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Moondance
by Frank AschBear has a wish. He wants to dance with the moon. But he doubts she'll want to dance with him. Perhaps with some help from his friend, Little Bird, Bear's wish can come true. But not until he's seen fog for the first time and danced with the rain. In this Bear and Little Bird adventure Bear once again attempts the impossible and in spite of his naiveté (or perhaps because of it) achieves delightful results.
Moonlighting: An Oral History
by Scott RyanDiscover the real story behind the scenes of the 80s super-hit TV show Moonlighting, as cast and crew talk for the first time in this oral history that has &“all the delightful bounce and energy of Moonlighting,&” according to executive producer Jay Daniel."Scott Ryan Has compiled an amazing history of the show. I was there and honestly, I couldn't this down! Recommended!" - Curtis Armstrong (Herbert Voila) In the spring of 1987, over sixty million viewers tuned in to watch Maddie Hayes (Cybill Shepherd) and David Addison (Bruce Willis) &“get together&” in one of the most famously controversial scenes in television history on Moonlighting, ABC&’s groundbreaking series about an epically mismatched pair of private detectives . Two years later, the show was canceled due to low ratings. What happened? In Moonlighting: An Oral History, author Scott Ryan (The Last Days of Letterman) interviews over twenty members of the cast and creative team to get to the bottom of this perplexing mystery, uncovering hilarious, provocative, poignant, and sometimes flat-out crazy never-before-told stories about what went on behind the scenes during production of this unforgettable series. Cybill Shepherd, Allyce Beasley, Curtis Armstrong, creator Glenn Gordon Caron, producer Jay Daniel, writers, directors, editors, and more—they&’re all here, piecing together the incredible story of late scripts, backstage fights, pregnancies, and broken bones, all told for the first time. Enjoy the cases, the chases, and all the conversations in Moonlighting: An Oral History. The real story of this pioneering television series and the extraordinary behind-the-scenes challenges, battles, and rewards has never been told — until now. Author Scott Ryan (The Last Days of Letterman, thirtysomething at thirty: an oral history, The Last Decade of Cinema Massillon Against the World) interviews over twenty people, including the actors, writers, directors, and producers who made Moonlightingsuch a dynamic, unforgettable show, delving deep into their thoughts and feelings as they relive this magical moment in pop culture history in this full color oral history.
Moonwalk
by Michael JacksonThe rock superstar offers a candid, inside look at his phenomenal career, private and family life, dreams and goals, friendships, personal relationships, and the painful isolation of fame.
Moonwalking
by Lyn Miller-Lachmann Zetta Elliott"This novel in verse, alternately narrated by two boys in 1980s Greenpoint, Brooklyn, one channeled by Elliott and one by Miller-Lachmann, eloquently tackles race, culture and life on the spectrum." — The New York TimesFor fans of Jason Reynolds and Jacqueline Woodson, this middle-grade novel-in-verse follows two boys in 1980s Brooklyn as they become friends for a season.Punk rock-loving JJ Pankowski can't seem to fit in at his new school in Greenpoint, Brooklyn, as one of the only white kids. Pie Velez, a math and history geek by day and graffiti artist by night is eager to follow in his idol, Jean-Michel Basquiat's, footsteps. The boys stumble into an unlikely friendship, swapping notes on their love of music and art, which sees them through a difficult semester at school and at home. But a run-in with the cops threatens to unravel it all.From authors Zetta Elliott and Lyn Miller-Lachmann, Moonwalking is a stunning exploration of class, cross-racial friendships, and two boys' search for belonging in a city as tumultuous and beautiful as their hearts.
Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child
by Lisa CartwrightWhy were theories of affect, intersubjectivity, and object relations bypassed in favor of a Lacanian linguistically oriented psychoanalysis in feminist film theory in the 1980s and 1990s? In Moral Spectatorship, Lisa Cartwright rethinks the politics of spectatorship in film studies. Returning to impasses reached in late-twentieth-century psychoanalytic film theory, she focuses attention on theories of affect and object relations seldom addressed during that period. Cartwright offers a new theory of spectatorship and the human subject that takes into account intersubjective and affective relationships and technologies facilitating human agency. Seeking to expand concepts of representation beyond the visual, she develops her theory through interpretations of two contexts in which adult caregivers help bring children to voice. She considers several social-problem melodramas about deaf and nonverbal girls and young women, including Johnny Belinda, The Miracle Worker, and Children of a Lesser God. Cartwright also analyzes the controversies surrounding facilitated communication, a technological practice in which caregivers help children with communication disorders achieve "voice" through writing facilitated by computers. This practice has inspired contempt among professionals and lay people who charge that the facilitator can manipulate the child's speech. For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by Andr Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective.
