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Drawing Trees

by Victor Perard

This concise guide features easy-to-follow steps for capturing the natural beauty and magnificence of trees. Over 100 illustrations spotlight dozens of different varieties, including Oak, Willow, Pine, and Palmetto. Topics include shading techniques, composition, portraying shadow and light, and approaches to outlining.Author and illustrator Victor Perard, a graduate of the École des Beaux-Arts in Paris, was an art instructor at New York City's Cooper Union for twenty years. This informative volume reflects his extensive teaching experience and provides practical advice for artists at every level.

Drawing What the Eye Sees

by Ted Seth Jacobs

Heralded as a revolutionary right-brain approach to figure drawing, this guide focuses on mentality rather than technique. The author presents personal reflections and advice on drawing what the eye sees instead of what the mind dictates. More than 180 black-and-white drawings and eight pages of color illustrations reinforce such concepts as light, balance, and symmetry.

Drawing Your Own Path: 33 Practices at the Crossroads of Art and Meditation

by John F. Simon

"Drawing Your Own Path is a smart, subtle, sophisticated, compassionate, radically eye-opening and mind-altering guide to creative and artistic liberation. Thank you, John Simon!"--Ruth Ozeki, A Tale for the Time Being"John F. Simon, Jr., widely recognized as an early pioneer in the use of computer-generated imagery in contemporary art, has turned his attention to the act mark-making as a doorway into self-awareness and the essential touchstone of visual creativity. He leads us through a sequence of meditative drawing exercises, and shares insightful, touching anecdotes of his many years of experience as a practicing artist."--Peter Halley, Artist"The mysteries of the mind and universe are coupled with a very practical guide to drawing. It is an unlikely but wonderfully fruitful combination, a step-by-step approach to awareness and art."--Lawrence Rinder, Director, UC Berkeley Art Museum & Pacific Film Archive"John's marvelous artwork emerges from a deeply inspired and intuitive unfolding. His gift of finding one's own creative process is beautifully transmitted in this delightful guide."--Jon Bernie, Ordinary Freedom "Drawing Your Own Path is an invitation to those who have never drawn before and a warm, informative, intelligent and lovely book to read. It offers refreshing, new ways to look at and experience the steps to make drawings today."--Sharon Louden, Artist, Editor of Living and Sustaining a Creative Life Drawing Your Own Path is an account of how multi-media artist John Simon's daily drawing discipline became a meditation practice, and how that meditation illuminated his creative source. A practical guidebook full of Simon's own art, Drawing Your Own Path offers meditators an alternative path to 'just sitting' and offers artists a way to mindfully examine and deepen the source of their creative ideas. Readers are guided through thirty-three meditation and drawing exercises, exploring concentrated looking, mindful sketching, and improvisational awareness, all designed to help practitioners discover the vast creativity within themselves and in their daily lives.From the Trade Paperback edition.

Drawing and Illustration: A Complete Guide

by John Moranz

Utilizing as few words as possible, but presenting a tremendous variety and volume of illustrations, this all-in-one guide details the fundamentals of drawing in its various phases and fields. In the opening pages, the author points out the first step on the road to creative achievement: artists must learn how to see people and things in terms of pictures, then master the techniques needed to express themselves on paper.Geared to newcomers and yet still beneficial for more experienced artists, Moranz's illuminating advice covers everything from nude and draped figures to the art of portraits and sketching animals. He covers the effective use of various mediums, including pencil, charcoal, pen, and wash. Plus, he offers helpful tips on developing a sixth sense about perspective, the basics of composition, reflecting light and shadow, and more. There's even a chapter on taking drawing one step further -- from a pleasurable hobby to a successful commercial venture.

Drawing and Painting Trees (Dover Art Instruction Ser.)

by Adrian Hill

This classic of art instruction by noted British painter Adrian Hill presents a well-rounded guide to portraying beeches, elms, pines, and many other varieties of trees. The three-part treatment begins with a brief but informative history of tree painting through the ages, highlighted with images by Titian, Rubens, Constable, Turner, and other masters. Advancing to a well-illustrated series of guiding principles, the author discusses the cultivation of an artistic appreciation for trees and offers preliminary drawing exercises. The third, and most extensive, section explores color choices and techniques. Progressing from simple to complex methods, Hill proposes the best materials for use in formats from monoprints and drypoint to mezzotint and etching. Additional topics include composition, style, patterns, and texture. Seven paintings in full color appear among the author's 150 helpful illustrations. A pioneer in the development of art therapy, Hill draws upon his vast experience in teaching students at every level to offer an accessible approach that will benefit all readers. A Foreword by Sir George Clausen introduces the text.

