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Pier Paolo Pasolini: In Living Memory
by Ben Lawton and Maura BergonzoniA collection of essays discussing the famed Italian film director, writer, and intellectual.More than thirty years after the tragic death of Pier Paolo Pasolini, this volume is intended to acknowledge the significance of his living memory. His artistic and cultural production continues to be a fundamental reference point in any discourse on the state of the arts, and on contemporary political events, in Italy and abroad. This collection of essays intends to continue the recognition of Pasolini’s teachings and of his role as engaged intellectual, not only as acute observer of the society in which he lived, but also as semiologist, writer, and filmmaker, always heretical in all his endeavors. Many directors, reporters, and contemporary writers see in the “inconvenient intellectual” personified by Pasolini in his writings, in his films, and in his interviews, an emblematic figure with whom to institute and maintain a constant dialog, both because of the controversial topics he addressed, which are still relevant today, and because of the ways in which he confronted the power structures. His analytical ability made it impossible for him to believe in the myth of progress; instead, he embraced an ideal that pushed him always to struggle on the firing line of controversy.
Pier Paolo Pasolini: Performing Authorship
by Gian Maria AnnoviBefore his mysterious murder in 1975, Pier Paolo Pasolini had become famous—and infamous—not only for his groundbreaking films and literary works but also for his homosexuality and criticism of capitalism, colonialism, and Western materialism. In Pier Paolo Pasolini: Performing Authorship, Gian Maria Annovi revisits Pasolini's oeuvre to examine the author's performance as a way of assuming an antagonistic stance toward forms of artistic, social, and cultural oppression. Annovi connects Pasolini's notion of authorship to contemporary radical artistic practices and today's multimedia authorship.Annovi considers the entire range of Pasolini's work, including his poetry, narrative and documentary film, dramatic writings, and painting, as well as his often scandalous essays on politics, art, literature, and theory. He interprets Pasolini's multimedia authorial performance as a masochistic act to elicit rejection, generate hostility, and highlight the contradictions that structure a repressive society. Annovi shows how questions of authorial self-representation and self-projection relate to the artist's effort to undermine the assumptions of his audience and criticize the conformist practices that the culture industry and mass society impose on the author. Pasolini reveals the critical potential of his spectacular celebrity by using the author's corporeal or vocal presence to address issues of sexuality and identity, and through his strategic self-fashioning in films, paintings, and photographic portraits he destabilizes the audience's assumptions about the author.
Pierre Huyghe: Untitled (Human Mask) (Afterall Books / One Work)
by Mark LewisAn examination of Pierre Huyghe's post-apocalyptic Untitled (Human Mask), which asks whether our human future may be one of remnants and mimicry.Pierre Huyghe's 2014 film Untitled (Human Mask) combines images of a post-apocalyptic world (actual footage of deserted streets close to the Fukushima Daiichi nuclear disaster of March 2011) with a haunting scene of a monkey working in an empty restaurant wearing a human mask and a wig. She's a girl! The flat, emotionless almost automaton state of the mask and the artificial glossy hair topped even with a child's bow, suggests that she, the monkey, might be a character from Japanese Noh theatre. But there's no music. Instead Huyghe's film evinces the terrifying possibility that our own, human, future might just be one of remnants and mimicry; that the deserted streets of Fukushima and the monkey's recognizable, alienating chimeric performance is all that might survive us. Untitled (Human Mask) presents a pluperfect world with extinction the endgame for a civilization that cared little for the present, dreaming only of a future that inevitably and necessarily could not include it.
Pig on the Titanic: A True Story
by Gary CrewA pig on a passenger liner? Impossible! No! No! It's me ... Maxixe, the music box pig! Everyone knows the story of the night the great ship Titanic sank. But few know the story of Maxixe, one of the unsung heroes of that night, and how this small musical pig soothed the fears of a lifeboat full of children. Based on true events, this dramatic story by author Gary Crew is told through the charming and compassionate voice of Maxixe.
Pigeon in a Crosswalk
by Jack GrayFrom television producer Jack Gray comes a generational account of finding one's way at work, at home, and even across the street. There are a lot of unforgettable characters in these pages: a loveable if possibly alcoholic dog; a set of grandparents who crush on Alex Trebek and obsess about death; Golden Girls and blue bloods, anchormen and Supreme Court justices; divas and wags--but the best character of all is the author himself. To read Jack Gray's musings is to enter the company of a young man of titanic wit and talent. As he observes and echoes the fixations and neuroses of his generation and our times, he will make you squirm, guffaw, and ultimately marvel.
