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The Nostalgia Entertainment Sourcebook: The Complete Resource Guide to Classic Movies, Vintage Music, Old Time Radio and Theatre
by Randy Skretvedt Jordan R. YoungA resource guide for finding the sounds and accoutrements that accompany the entertainment of the 1920s, 1930s, and 1940s. Fan clubs, festivals, museums, stores, societies and many other resources. No hobbyist should be without this book!
Not a Genuine Black Man: Or, How I Claimed My Piece of Ground in the Lily-White Suburbs
by Brian CopelandBased on the longest-running one-man show in San Francisco history--now coming to Off-Broadway--a hilarious, poignant, and disarming memoir of growing up black in an all-white suburb In 1972, when Brian Copeland was eight, his family moved from Oakland to San Leandro, California, hoping for a better life. At the time, San Leandro was 99.4 percent white, known nationwide as a racist enclave. This reputation was confirmed almost immediately: Brian got his first look at the inside of a cop car, for being a black kid walking to the park with a baseball bat. Brian grew up to be a successful comedian and radio talk show host, but racism reemerged as an issue--only in reverse--when he received an anonymous letter: "As an African American, I am disgusted every time I hear your voice because YOU are not a genuine Black man!" That letter inspired Copeland to revisit his difficult childhood, resulting in a hit one-man show that has been running for nearly two years--which has now inspired a book. In this funny, surprising, and ultimately moving memoir, Copeland shows exactly how our surroundings make us who we are.
Not a Genuine Black Man: Or, How I Claimed My Piece of Ground in the Lily-White Suburbs
by Brian CopelandWhen Brian Copeland's family moved from Oakland to San Leandro, California, hoping for a better life, he had to undergo tragic difficulties of being black in a white world as a child.
Not According to Plan: Filmmaking under Stalin
by Maria BelodubrovskayaIn Not According to Plan, Maria Belodubrovskaya reveals the limits on the power of even the most repressive totalitarian regimes to create and control propaganda. Belodubrovskaya's revisionist account of Soviet filmmaking between 1930 and 1953 highlights the extent to which the Soviet film industry remained stubbornly artisanal in its methods, especially in contrast to the more industrial approach of the Hollywood studio system. Not According to Plan shows that even though Josef Stalin recognized cinema as a "mighty instrument of mass agitation and propaganda" and strove to harness the Soviet film industry to serve the state, directors such as Eisenstein, Alexandrov, and Pudovkin had far more creative control than did party-appointed executives and censors.
Not Afraid: The Evolution of Eminem
by Anthony BozzaThe sequel to the New York Times bestseller Whatever You Say I Am, chronicling the last 20 years of rapper Eminem's life, based on exclusive interviews with the artist, his friends, and associatesIn 1999, a former dishwasher from Detroit named Marshall Bruce Mathers III became the most controversial and polarizing musical artist in the world. He was an outlier, a white artist creating viable art in a black medium, telling stories with such verbal dexterity, nimble wit, and shocking honesty that his music and persona resonated universally. In short, Eminem changed the landscape of pop culture as we knew it.In 2006, at the height of his fame and one of the biggest-selling artists in music history, Eminem all but disappeared. Beset by nonstop controversy, bewildering international fame, a debilitating drug problem, and personal tragedy, he became reclusive, withdrawing to his Detroit-area compound. He struggled with weight gain and an addiction to prescription pills that nearly took his life. Over the next five years, Eminem got sober, relapsed, then finally got and stayed clean with the help of his unlikely friend and supporter, Elton John. He then triumphantly returned to a very different landscape, yet continued his streak of number one albums and multiplatinum singles.Not Afraid picks up where rock journalist Anthony Bozza's bestselling Whatever You Say I Am left off. Capturing Eminem's toughest years in his own words, as well the insights of his closest friends and creative collaborators, this book chronicles the musical, personal, and spiritual growth of one of hip hop's most enduring and enigmatic figures.