Drawing and Painting with Water Soluble Media

by Fiona Peart

• A masterclass in all kinds of watercolour media, including pencil and paints • Inspiring variety of subjects and styles • Successful, proven author; highly motivated and available for demonstration work. • Derwent buy-in

Drawing and Painting: Children and Visual Representation (Zero to Eight)

by Dr John Matthews

`This book is a tremendous resource for any early years setting. It enables us and encourages us to explore the process of artistic development through a fresh and inclusive lens' - Nursery World `This book is a welcome update of an informative text describing the process of children's mark making as a visual, physical and interactive process urging us to consider how we as adults perceive and support young children's mark making activities both at home and school. John Matthews demonstrates the cognitive function of this early mark making in relation to general individual development' - Early Years `A thought-provoking and informative book, this is essential reading for anyone involved in the education of young children' - Times Educational Supplement - Teacher `Drawing and Painting is a fascinating and delightful read for tutors, practitioners and students and is highly recommended an essential text for early years courses at level 3 and above'- Under Five This book has been revised to reflect recent developments in early childhood education, in developmental psychology and in our understanding of children's development in the arts. The author shows how this new model of children's development in visual representation has important implications for education. The author examines children's development in visual expression and suggests how this development might be supported. The book takes issue with the inherited wisdom about children's development in visual representation. The traditional approach describes children's development in terms of supposed deficits in which children progress from `primitive' earlier stages to `superior' ones, until the `defects' in their representational thinking are overcome and they arrive at an endpoint of `visual realism'. This approach is the pervasive influence on curricular planning, in arts education and in early years education. The author explains recent different models of development in visual expression. Instead of measuring children's efforts against an adult paradigm, the new models identify the modes of representation used by children as consequences of children's own intentions, motivations and priorities. The writing is accessible and assumes no specialist knowledge of psychological theory, art, its history or interpretation. This book is essential reading for early childhood educators, at nursery and pre-school level, for other professionals who work with very young children and parents, as well as students and tutors on early years courses. This is a revised edition of Helping Children to Draw and Paint: Children and Visual Representation, originally published in 1994.

Drawing and Sketching in Pencil (Dover Art Instruction)

by Arthur L. Guptill

This classic guide offers clear, concise instruction in the basics as well as the finer points of pencil drawing. Appropriate for beginning and intermediate students, it features sixty-six well-chosen illustrations that encompass a wide range of subjects — mainly architectural, but also people, animals, and landscapes — and demonstrate a tremendous variety of techniques.An architect, painter, art director, and teacher, Arthur L. Guptill wrote several popular books on drawing. He begins this two-part treatment, aimed at architects, artists, and students, with discussions of drawing objects in outline and in light and shade, the principles of freehand perspective, methods of cast and life drawing, and sketching animals. The second part examines the choice of subjects and drawing in outline and in flat and graded tones. The important subject of composition receives considerable attention, with particular focus on unity and balance. Additional topics include working from photographs and from nature, the representation of buildings — including exteriors, interiors, and street scenes — and portraying details and accessories, from furniture, draperies, doors, and windows to clouds, water, and trees.

Drawing and the Blind: Pictures to Touch

by John Fitzgerald Kennedy

This book overturns the conventional wisdom that people who have been totally blind since birth or early childhood have no interest in or capacity to understand tactual drawings. Kennedy and his colleagues conducted a series of studies with blind children and adults in Toronto, Haiti, and Arizona, and assessed the drawings which their subjects produced. They found that blind people had a seemingly instinctive grasp of two-dimensional representation even though they had had no prior exposure to it. The book is scholarly but highly readable.

Drawing as Performance: Theatrical Games and Techniques for Visual Artists

by Orly Orbach

Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.

Drawing for the Absolute Beginner, Composition

by Mark Willenbrink

This e-book contains nine detailed step-by-step demonstrations on composition, texture, perspective and storytelling and includes a glossary of common art terms. It is based on Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink.

