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Politics of the Oberammergau Passion Play: Tradition as Trademark (Routledge Advances in Theatre & Performance Studies)
by Jan Mohr Julia StenzelThis collection provides a comprehensive overview of the Oberammergau Passion play and its history from the 19th century onwards. Specialists in theatre and performance studies, comparative literature, theology, political studies, history, and ethnology initiate an interdisciplinary discussion of how Oberammergau has built a trademark from tradition. A typological and historical outline of this development is followed by detailed analyses of the blending of spaces, temporalities, and cultures, through which Oberammergau as an institution is stabilized while at the same time remaining open to the dynamics of historical change. The authors comprise the formation of a theatrical public sphere, literary imaginations, and layers of authenticity in modern practices of distributed communication that culminate in the notion of tradition as trademark. This collection is analysed from a wide spectrum of cultural historical perspectives, ranging from literary studies, theatre and performance studies to theology, political studies, and ethnology.
Politics without Stories
by David RicciLiberal candidates, scholars, and activists mainly promote pragmatism rather than large and powerful narratives - which may be called 'alpha stories' for their commanding presence over time. Alternatively, conservative counterparts to such liberals tend to promote their policy preferences in alpha stories praising effective markets, excellent traditions, and limited government. In this face-off, liberals represent a post-Enlightenment world where many modern people, following Max Weber, are 'disenchanted', while many conservatives, echoing Edmund Burke, cherish stories borrowed from the past. Politics without Stories describes this storytelling gap as an electoral disadvantage for liberals because their campaigning lacks, and will continue to lack, the inspiration and shared commitments that great, long-term stories can provide. Therefore, Ricci argues that, for tactical purposes, liberals should concede their post-Enlightenment skepticism and rally around short-term stories designed to frame, in political campaigns, immediate situations which they regard as intolerable. These may help liberals win elections and influence the course of modern life.
Politics, Law and Morality: Essays By V. S. Soloviev
by Vladimir Soloviev Vladimir WozniukConsidered one of Russia's greatest philosophers, Vladimir Soloviev (1853-1900) was also a theologian, historian, poet, and social and political critic. His works have emerged to enjoy renewed attention in post-Soviet Russia, and his concerns echo in contemporary discussions of politics, law, and morality. In this collection of Soloviev's essays -- many translated into English for the first time -- the philosopher explores an array of social issues, from the death penalty to nationalism to women's rights. Soloviev reacts against the tradition of European rationalist thought and seeks to synthesize religious philosophy, science, and ethics in the context of a universal Christianity. In these writings he reveals the centrality of human rights in his Christian world-view, not only as an abstract theory but also as an inspiration in everyday life. In a substantive introduction and copious annotations to the essays, Vladimir Wozniuk points out distinctive and often overlooked features of Soloviev's works while,illuminating his place within both the Russian and Western intellectual traditions.
Politik und Film: Ein Überblick (essentials)
by Ulrich HamenstädtDieses Essential bietet einen Überblick zu unterschiedlichen Interpretationen der Verbindung zwischen Politik und Film. Filme und Fernsehserien werden dabei als wichtige Darstellungsformen von Politik begriffen. In zahlreichen Formaten wird dies in den letzten Jahren deutlich. Interessant wird es jedoch, wenn Filme und Serien nicht den Anspruch erheben politisch zu sein, dies jedoch implizit sind. Denn Filme spielen zum einen immer mit Vorannahmen des Publikums, produzieren andererseits aber auch spezifische politische Annahmen und Weltanschauungen bei ihrem Publikum. So sind beispielsweise Ängste oder gesellschaftlich verbreitete Feindbilder für die Wirkung von Filmen bedeutungsvoll. James Bond bekommt heute keine Liebesgrüße mehr aus Moskau, dafür rücken Cyberangriffe und die zunehmende Macht Chinas in den Mittelpunkt der Filmreihe.
