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Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To?
by David RocheIn Making and Remaking Horror in the 1970s and 2000s author David Roche takes up the assumption shared by many fans and scholars that original horror movies are more “disturbing,” and thus better than the remakes. He assesses the qualities of movies, old and recast, according to criteria that include subtext, originality, and cohesion. With a methodology that combines a formalist and cultural studies approach, Roche sifts aspects of the American horror movie that have been widely addressed (class, the patriarchal family, gender, and the opposition between terror and horror) and those that have been somewhat neglected (race, the Gothic, style, and verisimilitude). Containing seventy-eight black-and-white illustrations, the book is grounded in a close comparative analysis of the politics and aesthetics of four of the most significant independent American horror movies of the 1970s—The Texas Chain Saw Massacre, The Hills Have Eyes, Dawn of the Dead, and Halloween—and their twenty-first-century remakes. To what extent can the politics of these films be described as “disturbing” insomuch as they promote subversive subtexts that undermine essentialist perspectives? Do the politics of the film lie on the surface or are they wedded to the film's aesthetics? Early in the book, Roche explores historical contexts, aspects of identity (race, ethnicity, and class), and the structuring role played by the motif of the American nuclear family. He then asks to what extent these films disrupt genre expectations and attempt to provoke emotions of dread, terror, and horror through their representations of the monstrous and the formal strategies employed? In this inquiry, he examines definitions of the genre and its metafictional nature. Roche ends with a meditation on the extent to which the technical limitations of the horror films of the 1970s actually contribute to this “disturbing” quality. Moving far beyond the genre itself, Making and Remaking Horror studies the redux as a form of adaptation and enables a more complete discussion of the evolution of horror in contemporary American cinema.
Making the Cut at Pixar: The Art of Editing Animation
by Bill Kinder Bobbie O'SteenJoin industry insiders Bill Kinder and Bobbie O’Steen as they guide readers on a journey through every stage of production on an animated film, from storyboards to virtual cameras and final animation. With unprecedented access to the Pixar edit suite, this authoritative project highlights the central role film editors play in some of the most critically acclaimed and commercially successful movies of all time. Exclusive interviews with animation editors and other creative leads are supported by footage from deep inside Pixar’s vault. Nearly 90 minutes of video segments include never-before-seen works in progress, deleted scenes, and demonstrations to shed light on how these beloved stories are crafted. The challenges and essential contributions of editors in animation have never been examined in such depth and detail. In addition to exploring method and craft, this book provides important context for the editor in animation history, the evolution of technology, and Pixar’s uniquely collaborative studio culture. A must-read for students of digital filmmaking, filmmakers in all aspects of production, and fans of Pixar movies.
Making the Steve Jobs Movie: An Entrepreneurial Case Study
by Joe MancusoThe producer of the hit film, Jobs, shares his visions of Hollywood, big business, and entrepreneurial success with America&’s most powerful CEOs. How did Mark Hulme make a journey from Fort Worth, Texas, publisher to first-time movie producer who wrangled Ashton Kutcher to star in one of the most highly anticipated biopics ever made? It&’s a story right of Steve Jobs&’s own playbook for success: start with a good idea and the drive to seek the resources that&’ll turn that concept into reality. This is the illuminating and unique guide to accomplishing those dreams. Joe Mancuso—founder of CEO Clubs and with more than fifty years of experience as an entrepreneur—assembles twenty diverse CEOs to discuss the genius and nerve behind two effectual lynchpins: the founder of Apple himself, and Mark Hulme who took the risk to bring Jobs&’s story to the big screen. In these lively, informative, and invaluable conversations, Mancuso, Hulme, and their peers illustrate how you, too, can apply the same principles and efforts into your own personal success story.