Drawing for the Absolute Beginner, Introduction

by Mark Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all you need to know about getting started sketching and drawing including materials, basic techniques and perspective. Also includes a glossary of common art terms. The Absolute Beginner series of e-books will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner, Techniques

by Mark Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all about value and shadows, and get more than 15 step-by-step technique exercises on how to draw still lifes, animals and people. Also includes a glossary of common art terms. The Absolute Beginner series of e-books will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner: A Clear & Easy Guide to Successful Drawing (Art for the Absolute Beginner)

by Mary Willenbrink Mark Willenbrink

This inspiring book makes drawing in a realistic style easier than you may think and more fun than you ever imagined! Authors Mark and Mary Willenbrink (Watercolor for the Absolute Beginner) cover it all-from choosing materials and the correct way to hold your pencil, to expert advice on the tricky stuff, like getting proportions and perspective right, drawing reflections, and designing strong compositions. (It's not as scary as it sounds...not with Mark and Mary as your guide!) At the heart of this book, a series of fun, hands-on exercises help you practice and perfect your strokes-24 mini-demos lead up to 9 full step-by-step demos. Each exercise builds on the previous one as you develop your skills, build your confidence, and enjoy yourself along the way. The lessons you learn by drawing simple subjects such as coffee mugs, clouds and trees will help you take on progressively more challenging matter like animals, still lifes, landscapes and portraits...the kinds of subjects and scenes you've always dreamt of drawing. This book is just the ticket for budding artists of any age. It's never too early and never too late to discover the pure joy of drawing!

Drawing for the Absolute Beginner: Composition

by Mark Mary Willenbrink

This eBook contains 9 detailed step-by-step demonstrations on composition, texture, perspective and storytelling and includes a glossary of common art terms. It is based on Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink

Drawing for the Absolute Beginner: Introduction

by Mark Mary Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all you need to know about getting started sketching and drawing including materials, basic techniques and perspective. Also includes a glossary of common art terms. The Absolute Beginner series of eBooks will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute Beginner: Techniques

by Mark Mary Willenbrink

You won't be disappointed with the basic instruction based on the popular print book Drawing for the Absolute Beginner (North Light 2006) by Mark and Mary Willenbrink. Learn all about value and shadows, and get more than 15 step-by-step technique exercises on how to draw still lifes, animals and people. Also includes a glossary of common art terms. The Absolute Beginner series of eBooks will inspire anyone who wants to make art to create realistic artwork for any subject, including still life, landscapes, animals and people.

Drawing for the Absolute and Utter Beginner

by Claire Watson Garcia

Based upon the author's own successful workshops, Drawing for the Absolute and Utter Beginner helps new artists create competent, often eloquent drawings. A series of progressive lessons demonstrates such essential skills as recording edges, creating dimension, adding accuracy, developing value, balancing compositional elements, and drawing the human face, both frontal and profile views. Step by step, readers learn how to create a reasonable likeness of an object and give it spatial depth using such simple black-and-white mediums as pens, pencils, charcoal, and graphite wash. Inspirational examples and tips for success from beginning students who have worked on the same material confirm readers' successes, and allow readers to consider the advice and impressions of others at the same level.

Drawing for the Absolute and Utter Beginner, Revised: 15th Anniversary Edition

by Claire Watson Garcia

This revised 15th anniversary edition of the bestselling beginning drawing book updates art and text examples to include new student pieces, up-to-date materials, and additional sections on drawing in 3D and travel sketching, along with refreshed and contemporary design.Based on author and art instructor Claire Watson Garcia's successful courses and workshops for beginning and aspiring artists, Drawing for the Absolute and Utter Beginner applies a positive, accepting tone to a progressive series of lessons in sketching and rendering. The book's step-by-step methodology and examples of student works from earliest efforts to completed drawings give novices the tools and techniques needed to make competent and eloquent renderings of still lifes, portraits, and more. In this revised edition, Garcia covers such in-demand subject matter as drawing-on-the-go, drawing in three dimensions, and drawing the portrait at a three-quarter view. The reinvigorated art and text ensure that this drawing instruction classic will continue to appeal to new generations of aspiring artists.

