- Table View
- List View
Native Americans on Film: Conversations, Teaching, and Theory
by M. Elise Marubbio and Eric L. Buffalohead“An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking PictureThe film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression.Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement.“Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature“Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures
Natsamrat FYBA New NEP Syllabus - RTMNU: नटसम्राट एफ.वाय.बी.ए. नवीन एन.इ.पी. अभ्यासक्रम - राष्ट्रसंत तुकडोजी महाराज नागपूर विद्यापीठ
by V. V. Shirwadkarवि. वा. शिरवाडकर (कुसुमाग्रज) लिखित नटसम्राट हे मराठी रंगभूमीवरील सर्वकालीन श्रेष्ठ नाटकांपैकी एक मानले जाते. शेक्सपिअरच्या King Lear च्या प्रेरणेने लिहिलेल्या या नाटकाचा नायक गणपतराव बेलवलकर हा एक निवृत्त नट आहे, ज्याने आपल्या अभिनय कारकिर्दीत अफाट यश संपादन केलं आहे. निवृत्तीनंतर तो आपली संपत्ती मुलांना देतो आणि पुढे त्याच मुलांकडून उपेक्षा, अवहेलना आणि मानसिक वेदना सहन करतो. या नाटकात वृद्धत्वातील एकटेपणा, माणुसकीचा ऱ्हास, आणि कुटुंबातील संबंधातील ताणतणाव यांचे हृदयस्पर्शी चित्रण आहे. बेलवलकराच्या व्यथांची भावनिक गुंतागुंत, त्याची आत्माभिमानी वृत्ती, आणि व्यासपीठावरील त्याच्या कलावंताचे तेज – या सर्व गोष्टींनी नटसम्राट हा नाट्यकृतीचा शिखरबिंदू ठरतो. डॉ. श्रीराम लागू यांच्या प्रभावी अभिनयामुळे हे पात्र अधिक अजरामर ठरले. नटसम्राट हे केवळ एक नाटक नाही, तर ते एक मानवी भावभावनांचे दर्पण आहे, जे प्रेक्षकाच्या मनामनात खोलवर रुजते. यातून नाटककाराने व्यक्ती, समाज आणि नाटक या तिन्ही अंगांचे विलक्षण तत्त्वज्ञान मांडले आहे. आजही हे नाटक विविध रंगभूमींवर आणि चित्रपटरूपात लोकप्रिय असून मराठी साहित्य-संस्कृतीतील एक अमूल्य ठेवा म्हणून गौरवले जाते.
Natural Disaster: I Cover them. I am one.
by Ginger ZeeGinger grew up in small-town Michigan where she developed an obsession with weather as a young girl. Ginger opens up about her lifelong battle with crippling depression, her romances that range from misguided to dangerous, and her tumultuous professional path.
Naturally Tan: A Memoir
by Tan FranceIn this heartfelt, funny, and touching memoir, one of the stars of Netflix’s Emmy Award-winning smash-hit Queer Eye reveals how an Englishman raised in a traditionally religious home became a fashion icon—and the first openly gay, South Asian man on television—simply by being Naturally Tan. <p><p> In this heartfelt, funny, touching memoir, Tan France tells his origin story for the first time. With his trademark wit, humor, and radical compassion, Tan reveals what it was like to grow up gay in a traditional South Asian family, as one of the few people of color in South Yorkshire, England. He illuminates his winding journey of coming of age, finding his voice (and style!), and marrying the love of his life—a Mormon cowboy from Salt Lake City. <p> From one of the stars of Netflix’s runaway hit show Queer Eye, Naturally Tan is so much more than fashion dos and don’ts—though of course Tan can’t resist steering everyone away from bootcut jeans! Full of candid observations about U.S. and U.K. cultural differences, what he sees when you slide into his DMs, celebrity encounters, and the behind-the-scenes realities of “reality TV,” Naturally Tan gives us Tan’s unique perspective on the happiness to be found in being yourself. <p> In Tan's own words, “The book is meant to spread joy, personal acceptance, and most of all understanding. Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.”
