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Wagner's Theatre: In Search of a Legacy
by Patrick CarnegyIn Wagner's Theatre, Patrick Carnegy presents the turbulent story of Wagner and his interpreters over the course of the twentieth century. Carnegy gives vivid accounts of Gustav Mahler's radical reinvention of the Wagnerian stage, and of the post-war rehabilitation of Wagner and his work after Hitler's appropriation. He also offers sharply written reappraisals of those great Wagnerian conductors Klemperer, Toscanini, Karajan and Solti. Carnegy provides revealing accounts of the inside-workings of the Royal Opera House and of English National Opera at troubled points in their recent history. In a fascinating conversation with Sir Michael Tippett, the composer talks with unique authority about the problems facing would-be musical dramatists today. Wagner's Theatre is an essential insight into how interpretations of Wagner have developed, and how we can respond to them.
Waiting Room
by Diane FlacksChrissie and Jeremy have spent a great deal of time in shock, waiting—for news of their baby daughter’s post-operation recovery, for weekly scans to show that her tumour is gone, for robotic forty-five-second updates from Dr. Andre Malloy, their brilliant but arrogant neuro-oncologist. The hospital waiting room has become a second home where they struggle separately as parents and as a couple, where they laugh inappropriately, lose tempers, and find resilience as they confront a roller coaster of hope and despair and a crisis of decision-making. And just beyond the waiting room, Dr. Malloy faces his own dark and risky medical dilemma. With sharp insight, Waiting Room examines medical ethics, compassion, gallows humour, and humanity in life-threatening situations.
Waiting for Godot: A Tragicomedy in Two Acts
by Samuel BeckettFrom an inauspicious beginning at the tiny Left Bank Theatre de Babylone in 1953, followed by bewilderment among American and British audiences, Waiting for Godot has become of the most important and enigmatic plays of the past fifty years and a cornerstone of twentieth-century drama. As Clive Barnes wrote, “Time catches up with genius … Waiting for Godot is one of the masterpieces of the century.” <P><P>The story revolves around two seemingly homeless men waiting for someone—or something—named Godot. Vladimir and Estragon wait near a tree, inhabiting a drama spun of their own consciousness. The result is a comical wordplay of poetry, dreamscapes, and nonsense, which has been interpreted as mankind’s inexhaustible search for meaning. Beckett’s language pioneered an expressionistic minimalism that captured the existential post-World War II Europe. His play remains one of the most magical and beautiful allegories of our time.
Waiting for the Parade
by John MurrellWaiting for the Parade is John Murrell's play, set in Calgary during World War II, in which five women gather to work for the war effort while their men are away. Waiting for the Parade was first performed by Alberta Theatre Projects, Calgary. Subsequently, it has been performed by Northern Light Theatre, Edmonton; Bastion Theatre, Victoria; Tarragon Theatre, Toronto; the National Art Centre, Ottawa; Centaur Theatre, Montreal; and at the Lyric Hammersmith Theatre in London, England.
Waiting in the Wings: How to Launch Your Performing Career on Broadway and Beyond
by Jenna Glatzer Tiffany HaasThe definitive guide to making a career in theater—to Broadway and beyond Tiffany Haas knows how to make it on Broadway. After 72 rejections in a row she finally landed a role in Broadway’s long-running smash hit Wicked and later became “Glinda the Good.” Now she wants to share her advice for starting and nurturing a career in the theater. Waiting in the Wings is the essential guide for anyone who wants to have a theatrical career, whether they’re complete newbies or already have some professional credits. Based on everything she learned on her journey to New York, including 10 years on Broadway, Tiffany shares the information that you need to succeed in theater. Everyone’s path is a little bit different, but the principles for success are always the same. With advice on auditions, how to become the performer they want to hire, developing relationships with cast mates, finding a reputable agent, the importance of reputation, and the best way to shape and build your career, Tiffany covers every aspect of the business. You’ll learn what it takes to be successful and where to best spend your time and effort as you navigate the “great mystery” of pursuing musical theater. In an industry that is famed for its insider secrets, Tiffany draws back the curtain, giving readers the knowledge and tools they need to follow their dreams. If you’re one of those people Waiting in the Wings for a big Broadway career, Tiffany Haas’s book is the one resource you need to land a big role, stand in front of those footlights and let it go!