Malasuerte en Tijuana
by Hilario PeñaMalasuerte es dueño de un gallo de pelea desnutrido, unas cuantas cintas de música norteña, un encendedor, una grabadora descompuesta, una baraja española completa, otra francesa incompleta, una camisa de seda, un gato hidráulico y un juego de llaves y dados que supuestamente le había regalado un tío suyo. Su sobrenombre se debe a que su cabello es de color rojo, mientras que su voz, la cual le sirve para presumir a los cuatro vientos que es «feo pero de buen cuerpo», suena como si «trajera grava atorada en la garganta». En este libro atestiguaremos cómo Malasuerte huye de su pueblo ubicado en la sierra de Sinaloa, luego de un violento altercado con la mafia local, hacia Tijuana, donde comenzará a forjar su reputación como el mejor detective privado de la ciudad. Malasuerte en Tijuana es una estupenda novela sobre una realidad cruda, brutal y desesperanzadora: la frontera norte de México. Hilario Peña es un escritor impactante.
Mama Don't Allow
by Thacher HurdTOO LOUD! WHAT A RACKET! UNBEARABLE! Why don't you practice outside, dear? Not only Miles' parents, but the whole neighborhood has had enough of Miles' new saxophone! However, when Miles teams up with three other musicians to form the Swamp Band, their music suddenly gets a startlingly different reception. "We love that Swamp Band music!" yell the sharp-toothed, long-tailed, yellow-eyed alligators. "We like it LOUD! Come and play for the Alligator Ball." The Swamp Band is delighted . . . but little do they know what is in store for them after their first all-night jamboree. Every noise-loving child (and noise-hating parent) will revel in Thacher Hurd's funny, jazzy tale inspired by the traditional American song "Mama Don't Allow." Presch-3
Mama Mable's All-Gal Big Band Jazz Extravaganza!
by Annie SiegDebut author-illustrator Annie Sieg takes young readers on an inspiring trip to the music halls of the 1940s, when groups of young female musicians broke racial and gender barriers--and forever changed the face of jazz. Everyone knows about Rosie the Riveter, the icon for working women during World War II. Now prepare to meet a group of young women who did the same for music! From saxophonists and drummers to trumpeters, pianists, trombonists, and singers, talented young women across the country picked up their instruments--and picked up the spirits of an entire nation--during the dark days of World War II. Together they formed racially integrated female bands and transformed the look and sound of jazz, taking important strides for all women in the world of music. Debut author-illustrator Annie Sieg shines a spotlight on the young women who epitomized the sound and spirit of jazz of the era, while opening young readers' eyes and ears to the role of women then and now in music.
Mama's Boy: A Memoir
by Dustin Lance BlackSHORTLISTED FOR THE 2020 POLARI PRIZE'A magnificent achievement . . . I cannot remember a book where I cried so often. Brave, insightful, unflinching, funny, sad, triumphant . . . everything. And both a warning and a hope for the times to come' STEPHEN FRYDustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California's anti-gay marriage Proposition 8, but he grew up in a conservative Mormon household outside San Antonio, Texas. His mother, Anne, was raised in rural Louisiana, and contracted polio when she was two years old. She endured brutal surgeries, as well as braces and crutches for life, and was told that she would never have children or a family. Wilfully defying expectations, she found salvation in an unlikely faith, raised three sons, and escaped the abuse and violence of two questionably devised Mormon marriages before finding love and an improbable career in the U.S. civil service.When Lance came out to his mother at twenty-one, he was already studying the arts instead of going on his Mormon mission. She derided his sexuality as a sinful choice and was terrified for his future. Mama's Boy explores what it took to remain a family despite such division -- a journey that stretched from the steps of the U.S. Supreme Court to the woodsheds of East Texas. In the end, the rifts that have split a nation couldn't end this relationship that has defined and inspired their remarkable lives. Mama's Boy is their story. It's a story of the noble quest for a plane higher than politics - one of family, foundations, turmoil, tragedy, elation, and love. It is a story needed now more than ever.'To outsiders, my mom and I should have been enemies. Our house should have been divided -- North vs South, red vs blue, conservative vs progressive, or however you want to put it. Instead, my mom and I fuelled each other. Her oil lit my lamp, and eventually mine lit hers. The tools I'd learned to wield growing up in her conservative, Christian, southern, military home were the same I'd used to wage battles that had taken me from a broken-down welfare apartment where gunfire sang me to sleep, to the biggest stages in the world, and to the front row of the United States Supreme Court to fight for LGBTQ equality.'