Politiken des Populären: Medien – Kultur – Wissenschaft (Neue Perspektiven der Medienästhetik)
by Ivo Ritzer Harald SteinwenderDer Band befragt populäre Kultur auf ihre politischen Implikationen in medialen Erscheinungsformen. Dabei problematisiert er die tradierte Dichotomie von „Kunst“ und „Pop“, um den Fokus auf offene Forschungsfragen globaler Wechselwirkungen zu legen und über die akademischen Disziplinen hinaus zu erweitern. Die einzelnen Beiträge des Bandes nähern sich dem Untersuchungsgegenstand anhand mehrerer Konfliktlinien, die ein Themenspektrum von Fragen der Ideologie, Postkolonialität und Queerness populärer Medienkulturen eröffnen. Der InhaltMediale Regimes und Populärkultur ● Genre, Gesellschaft und Politik ● Gender und RaceDie HerausgeberProf. Dr. Ivo Ritzer lehrt Medienwissenschaft an der Universität Bayreuth. Dr. Harald Steinwender ist Redakteur im Programmbereich Spiel – Film – Serie des Bayerischen Rundfunks und Programmplaner für das BR Fernsehen.
Politisierung des Theaters und Theatralisierung der Politik im Nationalsozialismus: Müthels „Hamlet“-Inszenierung und Riefenstahls „Triumph des Willens“ (Szene & Horizont. Theaterwissenschaftliche Studien #13)
by Silke Christiane KleineVorliegende Arbeit beschäftigt sich mit den Fragen nach der Politisierung der Bühne während des „Dritten Reiches“ und der Nutzbarmachung theatraler Operativität für die politische nationalsozialistische Massenversammlung anhand der Analysen einer massenwirksamen Hamlet-Inszenierung (Lothar Müthel, Berlin 1936) und von Leni Riefenstahls filmischer Dokumentation des „Reichsparteitags der Einheit und Stärke“ 1934 („Triumph des Willens“). Während sich das Medium der Theaterbühne als nicht sonderlich fruchtbar für propagandistische Zwecke erwiesen hatte, ereignete sich das „eigentliche“ Theater des „Dritten Reiches“ auf den Plätzen und in den Arenen des politischen Massenauftritts. Es geschah also ein Transfer theatraler Mittel und Operativität hin zu öffentlichen Massenveranstaltungen des Regimes. Theatrale, dramaturgische Elemente der Theaterbühne erwiesen sich in Kombination mit massenpsychologischen Grundmechanismen als besonders tragfähig, sodass man sagen kann, dass es sich bei NS-tendenziösen Theaterinszenierungen um Präfigurationen des politischen Massenauftritts handelte. Dies wird anhand öffentlicher Veranstaltungen im Nationalsozialismus erörtert; diese werden im Hinblick auf theatrale Kategorien wie der Ausgestaltung/Architektur des Raumes, Auditivität (Stimme und Rede, die Rolle der Lautsprechertechnologie), Licht/Beleuchtung und Requisiten analysiert. Neben diesen Aspekten der Theaterregie kamen (hier: pseudo-) religiöse Aspekte der Kirchenregie zum Tragen. Leni Riefenstahls filmische Dokumentation „Triumph des Willens“ zeigt eindrücklich die Kulmination der bis dato in vielen Auftritten erprobten massenpsychologischen Dramaturgie im Großereignis von Nürnberg. Zudem entgrenzt Riefenstahl das Ereignis durch die Reproduzierbarkeit des Mediums „Film“. Einerseits stellt der Film den Initiationsprozess für die jungen Nationalsozialisten auf dem „Reichsparteitag“ in Nürnberg dar, andererseits war die „Lektüre“ des Films gleichsam ein Initiationsprozess für den Zuschauer; das filmische Zeugnis Leni Riefenstahls konnte so die Präsenzteilnahme am „Reichsparteitag der Einheit und Stärke“ ersetzen.
Polly Platt: Hollywood Production Design and Creative Authorship
by Aaron HunterThis book examines the career and creative labour of production designer Polly Platt. It focuses mainly on her contributions to 1970s Hollywood, but also considers her later work. Considering films such as The Last Picture Show, Paper Moon, The Bad News Bears, and The Witches of Eastwick, it argues that Platt’s construction of their visual palette and mise-en-scène was so creative and so comprehensive that it can be considered authorial. Chapters discuss Platt’s life and its influence on her work, her attention to detail, her role in location decisions and costume design, and her use of colour. An epilogue discusses her later career as a producer and her mentorship to young filmmakers like Cameron Crowe and Wes Anderson. This is the first full-length examination of the career of one of the women practitioners whose work was so important to 1970s cinema, and provides an alternative methodology to the auteur-driven framing that so regularly defines the era.