Moralizing Cinema: Film, Catholicism, and Power (Routledge Advances in Film Studies)
by Daniel Biltereyst Daniela Treveri GennariThis volume is part of the recent interest in the study of religion and popular media culture (cinema in particular), but it strongly differs from most of this work in this maturing discipline. Contrary to most other edited volumes and monographs on film and religion, Moralizing Cinema will not focus upon films (cf. the representation of biblical figures, religious themes in films, the fidelity question in movies), but rather look beyond the film text, content or aesthetics, by concentrating on the cinema-related actions, strategies and policies developed by the Catholic Church and Catholic organizations in order to influence cinema. Whereas the key role of Catholics in cinema has been well studied in the USA (cf. literature on the Legion of Decency and on the Catholic influenced Production Code Administration), the issue remains unexplored for other parts of the world. The book includes case studies on Argentina, Belgium, France, Ireland, Italy, Luxemburg, the Netherlands, and the USA.
More Alternative Shakespeare Auditions for Women
by Simon DunmoreFollowing on his successful Alternative Shakespeare Auditions for Women, Simon Dunmore presents even more underappreciated speeches that will make a classical audition sound fresh.
More Bad News (Routledge Revivals #Vol. 2)
by John Hewitt Jean Hart Peter Beharrell Brian Winston Howard Davis Paul Walton John Eldridge Gregg PhiloFirst published in 1980, More Bad News is the Second Volume in the research findings of the Glasgow University Media Group. It develops the analytic findings and methods of the first volume Bad News through a series of Case Studies of Television News Coverage, and argues that much of what passes as balanced and factual news reporting is produced from a highly partial viewpoint. Focusing on the British economy in crisis, and its thematic linkage with the Social Contract during the first four months of 1975, the book deals with three main levels of activity: the story, the language and the visuals. As the book unpacks each level of routine news coverage a picture emerges which has the surface appearance of neutrality and balance but is in fact highly partial and restricted
More Fool Me: A Memoir
by Stephen FryThe British comedian recounts the highs and lows of his wild years: “A gifted writer with a perfect sense of comic timing and anecdote-spinning . . . Lots of fun.” —Kirkus ReviewsBy his early thirties, Stephen Fry—writer, comedian, star of stage and screen—had, as they say, “made it.” Much loved on British television, author of a critically acclaimed and bestselling first novel, with a glamorous and glittering cast of friends, he had more work than was perhaps good for him. As the ‘80s drew to a close, he began to burn the candle at both ends. Writing and recording by day, and haunting a never-ending series of celebrity parties, drinking dens, and poker games by night, he was a high functioning addict. He was so busy, so distracted by the high life, that he could hardly see the inevitable, headlong tumble that must surely follow . . . Filled with raw, electric extracts from his diaries of the time, More Fool Me is a brilliant, eloquent account by a man driven to create and to entertain—revealing a side to him he has long kept hidden.“Fry is an astonishingly charming fellow: erudite, playful and capable of writing in a style so intimate that readers can picture themselves sitting next to him at a splendid dinner party as he rather one-sidedly entertains the entire table.” —Slate
More Havoc
by June Havoc"More Havoc" is the story of June Havoc's long struggle, from vaudeville performer aged 2-1/2, to stardom on the Broadway stage.
More Matrix and Philosophy: Revolutions and Reloaded Decoded
by William IrwinMostly American scholars of philosophy offer their insights into the trilogy of Matrix movies as a single entity, through the first section engages the critical bashing of the two sequels. Freedom and reality, global philosophy unplugged, and social and political issues are the other themes. Among specific topics are the Prozac of the people, the music of the future, the cosmological journey of Neo, and whether Morpheus is Black.