Wake Up and Smell the Coffee
by Eric Bogosian100% pure high octane Bogosian.Bogosian's latest and greatest monologue."His wit is as venomous as ever, his material even more devastating and polished than before."--New York Daily News"Bogosian hasn't simply crossed the line of good taste, he has snorted it."--The Daily TexanWake Up is Bogosian's meditation on making it to the top of the ladder, on falling off the ladder and on the exhilarating thrill of the ultimate crash and burn. Once again the author offers a blisteringly funny and dead-on take of the chaos and alienation of post-modern life in the U. S. of the year 2000. As Michael Feingold so ably offered in his Village Voice review--"Bogosian is there, watching out for the downtrodden, ridiculing the arrogant rich, defending battered wives and neo-hippie hitchhikers and never losing sight of his own capacity for being classed among the batters and bullies. But his 95 minutes is as fast and exciting a read as the theatre community offers. In our time, the stage has almost been what classical thinkers saw it as, a medium for criticizing life. How perfect that a solo performer should rediscover its roots, by choosing his own life as the object of his criticism."Eric Bogosian, born in Woburn, Massachusetts, has performed his plays and monologues at venues nationwide. Winner of Obie and Drama Desk Awards, he has made four films of his work, most notably Talk Radio and Suburbia. His novel Mall was recently published by Simon and Schuster.
Walker and Ghost Dance: Plays
by Derek WalcottTwo dazzling dramas on American themes from the Nobel laureate Derek Walcott, Walker and Ghost Dance.On a cold winter's day on the Dakota plains, Catherine Weldon receives a caller, Kicking Bear, bringing news of Indian rebellion. In the fort nearby, a tiny community splinters apart over how to react. In Ghost Dance, first performed in 1989, Walcott turns a story with a foregone conclusion -- Sitting Bull and his Sioux followers will die at the hands of the Army and Indian agents -- into a portrait of life at a crossroads of American history. In Walker, an opera first performed in 1992 and revised for its revival in 2001, Walcott shifts his attention east, taking for his subject David Walker, the nineteenth-century black abolitionist. In Walcott 's hands Walker becomes a classical hero for his people: a leader who is also a poet.
Walking On The Moon
by Jason MilliganComedy / 10m, 6f / Twenty years ago, astronaut Chad Williams accidently ran over a crew member with the lunar rover during a mission, leaving his colleague in a coma. Racked by guilt and shame, he is reduced to doing commercials for "the carpet so soft you'll swear you're walking on the moon." Now he has a chance at the big time; all he has to do is run over his comatose friend again to vault himself into the headlines. Walking on the Moon was originally presented as a staged reading featuring Burt Reynolds and Joe Mantegna.
Walking as Artistic Practice
by Ellen MuellerWalking as Artistic Practice lays out foundational information about the history of walking and its development as an artistic practice, making it accessible to readers of all backgrounds. It also provides guidance on how to analyze and discuss walking artworks, with vocabulary support, over three hundred examples, and over seventy-five exercises. The chapters offer a variety of topical approaches, allowing readers and instructors to craft an experience most suited to their interests and needs. Themes include observational and sensory experience, leading versus following, who walks where (identity and positionality), rituals, place, activism, connections to drawing, and embodiment. Appendices include information on documentation, sample syllabi, readings and resources, brainstorming tips, community engagement guidance, and tips for travel-based study. Instructors will appreciate this text because it has so many resources to direct students to when they have questions about analysis, history, community engagement, or documentation approaches. It's the type of book that students will hang onto long after the course is done because it is so practical and useful.
Wally's Cafe
by Ron ClarkComedy / 1m, 2f / Interior / This gag filled comedy by the authors of Norman, Is That You? and Murder at the Howard Johnson's is about a couple who run a diner near Las Vegas. In 1940 their only customer it seems is a footsore Illinois girl hitchhiking to Hollywood and certain stardom. Years later she returns in a limousine to bail out her old friends.
