to such an extent that it holds performance hostage. As lines between the military and performance weaken, this book analyzes how performance responds to and potentially shapes war and conflict in the new century.

War Cantata / Child Object

by Chantal Bilodeau Larry Tremblay Keith Turnbull

War Cantata translated by Keith TurnbullHow far will humanity go in its quest for power? Why do we desire to eliminate each other through war? War Cantata looks at ways the impulse for violence is transmitted from one generation to the next; for example, when a father teaches his son hatred to transform him into a soldier impervious to pity. Without focusing on a particular battle or soldier, this harsh, intense, choral text builds the rhythmic power of words to expose war's spiral toward hatred.In 2012, SACD (Société des auteurs et compositeurs dramatiques), in partnership with France Culture, awarded War Cantata the Prix SADC for best world play written in French, and CEAD (Centre des auteurs dramatiques) awarded it the Prix Michel-Tremblay for the best play written in Quebec in 2012.Cast of 2 men and a chorusChild Object translated by Chantal BilodeauWith child as a blank page, a man sets about constructing his ideal companion manipulating personality, gender, and body. The child becomes the ultimate consumer good.Cast of 1 woman and 2 men

War Plays by Women: An International Anthology

by Agnes Cardinal Elaine Turner Claire M. Tylee

This anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.

The Wardrobe Mistress: An evocative historical romance of hidden secrets that will capture your heart

by Natalie Meg Evans

London 1945. A young war widow steps aboard a train in search of a new life. Clutching the key to a mysterious inheritance, Vanessa Kingcourt can no longer resist the pull of the old Farren Theatre, which is in need of a Wardrobe Mistress. With no experience and no budget for supplies, Vanessa must use her intuition to create beautiful costumes from whatever scraps survived the blitz. It's a seemingly impossible task, and one which may unravel family secrets sewn deep into the very fabric of the London theatre scene. . .

The Wardrobe Mistress: An evocative historical romance of hidden secrets that will capture your heart

by Natalie Meg Evans

From the award-winning author of The Dress Thief comes a love story set in the glittering world of London theatre. Perfect for fans of Gill Paul and Lucinda Riley.London 1945. A young war widow steps aboard a train in search of a new life. Clutching the key to a mysterious inheritance, Vanessa Kingcourt can no longer resist the pull of the old Farren Theatre - an enchanted place seeped in memories of her actor father.Now owned by troubled former captain Alistair Redenhall, The Farren is in need of a Wardrobe Mistress and a new lease of life. With no experience and no budget for supplies, Vanessa must use her intuition to create beautiful costumes from whatever scraps of silk and thread survived the blitz. It's a seemingly impossible task, but a welcome distraction as she struggles to resist her blossoming feelings for Alistair.What Vanessa discovers could unravel family secrets sewn deep into the very fabric of the London theatre scene . . . but will she repeat the same terrible mistakes her father made? And can she dare to love a man who will never be hers?(P)2019 Quercus Editions Limited

The Wardrobe Supervisor's Toolkit: A Comprehensive Guide to Wardrobe (The Focal Press Toolkit Series)

by Elizabeth Polley

The Wardrobe Supervisor’s Toolkit: A Comprehensive Guide to Wardrobe is a complete resource for organizing and streamlining the wardrobe process for any live production, with tips and tricks to quickly and seamlessly dress performers for their next scene.This book offers a foundation for anyone wishing to improve their wardrobe skills, as well as specific steps for universities and theater companies to implement into their wardrobe process. Elizabeth Polley draws on professional experiences to provide clear directions, numerous examples, practical forms and lists, and advice for keeping calm and bringing order to backstage costume changes. This toolkit includes paperwork samples, quick-change tricks, laundry solutions, dress rehearsal recommendations, items to have in a wardrobe kit, and much more.This book is written for new and emerging Wardrobe professionals and costume shop managers, as well as students in technical theatre courses, including Costume Technology, Costume Design, Stage Management, and Production Management.

WARHOLCAPOTE: A Non-Fiction Invention

by Rob Roth

An enthralling play based on lost tapes between two cultural giants and friends—Andy Warhol and Truman Capote.In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed. Now, award-winning director Rob Roth brings their vision to life after a years-long search to unearth the eighty hours of tapes between two of the most daring artists of postwar America. WARHOLCAPOTE, based on words actually spoken by the two men, is set in the &’70s and &’80s, toward the end of their close connection and not too long before their untimely deaths. Their special, complex friendship is captured by Roth with bracing intimacy as they discuss life, love, and art and everything in between. Every word in the play comes directly from these two 20th century geniuses. The structure of the conversations springs from Roth&’s imagination.