Pigeon in a Crosswalk: Tales of Anxiety and Accidental Glamour
by Jack GrayFrom television producer Jack Gray comes a generational account of finding one's way at work, at home, and even across the street. There are a lot of unforgettable characters in these pages: a loveable if possibly alcoholic dog; a set of grandparents who crush on Alex Trebek and obsess about death; Golden Girls and blue bloods, anchormen and Supreme Court justices; divas and wags--but the best character of all is the author himself. To read Jack Gray's musings is to enter the company of a young man of titanic wit and talent. As he observes and echoes the fixations and neuroses of his generation and our times, he will make you squirm, guffaw, and ultimately marvel.
Pigskins and Pirouettes
by Sara MatsonZander is embarrassed when a photo of him wearing a tutu is printed in the school paper. With the help of a ballerina and a football player, Zander and his classmates learn that ballet is not just for girls!
Pilgrimage to Dollywood: A Country Music Road Trip Through Tennessee
by Helen MoralesA star par excellence, Dolly Parton is one of country music’s most likable personalities. Even a hard-rocking punk or orchestral aesthete can’t help cracking a smile or singing along with songs like "Jolene” and "9 to 5. ” More than a mere singer or actress, Parton is a true cultural phenomenon, immediately recognizable and beloved for her talent, tinkling laugh, and steel magnolia spirit. She is also the only female star to have her own themed amusement park: Dollywood in Pigeon Forge, Tennessee. Every year thousands of fans flock to Dollywood to celebrate the icon, and Helen Morales is one of those fans. In Pilgrimage to Dollywood, Morales sets out to discover Parton’s Tennessee. Her travels begin at the top celebrity pilgrimage site of Elvis Presley’s Graceland, then take her to Loretta Lynn’s ranch in Hurricane Mills; the Country Music Hall of Fame and the Grand Ole Opry in Nashvil≤ to Sevierville, Gatlinburg, and the Great Smoky Mountains National Park; and finally to Pigeon Forge, home of the "Dolly Homecoming Parade,” featuring the star herself as grand marshall. Morales’s adventure allows her to compare the imaginary Tennessee of Parton’s lyrics with the real Tennessee where the singer grew up, looking at essential connections between country music, the land, and a way of life. It’s also a personal pilgrimage for Morales. Accompanied by her partner, Tony, and their nine-year-old daughter, Athena (who respectively prefer Mozart and Miley Cyrus), Morales, a recent transplant from England, seeks to understand America and American values through the celebrity sites and attractions of Tennessee. This celebration of Dolly and Americana is for anyone with an old country soul who relies on music to help understand the world, and it is guaranteed to make a Dolly Parton fan of anyone who has not yet fallen for her music or charisma.
Pillow Talk: What's Wrong with My Sewing?
by Craig ConoverPerfect for fans of One Day You&’ll Thank Me and Capital Gaines, the star of Southern Charm and cofounder and CMO of Sewing Down South reveals how he turned his passion for sewing into a profitable enterprise and a fulfilling life, while also taking us behind-the-scenes of one of Bravo&’s most popular shows. As a young boy sitting at a sewing machine in home economics class, Craig Conover had no idea that this hobby would one day change his life for the better. Growing up in Delaware, Conover experienced cruel bullying and suffered from severe anxiety and obsessive-compulsive disorder that robbed him of his childhood confidence and made him crave success. But while law school in Charleston seemed to provide him the direction he needed, Conover spent years searching for meaning and passion in life. The chance to become a cast member on Bravo&’s Southern Charm promised to provide that. Though the show gave Conover his shot at fame and fortune, it also offered destructive temptations that fed his insecurities. As the show increased in popularity, he sank deeper into procrastination and self-doubt. Unable to take control of his life, Conover quickly lost his job, his girlfriend, and his motivation. Then, at his lowest point, Conover turned to his passion—sewing—and slowly pulled himself out of the spiral. A chance phone call from an old friend gave Conover the support he needed to turn his hobby into a business. Soon after, Sewing Down South was borne and became an overnight success, with Conover launching a multi-state &“Pillow Party Tour,&” being featured on HSN, and opening a retail store in downtown Charleston. Now, Conover reveals the full story of the drama that swirled around him on the show—both on screen and off—and how it led to the founding of Sewing Down South. He talks about how he was able to turn his passion into his work and reclaim the direction of his life. Most of all, Conover reveals how anyone can find the purpose and fulfillment they deserve.