Not All Diamonds and Rosé: The Inside Story of The Real Housewives from the People Who Lived It
by Dave QuinnTHE INSTANT #1 NEW YORK TIMES BESTSELLER! <p><p> Dave Quinn's Not All Diamonds and Rosé is the definitive oral history of the hit television franchise, from its unlikely start in the gated communities of Orange County to the pop culture behemoth it has become—spanning nine cities, hundreds of cast members, and millions of fans. <p><p> What is it really like to be a housewife? We all want to know, but only the women we love to watch and the people who make the show have the whole story. Well, listen in close, because they’re about to tell all. <p><p> Nearly all the wives, producers, and network executives, as well as Andy Cohen himself, are on the record, unfiltered and unvarnished about what it really takes to have a tagline. This is your VIP pass to the lives behind the glam squads, testimonials, and tabloid feuds. <p><p> Life’s not all diamonds and rosé, but the truth is so much better, isn’t it?
Not All Superheroes Wear Capes
by Quentin KenihanQuentin Kenihan is living proof that superheroes don't need capes, just the right attitude. FOREWORD BY RAY MARTINWhen he was a kid, Quentin Kenihan loved Superman. Ironic, really. Quentin didn't need kryptonite to reveal his weakness - born with a rare bone disorder, osteogenesis imperfecta, his bones broke all on their own.When Quentin was seven, Mike Willesee made a documentary about him. Australians fell in love with his wit, and never-say-die attitude. Over the years he grew up before our eyes. But there was a dark side to his life. The true story was never told ... until now. A story of abandonment, drug addiction, dark days and thoughts of suicide. Battling through it all, Quentin's resilience is inspiring.Quentin is now determined to live life the best he can. Just turned 41, he is a filmmaker, stand-up comedian, radio host, actor and film critic; he's hung out with Angelina, accidentally ripped Jennifer Lopez's dress, talked sex with Jean-Claude Van Damme, appeared in MAD MAX and interviewed Julia Gillard, all the while showing that living in a wheelchair doesn't mean staying still.This is an unforgettable, brutally honest, at times heartbreaking memoir. Quentin Kenihan is living proof that superheroes don't need capes, just the right attitude!'Quentin is a hero of mine. Probably the toughest man I have ever met. Read this book and reconsider how hard you think your life is. It is a liberating experience to face life through his eyes.' - RUSSELL CROWE
Not Another Love Song
by Olivia WildensteinAn aspiring teenage singer finds herself playing a different tune when she falls for a boy who could jeopardize her future dreams in Olivia Wildenstein's romantic YA novel, Not Another Love Song.Angie has studied music her entire life, nurturing her talent as a singer. Now a high school senior, she has an opportunity to break into Nashville's music scene via a songwriting competition launched by her idol, Mona Stone. Discouraged by her mother, who wishes Angie would set more realistic life goals, she nonetheless pours her heart and soul into creating a song worthy of Mona.But Angie's mother is the least of her concerns after she meets Reedwood High’s newest transfer student, Ten. With his endless collection of graphic tees, his infuriating attitude, smoldering good looks, and endearing little sister, Ten toys with the rhythm of Angie’s heart. She’s never desired anything but success until Ten entered her life. Now she wants to be with him and to be a songwriter for Mona Stone, but she can’t have both. And picking one means losing the other.