Mama's Boy: A Memoir
by Dustin Lance Black'To outsiders, my mom and I should have been enemies. Our house should have been divided -- North vs South, red vs blue, conservative vs progressive, or however you want to put it. Instead, my mom and I fuelled each other. Her oil lit my lamp, and eventually mine lit hers. The tools I'd learned to wield growing up in her conservative, Christian, southern, military home were the same I'd used to wage battles that had taken me from a broken-down welfare apartment where gunfire sang me to sleep, to the biggest stages in the world, and to the front row of the United States Supreme Court to fight for LGBTQ equality.'Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California's anti-gay marriage Proposition 8, but he grew up in a conservative Mormon household outside San Antonio, Texas. His mother, Anne, was raised in rural Louisiana, and contracted polio when she was two years old. She endured brutal surgeries, as well as braces and crutches for life, and was told that she would never have children or a family. Willfully defying expectations, she found salvation in an unlikely faith, raised three sons, and escaped the abuse and violence of two questionably devised Mormon marriages before finding love and an improbable career in the U.S. civil service.When Lance came out to his mother at twenty-one, he was already studying the arts instead of going on his Mormon mission. She derided his sexuality as a sinful choice and was terrified for his future. Mama's Boy explores what it took to remain a family despite such division-a journey that stretched from the steps of the U.S. Supreme Court to the woodsheds of East Texas. In the end, the rifts that have split a nation couldn't end this relationship that defined and inspired their remarkable lives. Mama's Boy is their story. It's a story of the noble quest for a plane higher than politics - one of family, foundations, turmoil, tragedy, elation, and love. It is a story needed now more than ever.A magnificent achievement... I cannot remember a book where I cried so often. Brave, insightful, unflinching, funny, sad, triumphant... everything. And both a warning and a hope for the times to come. - STEPHEN FRYA beautifully written, utterly compelling account of growing up poor and gay with a thrice married, physically disabled, deeply religious Mormon mother, and the imprint this irrepressible woman made on the character of Dustin Lance Black. Their extraordinary bond left me exhilarated-it actually gave me hope for the future. - JON KRAKAUER, author of INTO THIN AIR(P)2019 Penguin Random House Audio
Mama's Boy: A Story from Our Americas
by Dustin Lance BlackThis heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. His mother, Anne, was raised in rural Louisiana and contracted polio when she was two years old. She endured brutal surgeries, as well as braces and crutches for life, and was told that she would never have children or a family. Willfully defying expectations, she found salvation in an unlikely faith, raised three rough-and-rowdy boys, and escaped the abuse and violence of two questionably devised Mormon marriages before finding love and an improbable career in the U.S. civil service. By the time Lance came out to his mother at age twenty-one, he was a blue-state young man studying the arts instead of going on his Mormon mission. She derided his sexuality as a sinful choice and was terrified for his future. It may seem like theirs was a house destined to be divided, and at times it was. This story shines light on what it took to remain a family despite such division—a journey that stretched from the steps of the U.S. Supreme Court to the woodsheds of East Texas. In the end, the rifts that have split a nation couldn’t end this relationship that defined and inspired their remarkable lives. Mama’s Boy is their story. It’s a story of the noble quest for a plane higher than politics—a story of family, foundations, turmoil, tragedy, elation, and love. It is a story needed now more than ever.