Naturally Tan: A Memoir
by Tan FranceA USA Today Hottest Book of the Summer for 2019!A Best Nonfiction Book for 2019 in Women's Day!One of Hello Giggles's "Most Anticipated Books of 2019 to Add to Your Reading List"!“Just when I thought I knew everything about Tan, he hits me with this. His story is so heartwarming, and wickedly funny.” —Antoni PorowskiIn this heartfelt, funny, and touching memoir, one of the stars of Netflix’s Emmy Award-winning smash-hit Queer Eye reveals how an Englishman raised in a traditionally religious home became a fashion icon—and the first openly gay, South Asian man on television—simply by being Naturally Tan.In this heartfelt, funny, touching memoir, Tan France tells his origin story for the first time. With his trademark wit, humor, and radical compassion, Tan reveals what it was like to grow up gay in a traditional South Asian family, as one of the few people of color in South Yorkshire, England. He illuminates his winding journey of coming of age, finding his voice (and style!), and marrying the love of his life—a Mormon cowboy from Salt Lake City. From one of the stars of Netflix’s runaway hit show Queer Eye, Naturally Tan is so much more than fashion dos and don’ts—though of course Tan can’t resist steering everyone away from bootcut jeans! Full of candid observations about U.S. and U.K. cultural differences, what he sees when you slide into his DMs, celebrity encounters, and the behind-the-scenes realities of “reality TV,” Naturally Tan gives us Tan’s unique perspective on the happiness to be found in being yourself.In Tan's own words, “The book is meant to spread joy, personal acceptance, and most of all understanding. Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.”
Nature Appreciation: Knowledge as Art
by Anna UrsynIf asked what all people can agree with, we can see one answer: we all love Nature, one way or another. In this book, impossible creatures (one can perceive as atoms, molecules, or minerals) playfully deliver computer codes, with an underlying notion that everything is connected: in nature, materials, sciences, techniques, computing, and the arts. In this innovative space, these characters introduce programming. While coding is intertwined into simple facts, Nature Appreciation shows ways we appreciate nature, thus, helping us learn in a playful, nonjudgmental way.Knowledge is divided into subjects and classes at schools, colleges, then universities. Facts, processes, and rules cannot be separated. They are all connected: biochemistry, product materiality changes from matter to energy and vice versa, and conversion of one state into another. In this book, they are considered as different ways of living, such as: Geo, earth, soil, minerals, and natural resources experienced when walking on the ground. Water, transportation, ecosystems, leisure time, and energy related to water environs. Air, energy, space and planets travel, galatic objects, space junk. One can fly or carry materials and devices through it. Waves, communication, transformation, music, light, color - everything related to light, electromagnetic waves, oscillation, and vibration. Also Visually Static World, Space Exploration, and Deep Underwater are also included. It is a part of the “Knowledge Through the Arts” series, consisting of:Dance Code - Dance Steps as a CodeNew Storytelling - Learning Through MetaphorsCode Appreciation - Reshaping KnowledgeNature Appreciation - Knowledge as Art
Navarasas, Autoethnodrama & DIY Immersive Theatre: An Interactive Book for Adventurous Readers (Routledge Advances in Theatre & Performance Studies)
by Nandita DineshNavarasas, Autoethnodrama & DIY Immersive Theatre is composed of two interwoven texts, each in dialogue with the other.Part I presents a distinctive autoethnodrama, dramatizing nearly two decades of Dinesh’s experiences as a theatre maker, researcher, and educator in conflict zones. This section offers readers an interactive and experiential way to engage with Dinesh’s ideas and is aimed particularly at emerging practice-based researchers who are considering creating work in/about/within fraught contexts. Part II provides analytical, visual renderings of the evolution of Dinesh’s thinking around the five Ws—Who, What, When, Where, and Why. Drawing on her prior work in Kashmir and her ongoing engagements at San Quentin State Prison, this section of the book delves into the complexities of the researcher-practitioner experience in settings shaped by violence and trauma. By using navarasas, autoethnodrama, and DIY immersive theatre as her conceptual frameworks, Dinesh’s book serves as an interactive guide, preparing future practitioners and researchers for the profound ways in which this kind of work can leave an indelible mark on those who undertake it.This book will be of great interest to students and scholars embedded in the disciplines of Theatre and Performance Studies: performative writing, dramatic writing, performance autoethnography, or in the case of this book, autoethnodrama.