Not Dead & Not for Sale: The Earthling Papers, a Memoir
by Scott Weiland David RitzThe “shockingly honest” memoir by the iconic musician who fronted Stone Temple Pilots and Velvet Revolver, including personal photographs (Rolling Stone).In the early 1990s, Stone Temple Pilots—not U2, not Nirvana, not Pearl Jam—was the hottest band in the world. STP toppled such mega-bands as Aerosmith and Guns N’ Roses on MTV and the Billboard charts, and lead singer Scott Weiland became a compellingly charismatic front man in the tradition of Mick Jagger, David Bowie, and Robert Plant.Then, when STP imploded, it was Weiland who emerged as the emblem of rock star excess, with his well-publicized drug busts and trips to rehab. Written just a few years before his tragic death, this raw and revealing memoir delves into these experiences and more—his early years as an altar boy, his yearning for his father after his parents’ divorce, his complex relationship with the love of his life, Mary Forsberg Weiland, his traumas and heartbreaks. Readers also learn the fascinating stories behind his most well-known songs and what it was like to be there at the beginning of the grunge phenomenon. Not Dead & Not for Sale is a hard rock memoir to be reckoned with—a passionate, insightful, and at times humorous book that reads with extraordinary narrative force.“The tales he sketches out often are as poignant as they are cautionary.” —USA Today“A compelling and worthwhile read.” —Associated Press
Not Funny: Essays on Life, Comedy, Culture, Et Cetera
by Jena FriedmanNATIONAL BESTSELLER &“In fact very funny.&” —Cosmopolitan &“[A] hilarious and much-needed book.&” —Samantha Bee, Emmy Award–winning comedian, author, and host of Full Frontal with Samantha Bee For fans of the perceptive comedy of Hannah Gadsby, Lindy West, and Sarah Silverman, Academy Award–nominated and acclaimed stand-up comedian Jena Friedman presents a witty and insightful collection of essays on the cultural flashpoints of today.Growing up, Jena Friedman didn&’t care about being likable. And she never wanted to be a comedian, either. A child of the 90s, she wouldn&’t discover her knack for the funny business until research for her college thesis led her to take an improv class in Chicago. That anthropology paper, written on race, class, and gender in the city&’s comedy scene, was, in Jena&’s own words, &“just as funny as it sounds.&” But it did lay the groundwork for a career that has seen her write and produce for The Daily Show with Jon Stewart, the Late Show with David Letterman, and the Oscar nominated Borat Subsequent Moviefilm. Friedman&’s debut collection, Not Funny, takes on the third rails of modern life in Jena&’s bold and subversive style, with essays that explore cancel culture, sexism, work, celebrity worship, and…dead baby jokes. In a moment where women&’s rights are being rolled back, fascism is on the rise, and so many of us could use a breather as we struggle to get by, Jena applies her unique gifts to pull a laugh from things deemed too raw, too precious, and too scary to joke about. She shares her stories of taking on those who told her she was too brash, too edgy, and too &“unlikable&” to make it. She deftly dissects how we get coerced into silence on the issues that matter most, until they&’ve gone too far afield to be turned back around again. And she shares her struggles to make it (-ish) in a world that, more often than not, would rather tune out than listen to a woman confronting the indignities we&’ve been told to bear.
Not Hollywood: Independent Film at the Twilight of the American Dream
by Ortner Sherry B.The pioneering anthropologist Sherry B. Ortner combines her trademark ethnographic expertise with critical film interpretation to explore the independent film scene in New York and Los Angeles since the late 1980s. Not Hollywood is both a study of the lived experience of that scene and a critical examination of America as seen through the lenses of independent filmmakers. Based on interviews with scores of directors and producers, Ortner reveals the culture and practices of indie filmmaking, including the conviction of those involved that their films, unlike Hollywood movies, are "telling the truth" about American life. These films often illuminate the dark side of American society through narratives about the family, the economy, and politics in today's neoliberal era. Offering insightful interpretations of many of these films, Ortner argues that during the past three decades independent American cinema has functioned as a vital form of cultural critique.
Not in Front of the Audience: Homosexuality On Stage
by Nicholas de JonghFirst published in 1992. Routledge is an imprint of Taylor & Francis, an informa company.
