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Michael Jackson: The Life & Legacy of Pop Music's King
by Daryl EasleaRelive the incredible history of the King of Pop in reverse. Michael Jackson: Rewind charts the life to Michael from his tragic, unexpected passing to his childhood.By the time Michael Jackson passed away in 2009, he had sold an estimated 750 million records worldwide over his career. He had won 26 American Music Awards and 13 Grammy Awards as well as the Grammy Lifetime Achievement Award, and was ranked number three, after The Beatles and Elvis Presley, of best-selling music artists. Five years after his death, the net worth of his estate is more than 600 million dollars. He is, without a doubt, one of the most popular - and controversial - artists of all time. Now, for the first time ever, author Daryl Easlea will explore the life and history of Michael Jackson... in reverse. Starting with his tragic death and rewinding to his early hits with the Jackson 5 and life in Gary, Indiana, this is a complete illustrated history of the King of Pop: his genius, his life, and his demons. Loaded with over 300 images, a timeline of his life, a complete discography, and more, this is the must-have book for any Michael Jackson fan.
Michael Jackson: The Magic, The Madness, The Whole Story, 1958-2009
by J. Randy TaraborrelliAfter 30 years of interviews with the Jackson family, this book is a behind the scenes look.
Michael Jackson: The Making of "Thriller"
by Douglas KirklandMichael Jackson: The Making of "Thriller" is an illustrated tribute to the King of Pop and his groundbreaking music video, with never-before-seen photos of its creation. The book features over 200 exclusive, behind-the-scenes photographs of the artist on set during the 1983 production of the Grammy award winning video directed by John Landis. Considered to be the most successful project of all time, "Thriller" is beloved the world over, inspiring imitation and a cult-like following of millions of fans. Documenting the creation of the most popular and iconic music video of all time, this book celebrates the artist and his music at the top of his career. Famed photographer Douglas Kirkland and journalist Nancy Griffin were the only members of the media allowed on the set of the video. The resulting photos capture Jackson both in high performance mode and relaxing on the set and depict his transformation into the characters in the video as well capturing the public and private faces of Michael Jackson. Compelling, intimate photos of the artist are accompanied by interviews and quotes from musicians and celebrities, including Sir Paul McCartney, Diddy, Beyonce, Steven Spielberg and many more. With a holographic cover that, when tilted, transforms the artist into his zombie character, the book is an impressive gift to be treasured by fans and music lovers everywhere.
Michael Mann: Kino zwischen Zorn und Einsamkeit
by Holger SchumacherZum ersten Mal widmen sich zehn deutschsprachige Wissenschaftler mit unterschiedlichen Forschungsschwerpunkten dem Gesamtwerk Michael Manns. Dabei werden die Leser*innen zu einer zweifachen Reise eingeladen: Auf einem faszinierenden Tauchgang in die Filmwelt des gefeierten Regisseurs treten zentrale Themen, Figurenkonstellationen, kulturelle Hintergründe und Wirkungseinheiten zutage, die einen völlig neuen Blick auf seine Kunst eröffnen: Wie schafft es Michael Mann seit mehr als 40 Jahren, ein weltweites Publikum zu fesseln und immer wieder aufs Neue in den Kinosaal zu locken? Was verraten seine Filme dadurch über die unbewussten Sehnsüchte, Obsessionen und Widerstände in unserer Kultur? Gleichzeitig entwickelt sich ein spannender Dialog zwischen den verschiedenen Deutungsansätzen: Anhand populärer Kinofilme wie HEAT oder COLLATERAL wecken die wichtigsten Disziplinen - von der Morphologie bis zur Seduktionstheorie - Neugier auf den Facettenreichtum der deutschsprachigen Filmwissenschaft. Auf diese Weise entsteht ein Buch über die Kunst des Films und seiner Interpretation.
Michael Moore Is a Big Fat Stupid White Man
by David T. Hardy Jason ClarkeWatching Michael Moore in action—passing off manipulating facts in Bowling for Columbine, spinning statistics in Stupid White Men and Dude, Where's My Country?, shamelessly grandstanding at the Academy Awards, and epitomizing the hypocrisy he's made a king's fortune railing against—has spurred authors David T. Hardy and Jason Clarke to take action into their own hands. In Michael Moore Is a Big Fat Stupid White Man, Hardy and Clarke dish it back hard to the fervent prophet of the far left, turning a careful eye on Moore's use of camera tricks and publicity ploys to present his own version of the truth.Postwar documentarians gave us the documentary, Rob Reiner gave us the mockumentary, and Moore initiated a third genre, the crockumentary.How, they ask, does Moore pull off a proletarian, "man-of-the-people" image so at odds with his lifestyle as a fabulously wealthy Manhattanite? And how large of an impact do his incendiary, ill-founded polemics have on the growing community that follows him with near-religious devotion? Loaded with well-researched, solidly reasoned arguments, and laced with irreverent wit, Michael Moore Is a Big Fat Stupid White Man fires back at one of the left's biggest targets—politically and literally.