Walpurgis Night, or the Steps of the Commander
by Marian Schwartz Venedikt ErofeevWalpurgis Night, by acclaimed Russian writer Venedikt Erofeev, is considered a classic in the playwright's homeland. Erofeev's dark and funny five-act satire of Soviet repression has been called the comic high-water mark of the Brezhnev era. Walpurgis Night dramatizes the outrageous trials of Lev Isakovich Gurevich, an alcoholic half-Jewish dissident poet confined by the state to a hospital for the insane. In "Ward 3"--a microcosm of repressive Soviet society--Gurevich deploys his brilliant wit and ingenuity to bedevil his jailers, defend his fellow inmates, protest his incarceration, and generally create mayhem, which ultimately leads to a tragedy of Shakespearean proportions.
War Cantata / Child Object
by Chantal Bilodeau Larry Tremblay Keith TurnbullWar Cantata translated by Keith TurnbullHow far will humanity go in its quest for power? Why do we desire to eliminate each other through war? War Cantata looks at ways the impulse for violence is transmitted from one generation to the next; for example, when a father teaches his son hatred to transform him into a soldier impervious to pity. Without focusing on a particular battle or soldier, this harsh, intense, choral text builds the rhythmic power of words to expose war's spiral toward hatred.In 2012, SACD (Société des auteurs et compositeurs dramatiques), in partnership with France Culture, awarded War Cantata the Prix SADC for best world play written in French, and CEAD (Centre des auteurs dramatiques) awarded it the Prix Michel-Tremblay for the best play written in Quebec in 2012.Cast of 2 men and a chorusChild Object translated by Chantal BilodeauWith child as a blank page, a man sets about constructing his ideal companion manipulating personality, gender, and body. The child becomes the ultimate consumer good.Cast of 1 woman and 2 men
War Plays by Women: An International Anthology
by Agnes Cardinal Elaine Turner Claire M. TyleeThis anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.
War and Theatrical Innovation
by Victor EmeljanowThis book examines the relationship between wartime conflict and theatre practices. Bringing together a diverse collection of essays in one volume, it offers both a geographically and historically wide view of the subject, taking examples from Britain, Australia and America to the Middle East, Korea and China, and spanning the fifth century BCE to the present day. It explores the ways in which theatre practices have been manipulated for use in political and military propaganda, such as the employment of scenographers to work on camouflage and the application of acting methods in espionage training. It also maps the change in relationships between performers and audiences as a result of conflict, and the emergence of new forms of patronage during wartime theatre-going, boosting morale at periods when social structures and identity were being destabilized.
War as Performance: Conflicts in Iraq and Political Theatricality
by Lindsey MantoanThis book examines performance in the context of the 2003 Iraq War and subsequent conflicts with Daesh, or the so-called Islamic State. Working within a theater and performance studies lens, it analyzes adaptations of Greek tragedy, documentary theater, political performances by the Bush administration, protest performances, satiric news television programs, and post-apocalyptic narratives in popular culture. By considering performance across genre and media, War as Performance offers an interdisciplinary approach to the study of culture, warfare, and militarization, and argues that spectacular and banal aesthetics of contemporary war positions performance as a practice struggling to distance itself from appropriation by the military for violent ends. Contemporary warfare has infiltrated our narratives to such an extent that it holds performance hostage. As lines between the military and performance weaken, this book analyzes how performance responds to and potentially shapes war and conflict in the new century.
Wasp
by Rhiannon CollettIn a town ruled by a shadowy cult, outliers Wasp and Janey nurture a dwindling community of queer resistance. Faced with social isolation and medical barriers, they remain determined to make things work and defend their home. Meanwhile, the Prophet’s daughters grapple with their own sense of home. True-believer Caroline anticipates a lavish future in the cult, but Rachel pushes back at its narrow-minded structures. When birth control is banned and Wasp’s ex-boyfriend Isaac turns up with a suspiciously generous offer, all of their lives are thrown into disarray. Suddenly the clock is ticking, and the cult is closing in. Who can they trust? And who’s in on the game? An electrifying exploration of body autonomy and reproductive rights, Wasp will leave you ready to fight.
