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Mini Weapons of Mass Destruction: Make mayhem from your stationery with 35 models to build yourself (Mini Weapons of Mass Destruction)
by John AustinWe've come a long way from the Peashooter Era: with the advent of modern household products and office supplies - foldback clips, clothespins, rubber bands, ballpoint pens, toothpicks, paper clips and plastic utensils - the everyday junk drawer can hold all the materials needed to create pocket-sized weaponry. Whether you're slowing dying of boredom in a stuffy office, plotting revenge on your older siblings or simply looking for a wonderful way to kill some time, this book is for you. Toy designer John Austin provides detailed, step-by-step instructions for each project, including materials and ammo lists, clear pictures, and construction tips, for mayhem-loving MacGyvers. The 35 devices include catapults, slingshots, darts, crossbows, and combustion shooters. Build a tiny trebuchet from paper clips and a D-cell battery. Wrap a penny in a string of paper caps to create a surprisingly impressive "bomb." Several of the projects even include variations where combatants mount laser pointer sights to their shooters to increase their accuracy. The instructions are simple so that anyone can make these wacky innovations in minutes whilst also learning about mechanics and physics in a fun, hands-on way.
Minimally Invasive Spine Surgery (Minimally Invasive Procedures In Orthopaedic Surgery Ser. #Vol. 3)
by Alexander R. Vaccaro Christopher M. BonoMinimally invasive procedures are increasingly utilized and are replacing open surgery to reduce scarring and pain, enhance patient recovery, and minimize cost. Minimally Invasive Spine Surgery provides step-by-step guidance, expert instruction, and detailed illustration of current minimally invasive orthopedic spine procedures. With a variety of c
Ministers of a New Medium: Broadcasting Theology in the Radio Ministries of Fulton J. Sheen and Walter A. Maier
by Kirk D. FarneyDuring the anxiety-laden period from the Great Depression through World War II to the Cold War, Americans found a welcome escape in the new medium of radio.Ministers of a New MediumThe Lutheran HourCatholic HourFarney examines how Sheen and Maier used their exceptional erudition, their sensitivity to the times, their powerful communication skills, and their unwavering Christian conviction, all for the purpose of calling the souls of listeners and the soul of a nation to repentance and godliness. Their combination of talents also brought their respective denominations, Roman Catholicism and Missouri Synod Lutheranism, from the periphery of the American religious landscape to a much greater level of recognition and acceptance. With careful attention to both the theological content and the cultural influence of these masters of a new medium, Farney's study sheds new light on the history of media and Christianity in the United States.
Ministry
by Al JourgensenThe high-octane, no-holds-barred memoir by legendary godfather of industrial musicOCoAl Jourgensen, the founder of Ministry"
Ministry
by Al JourgensenThe high-octane, no-holds-barred memoir by legendary godfather of industrial musicOCoAl Jourgensen, the founder of Ministry"
Ministry of Illusion: Nazi Cinema and Its Afterlife
by Eric RentschlerGerman cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
Ministry: The Lost Gospels According to Al Jourgensen
by Al JourgensenMinistry: The Lost Gospels is both ugly and captivating, revealing a character who has lived a hard life his way, without compromise. Jourgensen, one of the most innovative and prolific artists ever to pick up a guitar, mandolin, harmonica, or banjo, wanted to be a musician, yet became a rock star. And fame and fortune almost killed him. An IV drug abuser from the age of fifteen, Jourgensen delved deeper into heroin, cocaine, methadone, and alcohol for twenty-two years before cleaning up, straightening out, and finding new reasons to live. Filled with humor, heart, decadence, and tragedy, Ministry depicts the epic life of a renegade iconoclast.