Pilobolus: A Story of Dance and Life
by Robert PranzatelliThe dynamic history of the innovative, beloved, and critically acclaimed dance theater company, with revelatory behind-the-scenes details of its creators and significant works The ingeniously innovative and enduringly popular American dance theatre company Pilobolus has helped redefine, remix, and rejuvenate the essence of dance with its eclectic sensibility and daring athleticism. Now, for the first time, the story of Pilobolus, from its counterculture origins through its pop-culture triumphs and contemporary global acclaim, is revealed in a book that will entrance longtime admirers and newcomers alike. Written with unprecedented access to the company—with insights from unpublished archival materials and interviews with its founders, dancers, and current artistic directors—and featuring both classic and never-before-seen photos, Pilobolus offers previously untold details about the group’s history and the creation of its most significant works. Robert Pranzatelli describes the company's genesis in a Dartmouth dance class in 1971 and how Pilobolus revolutionized dance with its blend of sensuality, physical achievement, and visual wit. In these pages, the troupe performs on Broadway, travels the world, and by the late 1980s secures a place in dance history, while its growth is marked by periods of internal conflict, challenges, and change. As Pilobolus continues to morph, invent, and thrive with the arrival of new artists and collaborators, its story encompasses love, loss, grief, and rebirth, as well as insights into the secrets of the creative process—how performers and choreographers think and work. More than a history, Pilobolus is a narrative of life and art, and the vitality that infuses and inspires both when they align and inhabit each other.
Pimpin' Ain't Easy: Selling Black Entertainment Television
by Beretta E. Smith-ShomadeLaunched in 1980, cable network Black Entertainment Television (BET) has helped make blackness visible and profitable at levels never seen prior in the TV industry. In 2000, BET was sold by founder Robert L. Johnson, a former cable lobbyist, to media giant Viacom for 2.33 billion dollars. This book explores the legacy of BET: what the network has provided to the larger US television economy, and, more specifically, to its target African-American demographic. The book examines whether the company has fulfilled its stated goals and implied obligation to African-American communities. Has it changed the way African-Americans see themselves and the way others see them? Does the financial success of the network - secured in large part via the proliferation of images deemed offensive and problematic by many black communities - come at the expense of its African-American audience? This book fills a major gap in black television scholarship and should find a sizeable audience in both media studies and African-American studies.
Pimps, Hos, Playa Hatas, and All the Rest of My Hollywood Friends: My Life
by John LeguizamoFans of John Leguizamo's smash-hit one-man shows (Mambo Mouth, Spic-o-rama, Freak, and Sexaholix) have already gotten a glimpse into his life, but this book tells the whole story, carrying readers along on a wild journey from his childhood in Queens to his current home at the top of the Hollywood pyramid. An acclaimed director, producer, and play-wright, and one of the highest-paid Latin actors in the world, Leguizamo shares the stories behind his many roles—what inspired them and what transpired as he created them—while dishing on his personal relationships with his family, friends, and celebrity colleagues. Here is both an intimate self-portrait and a unique behind-the-scenes look at the magic and chaos of stardom, a keenly intelligent and insanely funny book that celebrates a remarkably talented artist's greatest achievement: growing up Latino in America and succeeding on his own terms.