Watching Glory Die
by Judith ThompsonGlory is a troubled teenage inmate who, in her solitary prison cell, is tormented by hallucinations. While she battles the creature in her mind, her adoptive mother Rosellen struggles to remain connected to her daughter, believing that she can sense Glory’s feelings no matter the distance. In the prison halls, Gail, a working-class guard, glides between her conscience and her professional duties, knowing her actions could ultimately lead to a tragic end.
Water Works
by Dianna Cleveland Sharon BrinkerhoffWe see water running down the street. We drink it and wash our hands with it. But do we realize how important it is for our bodies? This rhyming story shows how essential it is and offers water as an alternative to soda pop!
Water by the Spoonful
by Quiara Alegría Hudes"Hudes brilliantly taps into both the family ties that bind as well as the alternative cyber universe. . . . Her dialogue is bright, her characters, compelling. . . . It's only when cyber meets the real world that anger gives way to forgiveness and resistance becomes redemption; the heart of the play opens up and the waters flow freely."-Variety"A very funny, warm and, yes, uplifting play with characters that are vivid, vital and who stay with you long after the play is over."-Hartford Courant"Ms. Hudes possesses a confident and arresting voice."-The New York TimesWinner of the 2012 Pulitzer Prize for Drama, Quiara Alegría Hudes's drama is a heartbreaking, funny, and inspiring account of the search for family in both conventional and unconventional places.Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world, while somewhere in a chat room, recovering addicts forge an unbreakable bond of support and love. The boundaries of family and friendship are stretched across continents and cyberspace as birth families splinter and online families collide.Water by the Spoonful is the second installment in a trilogy of plays that follow Elliot, a young veteran of the Iraq War. The trilogy's first play, Elliot, A Soldier's Fugue, was a finalist for the 2007 Pulitzer Prize and will be published by Theatre Communications Group concurrently with Water by the Spoonful. The trilogy's final play, The Happiest Song Plays Last, premiered in April 2012 at Chicago's renowned The Goodman Theatre.
Watermelon (Walsh Family)
by Marian KeyesFebruary the fifteenth is a very special day for me. It is the day I gave birth to my first child. It is also the day my husband left me...I can only assume the two events weren't entirely unrelated.Claire has everything she ever wanted: a husband she adores, a great apartment, a good job. Then, on the day she gives birth to their first baby, James informs her that he's leaving her. Claire is left with a newborn daughter, a broken heart, and a postpartum body that she can hardly bear to look at.She decides to go home to Dublin. And there, sheltered by the love of a quirky family, she gets better. So much so, in fact, that when James slithers back into her life, he's in for a bit of a surprise.
Wax Impressions, Figures, and Forms in Early Modern Literature: Wax Works (Early Modern Cultural Studies 1500–1700)
by Lynn M. MaxwellThis book explores the role of wax as an important conceptual material used to work out the nature and limits of the early modern human. By surveying the use of wax in early modern cultural spaces such as the stage and the artist’s studio and in literary and philosophical texts, including those by William Shakespeare, John Donne, René Descartes, Margaret Cavendish, and Edmund Spenser, this book shows that wax is a flexible material employed to define, explore, and problematize a wide variety of early modern relations including the relationship of man and God, man and woman, mind and the world, and man and machine.
Way to Heaven
by Juan MayorgaThe heart of Europe. 1942. Children playing, lovers' tiffs, a deserted train station and a ramp rising towards a hangar. This is what you can see, but what should the Red Cross representative report say? <p><p>Way to Heaven has previously been produced at the Teatro Mara Guerrero, Madrid by the Centro Dramatico Nacional. A production of this English translation opened at the Royal Court Theatre, London in June 2005. Juan Mayorga's work has been produced in Spain and around Europe as well as the USA.