Michael Winterbottom: Interviews (Conversations with Filmmakers Series)
by Damon SmithProlific British director Michael Winterbottom (b. 1961) might be hard to pin down and even harder to categorize. Over sixteen years, he has created feature films as disparate and stylistically diverse as Welcome to Sarajevo, 24 Hour Party People, In This World, Butterfly Kiss, and The Killer Inside Me. But in this collection, the first English-language volume to gather international profiles and substantive interviews with the Blackburn native, Winterbottom reveals how working with small crews, available light, handheld digital cameras, radio mics, and minuscule budgets allows him fewer constraints than most filmmakers, and the ability to capture the specificity of the locations where he shoots. In Michael Winterbottom: Interviews he emerges as an industrious filmmaker committed to a stripped-down approach whose concern with outsiders and docu-realist authenticity have remained constant throughout his career. Collecting pieces from news periodicals as well as scholarly journals, including previously unpublished interviews and the first-ever translation of a lengthy, illuminating exchange with the French editors of Positif, this volume spans the full breadth of Winterbottom's notably eclectic feature-film career.
Michaela DePrince: From War-Torn Childhood to Ballet Fame (Movers, Shakers, and History Makers)
by Carrie MyersMichaela DePrince was born in Sierra Leone and grew up in the United States. She rose to fame as a ballet dancer in the late 2000s. Learn more about DePrince's life as a famous ballerina!
Michigan City's Washington Park
by Jonita DavisThe sand dunes stretched higher than many skyscrapers, with the remnants of an abandoned lumber industry at their feet. The sandy, overgrown land was nothing that Michigan City residents cared to develop, let alone visit. The area was largely forgotten until Mayor Martin Krueger decided that his town would have a park and bathing beach. In a few short years, the deserted area was transformed into a family amusement center on Lake Michigan's southern shores. These beginnings helped shape the Michigan City community. However, the lakeside park and bathing beach of today barely resemble the famous amusement area of the early 1900s. Somewhere along this town's history, its greatest asset of that early time--its amusement park--transformed into a natural beauty that is still treasured by families today, though nostalgia remains for the park of the past. Michigan City's Washington Parks traces those lost amusement years with images and the complete amazing tale, from the building of the large wooden roller coaster with a lake view to the communal turn toward a nature park.
Michigan's Drive-In Theaters
by Harry SkrdlaFew American phenomena are more evocative of time, place, and culture than the drive-in theater. From its origins in the Great Depression, through its peak in the 1950s and 1960s and ultimately its slow demise in the 1980s, the drive-in holds a unique place in the country's collective past. Michigan's drive-ins were a reflection of this time and place, ranging from tiny rural 200-car "ozoners" to sprawling 2,500-car behemoths that were masterpieces of showmanship, boasting not only movies and food, but playgrounds, pony rides, merry-go-rounds, and even roving window washers.
Mick: The Wild Life and Mad Genius of Jagger
by Christopher Andersen“He’s a smart little mother******,I’ll give him that.” —KEITH RICHARDS on MICK JAGGER IS he Jumpin’ Jack Flash? A Street Fighting Man? A Man of Wealth and Taste? All this, it turns out, and far more. By any definition, Mick Jagger is a force of nature, a complete original—and undeniably one of the dominant cultural figures of our time. Swaggering, strutting, sometimes elusive, always spellbinding, he grabbed us by our collective throat a half-century ago and—unlike so many of his gifted peers—never let go. For decades, Mick has jealously guarded his many shocking secrets—until now. As the Rolling Stones mark their 50th anniversary, journalist and #1 New York Times bestselling author Christopher Andersen tears the mask from rock’s most complex and enigmatic icon in a no-holds-barred biography as impossible to ignore as Jagger himself. Based on interviews with friends, family members, fellow music legends, and industry insiders—as well as wives and legions of lovers—MICK sheds new light on a man whose very name defines an era and candidly reveals: —New details about Jagger’s jaw-dropping sexual exploits with more than four thousand women (including Madonna, Angelina Jolie, Carly Simon, Linda Ronstadt, Uma Thurman, and France’s First Lady Carla Bruni)—as well as his encounters with several of rock’s biggest male stars. Also, the day Mick’s wife Jerry Hall and Keith Richards pleaded with Jagger to seek treatment for sex addiction. —The backstage drama surrounding Mick’s knighthood, and Jagger’s little-known ties to Britain’s Royal Family, including Prince William and Kate Middleton. —What he really thinks of today’s superstars—including Lady Gaga, Britney Spears, Beyoncé, Justin Timberlake, Kanye West, and Justin Bieber. —Never-before-revealed, behind-the-scenes accounts of his often turbulent relationships—from his band-mates, ravenous groupies, and rabid fans to such intimates as Andy Warhol, John Lennon, Jackie Onassis, Bill Clinton, and others. —Cocaine, LSD, hashish, and speed—the flabbergasting truth about the extent of Jagger’s substance abuse, and how long it really went on. —A rare glimpse into Mick’s business dealings and the killer instinct that has enabled him to amass a personal fortune well in excess of $400 million. —The stormy “marriage” between Mick and Keith that nearly ran aground over Keith’s searing comments—and all the scandal, mayhem, excess, madness, and genius that went into making the Rolling Stones “the world’s greatest rock-and-roll band.” Like its subject, this book is explosive and riveting—the definitive biography of a living legend who has kept us thrilled, confounded, and astounded. THIS IS MICK.