Pina Bausch: The Making Of Tanztheater (Routledge Performance Practitioners)
by Royd ClimenhagaThis newly-updated second edition explores Pina Bausch’s work and methods by combining interviews, first-hand accounts, and practical exercises from her developmental process for students of both dance and theatre. This comprehensive overview of her work offers new and exciting insight into the theatrical approach of a singular performance practitioner. This is an essential introduction to the life and work of one of the most significant choreographers/directors of the twentieth and twenty-first centuries. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Pina Bausch’s Aggressive Tenderness: Repurposing Theater through Dance
by Telory D. ArendellPina Bausch’s Aggressive Tenderness: Repurposing Theater through Dance maps Bausch’s pieces alongside methodologies of key theater and film practitioners. This book includes discussion of a variety of Bausch pieces, including Sacre du Printemps (Rite of Spring 1975), Kontakthof (Meeting Place 1978), Café Müller (Café Mueller 1978), Nelken (Carnations 1982), Arien (Arias 1985), and Vollmond (Full Moon 2006). Beginning with her approach as one avenue of dance dramaturgy, the author connects the content expressed in these pieces with theoretical conversations, works from other artists inspired by Bausch, and her own experiences, providing an examination that is both academic and personally insightful. Arendell reads all of these theatrical and film approaches into Bausch’s work to highlight how the time frame involves a cross-pollination between Bausch and the other artists that looks both backward and forward in its influences. Ideal for students of dance and theater, Pina Bausch’s Aggressive Tenderness shows how Bausch’s Tanztheater speaks a kinaesthetic language, one that Arendell translates into a somaesthetic exploration to pair a repurposed body ethic with movements that present new forms of embodiment.
Pinch Me (Orca Soundings)
by Gabrielle PrendergastAfter another night of girls, music and booze, seventeen-year-old pop star Darius Zaire falls out of bed and lands on the cruddy floor of his old bedroom. No mansion, no luxury cars, no platinum records. Now he's just ordinary Darren Zegers. Some kind of nightmare has erased everything that happened to change Darren the dweeb into Darius the multimillionaire. Now Darius has to face an ordinary day in the twelfth grade, suffering through remedial English and wondering what happened to the last three years, let alone all his fans and money. He desperately wants to return to his old life, but he is starting to worry that maybe this is reality, and it was his other life that was the dream. This short novel is a high-interest, low-reading level book for teen readers who are building reading skills, want a quick read or say they don’t like to read!
Pinewood: Anatomy of a Film Studio in Post-war Britain
by Sarah StreetThis open access book examines how Pinewood came to be Britain’s dominant film studio complex, focusing on key years following the Second World War. It presents a revisionist, micro history of the studio and its longevity during a particularly turbulentperiod, explaining Pinewood’s survival at a time when other major film studios such as Denham closed. This book also provides contemporary insights into how Pinewood’s technologies, practices, and filmmaking methods compared to Hollywood’s. Thirteen films produced in1946–47 are analysed in detail, tracking how economic pressures engendered many creative techniques and innovative technologies. Prevailing cultures of management and labour organization are foregrounded, as well as insights into being a studio employee. These are vividly brought to life through an in-depthfocus on the in-house studio magazine Pinewood Merry-Go-Round, which provides rare details of sports and leisure activities organized at the studios.
Pink 2.0: Encoding Queer Cinema on the Internet
by Noah A. TsikaIn an era where digital media converges with new technologies that allow for cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity--a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet's early and intense associations with gay male consumers (and vice versa) have not only survived the medium's dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive.
Pink Boots and Ponytails (Barbie)
by Alison Inches Random HouseGirls ages 3-7 will love this full-color storybook based on the latest Barbie Sisters movie, releasing in fall 2013 on DVD and Blu-ray.
Pink Flamingos: A Screenplay
by John WatersThe return of a spectacular, reviled, and iconic classic of American filth! John Waters takes us back to the scene of his original crime against good taste. Watch as Babs Johnson fights to hold on to her title as “Filthiest Person Alive,“ fending off the craven attempts to dethrone her by her nemeses Connie and Raymond Marble.Read along as Waters takes us on a romp through his camp and filthy vision of Baltimore, from nefarious baby-stealing lesbians to scenes of unspeakable things done to unsuspecting chickens, to the film’s iconic and revolting coup de grace (no spoilers, but it is just as stomach-churning on the page more than fifty years later!). Pink Flamingos is John Waters at his provocative, disgusting, piety-puncturing best, with the hellish and hilarious trash masterpiece that first made him a household name.