Ways of the World: Theater and Cosmopolitanism in the Restoration and Beyond
by Laura J. RosenthalWays of the World explores cosmopolitanism as it emerged during the Restoration and the role theater played in both memorializing and satirizing its implications and consequences. Rooted in the Stuart ambition to raise the status of England through two crucial investments—global traffic, including the slave trade, and cultural sophistication—this intensified global orientation led to the creation of global mercantile networks and to the rise of an urban British elite who drank Ethiopian coffee out of Asian porcelain at Ottoman-inspired coffeehouses. Restoration drama exposed cosmopolitanism's most embarrassing and troubling aspects, with such writers as Joseph Addison, Aphra Behn, John Dryden, and William Wycherley dramatizing the emotional and ethical dilemmas that imperial and commercial expansion brought to light.Altering standard narratives about Restoration drama, Laura J. Rosenthal shows how the reinvention of theater in this period—including technical innovations and the introduction of female performers—helped make possible performances that held the actions of the nation up for scrutiny, simultaneously indulging and ridiculing the violence and exploitation being perpetuated. In doing so, Ways of the World reveals an otherwise elusive consistency between Restoration genres (comedy, tragedy, heroic plays, and tragicomedy), disrupts conventional understandings of the rise and reception of early capitalism, and offers a fresh perspective on theatrical culture in the context of the shifting political realities of seventeenth- and eighteenth-century Britain.
We All Want Impossible Things: A Novel
by Catherine NewmanLook for Wreck, the new novel by Catherine Newman—a deeply moving story of laughter and heart, about marriage, family, and what happens when life doesn’t go as planned—Coming October 2025. “Catherine Newman sees the heartbreak and comedy of life with wisdom and unflinching compassion. The way she finds the extraordinary in the everyday is nothing short of poetry. She’s a writer’s writer—and a human’s human.”—New York Times bestselling author Katherine Center“A riotously funny and fiercely loyal love letter to female friendship. The story of Edi and Ash proves that a best friend is a gift from the gods. Newman turns her prodigious talents toward finding joy even in the friendship’s final days. I laughed while crying, and was left revived. Newman is a comic masterhand and a dazzling philosopher of the day-to-day.”—Amity Gaige, author of Sea Wife“The funniest, most joyful book about dying—and living—that I have ever read.”—KJ Dell'Antonia, author of the New York Times bestselling The Chicken SistersFor lovers of Meg Wolitzer, Maria Semple, and Jenny Offill comes this raucous, poignant celebration of life, love, and friendship at its imperfect and radiant best. Edith and Ashley have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the back-up hard drive for mine.” But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters.As The Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its heartbreaking, joyful, and comedic essence.For anyone who’s ever lost a friend or had one. Get ready to laugh through your tears.
We Are Not These Hands
by Sheila CallaghanComedy / 1m, 2f / Simple Set Ever since their school blew up, Moth and Belly have taken to stalking an illegal internet café in the hopes o/ f one day being allowed in. They take particular interest in Leather, a skittish older man doing research in the café. Leather is a self-proclaimed "freelance scholar" from a foreign land with a sketchy past and a sticky secret. Leather begins to fall head over heals in love with Moth... but what about Belly? This play explores the effects of rampant capitalism on a country that is ill-prepared for it. "Bold and engaging, We Are Not These Hands is as fun as it is engaging...Rich in detail and full of humor and pathos." - Oakland Tribune "Swaggering eccentricity...Callaghan takes a lavish mud bath in a broken language...Ripe apocalyptic slang; at its best, it's racy and unrefined, the kind of stuff you might imagine kids in the back alleys of a decaying world might sling around." - The Washington Post "The gap between rich and poor yawns so wide it aches in Sheila Callaghan's We Are Not These Hands, but much of the ache is from laughter. Hands is a comically engaging, subversively penetrating look at the human cost of unbridled capitalism on both sides of the river...the anger of the play's social vision is partly concealed by its copious humor, emerging more forcefully after it's over...Hands bristles with bright, comic originality, particularly in depicting the limitations of its people." - San Francisco Chronicle