Micky. Un tributo diferente
by Martha FigueroaUn libro memorable, único, incondicional para cualquier fan de la carrera, la personalidad, la música o el físico de quien roba miles de respiros con una sonrisa y un bolero. Martha Figueroa, la periodista de espectáculos por excelencia y seguidora -literalmente- de Luis Miguel nos cuenta la vida detrás de las cámaras, los escenarios y los paparazzi de El Sol. Martha repasa los treinta años de carrera de Luis Miguel con episodios nunca antes publicados de su vida personal, amorosa, la fiesta, sus mujeres, sus amistades, ¡hasta su guardaespaldas! Con un respeto total por la persona y la carrera de Luis Miguel, Martha Figueroa repasa cómo se han encontrado su camino y el de El Sol desde 1987, que Martha fue asignada a cubrir todos y cada uno de sus pasos, hasta la fecha. Cada gira, cada concierto, cada fiesta. Miami, México, Nueva York... la vida de Luis Miguel ha estado siempre estrechamente vigilada por una mirada genial y una pluma única: la de Martha. Su tono divertido, ameno e irreverente la delata: el lector se topa con un aire de nostalgia desde la primera página, y acompaña el resto del libro de risas y carcajadas. El carácter único de sus relatos hace casi imposible de creer las aventuras por las que la autora ha pasado tras los pasos del mayor intérprete pop en español. Y claro, treinta años de carrera llevan de por medio incontables anécdotas, encuentros, conciertos, fans y recuerdos con los que Martha y las fans de Luis Miguel han creado un archivo gráfico nunca antes visto: más de 30 páginas de imágenes de Luismi.
Micro-Budget Methods of Cinematic Storytelling: A Practical Guide to Making Narrative Media with Minimal Means
by Jake MahaffyThis accessible handbook is a practical guide to the concepts and techniques of micro-budget, cinematic storytelling. It’s written to be useful and efficient, packed with lessons, examples and practices from the Author’s extensive filmmaking experience and decades of teaching students all over the world.Demystifying the complex creative process involved in filmmaking, this text provides concrete, detailed and specific steps to develop innovative concepts and execute effective films with micro-budget methods. With a wide range of references, instruction, and illustrations, the reader will learn how to make the most of powerful cinematic tools under budgetary constraints. The focus on cinematic storytelling addresses the fundamentals of understanding principles in all creative practices in any genre, platform, style or duration of any narrative art. The information and lessons here are foundational, presenting a new perspective on the creative process for beginners and experienced alike.This book is the go-to resource for beginners and students entering today’s industry, as well as those micro-budget and low-budget filmmakers looking for expert inspiration and insight.
Microdramas: Crucibles for Theater and Time
by John H. MuseIn Microdramas, John H. Muse argues that plays shorter than twenty minutes deserve sustained attention, and that brevity should be considered a distinct mode of theatrical practice. Focusing on artists for whom brevity became both a structural principle and a tool to investigate theater itself (August Strindberg, Maurice Maeterlinck, F. T. Marinetti, Samuel Beckett, Suzan-Lori Parks, and Caryl Churchill), the book explores four episodes in the history of very short theater, all characterized by the self-conscious embrace of brevity. The story moves from the birth of the modernist microdrama in French little theaters in the 1880s, to the explicit worship of speed in Italian Futurist synthetic theater, to Samuel Beckett’s often-misunderstood short plays, and finally to a range of contemporary playwrights whose long compilations of shorts offer a new take on momentary theater. Subjecting short plays to extended scrutiny upends assumptions about brief or minimal art, and about theatrical experience. The book shows that short performances often demand greater attention from audiences than plays that unfold more predictably. Microdramas put pressure on preconceptions about which aspects of theater might be fundamental and about what might qualify as an event. In the process, they suggest answers to crucial questions about time, spectatorship, and significance.