More Room in a Broken Heart: The True Adventures of Carly Simon
by Stephen DavisA love song to an American icon: the first full-length biography of Carly Simon, from an acclaimed music journalist who has known her for decades Carly Simon has won two Grammys and an Academy Award, and her albums have sold more than forty million copies. Her music has touched countless lives since her debut in the 1970s, yet her own life story has remained unpublished-until now. Tapping private archives, family interviews, and a forty-year friendship with the legend herself, Stephen Davis at last captures Carly Simon's extraordinary journey from shy teenager to superstar. More Room in a Broken Heart candidly covers everything her fans want to know, including: Growing up with her father, publishing mogul Richard Simon The Bob Dylan turning point that launched her career The real story behind "You're So Vain" Carly's severe stage fright (she's the only musical guest to pretape an SNL segment) Romantic involvements with Mick Jagger, Warren Beatty, and Cat Stevens How Carly and James Taylor went from being pop music's reigning couple to independent souls living at opposite ends of Massachusetts Surviving breast cancer Her recent financial and spiritual crises Along the way, Davis vividly takes readers back to some of the most powerful eras in American music history and delivers a tribute worthy of the artist and her loyal fans, who know that nobody does it better than Carly Simon. .
More Stories Behind the Best-Loved Songs of Christmas
by Ace CollinsWonderfully written explanations behind many of our most treasured Christmas traditions. Delightful insights into the origins of 31 lasting Christmas favorites.
More Stories of Famous Operas
by Ernest NewmanThis book brings a very high-classed and intelligent art form to a new level of acceptance and understanding. Mr. Neumann brings it home, as it were -- operas such as Turandot, Gianni Schicchi (Puccini), Falstaff (Verdi), Cosi fan tutte and Seraglio (Mozart) and many lesser known operas such as those of Cornelius, Halevy, Meyerbeer and Borodin... covering 29 operas in total. Detailed and highly informative.
More Than A Movie: Ethics In Entertainment
by E. Miguel ValentiIn More Than a Movie, producer and entertainment attorney F. Miguel Valenti presents a compelling argument for the creative community to consider the consequences of its products, from movies to TV to the Internet. Valenti refrains from attacking the industries in which he himself works, but argues for reflection on the part of those who create media. More Than a Movie takes a pioneering first step toward outlining the issues in an insider fashion, and provides the tools to make ethical decisions about creating for the big and small screens. More Than a Movie is written to stimulate debate in professional and academic arenas, and for the enjoyment of everyone who loves entertainment.
More Than Just A Good Life: The Authorised Biography of Richard Briers
by James Hogg'A great celebration of one of our most loved national treasures' Felicity KendalThe term 'national treasure' has seldom been more appropriate. Richard Briers was not only the nation's favourite next-door neighbour thanks to his work in the iconic BBC sitcom The Good Life, he was an actor you felt like you really knew, despite having only seen him on stage or screen.While his role as Tom Good might be considered the pinnacle of Richard's sixty-year career, it sits atop a mountain of roles that combined represent one of the most productive and varied careers in British entertainment history. Indeed, Richard's television work alone makes up a not insignificant portion of our country's best endeavours on the small screen, from Jackanory and the anarchic Roobarb and Custard through to Dr Who, Inspector Morse, Ever Decreasing Circles, Extras, and the long-running comedy drama, Monarch of the Glen. On the big screen Richard appeared alongside Raquel Welch, Robert De Niro, Denzel Washington, Kathy Bates and Michael Keaton, and he even taught Keanu Reeves how to act like Sir Henry Irving.But it was on the stage where Richard felt most at home as, in addition to testing him as an actor, it would often satisfy his passion for taking risks. Appearances in the West End were often interspersed with pantomime seasons or a world tour playing King Lear alongside Kenneth Branagh and Emma Thompson. He was, as he always described himself, 'just a jobbing actor'.Anecdote-rich, this revealing but celebratory book will also lift the lid on the stories behind the shows, films and plays that made up this extraordinarily prolific career, not to mention Richard's working and personal relationships with many of his best-known collaborators and co-stars.
More Than Likely: A Memoir
by Dick Clement Ian le Frenais'Fabulous memoirs from the two great writers . . . I loved every second of it' Eric IdleDick Clement and Ian La Frenais's unique writing partnership has lasted over fifty years. After creating the characters of Bob and Terry, factory hands from the north-east of England, in The Likely Lads and Whatever Happened to the Likely Lads?, their reputation as great screenwriters was secured. Their acclaimed careers have included writing, directing and producing iconic TV programmes like Porridge, Auf Wiedersehen, Pet and Lovejoy. Their feature films include Otley, The Commitments and Still Crazy. Along the way, they have had unforgettable encounters with movie stars like Richard Burton, Ava Gardner, Marlon Brando, Michael Caine and Sean Connery - not to mention with stellar performers as varied as Billy Connolly, George Best, Peter Cook and Dudley Moore, Ronnie Wood and Tracey Ullman.Naturally, Dick and Ian's dual memoir is told with flair and immense humour. It is also choc-a-bloc with unexpected happenings, rogues and rock stars, prima donnas, plots and panic.