Navigating a Career in Technical Entertainment: Your Creative Career Guidebook
by Jessica Champagne Hansen Camille SchenkkanNavigating a Career in Technical Entertainment: Your Creative Career Guidebook explores tools, strategies, and motivational advice from a wide range of industry professionals for navigating an artistic career in design and technology in entertainment. This book is designed to accompany readers every step of the way in their career journey – from landing their first job after school through mid-career pivots and switching industries. It is organized into four parts: Finding Your Career Path; Tools and Strategies for Navigating Your Career Path; Curating a Creative Community as You Sustain Your Career; and Maintaining Flexibility and Finding Fulfillment in Your Career. Filled with motivational advice from mentors in the industry and creative worksheet exercises for personalized career planning, self- reflection, and goal setting, this book demystifies a complex industry, sharing crucial career-related information rarely covered in formal training programs. It explores a wide range of topics, including the types of jobs available in live entertainment and TV/film, education options, job searching, networking, career marketing materials, interviews, unions, financial empowerment, and refocusing on career shifts. This guidebook is written for designers, technicians, stage managers, production managers, crew members, and creative technical artists in entertainment at all stages of their career. Covering a wide variety of entertainment from theater and television to commercials and theme parks, Navigating a Career in Technical Entertainment is a perfect companion for higher education or postsecondary educators and students exploring career and workforce readiness topics and can also be used by professionals actively working in the field. This text also includes access to downloadable versions of the worksheets featured in the book, available at www.routledge.com/9780367510442.
Nazi Film Melodrama
by Laura HeinsCultural productions in the Third Reich often served explicit propaganda functions of legitimating racism and glorifying war and militarism. Likewise, the proliferation of domestic and romance films in Nazi Germany also represented an ideological stance. Rather than reinforcing traditional gender role divisions and the status quo of the nuclear family, these films were much more permissive about desire and sexuality than previously assumed. Focusing on German romance films, domestic melodramas, and home front films from 1933 to 1945, Nazi Film Melodrama shows how melodramatic elements in Nazi cinema functioned as part of a project to move affect, body, and desire beyond the confines of bourgeois culture and participate in a curious modernization of sexuality engineered to advance the imperialist goals of the Third Reich. Offering a comparative analysis of Nazi productions with classical Hollywood films of the same era, Laura Heins argues that German fascist melodramas differed from their American counterparts in their negative views of domesticity and in their use of a more explicit antibourgeois rhetoric. Nazi melodramas, film writing, and popular media appealed to viewers by promoting liberation from conventional sexual morality and familial structures, presenting the Nazi state and the individual as dynamic and revolutionary. Some spectators objected to the eroticization and modernization of the public sphere under Nazism, however, pitting Joseph Goebbels' Ministry of Propaganda against more conservative film audiences in a war over the very status of domesticity and the shape of the family. Drawing on extensive archival research, this perceptive study highlights the seemingly contradictory aspects of gender representation and sexual morality in Nazi-era cinema.
Nearly Famous: Adventures of an After-Dinner Speaker
by Bob BevanFirmly established in the world of entertainment, The Cat's route to fame has been through corporate and sporting dinners. He grew up loving sport and perservered despite having only one eye and an almost total absence of natural ability. His reputation as a figure of fun and his readiness to laugh at his own failures have reaped rich rewards.How many of us have played football with Bobby Moore and George Best at Wembley, or played at Lord's, or written a poem teasing the Duke of Edinburgh for never recognising us? In Nearly Famous, The Cat writes hilariously of the many famous people he has worked with - everyone from Colin Cowdrey, Bobby Robson and Terry Venables to Eric Clapton, Rod Stewart, Billy Connolly, Eric Morcambe and Brian Johnston - and the highs and lows of that most serious of businesses: making people laugh.
Necessary Death: What Horror Movies Teach Us About Navigating the Human Experience
by Chris Grosso Preston FasselBased on very real and practical commentary, life experience, and occasionally, tongue-in-cheek-misfortunes of horror legends, Necessary Death explores how the horror genre, its motifs, and its characters offer individuals a unique opportunity for insight and understanding of their own lives.Necessary Death looks back on several iconic horror films and finds that maybe the genre wasn&’t ever really just about men in hockey masks chasing good looking coeds through old dark houses. Even a cursory examination of the horror convention will reveal a plethora of stories from recovering addicts, survivors of trauma and sexual abuse, LGBTQIA+ individuals, and minorities. So what, then, can this genre so concerned with death teach us about being alive—and how can we apply those lessons in our day-to-day existence? Using some of the most quintessential movies in the genre, Chris Grosso and Preston Fassel invite readers to an in-depth examination of the human condition—its fears, anxieties, hopes, joys, sorrows, and everything in-between—and how it&’s all grist for our personal and collective evolutionary mill. A hallmark of the genre is how horror films force their characters to find some semblance of inner strength and wherewithal in order to stand up to the monster, ghost, or villain that is trying to take their lives. Through fascinating discussion of this and other elements, Fassel and Grosso relate these films&’ dark subject matter and characters to real world issues people face every day, showing that there&’s something deep within us that, if even just metaphorically, can relate to the pain in these stories. This sharp analysis is complimented by exercises that prompt readers to consider gratitude, forgiveness, determination, and bravery in the face of adversity. An unusual mix of film study and self-help, Necessary Death might surprise or even shock readers, but it will also enlighten, educate, and most importantly hearten those looking for an unexpected source of inspiration.