Mid-Term Report
by Phil RedmondA masterclass in media studies from the creator of Grange Hill, Brookside and Hollyoaks. Described in Parliament as 'excellent' by Ed Vaizey, The Parliamentary Under-Secretary of State for Culture, Media and Sport GRANGE HILLSwimming pool disasters. Drugs, and just say ‘no’. Flying sausages. School like you’d never seen it before.BROOKSIDELesbian kisses. Bodies under patios. Exploding shops. Suburban life like you’d never seen it before.HOLLYOAKSBad boys on bikes. Loveable geeks. Leggy blondes. Students like you’d never seen them before.PHIL REDMONDThree classic TV programmes. One TV genius. This is the behind-the-scenes story of how a working-class lad from the Liverpool suburbs went from living on a housing estate to buying one, and from comprehensive school dinners to lunch with the Queen. Along the way he learned a lot of lessons, broke all the rules, and changed television for ever.
Middle Eastern Television Drama: Politics, Aesthetics, Practices (Routledge Studies in Middle East Film and Media)
by Nour Halabi Christa SalamandraThis monograph explores and investigates key issues facing Middle Eastern societies, including religion and sectarianism, history and collective memory, urban space and socioeconomic difference, policing and securitization, and gender relations. In the Middle East, television drama creators serve as public intellectuals who, with uncanny prescience, tell the world something. As this volume demonstrates, fictional television provides a crucial space for social and political debate in much of the region. Writing from a range disciplines—anthropology, communication, folklore, gender studies, history, and law— contributors include seasoned academics who have dedicated their careers to researching Middle Eastern media and emerging scholars who build on earlier work and introduce fresh perspectives. Together, they provide an invaluable overview of Middle Eastern serial television and their political impact, drawing examples from Afghanistan, Egypt, Iran, Syria, and Turkey. Bringing together a diverse range of academic perspectives, this book will be of key interest to students and scholars in media and communication studies, Middle Eastern Studies, and popular culture studies.
Middle School's a Drag, You Better Werk!
by Greg HowardIn this heartfelt and hilarious new novel from Greg Howard, an enterprising boy starts his own junior talent agency and signs a thirteen-year-old aspiring drag queen as his first client.Twelve-year-old Mikey Pruitt--president, founder, and CEO of Anything, Inc.--has always been an entrepreneur at heart. Inspired by his grandfather Pap Pruitt, who successfully ran all sorts of businesses from a car wash to a roadside peanut stand, Mikey is still looking for his million-dollar idea. Unfortunately, most of his ideas so far have failed. A baby tornado ran off with his general store, and the kids in his neighborhood never did come back for their second croquet lesson. But Mikey is determined to keep at it.It isn't until kid drag queen Coco Caliente, Mistress of Madness and Mayhem (aka eighth grader Julian Vasquez) walks into his office (aka his family's storage/laundry room) looking for an agent that Mikey thinks he's finally found his million-dollar idea, and the Anything Talent and Pizzazz Agency is born!Soon, Mikey has a whole roster of kid clients looking to hit it big or at least win the middle school talent show's hundred-dollar prize. As newly out Mikey prepares Julian for the gig of a lifetime, he realizes there's no rulebook for being gay--and if Julian can be openly gay at school, maybe Mikey can, too, and tell his crush, dreamy Colton Sanford, how he feels.Full of laughs, sass, and hijinks, this hilarious, heartfelt story shows that with a little effort and a lot of love, anything is possible.
Middle School: Too Uncool for School (Middle School #17)
by James Patterson Martin ChattertonIn this hilarious installment of a #1 New York Times bestselling series, Rafe is finally getting a taste of the cool life—but his problems are red-hot! Rafe Khatchadorian has never been cool. But all that changes when he becomes the guitarist in an awesome rock band and wrangles a part-time job at Hills Village's trendiest new coffee shop slash yoga studio. No more being at the bottom of the middle school food chain—Rafe is finally going to be popular! He just has two teeny problems: the awesome rock band is led by none other than the school bully. And the band actually isn't awesome—they absolutely stink, and Rafe has to whip them into shape for the Best Band Competition. With Rafe's newfound coolness on the line, will he find a way to hit the stage in style, or is he doomed to dorkdom forever?