Mama, Let's Dance: A Novel
by Patricia HermesAbandoned by their mother after the death of their father, three youngsters are determined to keep their situation a secret so that the authorities will not split them up and send them to foster homes.
Mamma Mia How Can I Resist You? Inside Story of Mamma Mia! and the Songs of ABBA
by Björn Ulvaeus Judy Craymer Benny AndersonAlan Partridge, the splendidly insensitive alter ego of Steve Coogan, used Knowing Me, Knowing You as the title of his shambolic chat show, a series Björn has watched and enjoyed. Benny would like to see Rowan Atkinson and co's famous 'Super Duper' spoof from Not The Nine O'clock News ('One of us is ugly/One of us is cute/One of us you'd like to see in her birthday suit'). There is an agreeable lack of pomposity about these two Swedes; they wear their fame lightly and have an ability to laugh at both themselves and the ABBA years. But they are also fiercely protective of what they achieved as songwriters, producers, performers and musicians - which is why to hear them talk about their music is something special.
Man of the Year: A Memoir
by Lou Cove"Hilarious and poignant" — People MagazineFor one 1970’s family, the center may not hold, but it certainly does fold.In 1978 Jimmy Carter mediates the Camp David Accords, Fleetwood Mac tops charts with Rumours, Starsky fights crime with Hutch, and twelve-year-old Lou Cove is uprooted from the Upper West Side of Manhattan to Salem, Massachusetts– a backwater town of witches, Puritans, and sea-captain wannabes. After his eighth move in a dozen years, Lou figures he should just resign himself to a teenage purgatory of tedious paper routes, school bullies, and unrequited lust for every girl he likes. Then one October morning an old friend of Lou’s father, free-wheeling (and free-loving) Howie Gordon arrives at the Cove doorstep from California with his beautiful wife Carly. Howie is everything Lou wants to be: handsome as a movie star, built like a god and in possession of an unstoppable confidence. Then, over Thanksgiving dinner, Howie drops a bombshell. Holding up an issue of Playgirl Magazine, he flips to the center and there he is, Mr. November in all his natural glory. Howie has his eye on becoming the next Burt Reynolds, and a wild idea for how to do it: win Playgirl’s Man of the Year. And he knows just who should manage his campaign. As Lou and Howie canvas Salem for every vote in town – little old ladies at bridge club, the local town witch, construction workers on break and everyone in between – Lou is forced to juggle the perils of adolescence with the pursuit of Hollywood stardom. Man of the Year is the improbable true story of Lou’s thirteenth year, one very unusual campaign, and the unexpected guest who changes everything.
Man on the Run
by Tom DoyleAn illuminating look at the most tumultuous decade in the life of a rock icon--the only McCartney biography in decades based on firsthand interviews with the ex-Beatle himself. As the 1970s began, the Beatles ended, leaving Paul McCartney to face the new decade with only his wife Linda by his side. Holed up at his farmhouse in Scotland, he sank into a deep depression. To outsiders, McCartney seemed like a man adrift--intimidated by his own fame, paralyzed by the choices that lay before him, cut loose from his musical moorings. But what appeared to be the sad finale of a glorious career was just the start of a remarkable second act. The product of a long series of one-on-one interviews between McCartney and Scottish rock journalist Tom Doyle, Man on the Run chronicles Paul McCartney's decadelong effort to escape the shadow of his past, outrace his critics, and defy the expectations of his fans. From the bitter and painful breakup of the Beatles to the sobering wake-up call of John Lennon's murder, this is a deeply revealing look at a sometimes frightening, often exhilarating period in the life of the world's most famous rock star. Sensing that he had nowhere to go but up, Paul McCartney started over from scratch. With emotional--and musical--backing from Linda, he released eccentric solo albums and embarked on a nomadic hippie lifestyle. He formed a new band, Wings, which first took flight on a ramshackle tour of British university towns and eventually returned Paul to the summit of arena rock superstardom. In Man on the Run, Doyle follows McCartney inside the recording sessions for Wings' classic album Band on the Run--and provides context for some of the baffling misfires in his discography. Doyle tracks the dizzying highs and exasperating lows of a life lived in the public spotlight: the richly excessive world tours, the Japanese drug bust that nearly ended McCartney's career, his bitter public feuds with his erstwhile Beatle bandmates, and the aftermath of an infamous drug-and-alcohol-fueled jam session where McCartney helped reconcile the estranged John Lennon and Yoko Ono. For Paul McCartney, the 1970s were a wild ride with some dark turns. Set against the backdrop of a turbulent decade, Man on the Run casts the "sunny Beatle" in an entirely new light.Advance praise for Man on the Run "Tom Doyle's Man on the Run is a riveting dispatch from the seventies. Paul McCartney's story is told with clever pacing, unflinching honesty, and a gripping narrative drive that benefits from his intimate participation via interviews and support. This is simply one of the best rock biographies anyone has written."