Polly of the Circus
by Margaret MayoThis scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Polyrhythmicity in Language, Music and Society: Complex Time Relations in the Arts, Humanities and Social Sciences (Cultural Studies and Transdisciplinarity in Education #12)
by Richard AndrewsThis book addresses the complex time relations that occur in some types of jazz and classical music, as well as in the novel, plays and poetry. It discusses these multiple levels of rhythm from a social science as well as an arts and humanities perspective. Building on his ground-breaking work in Re-framing Literacy, A Prosody of Free Verse and Multimodality, Poetry and Poetics, the author explores the world of multiple- or poly-rhythms in music, literature and the social sciences. He reveals that multi-layered rhythms are uncommon and little researched. Nevertheless, they are important to the experience of art and social situations, not least because they link physicality to feeling and to decision-making (timing), as well as to aesthetic experience. Whereas most poly-rhythmic relations are felt unconsciously, this book reveals the complex patterning that underpins the structures of feeling and of experience.
Poor Reception: Misunderstanding and Forgetting Broadcast News (Routledge Communication Series)
by Barrie GunterPublished in 1990, Poor Reception is a valuable contribution to the field of Communication Studies.
Poor Tom's Ghost
by Jane Louise CurryPoor Tom's Ghost--dramatic, wholly convincing, a fascinating intermingling of the centuries--portrays a family whose uncertain bonds are tested and strengthened by a threat from the past.When the Nicholas family first sees the derelict old house near London that has been left to them in Aunt Deb's will, they are sadly disappointed. Thirteen-year-old Roger is the most disappointed, since, having moved place to place all his life with his gifted actor-father, he longs for some measure of stability. Then Roger and his father discover, under peeling wallpaper and rotted paneling, traces of a much older, more graceful house, and their misgivings disappear--until, one night, the house is filled with a sound of wild grieving that Roger traces to an empty room. Only Roger--and later his small stepsister Pippa--sees the ghosts, among them is that of Tom Garland, a well-known actor in Shakespeare's time. But Roger's father, playing Hamlet in the famous National Theatre, is caught up, unknowingly, in Tom's old tragedy. It is a frightened Roger who has to risk his life to find a way to mend the past before the present becomes its tragic echo.
Pop Culture Pioneers: The Women Who Transformed Fandom in Film, Television, Comics, and More
by Cher MartinettiCelebrate the empowering and inspiring women who helped create, shape, and make pop culture great, from the creator of SYFY WIRE's FANGRRLS and the podcast "Forgotten Women of Genre"! In every medium in popular culture—from books, films, and video games to comics, television, and animation—women have been instrumental in creating and shaping the worlds, characters, and genres that we know and love. However, much of their hard work and innovation has gone largely unrecognized—until now. With a foreword by American Gods actress Yetide Badaki and essays exploring the history and transformation of pop culture's genres and mediums, Pop Culture Pioneers explores and pays respect to the women who played a crucial role in creating and influencing of some of the most famous worlds and characters in pop culture including:Directors & Producers like Karyn Kusama (Aeon Flux, Jennifer's Body), Denise Di Novi (co-producer of Batman Returns, The Nightmare Before Christmas), and Jean MacCurdy (producer of Batman: The Animated Series, Animaniacs)Writers & Editors like Jeanette Khan (editor and publisher of DC Comics), Alice Bradley Sheldon (writing as James Tiptree Jr.), and Alison Bechdel (Fun Home)Animators & Artists like Rebecca Sugar (Steven Universe), Noelle Stevenson (She-Ra and the Princesses of Power) and Brenda Chapman (animator and director of Brave)As well as Marlene Clark (Blaxploitation actress), Roberta Williams (creator of the adventure game genre), Yvonne Blake (costume designer for Superman), Bonnie Erickson (co-creator of Miss Piggy), and many more.
Pop Modernism: Noise and the Reinvention of the Everyday
by Juan A. SuárezPop Modernism examines the popular roots of modernism in the United States. Drawing on a wide range of materials, including experimental movies, pop songs, photographs, and well-known poems and paintings, Juan A. Suárez reveals that experimental art in the early twentieth century was centrally concerned with the reinvention of everyday life. Suárez demonstrates how modernist writers and artists reworked pop images and sounds, old-fashioned and factory-made objects, city spaces, and the languages and styles of queer and ethnic “others.” Along the way, he reinterprets many of modernism’s major figures and argues for the centrality of relatively marginal ones, such as Vachel Lindsay, Charles Henri Ford, Helen Levitt, and James Agee. As Suárez shows, what’s at stake is not just an antiquarian impulse to rescue forgotten past moments and works, but a desire to establish an archaeology of our present art, culture, and activism.