Minnie Pearl’s Diary
by Minnie PearlSarah Ophelia Colley, takes on her well-known alter ego Minnie Pearl to write a quaint diary in her inimitable Southern Country style.“Dear Folks:Up to now, you’ve only heard what she could tell on the air. But at last she’s been persuaded to give us her secret diary—writ by hand.We asked her for some information “to put on the outside of the book” and this is what she sent us:BIRTHPLACE: Grinder’s Switch, 3 miles west of Centerville (not even a wagon greasin’). Population 300 folks; 350 dogs.DATE OF BIRTH: Age is a relative matter and that’s her trouble—too many relatives—she’s in her early fifties—young enough to wink at the fellers; too old to have them wink back.FAMILY: Minnie has a brother, a sister, Uncle Nabob, Aunt Ambrosy, Coz Elmer, etc., etc., etc.SCHOOLING: Minnie Pearl went all the way through Grinder’s Switch Elementary School—several times.CHILDHOOD ACTIVITIES: She enjoyed carefree life at Grinder’s Switch, early interest in fellers, kissing games, coon hunts, possum hunts, kissing games, swimming in Duck River, watching the train go through, kissing games.LATER ACTIVITIES: She participates—invited or not—in all activities at Grinder’s Switch with heavy emphasis on efforts to snare a husband. She is the social leader of Grinder’s Switch, showing keen interest in ice cream socials, church socials, and any other parties where they play games, especially kissing games. B(u )y now!”
Minor Ballet Composers: Biographical Sketches of Sixty-Six Underappreciated Yet Significant Contributors to the Body of West
by William E Studwell Bruce R SchuenemanWhile most music lovers are familiar with the famous scores of Tchaikovsky, Delibes, and Stravinsky, many other lesser-known composers also wrote for the ballet. Several of these composers wrote almost exclusively for the ballet--and all enriched the world of dance. Minor Ballet Composers presents biographical sketches of 66 underappreciated ballet composers of the 19th and 20th centuries from around the world, along with selected stories from the ballets they helped create. While the composers’contributions to ballet music are emphasized, all aspects of their lives and works are touched upon. Plot summaries and excerpts from reviews of many of the ballets are also provided. Other topics of interest you’ll find covered in Minor Ballet Composers include: Les Six: Darius Milhaud, Louis Durey, Georges Auric, Arthur Honegger, Francis Poulenc, and Germaine Tailleferre--and their relationship with Erik Satie and Jean Cocteau how politics, revolutions, and wars have affected composers and their works who studied with whom; who collaborated with whom schools, movements, and musical renaissance the importance of opera to ballet music the relationship between film scores and ballet music which books, plays, stories, and folk tales certain ballets are based upon where many of these ballets premieredMinor Ballet Composers emphasizes the importance of second-tier composers and their influence on the rich tradition of music written for the dance (though in some cases the music was appropriated for the ballet from other original designs). The gathering of these composers in a single volume in appreciation of their ballet music, with a glossary of choreographers and an index of ballet titles, makes this book a useful volume for ballet aficionados, music librarians, musicians, and others interested in dance and dance music.
Minstrel Traditions: Mediated Blackface in the Jazz Age
by Kevin James ByrneMinstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Miracle
by Karen S. ChowA glittering story about life and loss that follows Amie as she learns to heal and move forward over the course of a life-changing year, for fans of When You Trap a Tiger and The Remarkable Journey of Coyote Sunrise. Amie has spent her life perfectly in tune with Ba-ba, her father—she plays the violin, his favorite instrument; she loves all his favorite foods, even if he can&’t eat them during his cancer treatments; and they talk about books, including Amie&’s favorite series, Harry Potter. But after Ba-ba dies, Amie feels distanced from everyone close to her, like her mother and her best friends, Rio and Bella. More devastating still, she loses her ability to play the violin—the notes that used to flow freely are now stilted and sharp. Will Amie ever find her way back to the music she once loved? With hope and harmony lighting the way—and with help from the people who care about her most—Amie must find the strength to carry on. In the end, she&’ll learn that healing, while painful, can be its own miraculous song. Advance Praise for Miracle: "A beautifully written debut about family, friendship, and life after loss. Miracle will be a miracle for the readers who need it." —Dusti Bowling, bestselling author of Insignificant