Not My Father's Son: A Memoir
by Alan CummingDark, painful memories can be like a cage. Or, in the case of Alan Cumming, they can be packed away in a box, stuck in the attic to be forgotten. Until one day the box explodes and all the memories flood back in horrible detail. Alan Cumming grew up in the grip of a man who held his family hostage, someone who meted out violence with a frightening ease, who waged a silent war with himself that sometimes spilled over onto everyone around him. That man was Alex Cumming, Alan's father.When television producers approached Alan to appear on a popular celebrity genealogy show in 2010, he enthusiastically agreed. He hoped to solve a mystery that had long cast a shadow over his family. His maternal grandfather, Tommy Darling, had disappeared into the Far East after WWII. Alan's mother knew very little about him--he had been a courier, carrying information between battalions on his motorbike. The last time she saw her father, Alan's mother was eight years old. When she was thirteen, the family was informed that he had died by his own hand, an accidental shooting.But this was not the only mystery laid before Alan's feet. His father, whom Alan had not seen or spoken to for more than a decade, reconnected just before filming for Who Do You Think You Are? began. He had a secret he had to share, one that would shock his son to his very core and set into motion a journey that would change Alan's life forever.With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as the celebrated actor of film, television, and stage. At times suspenseful, at times deeply moving, but always incredibly brave and honest, Not My Father's Son is a powerful story of embracing the best aspects of the past and triumphantly pushing the darkness aside.
Not Quite Snow White
by Ashley FranklinA picture book for magical yet imperfect children everywhere, written by debut author Ashley Franklin and perfect for fans of such titles as Matthew A. Cherry's Hair Love, Grace Byers's I Am Enough, and Lupita Nyong'o's Sulwe.Tameika is a girl who belongs on the stage. She loves to act, sing, and dance—and she’s pretty good at it, too. So when her school announces their Snow White musical, Tameika auditions for the lead princess role.But the other kids think she’s “not quite” right to play the role. They whisper, they snicker, and they glare.Will Tameika let their harsh words be her final curtain call?Not Quite Snow White is a delightful and inspiring picture book that highlights the importance of self-confidence while taking an earnest look at what happens when that confidence is shaken or lost. Tameika encourages us all to let our magic shine.
Not Since Carrie: Forty Years of Broadway Musical Flops
by Ken MandelbaumIf you love Broadway musicals, this book is for you. While Broadway has had its share of musical triumphs, it has also seen hundreds of musicals that had brief runs, lost millions of dollars, and broke the hearts of their creators and performers. For every hit musical, there are roughly five others that are quick flops, and even the most celebrated names in show business are not immune to them. Ken Mandelbaum offers the behind-the-scenes story of the development of almost two hundred musical flops that played Broadway between 1950 and 1990, along with a reevaluative and often revisionist study of their quality. Here they all are, from such legendary catastrophes as Carrie, Kelly, Breakfast at Tiffany’s, and Legs Diamond, to flops that starred Lucille Ball and Bette Davis, to the failures of Rodgers and Hammerstein, Jule Styne, Jerry Herman, Alan Jay Lerner, Gower Champion, and many others. Not Since Carrie makes a case for the strengths of certain unsuccessful works, points out some that might be worthy of revival, and allows the reader to relive some of Broadway’s most infamous moments. A reexamination of neglected, forgotten, and often catastrophic musicals, Not Since Carrie will remain the definitive volume on a colorful and vital segment of "lost” theatre history. Ken Mandelbaum has written on musical theatre for The New York Times, Playbill, Stagebill, Billboard, Show Music, and Sony/Columbia Records. He is currently the musical theatre critic for Theater Week magazine. In 1989, he won acclaim for his first book, A Chorus Line and the Musicals of Michael Bennett (St. Martin’s Press). He lives in New York City, and his favorite song is "I Wish It So” from the flop Juno. If you subscribe to a music service like Amazon or Spotify, you can listen to many of the songs described. At the end of the book there is a Shows Index and a Names Index.