Negative Aesthetics and Political Collapse in Eastern European and Balkan Cinema (Routledge Advances in Film Studies)
by Zoran SamardzijaNegative Aesthetics and Political Collapse in Eastern European and Balkan Cinema examines the theme of political collapse in select contemporary Eastern European and Balkan art cinema and documentaries from the late eighties to the present.Engaging with debates in Marxism and contemporary film theory about political aesthetics, the book centers around the question of whether we can imagine possible futures through negative aesthetics, which are skeptical of cinema’s ability to reproduce reality in a comprehensive and unmediated manner. In particular, it analyzes examples of ambiguous art cinema and related hybrid documentary modes in order to invite spectators to rethink how we understand and represent the unique experiences of living through the collapse of authoritarian communism and the transition to neoliberal capitalism. Negative Aesthetics and Political Collapse ultimately argues that the skepticism about political change and representing history found in these films forms an original mode of utopian thinking. In other words, their negativity about their own artistic autonomy is the very thing that allows them to hint at possible futures that are unpresentable because they exist outside of the frameworks of contemporary geopolitics and our dominant understandings of cinematic aesthetics.Redefining how we understand the intersections between geopolitics, art cinema aesthetics, and film theory, the book presents a unique synthesis of film and political theory that attempts a new understanding of cinematic aesthetics. As such, it will interest scholars of film theory, global art cinema aesthetics, regional studies of Eastern Europe and the Balkans, and political science.
Neil Bartlett: Invitations to Speculate (Routledge Advances in Theatre & Performance Studies)
by William McEvoy Joseph RonanThis book explores Neil Bartlett’s groundbreaking contributions to queer cultural production in the United Kingdom. It adopts a range of critical perspectives, presenting original scholarship on Bartlett’s fiction, theatre, performance, site-specific work, and adaptations, as well as more personal reflections on Bartlett’s influence and legacy.Charting his emergence as a radical queer artist in the 1970s, his writing for performance and theatre in the 1980s to the present day, and his evocative novels about queer spaces and hidden histories, the book considers Bartlett’s works as ‘invitations to speculate’: to view and imagine otherwise, as part of a political aesthetics committed to making queer lives visible. Bartlett’s bold, sensuous, and challenging work crosses genres to find new ways of articulating queer desires, unearthing histories of the body, pleasure, and gay subjectivity while connecting queer experiences across time.Dealing with topics including memory and loss, AIDS and its legacy, marginality, community, and identity, the collection shows how Bartlett embraces the past as a way of reimagining queer futures and demonstrates his status as one of the UK’s leading queer artists.
Neil LaBute: A Casebook (Casebooks on Modern Dramatists)
by Gerald C. WoodNeil LaBute: A Casebook is the first book to examine one of the most successful and controversial contemporary American playwrights and filmmakers. While he is most famous, and in some cases infamous, for his early films In the Company of Men and Your Friends and Neighbors, Labute is equally accomplished as a playwright. His work extends from the critique of false religiosity in Bash to examinations of opportunism, irresponsible art, failed parenting, and racism in later plays like Mercy Seat, The Shape of Things, The Distance From Here, Fat Pig, Autobahn, and the very recent This Is How It Goes and Some Girls. Like David Mamet, an acknowledged influence on him, and Conor McPhereson, with whom he shares some stylistic and thematic concerns, LaBute tends to polarize audiences. The angry voices, violent situations, and irresponsible behavior in his works, especially those focusing on male characters, have alienated some viewers. But the writer's religious affiliation and refusal to condone the actions of his characters suggest he is neither exploitive nor pornographic. This casebook explores the primary issues of the writer's style, themes, and dramatic achievements. Contributors describe, for example, the influences (both classical and contemporary) on his work, his distinctive vision in theater and film, the role of religious belief in his work, and his satire. In addition to the critical introduction by Wood and the original essays by leading dramatic and literary scholars, the volume also includes a bibliography and a chronology of the playwright's life and works.