Pop Princess
by Rachel Cohn"This is not a school musical, this is millions of people seeing you, recognizing you, criticizing you. This is it. Public person -- the good, the bad, and the ugly. Are you ready?" When fifteen-year-old Wonder Blake is plucked from her job at the Dairy Queen and given the chance to become a teen idol, it seems like a dream come true -- even if it wasn't her dream, but her older sister Lucky's. Lucky was on her way to becoming a pop star when she died, and Wonder and her family are still trying to recover from their loss. Offered a recording contract, Wonder jumps at the chance to escape from a dead-end town, her fractured family, and worst of all, high school. Suddenly she has it all: a hot new look, a chart-busting hit single, a tour opening for superstar Kayla. But stardom isn't all glamour -- it's also lots of work. And maybe what Wonder really wants is as simple as a guy who likes her for herself. With spark and humor Rachel Cohn captures the struggles and glories of an ordinary teenage girl's climb to celebrity. As Wonder rises through the pop-princess star-making machine, she also learns the price -- and that maybe being an ordinary teenage girl isn't so bad after all.
Pop Princesses
by Beth PetersTHE GIRL'S CLUBThey're young, they're beautiful, and they're changing the face of pop music with their dazzling talent and style!Christina Aguilera: This GENIE IN A BOTTLE is making all her wishes come true!Destiny's Child: THE WRITING'S ON THE WALL! With one Grammy nomination already, this group is headed for great things.Jessica Simpson: This teen has A HEART OF INNOCENCE and a voice like an angel.Blaque: TIME AFTER TIME, this group shows its got talent to spare.Mandy Moore: Her voice is sweeter than CANDY, but her attitude's all heat.From the Paperback edition.
Pop Quiz (Orca Limelights)
by Tom RyanFifteen-year-old Aiden is a minor cast member on a long-running high school "dramedy" with a low budget and a loyal following. Aiden and his friends are excited that they're being promoted to lead roles for the upcoming tenth season of Pop Quiz. But then they learn the show is being canceled. According to the producers, no one even watches TV anymore, with kids preferring the antics of YouTube stars. With the help of some former cast members and a group of hardcore fans, Aiden and his friends attempt to create a movie special to wrap up the storylines and give the series the send-off it deserves. This short novel is a high-interest, low-reading level book for middle-grade readers who are building reading skills, want a quick read or say they don’t like to read!
Pop Science: Serious Answers to Deep Questions Posed in Songs
by James BallA Pulitzer Prize–winning journalist uses data, facts, and science to deliver hilarious, fascinating answers to some of the most famous questions in pop music history. “Is there life on Mars? Where have all the flowers gone? Pop songs can pose excellent questions and James Ball has given them the answers they deserve.”—The Times (UK) Some of the most famous questions of our time have come to us in pop songs. “What is love?” “How soon is now?” “How do you solve a problem like Maria?” But do you know the answers? Breaking down lyrics from Bob Dylan, Queen, Rihanna, the Ting Tings, Billy Joel, and a variety of other genre- and decade-spanning artists with colorful graphs and Venn diagrams,Pop Science reveals the exact points where lowbrow pop culture and the highest science and philosophy meet. By revealing the economic status of doggies in windows, what war is good for, and what becomes of the brokenhearted, James Ball uncovers what we have always known—that pop music is the key to life itself.