--Stephen Davis, bestselling author of Hammer of the Gods and Watch You Bleed "Man on the Run is simply brimming with enough fascinating facts and expertly rendered anecdotes to make even the most ardent McCartney follower do an abrupt about-face. Maybe I'm amazed? You better believe it."--Kent Hartman, music industry executive and bestselling author of The Wrecking Crew "What happens when you can do anything you like but nothing will ever be good enough? Doyle makes sense of a stoned shaggy dog story that has none of the narrative neatness of the Beatles' rise and fall."--The Guardian (U.K.), "Music Books of the Year" "[Doyle] offers a level-headed and admirably nonjudgmental portrait of a turbulent ten years, punctuated by great music, creative misfires and frequent run-ins with the law."--Sunday Express (U.K.)From the Hardcover edition.
Managing Corporate Lifecycles: How to Get To and Stay at the Top
by Ichak AdizesIn this book, I present the theory of organizational lifecycles and the principles for leading organizational change that I have developed and practiced over the past thirty years. This theory and these principles allow us to discriminate normal from abnormal problems in organizations and to apply the appropriate interventions that lead organizations to their Prime condition. Both the theory and principles explain why organizations grow, age, and die, and what to do about it. They describe and analyze the usual path organizations take as they grow and the optimal path they should take to avoid the typical problems of growing and aging.
Managing Culture: Reflecting On Exchange In Global Times (Sociology of the Arts)
by Raphaela Henze Victoria DurrerThis book provides new insights into the relationship of the field of arts and cultural management and cultural rights on a global scale.Globalisation and internationalisation have facilitated new forms for exchange between individuals, professions, groups, localities and nations in arts and cultural management. Such exchanges take place through the devising, programming, exhibition, staging, marketing, and administration of project activities. They also take place through teaching and learning within higher education and cultural institutions, which are now internationalised practices themselves. With a focus on the fine, visual and performing arts, the book positions arts and cultural management educators and practitioners as active agents whose decisions, actions and interactions represent how we, as a society, approach, relate to, and understand ourselves and others. This consideration of education and practice as socialisation processes with global, political and social implications will be an invaluable resource to academics, practitioners and students engaging in arts and cultural management, cultural policy, cultural sociology, global and postcolonial studies.
Managing Expectations: A Memoir in Essays
by Minnie DriverA charming, poignant, and mesmerizing memoir in essays from beloved actor and natural-born storyteller Minnie Driver, chronicling the way life works out even when it doesn’t.In this intimate, beautifully crafted collection, Driver writes with disarming charm and candor about her bohemian upbringing between England and Barbados; her post-university travails and triumphs—from being the only student in her acting school not taken on by an agent to being discovered at a rave in a muddy field in the English countryside; shooting to fame in one of the most influential films of the 1990s and being nominated for an Academy Award; and finding the true light of her life, her son. She chronicles her unconventional career path, including the time she gave up on acting to sell jeans in Uruguay, her journey as a single parent, and the heartbreaking loss of her mother. Like Lena Dunham in Not That Kind of Girl, Gabrielle Union in We’re Going to Need More Wine and Patti Smith in Just Kids, Driver writes with razor-sharp humor and grace as she explores navigating the depths of failure, fighting for success, discovering the unmatched wonder and challenge of motherhood, and wading through immeasurable grief. Effortlessly charming, deeply funny, personal, and honest, Managing Expectations reminds us of the way life works out—even when it doesn’t.