A Not So Foreign Affair: Fascism, Sexuality, and the Cultural Rhetoric of American Democracy
by Andrea SlaneIn A Not So Foreign Affair Andrea Slane investigates the influence of images of Nazism on debates about sexuality that are central to contemporary American political rhetoric. By analyzing an array of films, journalism, scholarly theories, melodrama, video, and propaganda literature, Slane describes a common rhetoric that emerged during the 1930s and 1940s as a means of distinguishing "democratic sexuality" from that ascribed to Nazi Germany. World War II marked a turning point in the cultural rhetoric of democracy, Slane claims, because it intensified a preoccupation with the political role of private life and pushed sexuality to the center of democratic discourse. Having created tremendous anxiety--and fascination--in American culture, Nazism became associated with promiscuity, sexual perversionand the destruction of the family. Slane reveals how this particular imprint of fascism is used in progressive as well as conservative imagery and language to further their domestic agendas and shows how our cultural engagement with Nazism reflects the inherent tension in democracy between the value of diversity, individual freedoms national identity, and notions of the common good. Finally, she applies her analysis of wartime narratives to contemporary texts, examining anti-abortion, anti-gay, and anti-federal rhetoric, as well as the psychic life of skinheads, censorship debates, and the contemporary fascination with incest. An invaluable resource for understanding the language we use--both visual and narrative--to describe and debate democracy in the United States today, A Not So Foreign Affair will appeal to those interested in cultural studies, film and video studies, American studies, twentieth century history, German studies, rhetoric, and sexuality studies.
Not So Normal Norbert
by James Patterson Joey Green Hatem AlyJames Patterson's rollicking new middle grade novel is a hilarious adventure into a futuristic world, where different is dangerous, imagination is insanity, and creativity is crazy!Norbert Riddle lives in the United State of Earth, where normal means following the rules, never standing out, and being exactly the same as everyone else, down to the plain gray jumpsuits he wears everyday. He's been normal his whole life--until a moment of temporary hilarity when he does a funny impression of their dictator, Loving Leader...and gets caught!Now, Norbert's been arrested and banished to planet Zorquat 3 in the Orion Nebula, where kids who defy the rules roam free in the Astronuts camp. Norbert has been taught his whole life that different is wrong, but everyone at Astronuts is crazy, creative, and insane! Norbert wants nothing more than to go back to earth where things are awful but at least they're familiar. But he soon realizes that being different could be better--and maybe the crazy farm is exactly where he belongs after all.
Not Starring Zadie Louise
by Joy McCulloughIn this &“entertaining and moving&” (Kirkus Reviews) middle grade novel that&’s perfect for fans of Tim Federle and Gordon Korman, Zadie is determined to spend the summer helping at the community theater—but things go hilariously awry!Zadie loves Tae Kwon Do, comic books, and outer space. She also loves visiting the community theater that her mom runs, especially the lighting grid over the stage and the stage manager&’s booth, which is filled with levers and buttons like a spaceship control panel. So when the family&’s finances suffer a blow and Zadie has to give up her usual activities to spend the summer at the theater, she doesn&’t mind too much. After all, she&’s always wanted to tech a show. She knows she&’d be great at it, but her mom and the new stage manager are totally opposed to the idea of having a kid do tech. Instead, Zadie&’s stuck handing out snacks and folding flyers. But the future of the theater rides on this show, and Zadie is determined to help. She&’s going to make Spinderella the hit of the season—unless she accidentally turns it into a disaster.
Not Taco Bell Material
by Adam CarollaIn his second book, Adam Carolla--author of New York Times bestseller In Fifty Years We'll All Be Chicks and chart-topping podcaster--reveals all the stories behind how he came to be the angry middle-aged man he is today. Funnyman Adam Carolla is known for two things: hilarious rants about things that drive him crazy and personal stories about everything from his hardscrabble childhood to his slacker friends to the hypocrisy of Hollywood. He tackled rants in his first book, and now he tells his best stories and debuts some never-before-heard tales as well. Organized by the myriad "dumps" Carolla called home--through the flophouse apartments he rented in his twenties, up to the homes he personally renovated after achieving success in Hollywood--the anecdotes here follow Adam's journey and the hilarious pitfalls along the way. Adam Carolla started broke and blue collar and has now been on the Hollywood scene for over fifteen years, yet he never lost his underdog demeanor. He's still connected to the working class guy he once was, and delivers a raw and edgy, fish-out-of-water take on the world he lives in (but mostly disagrees with), telling all the stories, no matter who he offends--family, friends or the famous.