More Than Love: An Intimate Portrait of My Mother, Natalie Wood
by Natasha Gregson WagnerThe heartbreaking, never-before-told story of Hollywood icon Natalie Wood&’s glamorous life, sudden death, and lasting legacy, written by her daughter, Natasha Gregson Wagner.More Than Love is a memoir of loss, grief, and coming-of-age by a daughter of Hollywood royalty. Natasha Gregson Wagner&’s mother, Natalie Wood, was a child actress who became a legendary movie star, the dark-haired beauty of Splendor in the Grass, Rebel Without a Cause, and West Side Story. She and Natasha&’s stepfather, the actor Robert Wagner, were a Hollywood it-couple twice over, first in the 1950s, and then again when they remarried in the 70s. But Natalie&’s sudden death by drowning off Catalina Island at the age of forty-three devastated her family, made her stepfather a person of interest, and turned a vibrant wife, mother, and actress into a tragic figure. The events of that weekend have long been a mystery, and despite the rumors, scandalous media coverage, and accusations of wrongdoing, there has never been an account of how the tragedy was experienced by her daughter. For the first time Natasha addresses the questions surrounding that night to clear her beloved stepfather&’s name. More Than Love begins on the morning after her mother&’s death in November 1981 when eleven-year-old Natasha hears the news on the radio that her mother&’s body has been found off the coast of Catalina after her parents had spent the weekend on the family boat, The Splendour. From this profound and shattering loss, Natasha shares her memories of her earliest bonds with her mother; her warm, loving, and slightly chaotic childhood as the daughter of two stars; the lost and confused years of her adolescence; and her halting attempts to move forward as a young woman. Beautifully told, More Than Love is an emotionally powerful tale of a daughter coming to terms with her grief, as well as a riveting portrait of a famous mother and a vanished Hollywood.
More Than Maybe: A Novel
by Erin Hahn"Like your favorite song, More Than Maybe burrows inside your heart and stays there. Vada and Luke's story of music, family, and first love will shoot to the top of your book playlist. A rich, sweet, rock and roll ride." - Kathleen Glasgow, New York Times bestselling author of Girl in Pieces and How to Make Friends With the Dark Growing up under his punk rocker dad’s spotlight, eighteen-year-old Luke Greenly knows fame and wants nothing to do with it. His real love isn’t in front of a crowd, it’s on the page. Hiding his gift and secretly hoarding songs in his bedroom at night, he prefers the anonymous comfort of the locally popular podcast he co-hosts with his outgoing and meddling, far-too-jealousy-inspiringly-happy-with-his-long-term-boyfriend twin brother, Cullen. But that’s not Luke’s only secret. He also has a major un-requited crush on music blogger, Vada Carsewell. Vada’s got a five year plan: secure a job at the Loud Lizard to learn from local legend (and her mom’s boyfriend) Phil Josephs (check), take over Phil’s music blog (double check), get accepted into Berkeley’s prestigious music journalism program (check, check, check), manage Ann Arbor’s summer concert series and secure a Rolling Stone internship. Luke Greenly is most definitely NOT on the list. So what if his self-deprecating charm and out of this world music knowledge makes her dizzy? Or his brother just released a bootleg recording of Luke singing about some mystery girl on their podcast and she really, really wishes it was her?In More Than Maybe, Erin Hahn’s swooniest book yet, Luke and Vada must decide how deep their feelings run and what it would mean to give love a try.
More Than Night: Film Noir in Its Contexts (Updated and Expanded Edition)
by James Naremore"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s--melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize.