Events in the Life of a Cactus and The Canyon's Edge "A symphony of loss and healing that's certain to tug at your heartstrings." —Cindy Baldwin, author of Where the Watermelons Grow "Genuine, sincere, authentic—this book is a gift to readers." —Mary E. Lambert, author of Family Game Night and Other Catastrophes "A touching book about a difficult subject. It brings a quiet hope to young readers who may be dealing with their own loss, showing that they can find a path forward even after the hardest events." —Melissa Dassori, author of J.R. Silver Writes Her WorldA CCBC BEST BOOK OF THE YEAR "A moving, musical interlude on grief ... a great pick for anyone with a love of music or with a cloud of grief lingering over them. Hand to fans of Lynne Kelly, Christine Day, and Paul Acampora." —Booklist "Bolstered by an undercurrent of hope, Chow honors the tween protagonist&’s complexities and priorities as explored via Amie&’s candid voice.&” —Publishers Weekly "This lyrical narrative weaves in musical elements to effectively describe the complexity of Amie&’s grief and its effects on her love for music." —BCCB "Perfect for middle school music nerds, especially those undergoing personal turmoil." —School Library Journal
Miracle at St. Anna (Movie Tie-in)
by James McbrideFrom the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction. James McBride's powerful memoir, The Color of Water, was a groundbreaking literary phenomenon that transcended racial and religious boundaries, garnering unprecedented acclaim and topping bestseller lists for more than two years. Now McBride turns his extraordinary gift for storytelling to fiction--in a universal tale of courage and redemption inspired by a little-known historic event. In Miracle at St. Anna, toward the end of World War II, four Buffalo Soldiers from the Army's Negro 92nd Division find themselves separated from their unit and behind enemy lines. Risking their lives for a country in which they are treated with less respect than the enemy they are fighting, they discover humanity in the small Tuscan village of St. Anna di Stazzema--in the peasants who shelter them, in the unspoken affection of an orphaned child, in a newfound faith in fellow man. And even in the face of unspeakable tragedy, they--and we--learn to see the small miracles of life. This acclaimed novel is now a major motion picture directed by Spike Lee.
Miracle in the Evening: An Autobiography
by Norman Bel GeddesMIRACLE IN THE EVENING is the autobiography of one of the most brilliant stage and industrial designers of our time. Norman Bel Geddes’ story is the drama of a young man who, having worked his way through school, climaxed a brilliant career with ideas that gave birth to some of the most spectacular theatrical productions of the last half century.Through Norman Bel Geddes’ story, as through the theater itself, pass the many colorful personalities of our age, lending brilliance and scope, good humor and compelling human interest.The life story of this ingenuous man is filled with names of the glittering and the great, such as Frank Lloyd Wright, Madame Schumann-Heink (his first portrait-sketch was of this famous contralto), Will Rogers, Charlie Chaplin, David Belasco, Horace Liveright, J. Walter Thompson, Walter Chrysler, Harold Ross, and many others—a fascinating story of a man who has more than once created for audiences a MIRACLE IN THE EVENING.
Miracles and Sacrilege
by William Bruce JohnsonMiracles and Sacrilege is the story of the epochal conflict between censorship and freedom in film, recounted through an in-depth analysis of the U.S. Supreme Court?s decision striking down a government ban on Roberto Rossellini?s film The Miracle (1950). In this extraordinary case, the Court ultimately chose to abandon its own longstanding determination that film comprised a mere ?business? unworthy of free-speech rights, declaring for the first time that the First Amendment barred government from banning any film as ?sacreligious.?Using legal briefs, affidavits, and other court records, as well as letters, memoranda, and other archival materials to elucidate what was at issue in the case, William Bruce Johnson also analyzes the social, cultural, and religious elements that form the background of this complex and hard-fought controversy, focusing particularly on the fundamental role played by the Catholic Church in the history of film censorship. Tracing the development of the Church in the United States, Johnson discusses the reasons it found The Miracle sacrilegious and how it attained the power to persuade civil authorities to ban it. The Court?s decision was not only a milestone in the law of church-state relations, but it paved the way for a succession of later decisions which gradually established a firm legal basis for freedom of expression in the arts.