Not That Kind of Girl
by Lena DunhamFor readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, wise, and fiercely candid collection of personal essays establishes Lena Dunham--the acclaimed creator, producer, and star of HBO's Girls--as one of the most original young talents writing today. In Not That Kind of Girl, Dunham illuminates the experiences that are part of making one's way in the world: falling in love, feeling alone, being ten pounds overweight despite eating only health food, having to prove yourself in a room full of men twice your age, finding true love, and most of all, having the guts to believe that your story is one that deserves to be told. "Take My Virginity (No Really, Take It)" is the account of Dunham's first time, and how her expectations of sex didn't quite live up to the actual event ("No floodgate had been opened, no vault of true womanhood unlocked"); "Girls & Jerks" explores her former attraction to less-than-nice guys--guys who had perfected the "dynamic of disrespect" she found so intriguing; "Is This Even Real?" is a meditation on her lifelong obsession with death and dying--what she calls her "genetically predestined morbidity." And in "I Didn't F*** Them, but They Yelled at Me," she imagines the tell-all she will write when she is eighty and past caring, able to reflect honestly on the sexism and condescension she has encountered in Hollywood, where women are "treated like the paper thingies that protect glasses in hotel bathrooms--necessary but infinitely disposable." Exuberant, moving, and keenly observed, Not That Kind of Girl is a series of dispatches from the frontlines of the struggle that is growing up. "I'm already predicting my future shame at thinking I had anything to offer you," Dunham writes. "But if I can take what I've learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine will have been worthwhile."Praise for Not That Kind of Girl "It's not Lena Dunham's candor that makes me gasp. Rather, it's her writing--which is full of surprises where you least expect them. A fine, subversive book."--David Sedaris "Always funny, sometimes wrenching, these essays are a testament to the creative wonder that is Lena Dunham."--Judy Blume "Dunham's writing is just as smart, honest, sophisticated, dangerous, and charming as her work on Girls. Its essential quality is a kind of joyful super-awareness: of herself, the world, the human. Reading her makes you glad to be in the world, and glad that she's in it with you."--George Saunders "Very few women have become famous for being who they actually are, nuanced and imperfect. When honesty happens, it's usually couched in self-ridicule or self-help. Dunham doesn't apologize like that--she simply tells her story as if it might be interesting. Not That Kind of Girl is hilarious, artful, and staggeringly intimate; I read it shivering with recognition."--Miranda July "This book should be required reading for anyone who thinks they understand the experience of being a young woman in our culture. I thought I knew the author rather well, and I found many (not altogether welcome) surprises."--Carroll DunhamFrom the Hardcover edition.
Not that You Asked ...
by Andrew A. RooneyFrom the book jacket: Andy Rooney's syndicated newspaper columns and cantankerous "60 Minutes" essays have made him one of the best known curmudgeons in America. Rooney writes about, well, almost everything, boasting in the introduction to Not That You Asked . . .: "There's something in this book that will irritate almost everyone." m The Critics Publishers Weekly The whiny, white-haired leprechaun who dispenses cranky advice on CBS-TV's 60 Minutes as if his bromides about life's minor annoyances are raw pearls of wisdom will entertain his fans with this latest assemblage. Rooney, author of four previous books, has fun with easy targets such as the decline of romance, dull textbooks, the U.S. postal service, the dearth of good conversation, unwanted Christmas gifts and the Miss America contest. He skewers Americans' suspicious stance toward the Soviets (``I never met a Russian as mean and macho as Rambo'') and pinpoints the use of sexist language (``No men ever get wed in the New York Times , just women''). Rooney has a knack of talking out of both sides of his mouth when discussing topics such as the arms race, student protest, global eco-catastrophe and the animal rights movement. Ambling from class reunions to credit cards, dogs, cats and the joys of spring in the city, these calculatedly curmudgeonly pieces touch on phenomena with which almost everybody can identify.