Managing Organisational Success in the Arts (Routledge Research in Creative and Cultural Industries Management)
by David StevensonThe creative and cultural industries are a dynamic and rapidly expanding field of enterprise. Yet all too often the dominant narrative about arts organisations is one of crisis, collapse, and closure. This edited collection seeks to challenge that narrative through pursuing a focus on organisational success in the management of creative and cultural organisations. This book offers a robust and in-depth analysis of nine international case studies exploring how different organisations have achieved their objectives through effectively managing their resources. Spanning a broad cross section of the cultural sector including Theatres; Multi-Arts Venues; Performing Arts Companies; Museums and Galleries; and Festivals and Events, these cases highlight the importance of examining an individual organisation’s success in relation to its environmental context, revealing not only how arts organisations work in practice, but also providing inspiration and encouragement for those wishing to emulate such success. With an explicit focus on examining theory in practice, this unique collection will be of great interest to students, academics, and practitioners alike. While traditional approaches have often been overly theoretical, this pragmatic approach will help students to gain a richer understanding of how to manage cultural and creative organisations more effectively.
Managing Performance Stress: Models and Methods
by David PargmanOver the past 16 years, new theories and models have emerged in the stress and anxiety knowledge base regarding the unique forms associated with performance. Existing theories have been applied in creative and helpful ways to better explicate relationships between stress and anxiety with performance. Recently, more sophisticated statistical strategies have been applied to data collected with performers, and additional, safe and expedient strategies for managing stress and anxiety have surfaced. Despite these new advances, the field has been lacking an up-to-date and practical text for undergraduate and graduate students in performing or performance-mentoring programs. Managing Performance Stress examines psychological and psychophysiological models and theories that explain causes of anxiety and stress. An easy-to-use reference work for athletes, musicians, dancers and actors as well as those who devise and conduct their training programs, the book presents exercises, coaching devices, and strategies for conquering stress and anxiety. It is an invaluable resource for those who are performers, will be performers, or who are preparing to mentor, coach or teach performers. The principles enunciated in Managing Performance Stress apply equally to the musician holding an oboe and the athlete holding a baseball bat. The issues explored and the theories, principles, models, hypotheses discussed all bear upon and clarify arousal, stress and anxiety related to artistic and sport performance, irrespective of its kind.
Managing Television News: A Handbook for Ethical and Effective Producing (Routledge Communication Series)
by B. William Silcock Don Heider Mary T. RogusManaging Television News provides a practical introduction to the television news producer, one of the most significant and influential roles in a newscast. Recognizing the need for formal training in this key role, authors B. William Silcock, Don Heider, and Mary T. Rogus have combined their expertise and experience to shape this essential resource on the responsibilities, demands, and rewards of the news producer position. Their book provides a strategic approach to producing newscasts and serves as an in-depth guide to creating quality, audience-friendly newscasts working within the realistic limitations of most newsrooms. It helps the student and the professional producer sort through the various deadline-driven challenges of creating a 30-minute newscast. Filled with real-world examples and advice from news directors, producers, and anchors currently in the business, and photographs illustrating the varied perspectives in the position, Managing Television News provides critical skill sets to help resolve ethical dilemmas, as well as keen and fresh insights on how to win the ratings without compromising news quality. Career concerns are also addressed. This resource is a pioneering book for the professional television newsroom and the individual reader interested in starting or expanding a producing career. It is an excellent text for the college classroom, as its structure fits neatly into a semester schedule, and it is a must-have resource for both seasoned and novice producers, as well as students in broadcast news.