Miraculous Realism: The French-Walloon Cinéma du Nord (SUNY series, Horizons of Cinema)
by Niels NiessenAt the 1999 Cannes Film Festival, two movies from northern-Francophone Europe swept almost all the main awards. Rosetta by the Walloon directors Jean-Pierre and Luc Dardenne won the Golden Palm, and L'humanité by the French director Bruno Dumont won the Grand Prize; both won acting awards as well. Taking this "miracle" of Cannes as the point of departure, Niels Niessen identifies a transregional film movement in the French-Belgian border region—the Cinéma du Nord or "cinema of the North." He examines this movement within the contexts of French and Belgian national cinemas from the silent era to the digital age, as well as that of the new realist tendency in world cinema of the last three decades. In addition, he traces, from a northern perspective, a secular-religious tradition in Francophone-European film and philosophy from Bresson and Pialat, via Bazin, Deleuze, and Godard, to the Dardennes and Dumont, while critiquing this tradition for its frequent use of a humanist vocabulary of grace for a secular world. Once a cradle of the Industrial Revolution, the Franco-Belgian Nord faced economic crisis for most of the twentieth century. Miraculous Realism demonstrates that the Cinéma du Nord's rise to prominence resulted from the region's endeavor to reinvent itself economically and culturally at the crossroads of Europe after decades of recession.
Mirette On the High Wire
by Emily MccullyWinner of the 1993 Caldecott Medal. One day, a mysterious stranger arrives at the boardinghouse of the widow Gâteau-a sad-faced stranger, who keeps to himself. When the widow's daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it. But Mirette doesn't know that the stranger was once the Great Bellini- master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again. Emily Arnold McCully's sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris, and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.
Mirette on the High Wire
by Emily Arnold McCullyOne day, a mysterious stranger arrives at a boardinghouse of the widow Gateau- a sad-faced stranger, who keeps to himself. When the widow's daughter, Mirette, discovers him crossing the courtyard on air, she begs him to teach her how he does it.But Mirette doesn't know that the stranger was once the Great Bellini- master wire-walker. Or that Bellini has been stopped by a terrible fear. And it is she who must teach him courage once again.Emily Arnold McCully's sweeping watercolor paintings carry the reader over the rooftops of nineteenth-century Paris and into an elegant, beautiful world of acrobats, jugglers, mimes, actors, and one gallant, resourceful little girl.
Mirror to Mirror
by Rajani LaRoccaRajani LaRocca, recipient of a Newbery Honor and Walter Award for Red, White, and Whole, is back with an evocative novel in verse about identical twin sisters who do everything together—until external pressures threaten to break them apart.Maya is the pragmatic twin, but her secret anxiety threatens to overwhelm her.Chaya is the outgoing twin. When she sees her beloved sister suffering, she wants to tell their parents—which makes Maya feel completely betrayed. With Maya shutting her out, Chaya makes a dramatic change to give her twin the space she seems to need. But that’s the last thing Maya wants, and the girls just drift further apart.The once-close sisters can’t seem to find their rhythm, so they make a bet: they’ll switch places at their summer camp, and whoever can keep the ruse going longer will get to decide where they both attend high school—the source of frequent arguments. But stepping into each other’s shoes comes with its own difficulties, and the girls don’t know how they’re going to make it.This emotional, lyrical story will speak to fans of Ali Benjamin, Padma Venkatraman, and Jasmine Warga.
Mirrors and Scrims
by Marcia B. SiegelIn this stunning new collection of reviews and essays, dance critic Marcia B. Siegel grapples with the floating identity of ballet, as well as particular ballets, and with the expanding environment of spectacle in which ballet competes for an audience. Drawn from a wide variety of published sources, these writings concentrate on canonical works of ballet and how the performances of these works have been changing in significant ways. Siegel writes with a keen awareness of the history and mythology that surround particular works, while remaining attentive to the new ways in which a work is interpreted and re-presented by contemporary choreographers and dancers. Through her readable and provocative writings, Siegel offers critical insight into performances of the past twenty-five years to give us a new understanding of ballet in performance. The volume includes over one hundred pieces on a variety of ballet topics, from specific dances and dancers to companies and choreographers, ranging from Swan Lake and The Nutcracker to Nijinsky, Balanchine, Tharp, and Morris to the Bolshoi, the Joffrey, the Miami City Ballet, the Boston Ballet, to name just a few.