Neil McKenty Live: The lines are still blazing
by Catharine Mckenty Alan HustakNeil McKenty liked to argue just for the hell of it. During the 1970's and 80s he was one of Montreal's highest rated radio talk show hosts. At the peak of his career more than 75,000 people tuned in to CJAD to hear his show, Exchange. 'The basic exchange on Exchange, is not between the listeners and Neil McKenty," he once explained. "It is between the listeners. If the host sets up the chemistry, the show goes on its own momentum, and I am almost on the sidelines. On the other hand, I am in the entertainment business. If I bore my listeners, I'm dead." The material collected in this book focuses on the years he moderated, infuriated, provoked and entertained his listeners.
Neil Patrick Harris: Choose Your Own Autobiography
by Neil Patrick HarrisTired of memoirs that only tell you what really happened? Sick of deeply personal accounts written in the first person? Seeking an exciting, interactive read that puts the "u" back in "aUtobiography"? Then look no further than Neil Patrick Harris: Choose Your Own Autobiography! In this revolutionary, Joycean experiment in light celebrity narrative, actor/personality/carbon-based-life-form Neil Patrick Harris lets you, the reader, live his life. You will be born to New Mexico. You will get your big break at an acting camp. You will get into a bizarre confrontation outside a nightclub with actor Scott Caan. Even better, at each critical juncture of your life you will choose how to proceed. You will decide whether to try out for Doogie Howser, M.D. You will decide whether to spend years struggling with your sexuality. You will decide what kind of caviar you want to eat on board Elton John's yacht.Choose correctly and you'll find fame, fortune, and true love. Choose incorrectly and you'll find misery, heartbreak, and a hideous death by piranhas. All this, plus magic tricks, cocktail recipes, embarrassing pictures from your time as a child actor, and even a closing song. Yes, if you buy one book this year, congratulations on being above the American average, and make that book Neil Patrick Harris: Choose Your Own Autobiography!
Neil Simon's Memoirs
by Neil SimonThe complete memoirs of playwright Neil Simon--the author of such iconic works as Lost in Yonkers, The Odd Couple, Biloxi Blues, and The Goodbye Girl--now with a new introduction and afterword.This omnibus edition combines Neil Simon's two memoirs, Rewrites and The Play Goes On, into one volume that spans his extraordinary five-decade career in theater, television, and film. Rewrites takes Simon through his first love, his first play, and his first brush with failure. There is the humor of growing up in Washington Heights (the inspiration for his play Brighton Beach Memoirs) where, despite his parents' rocky marriage and many separations, he learned to see the funny side of family drama, as when his mother screamed thinking she saw a body on the floor in their apartment--it turned out to be the clothes his father discarded in the hallway after a night of carousing. He describes his marriage to his beloved wife Joan, and writes lucidly about the pain of losing her to cancer. The Play Goes On adds to his life's story, as he wins the Pulitzer Prize and reflects with humor and insight on his tumultuous life and meteoric career. Now, with the whole story in one place, Neil Simon's collected memoirs trace the history of modern entertainment over the last fifty years through the eyes of a man who started life the son of a garment salesman and became the greatest--and most successful--American playwright of all time.
Neil Young on Neil Young: Interviews and Encounters (Musicians in Their Own Words #19)
by Arthur LizieThe life of rock's most durable troubadour in his own wordsNeil Young on Neil Young: Interviews and Encounters is a revealing anthology of Young's most significant, fascinating, and entertaining discussions, declarations, and dreams, chronicling fifty years of conversations, feature stories, and press conferences. With many interviews widely available for the first time—including new transcriptions and first-time translations into English—the book spans Young's words and ideas from 1967 onward: his early days with Buffalo Springfield and 1970s Harvest-fueled celebrity apex, an artistic rebellion and 1980s commercial dip, and the unexpected 1990s revival as the Godfather of Grunge through to his multi-decade victory lap as a living legend.Across the decades, Young's own words tell the story as he perpetually reinvents himself as a master of music and film, a technology pioneer and innovator, and a bold political observer and strident environmental advocate.
Neil and Me
by Scott YoungScott Young chronicles his son's early years in and around Toronto and Winnipeg and his rise from journeyman, musician to superstar in the 1960s and 1970s. The frequent occasions when Scott and Neil's paths have crossed - from backstage meetings and family get-togethers to a sold-out appearance at Carnegie Hall - give a fascinating portrait of an enigmatic star.From the Paperback edition.