A Warning for Fair Women: Adultery and Murder in Shakespeare's Theater (Early Modern Cultural Studies)

by Ann C. Christensen

A Warning for Fair Women is a 1599 true-crime drama from the repertory of Shakespeare&’s acting company. While important to literary scholars and theater historians, it is also readable, relevant, and stage-worthy today. Dramatizing the murder of London merchant George Saunders by his wife&’s lover, and the trials and executions of the murderer and accomplices, it also sheds light on neighborhood and domestic life and crime and punishment. This edition of A Warning for Fair Women is fully updated, featuring a lively and extensive introduction and covering topics from authorship and staging to the 2018 world revival of the play in the United States. It includes a section with discussion and research questions along with resources on topics raised by the play, from beauty and women&’s friendship to the occult. Ann C. Christensen presents a freshly edited text for today&’s readers, with in-depth explanatory notes, scene summaries, a gallery of period images, and full scholarly apparatus.

The Washington Post Pulitzers: Criticism, Sarah Kaufman

by Sarah Kaufman

Recipient of the Pulitzer Prize for Criticism. Sarah Kaufman covers one of the high arts&’ most illustrious forms—dance. What emerges from her criticism is always fresh and thought-provoking. From exploring Cary Grant as an overlooked artist to her bold assessment of The Nutcracker, Kaufman tackles the subject of dance and movement with daring honesty and dazzling creativity.

Wasp

by Rhiannon Collett

In a town ruled by a shadowy cult, outliers Wasp and Janey nurture a dwindling community of queer resistance. Faced with social isolation and medical barriers, they remain determined to make things work and defend their home. Meanwhile, the Prophet’s daughters grapple with their own sense of home. True-believer Caroline anticipates a lavish future in the cult, but Rachel pushes back at its narrow-minded structures. When birth control is banned and Wasp’s ex-boyfriend Isaac turns up with a suspiciously generous offer, all of their lives are thrown into disarray. Suddenly the clock is ticking, and the cult is closing in. Who can they trust? And who’s in on the game? An electrifying exploration of body autonomy and reproductive rights, Wasp will leave you ready to fight.

The Wasps

by Aristophanes

Wasps satirizes Athenian enthusiasm for jury service and the law courts as well as the city's susceptibility to demagogues.

Watching Glory Die

by Judith Thompson

Glory is a troubled teenage inmate who, in her solitary prison cell, is tormented by hallucinations. While she battles the creature in her mind, her adoptive mother Rosellen struggles to remain connected to her daughter, believing that she can sense Glory’s feelings no matter the distance. In the prison halls, Gail, a working-class guard, glides between her conscience and her professional duties, knowing her actions could ultimately lead to a tragic end.

Water by the Spoonful

by Quiara Alegría Hudes

"Hudes brilliantly taps into both the family ties that bind as well as the alternative cyber universe. . . . Her dialogue is bright, her characters, compelling. . . . It's only when cyber meets the real world that anger gives way to forgiveness and resistance becomes redemption; the heart of the play opens up and the waters flow freely."-Variety"A very funny, warm and, yes, uplifting play with characters that are vivid, vital and who stay with you long after the play is over."-Hartford Courant"Ms. Hudes possesses a confident and arresting voice."-The New York TimesWinner of the 2012 Pulitzer Prize for Drama, Quiara Alegría Hudes's drama is a heartbreaking, funny, and inspiring account of the search for family in both conventional and unconventional places.Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world, while somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and friendship are stretched across continents and cyberspace as birth families splinter and online families collide.Water by the Spoonful is the second installment in a trilogy of plays that follow Elliot, a young veteran of the Iraq War. The trilogy's first play, Elliot, A Soldier's Fugue, was a finalist for the 2007 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Water by the Spoonful. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.

Water Works

by Sharon Brinkerhoff Dianna Cleveland

We see water running down the street. We drink it and wash our hands with it. But do we realize how important it is for our bodies? This rhyming story shows how essential it is and offers water as an alternative to soda pop!

Watermelon (Walsh Family)

by Marian Keyes

February the fifteenth is a very special day for me. It is the day I gave birth to my first child. It is also the day my husband left me...I can only assume the two events weren't entirely unrelated.Claire has everything she ever wanted: a husband she adores, a great apartment, a good job. Then, on the day she gives birth to their first baby, James informs her that he's leaving her. Claire is left with a newborn daughter, a broken heart, and a postpartum body that she can hardly bear to look at.She decides to go home to Dublin. And there, sheltered by the love of a quirky family, she gets better. So much so, in fact, that when James slithers back into her life, he's in for a bit of a surprise.

The Watershed

by Annabel Soutar

How much do we value clean water? Enough to stop our industrialized way of life from degrading it? The documentary play The Watershed follows an artist and her family in the struggle to chart a sustainable course between economic prosperity and environmental stewardship. Annabel Soutar is Canada's foremost documentary theater writer.

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