Drawing in Black & White: Creative Exercises, Art Techniques, and Explorations in Positive and Negative Design

by Deborah Velasquez

&“The style of this book is loose and easy, about having fun, and learning to work within the confines of black and white rather than depending on color.&” —Art Elements Working with only positive and negative lines and shapes keeps the focus on the basics: composition, balance, and harmony. And using white and black gel, ink, and paint pens on black, tan, and gray papers allows you to experience drawing in a whole new way! Drawing in Black & White is a clever drawing and design book that contains 36 inspiring exercises and a gallery of artwork. Follow the tips and draw on black, gray, and tan paper to learn how different colored papers can make simple images pop. You&’ll find lessons on drawing, pattern drawing, drawing with cut paper, and simple collage. Learn to see your drawings a new way by drawing in black and white! &“While confined to only two colors, black and white, this guide&’s techniques, materials, and tools are not nearly so limited . . . Readers with some experience drawing and painting are the best audience for this guide, but there is plenty here for beginners and advanced artists, too.&” —Library Journal &“The goal of the book is to let you be familiar with black and white media, to draw and have fun . . . It&’s a fun activity book for those who want to dabble with art.&” —Parka Blogs

Drawing in Color ANIMALS: Animals (Drawing in Color)

by Lee Hammond

Hammond's easy-to-follow techniques enable even first-time artists to render a variety of wonderful animals, from cats and dogs to horses, squirrels, tigers and more.

Drawing in Pen & Ink (First Steps)

by Claudia Nice

Got a yearning to pick up a pen and see what you can do? Go for it! But don't sketch alone—let popular artist and teacher Claudia Nice be your guide. She'll make your first steps fun and successful! In her trademark style—friendly and encouraging—Claudia will show you how to do a sketch of a subject that actually ends up looking like the subject. And she shares her secrets for turning simple lines and dots into all kinds of lifelike textures, including leaves, glass, hair, fruit, water, clouds, wood grain, grass, fur and feathers. Easy (and fun!) exercises get you started. Step-by-step projects teach techniques as you draw trees, flowers, barns, animals and other subjects—even people! And demonstrations show you how to put all that you've learned together to create a finished picture. So go ahead—grab that pen and have fun! Just follow along with Claudia to get the hang of it, and before you know it you'll be making your own, original pen-and-ink drawings!

Drawing in the Present Tense

by Claire Gilman Roger Malbert

A richly illustrated, up-to-the-minute overview of new approaches in drawing, in the context of recent developments of other forms of contemporary art. Drawing in the Present Tense explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary element of their practice. One which is autonomous: an end in itself, rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated—potentially beyond the capacity of human attention—what values can be attributed to the slow, deliberate process of drawing by hand? The artworks featured in this volume are not confined to traditional tools; one can also draw on a computer, tablet, or smartphone, and examples of this are incorporated into the narrative as one mediumamong many. Sections are grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique. With essays and spreads for each section, the book’s selection of seventy contemporary international artists of diverse backgrounds and experience includes not only recognizable names such as Michael Armitage, Camille Henrot, Robert Longo, Amy Sillman, and Kara Walker, but also a host of emerging talents. Beautifully presented in a visually appealing and tactile format with the feel of an artist’s portfolio, this is an inspiring overview of the best drawing practice today.

Drawing of the Hand (Dover Art Instruction)

by Joseph M. Henninger

According to expert instructor Joseph M. Henninger, the hand is not difficult to draw when its construction is well understood. In this guide for intermediate and advanced art students, Henninger devotes the first section to the anatomy of the hand and forearm. He also shares basic but seldom observed facts concerning comparative measurements. A helpful glossary provides Latin terms, English translations, and descriptions of the hand muscles' functions.Drawings of the hand constitute the major portion of this volume, consisting mostly of adult male and female hands, followed by children's and babies' hands. The final section comprises a portfolio of drawings by Old Masters and contemporary artists, many accompanied by the author's insightful comments.

Drawing on Students’ Worlds in the ELA Classroom: Toward Critical Engagement and Deep Learning

by Richard Beach

This book approaches English instruction through the lens of “fi gured worlds,” which recognizes and spotlights how students are actively engaged in constructing their own school, peer group, extracurricular, and community worlds. Teachers’ ability not only to engage with students’ experiences and interests in and outside of school but also to build connections between students’ worlds and their teaching is essential for promoting student agency, engagement, and meaningful learning. Beach and Caraballo provide an accessible framework for working with students to use critical discourse, narratives, media, genres, and more to support their identity development through addressing topics that are meaningful for them— their families, social issues, virtual worlds, and more. Through extensive activities and examples of students writing about their participation in these worlds, this text allows educators to recognize how students’ experiences in the classroom aff ect and shape their identities and to connect such an understanding to successful classroom practice. With chapters featuring eff ective instructional activities, this book is necessary reading for ELA methods courses and for all English teachers.

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