Pop Star Goddesses: And How to Tap Into Their Energies to Invoke Your Best Self
by Jennifer Keishin ArmstrongA compendium of thirty-five incredible female pop stars whose energies, virtues, and vices make them the ideal role models for our age—powerful women who can teach us all how to discover our own inner goddess.We are living in the age of the music goddess: Beyoncé. Lady Gaga. Taylor Swift. Katy Perry. Britney. Nicki Minaj. Cardi B. Pink. Madonna. Rihanna. Gwen Stefani. Alicia Keys. Kelly Clarkson. Never before have so many women dominated their industry and pop culture itself with such creativity, passion, and force. Visionary and ferociously talented, these women are reshaping our society and our lives. In this stunningly designed compendium, Jennifer Armstrong offers an intimate, up-close look at thirty-five of pop music’s most revered goddesses, analyzing their performances, songs, videos, interviews, social media, activism, and personal lives to illuminate their significance for both critics and fans. These divas post astounding album sales, enjoy millions of radio plays, YouTube views, and social media followings, and sell out stadiums. While we are awed and inspired by their success, we worship them for so much more. Beyoncé’s work ethic. Nicki Minaj’s no-bullshit attitude. Taylor Swift’s relatability. Pink’s sense of social justice. Jennifer Lopez’s transformation from “Jenny from the block” to fashion icon. Each of these goddesses speaks to us in her own unique way. Beyoncé is our superhuman alter ego; Britney is our survival instinct. Armstrong pairs each pop star goddess with a corresponding goddess from ancient cultures, and offers advice on how to invoke the pop star goddess’s energy in your own life, providing journal prompts and a Power Song List that allows you harness the power of a particular pop goddess’s energy when you need it. Filled with information, advice, insights, playlists, and forty gorgeous color illustrations, Pop Star Goddess will help you tune in and turn on your own divine energy. The Pop Star Goddesses are: Beyoncé, Britney Spears, Kelly Clarkson, Taylor Swift, M.I.A., Nicki Minaj, Cardi B, Lady Gaga, Carla Bruni, Pink, JLo, Kesha, Rihanna, Janelle Monae, Gwen Stephani, Alicia Keys, Katy Perry, Demi Lovato, Jennifer Hudson, Mariah Carey, Adele, Missy Elliott, Shakira, Solange, Miranda Lambert, Celine Dion, Sia, Queen Latifah, SZA, Kacey Musgraves, Mary J. Blige, Christina Aguilera, Laura Jane Grace, Ariana Grande, Carly Rae Jepsen.
Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama
by Iris H. TuanApplying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. ‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s Romeo & Juliet, Disney’s The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA
Popper the Poltergeist: The First Haunting Shown on TV (Real-Life Ghost Stories)
by Megan AtwoodIn February 1958, the Herrmann family began to experience strange events at their home in Seaford, New York. The first occurrences were harmless--just caps popping off of bottles. But soon things escalated. Dishes were smashed, bookshelves toppled over, and objects moved. Could these unexplained events have been the work of a devious poltergeist named Popper?
Poppy's Secret Wish (Ballerina Dreams #1)
by Ann BryantPoppy wants to be chosen to advance to the next level of ballet classes. When the new girl in class distracts her, breaks her concentration, and Poppy is not chosen to advance, Poppy has to decide who is to blame for her being held back. Is Rose to blame, or is the fault Poppy's? Though Poppy and Rose are very different and clash at first, they begin to form a real friendship.
Poptastic!: My Life in Radio
by Tony BlackburnTony Blackburn is probably one of the most recognisable disc jockeys working in Britain today, and is always busy doing what he does best - playing music to listeners. With Radio One celebrating its 40th anniversary this year, Tony feels the time is right to commemorate his own anniversary, and look back on the time he has spent in radio and the media. The days spent as a radio pirate, to becoming the number one DJ in the UK for the best part of a decade. The stars he befriended, the rivalries in radio he endured, the friendships made, and broken, all will be told in his candid style. Much as John Peel's book was a reflection of one style of DJing, so will this book be for Tony's unique brand of playing and enjoying music. Much derided by some comedians, but very much still going strong, and ever popular.(p) 2007 Orion Publishing Group
Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth
by S. RajanayagamThis work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India. This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.
Popular Cinema of the Third Reich
by Sabine HakeToo often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Popular Culture and Law: The Vanishing Line Between Law And Popular Culture (The\international Library Of Essays In Law And Society Ser.)
by Richard K. SherwinWhat are the consequences when law's stories and images migrate from the courtroom to the court of public opinion and from movie, television and computer screens back to electronic monitors inside the courtroom itself? What happens when lawyers and public relations experts market notorious legal cases and controversial policy issues as if they were just another commodity? What is the appropriate relationship between law and digital culture in virtual worlds on the Internet? In addressing these cutting edge issues, the essays in this volume shed new light on the current status and future fate of law, truth and justice in our time.