Mis/takes: Archetype, Myth and Identity in Screen Fiction
by Terrie WaddellMis/takes departs from the bulk of screen discourse by applying Jungian and Post-Jungian ideas on unconscious processes to popular film and television. This perspective offers a rich insight into the way that various myths infiltrate popular culture. By examining the function of psychological motifs and symbols in cinema and television, Terrie Waddell opens up another way of thinking about how identity can be constructed and disrupted. Mulholland Drive, Memento, The Others, The X-Files, Twin Peaks, The Sopranos, Spider, Intimacy and Absolutely Fabulous all lend themselves to this approach. The close analysis of these films/programs are guided by a number of core archetypes from trickster and Self to incest and the grotesque. The book’s four parts reflect these dominant patterns: Jung, trickster and the screen Mistaken identities, self-deception and the undead Redeemers, bad dads and matricide Excesses of the sad and the sassy Mis/takes gives readers a chance to engage with screen material in an original and subversive way. This study will be of great interest to Jungian analysts and students of film, cultural studies, media, gender studies and analytical psychology.
Misadventures of a Big Mouth Brit
by Piers MorganPiers has got a new job. He's off to America to be the 'Nasty Brit' judging the show America's Got Talent - surely a role he was made for? And with unprecedented access to people, places and parties on both sides of the pond, he'll get the inside scoop on the world of celebrity Stateside. So what could possibly go wrong?Well, it's not all plain sailing. Piers finds himself snubbed by the paparazzi and subjected to national ridicule by Alan Sugar. As well as foolishly embarking on a visit to the Playboy Mansion with his girlfriend he also becomes one of the only people to fall off the 'idiot-proof' Segway (George Bush fell off one too).Somehow though, Piers still manages to get invited to all the best parties. Perhaps because he keeps being mistaken for David Cameron? From chinwags with Naomi Campbell to a cigar-smoking session with Arnold Schwarzenegger; hilarious tête-à-têtes with everyone from Boris Johnson to Cheryl Cole; and many bizarre encounters with the likes of Paris Hilton, Tony Blair and Jay-Z, Piers is his usual candid, honest, loudmouth self as he lifts the lid on Tinsel Town.With the background cries of 'Please don't embarrass us Dad!' from his sons, the Big Mouth Brit embarks on his hilarious American adventure, and suffers just a few mishaps along the way.
Mise en Scène and Film Style: From Classical Hollywood to New Media Art (Palgrave Close Readings in Film and Television)
by A. MartinStyles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Mise en Scène and Film Style: From Classical Hollywood to New Media Art (Palgrave Close Readings in Film and Television)
by Adrian MartinStyles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Mise en jeu and Mise en geste
by Sergei EisensteinMise en jeu and Mise en geste was composed in January 1948, a few months before Sergei Eisenstein's untimely death. Here Eisenstein insists on subordinating all aspects of mise en scène to some unifying idea or principle inherent in the subject matter, transforming it from an incoherent jumble of staging decisions into a "legible text," wherein the subtext of a given scene or event – its hidden meaning – may be writ large. Unlike Eisenstein's previous writings on mise en scène, this essay treats separately distinct elements of that notoriously catch-all category: mise en jeu (transposition "of the interplay of motives" into a sequence of concrete actions); mise en geste (transposition of character into gesture); and mise en cadre (recreating the specific effects of a poetic passage through shot composition). Unfinished at the time of his death, the essay has been reconstructed by the Eisenstein Centre in Moscow and is appearing here in English for the first time. "[Filming Balzac's Père Goriot] is just like declaiming verse. A little too much emphasis on the period of the rhythm, and the recitation turns into a lifeless mechanical drone. A touch too slack on rhythmic delivery, and the distinct cadence of verse disintegrates into the baffling formlessness of semi-prose. A little too much emphasis on the circle [formed by the characters], and the mise en scène starts to lean towards ballet and conventional theatre. A bit too careless with the geometric figure, and the clear, distinct, meaningful mise en scène is sucked into the swamp of formless naturalism." — Sergei Eisenstein
Mise en scène, Acting, and Space in Comics (Palgrave Studies in Comics and Graphic Novels)
by Geraint D'ArcyThis book explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.