Middlemarch: Novel
by George Eliot Margaret Drabble Russell Baker Louis MarksOn April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged.From the Hardcover edition.
Midnight Cowboy (Queer Film Classics)
by Jon TowlsonMidnight Cowboy – the story of a small-town stud’s attempt to make it big as a hustler on the streets of 1960s New York – is an indisputably iconic film. Though recognized in terms of its early adoption of Nouvelle Vague cinematography and editing techniques, and renowned for an Oscar win in spite of controversy over its X-rating, Midnight Cowboy has yet to be understood as a classic of queer cinema.Jon Towlson reclaims Midnight Cowboy as a queer text by addressing John Schlesinger as a gay author and filmmaker and providing a fresh perspective on the film’s relationship to the 1965 James Leo Herlihy novel from which it was adapted. Offering a nuanced and personal view of the film’s relevance to queer experience and queer friendship, Towlson also considers Midnight Cowboy’s production and reception and its place in Schlesinger’s filmography. Depictions of sixties New York counterculture and 42nd Street hustlers offer an opportunity for reassessment, particularly in the film's relationship to male prostitution, male relationships, and sexual identity.By shifting the perspective away from previous interpretations of Midnight Cowboy as homophobic and problematic, Towlson argues for a new interpretation of the film as a proto-queer buddy movie and a critical forerunner to films such as My Own Private Idaho and Brokeback Mountain.
Midnight Justice (Spider-Man Super Thriller #1)
by Martin DelrioFIRST IN AN ALL-NEW SERIES! VENOM'S REVENGE! Spider-Man faces the fight of his life when the nightmare creature known as Venom targets both the web-slinger and his alter-ego, Peter Parker, for destruction! The deadly alien symbiote and its human host, Eddie Brock, collectively known as Venom, harbor a growing hatred for Spider-Man that violently explodes when Parker and Spider-Man are credited with helping clean up crime in the subways. But these tunnels are the domain of Venom, and the cleanup is his doing. The credit should rightly go to him! Venom challenges Spider-Man to a deadly midnightshowdown, at Manhattan's criminal-court building, in the middle of the worst snowstorm of the century. It's a brutal no-holds-barred contest, in which all the advantages seem to lie with Venom. Spider-Man must bag the crazed villain, or go down in the attempt!
Midnight Movies
by J. Hoberman Jonathan RosenbaumMidnight Movies is a comprehensive and in-depth look at over 100 subculture movies of the past three decades. It discusses the complete history of cult films, their makers, and their audience and what keeps audiences coming back to see them over and over again.
Midnight's Children (dramatization)
by Salman Rushdie Simon Reade Tim SuppleMidnight's Children tells three main tales: the turbulent history of twentieth-century India, Pakistan and Bangladesh; the saga of a Muslim family; and the story of one man, Saleem Sinai. This is a play based on the book.
Might as Well Laugh About it Now
by Marie Osmond Marcia WilkieThe beloved superstar reveals her thoughts on her milestones and missteps, career pressures and expectations, her popular line of collectible dolls, marriage and divorce, depression, weight issues, and the incredible joys and challenges in being a working mother raising eight children. <P><P>Marie's resilience and familiar humor will have every reader feeling at home with this international icon as she imparts her insights on surviving the school of life and graduating with a degree in unstoppable optimism.
Migrant Anxieties: Italian Cinema in a Transnational Frame (New Directions in National Cinemas)
by Áine O'HealyDuring a period of heightened global concerns about the movement of immigrants and refugees across borders, Migrant Anxieties explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Áine O’Healy traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.
Migrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures (Routledge Interdisciplinary Perspectives on Literature)
by Andrea Easley MorrisMigrant and Tourist Encounters: The Ethics of Im/mobility in 21st Century Dominican and Cuban Cultures analyzes the effects of clashing flows of voluntary and involuntary travelers to and from these countries due to an increase in migration and tourism during the last three decades. I compare the ways in which literary works and films reflect on and critique the power relations and ethics of im/mobility and encounter, both on the islands and in destinations abroad. The works draw attention to the interconnectedness of migration, tourism, and other forms of travel as well as immobility, and portray growing local and global inequalities through characters’ disparate access to free, voluntary movement. I consider how the works respond to the question of the moral potential of encounters produced by im/mobilities and the possibility of connection across differences. I argue that Dominican and Cuban artists not only critique neo-colonial paradigms of power and im/mobility, but envision and enact strategies for belonging and, in some cases, suggest a path toward de-colonial cosmopolitanism.