Managing a Video Production Company
by Tom Vaughan-MountfordProviding a detailed break-down of the skills required to establish and grow a profitable production company, this book enables content creators and filmmakers to navigate the commercial video production world and the needs of its clients. Drawing on professional experience in the industry as well historical examples, author Tom Vaughan-Mountford illustrates the ways in which producers can avoid common pitfalls and better manage their business, projects, and clients. Making the corporate world accessible for filmmakers, this book covers all aspects of the video production process, equipping creatives with the tools—and the mindset—to offer their skills to paying clients in a reliable, repeatable, and above all profitable manner. This book is ideal for filmmakers and content creators looking to establish a successful video production business, and features an online resource pack with example production paperwork including a call sheet, and example script re-writes.
Managing in the Media
by Pamela Block Ron Southwell Tom Nicholls William HouseleyManaging in the Media has been devised for a broad audience. It is based upon the perceived need for a text that amalgamates cultural theories, film and television analysis, management theories and media production practice into one volume. There are many books on film and cultural studies. Similarly, there are copious numbers of texts written on management. To date little has been written that analyses the management of the audiovisual industry set against the backdrop of the cultural and economic environment within which the media manager operates. Managing in the Media is divided into three sections that take the reader from the global to the specific, from the strategic to the tactical. Each chapter discusses specific topics that can be read in isolation yet contribute to the theme within each part. Taken as a whole, the book provides the potential professional media manager and current practising media manager with a framework of issues that will give them an awareness of the range of knowledge needed by the successful media manager. This book does not try to be a manual to success. The media industry is awash with successful individuals none of whom needed textbooks to set them on their chosen career paths. Yet these exceptional people prove the rule; that in the main, most media practitioners would benefit from some additional support and guidance. The aim of this book is to present to them some of the management issues that have, or will have, an impact upon their working careers. The accompanying website www.mediaops.net (which can also be accessed via www.focalpress.com) features:- Tutor notes and reader activities- Updated list of further reading- Additional support material such as production templates - Interviews with the authors - A discussion forum- Industry and education links- Media News
Mandela: A Film and Historical Companion
by Keith BernsteinThis official companion book to the epic major feature film Mandela: Long Walk to Freedom retraces the life of Nelson Mandela, weaving together his own words and historic humanitarian efforts with cinematic narrative and exclusive behind-the-scenes content. It's a movie tie-in unlike any other: a combination of dramatic recreations and history, featuring film stills alongside archival photographs of actual events; commentary from the acclaimed cast and filmmakers plus interviews with Mandela's own family and comrades; excerpts from his books and personal papers, with lush, full-color panoramas of the South African landscapes where the film was shot on location. Fans of the movie and Mandela admirers, whatever their age, will relish this unique look at the making of an epic motion picture and the life of a beloved historical icon.
Mango All the Time (Mango Delight #3)
by Fracaswell HymanIn the exciting conclusion to the Mango Delight trilogy, Mango goes to Hollywood and becomes the star of a television series! Mango Delight Fuller is ready for her next big break, which just might be in Hollywood! So she heads to California and auditions for a new television series. As she and her family settle in, she meets new friends who also end up competing with Mango for roles. Unfortunately, Mango&’s big screen test does not go well. But when the star drops out of the show, Mango&’s new manager convinces the producers to rework the show with Mango as the star. The new series, Mango All the Time (she&’s a girl who sings and time travels), goes into production and Mango must face the realities of success. Will she be able to juggle a star&’s extra-heavy workload, while keeping egos in check, heartbreak at bay, and managing the changes to her family&’s life?
Manhood in Hollywood from Bush to Bush
by David GrevenA struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines-psychoanalysis, queer theory, American studies, men's studies, and film theory-as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.