Pink-Slipped: What Happened to Women in the Silent Film Industries? (Women and Film History International)
by Jane M GainesWomen held more positions of power in the silent film era than at any other time in American motion picture history. Marion Leonard broke from acting to cofound a feature film company. Gene Gauntier, the face of Kalem Films, also wrote the first script of Ben-Hur. Helen Holmes choreographed her own breathtaking on-camera stunt work. Yet they and the other pioneering filmmaking women vanished from memory. Using individual careers as a point of departure, Jane M. Gaines charts how women first fell out of the limelight and then out of the film history itself. A more perplexing event cemented their obscurity: the failure of 1970s feminist historiography to rediscover them. Gaines examines how it happened against a backdrop of feminist theory and her own meditation on the limits that historiography imposes on scholars. Pondering how silent era women have become absent in the abstract while present in reality, Gaines sees a need for a theory of these artists' pasts that relates their aspirations to those of contemporary women. A bold journey through history and memory, Pink-Slipped pursues the still-elusive fate of the influential women in the early years of film.
Pinkalicious and the Pinkettes (I Can Read Level 1)
by Victoria Kann#1 New York Times bestselling author Victoria Kann brings young readers a Pinkalicious I Can Read adventure that celebrates creativity and resourcefulness! Rock out with Pinkalicious and her friends in this Level One I Can Read. Pinkalicious and her friends want to start a band, but they don’t have any instruments! Pinkalicious will need to find a creative answer. When Pinkalicious realizes there are amazing sounds all around, she figures out what to do. Pinkalicious and the Pinkettes is a Level One I Can Read book, which means it’s perfect for children learning to sound out words and sentences. Readers can watch Pinkalicious and Peterrific on the funtastic PBS Kids TV series Pinkalicious & Peterrific!
Pinkalicious: Tutu-rrific (I Can Read Level 1)
by Victoria KannReaders can watch Pinkalicious and Peterrific on the funtastic PBS Kids TV series Pinkalicious & Peterrific!A fun Pinkalicious I Can Read story about ballet from New York Times bestselling author Victoria KannPinkalicious can’t wait to go to ballet class with her best friend, Alison, but things take a turn when there’s a mix-up and Pinkalicious ends up in the big kids’ class. Will Pinkalicious get lost among the dancers, or will she be able to jump to new heights?Perfect for little ballerinas everywhere, Pinkalicious: Tutu-rrific is a Level One I Can Read adventure and is carefully crafted using short sentences, familiar words, and simple concepts for children eager to read on their own.
Pinochle is the Name of the Game
by Walter GibsonHave you ever watched a hand of this fascinating game and wished you knew how to play? Or do you already know how and want to play better? Well, here's your opportunity to "hire" one of the game's foremost authorities as your personal "pro." Watch him deal out a sample hand and show you how to play it. His play-by-play instructions, written for the beginning player, will guide you confidently through the fundamentals. And with the ease that comes with confidence, you will quickly master the finer points of the game. It is on this gamesmanship that those already familiar with the game can sharpen their skills. Included are the rules for two-, three-, and - four-handed pinochle, as well as for auction pinochle and auction pinochle with partners.
Pinter at 70: A Casebook (Casebooks on Modern Dramatists #Vol. 30)
by Lois GordonThis comprehensive and authoritative casebook includes cornerstone essays on Pinter's creative process, his politics, film adaptations, and acting career. It also includes a collection of photos found nowhere else that document Pinter's "golden time"--his early acting days in Ireland--, a substantial introduction, a chronology, and bibliography.
Piper Chen Sings
by Phillipa Soo Maris Pasquale DoranAn empowering story about a girl who turns her performance jitters into confidence when faced with singing a solo at her school concert. Inspired by the childhood experience of award-winning actress Phillipa Soo who originated the role of Eliza in Hamilton. <p><p>Piper Chen loves nothing more than to sing. She sings to the sun, and she sings to the moon. She sings to her stuffed animals and with the birds outside her window. So, when her music teacher asks if Piper would like to sing a solo in her school’s Spring Sing, all she can say is “yes!” But as practice continues, doubt and worry creep in and Piper’s confidence wavers. She feels like butterflies are having a dance party in her belly. At home, Piper finds Nai Nai, her grandmother, at the piano. They’ve always shared a love of music, and Piper knows if anyone can help her through the unsettling feeling in her stomach and to shine her brightest at the Spring Concert, it’s Nai Nai. <p><p>First time picture book writers and sisters-in-law, Phillipa Soo and Maris Pasquale Doran along with acclaimed illustrator Qin Leng have created a cheerful intergenerational and stunning story that inspires confidence in the face of nervousness <p> <b>New York Times Bestseller</b>