More Than a Game: Saving Football From Itself
by Mark GregoryA top-to-bottom look at England's national game, from one of the UK's leading business economists.The Premier League is the most commercially successful football league in history, the self-proclaimed 'best league in the world'. But success has come at a cost, unbalancing the English game to a profound and damaging degree.Football's stumbling response to COVID-19 and the European Super League disaster are just the most recent examples. It is estimated that more than two thirds of the country's 92 professional clubs are loss-making; payments to agents each year regularly total more than the combined income of all 44 clubs in Leagues 1 and 2; supporters have been squeezed to the limit; racist incidents are on the rise; grassroots facilities are in a dreadful state; and failed World Cup bids have severely weakened England's standing in the global game. The national team's performance at Euro 2020 can't paper over the cracks.There is an alternative. In this revealing and eye-opening analysis, leading economist Mark Gregory reveals the breadth and depth of the problems facing our national men's game, and shows us a way to bring football home for good.
More Writers & Company: New Conversations with CBC Radio's Eleanor Wachtel
by Eleanor WachtelInterviews with Isabel Allende, Martin Amis, John Berger, Harold Bloom, E.L. Doctorow, Amitav Ghosh, Kazuo Ishiguro, Jamaica Kincaid, Oliver Sacks, Carol Shields, Jeanette Winterson and more.
More than Night: Film Noir in Its Contexts
by James Naremore"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s--melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market strategy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than Night contains an additional chapter on film noir in the twenty-first century.
Mormons in Paris: Polygamy on the French Stage, 1874-1892 (Scènes francophones: Studies in French and Francophone Theater)
by Corry Cropper and Christopher M. FloodIn the late nineteenth century, numerous French plays, novels, cartoons, and works of art focused on Mormons. Unlike American authors who portrayed Mormons as malevolent “others,” however, French dramatists used Mormonism to point out hypocrisy in their own culture. Aren't Mormon women, because of their numbers in a household, more liberated than French women who can't divorce? What is polygamy but another name for multiple mistresses? This new critical edition presents translations of four musical comedies staged or published in France in the late 1800s: Mormons in Paris (1874), Berthelier Meets the Mormons (1875), Japheth’s Twelve Wives (1890), and Stephana’s Jewel (1892). Each is accompanied by a short contextualizing introduction with details about the music, playwrights, and staging. Humorous and largely unknown, these plays use Mormonism to explore and mock changing French mentalities during the Third Republic, lampooning shifting attitudes and evolving laws about marriage, divorce, and gender roles. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Morning Glory
by Linda DahlMary Lou Williams -- pianist, arranger, composer, and probably the most influential woman in the history of jazz -- receives the attention she has long deserved in the definitive biography by a leading scholar of women in jazz.The illegitimate child of an impoverished and indifferent mother, Williams began performing publicly at the age of seven when she became known admiringly in her native Pittsburgh as "the little piano girl of East Liberty," playing one day for the Mellons at bridge teas and the next in gambling dens where the hat was passed for change. She grew up with the jazz of the early part of the century, championed by the likes of Earl Hines and Fats Waller, yet unlike so many other musicians of her time, she was open to new forms in jazz -- she was an early champion of bop, and a mentor and colleague to its central figures, such as Thelonius Monk and Bud Powell -- and in broader musical styles as well (after her conversion to Catholicism, she wrote masses and other sacred music).Most of the other famous women in jazz -- Billie Holiday, Ella Fitzgerald -- have been singers. Williams was instead a phenomenal pianist who performed solo, with small groups and big bands, in vaudeville and clubs, and on numerous records. But she is equally well known today as a composer and arranger of remarkable versatility and power, having worked with, among others, Duke Ellington and Benny Goodman. Her compositions have been recorded by artisits as varied as Marian McPartland, Dizzy Gillespie, Nat "King" Cole, Sarah Vaughan, Ella Fitzgerald, and herself -- and, more recently, by cutting-edge players Geri Allen and Dave Douglas.But Williams was more than "just a musician"; her interests were catholic in both senses, and she struggled to combine her love of music with her love of God. She was a tireless humanitarian, and made ongoing attempts to help dozens of down-and-out musicians; in the 1950s, her apartment was, at times, virtually a rehab. Though she was often in emotional despair, she found comfort for her many disappointments and hurts not only in her music but in her spirituality.Linda Dahl, granted unprecedented access to the large Williams archive, has given us the whole of Williams's very full life, from her often harrowing days on the road to her tumultuous marriages and love affairs, from the ups and downs of her unique fifty-year career to the remarkable spirituality that came to inform both her daily life and her music. This is a striking protrait of one of our least understood and most important musicians.