Nekomah Creek Christmas
by Linda CrewRobby Hummer loves everything about Christmas except the school play. He dreads being an elf in green tights.
Nelly's Sweet Song
by Jennifer Riesmeyer ElvgrenNelly’s grandfather has been away fighting in the Revolutionary War. Her entire family wants to make the homecoming special, but Nelly keeps causing trouble! What can she do to welcome him home?
Neo-Authoritarian Masculinity in Brazilian Crime Film (Reframing Media, Technology, and Culture in Latin/o America)
by Jeremy LehnenAnalyzing how masculinity is portrayed in Brazilian crime film, connecting movie messages to twenty-first-century issues An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues. Jeremy Lehnen argues that these films promote an agenda in support of the nation’s recent swing toward authoritarianism that culminated in the 2018 election of far-right president Jair Bolsonaro. Lehnen examines the integral role of masculinity in several archetypal crime films, most of which foreground urban violence, including Cidade de Deus, Quase Dois Irmãos, Tropa de Elite, O Homem do Ano, and O Doutrinador. Within these films, Lehnen finds representations that criminalize the poor, marginalized male; emasculate the civilian middle-class male intellectual, casting him as unable to respond to crime; and portray state security as the only power able to stem increasing crime rates. Drawing on insights from masculinity studies, Lehnen contends that Brazilian crime films are ideologically charged mediums that assert and normalize the presence of the neo-authoritarian male within society. This book demonstrates how gendered scripts can become widely accepted by audiences and contribute to very real power structures beyond the sphere of cinema. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos RodríguezPublication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Neo-Burlesque: Striptease as Transformation
by Lynn SallyThe neo-burlesque movement seeks to restore a sense of glamour, theatricality, and humor to striptease. Neo-burlesque performers strut their stuff in front of audiences that appreciate their playful brand of pro-sex, often gender-bending, feminism. Performance studies scholar and acclaimed burlesque artist Lynn Sally offers an inside look at the history, culture, and philosophy of New York’s neo-burlesque scene. Revealing how twenty-first century neo-burlesque is in constant dialogue with the classic burlesque of the nineteenth and twentieth centuries, she considers how today’s performers use camp to comment on preconceived notions of femininity. She also explores how the striptease performer directs the audience’s gaze, putting on layers of meaning while taking off layers of clothing. Through detailed profiles of iconic neo-burlesque performers such as Dita Von Teese, Dirty Martini, Julie Atlas Muz, and World Famous *BOB*, this book makes the case for understanding neo-burlesque as a new sexual revolution. Yet it also examines the broader community of “Pro-Am” performers who use neo-burlesque as a liberating vehicle for self-expression. Raising important questions about what feminism looks like, Neo-Burlesque celebrates a revolutionary performing art and participatory culture whose acts have political reverberations, both onstage and off.
Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture
by Hilary RadnerWhat lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner’s Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative "girly films," including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being "post-feminist," as is usually assumed, such films are better described as "neo-feminist." Examining their narrative format, as it revolves around the story of an ambitious unmarried woman who defines herself through consumer culture as much as through work or romance, Radner argues that these films exemplify neo-liberalist values rather than those of feminism. As such, Neo-Feminist Cinema offers a new explanation as to why feminist-oriented scholars and audiences who are seeking more than "labels and love" from their film experience have viewed recent "girly films" as a betrayal of second-wave feminism, and why, on the other hand, such films have proven to be so successful at the box office.
Neo-Noir (Wallflower Press #PPCS)
by Mark Bould Greg Tuck Kathrina GlitreNeo-noir knows its past. It knows the rules of the game – and how to break them. From Point Blank (1998) to Oldboy (2003), from Get Carter (2000) to 36 Quai des Orfèvres (2004), from Catherine Tramell to Max Payne, neo-noir is a transnational global phenomenon. This wide-ranging collection maps out the terrain, combining genre, stylistic and textual analysis with Marxist, feminist, psychoanalytic and industrial approaches. Essays discuss works from the US, UK, France, Japan, South Korea, Hong Kong and New Zealand; key figures, such as David Lynch, the Coen Brothers, Quentin Tarantino and Sharon Stone; major conventions, such as the femme fatale, paranoia, anxiety, the city and the threat to the self; and the use of sound and colour.