Not the Girl Next Door: Joan Crawford, a Personal Biography (Applause Bks.)
by Charlotte ChandlerIn this fascinating new biography of screen legend Joan Crawford, Charlotte Chandler draws on exclusive and remarkably candid interviews with Crawford herself and with others who knew her, including first husband Douglas Fairbanks, Jr., and Crawford's daughter Cathy. As a result, this biography is fresh and revealing, a brand-new look at one of Hollywood's most acclaimed stars. Joan Crawford was born Lucille LeSueur in San Antonio, Texas, in 1908 (as she always insisted, though other sources disagreed). Her father abandoned the family, and her mother soon remarried; Lucille was now known as Billie Cassin. Young Billie loved to dance and achieved her early success in silent films playing a dancer. Her breakthrough role came in Our Dancing Daughters. Soon married to Hollywood royalty, Douglas Fairbanks, Jr. (who called her "Billie"), she was a star in her own right, playing opposite John Barrymore and a stellar cast in M-G-M's Grand Hotel. Crawford was cast opposite another young star, Clark Gable, in several films. They would sometimes play lovers on screen -- and off as well. After her marriage to Fairbanks broke up, Crawford married actor Franchot Tone. That marriage soon began to show strains, and Crawford was sometimes seen riding with Spencer Tracy, who gave her a horse she named Secret. Crawford left M-G-M for Warners, and around the time she married her third husband, Phillip Terry, she won her Oscar for best actress (one of three times she was nominated) in Mildred Pierce. But by the 1950s the film roles dried up. Crawford and Terry had divorced, and Crawford married her fourth husband, Pepsi-Cola executive Alfred Steele. In 1962, she and longtime cinematic rival Bette Davis staged a brief comeback in the macabre but commercial What Ever Happened to Baby Jane? Following Steele's death, Crawford became a director of Pepsi- Cola while she continued raising her four adopted children. Although her daughter Christina would publish the scathing memoir Mommie Dearest after Crawford's death, Chandler offers a contrasting portrait of Crawford, drawing in part on reminiscences of younger daughter Cathy among others. Not the Girl Next Door is perhaps Charlotte Chandler's finest Hollywood biography yet, an intimate portrait of a great star who was beautiful, talented, glamorous, and surprisingly vulnerable.
Not the Life It Seems: The True Lives of My Chemical Romance
by Tom BryantThe definitive biography of post-hardcore rock band My Chemical Romance, based on exclusive, unpublished interviews by the journalist who knew the band best. . My Chemical Romance is the Nirvana of the post-hardcore generation. As the most significant band in alternative rock on both sides of the Atlantic for the past decade, My Chemical Romance has sold five million albums and played to packed arenas worldwide. In March 2013, their sudden break-up shocked the industry and made headline news in top music media around the world. Not the Life It Seems is the true story of My Chemical Romance, a saga of the persistence, dreams, and dark forces that drive a band. Illuminated by more than twenty-four hours of firsthand interviews with the band members and those closest to them, it tells the story of an intensely private band in intimate detail.
Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance
by James Martin Harding John RouseAlmost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.
Not to be Missed: Fifty-four Favorites from a Lifetime of Film
by Kenneth TuranAs a child in 1950s Brooklyn, Kenneth Turan often turned to television programs like "Million Dollar Movie" on WOR-TV. Featuring a much-loved theme song from Gone with the Wind, "Million Dollar Movie" would run one feature film twice a day, every day, all week. It was there that he developed a life-long love of the world of the movies.One of the most discerning critics writing today, Kenneth Turan offers insights that are sure to delight and inspire movie-lovers of all kinds in his latest book, Unforgettable. As sophisticated and illuminating as the films they discuss, Turan's sketches are a blend of cultural analysis, historical anecdote and sordid Hollywood controversy, astute critical appraisals, all suffused with his abiding love for the silver screen.Turan's favorite films range across all genres, low and high. From All About Eve to Seven Samurai to Spirited Away, these are now timeless films-classic and contemporary, familiar and obscure, with big budgets and small-each as interesting as the lives of the authors and actors that made the usually two-or-so-hour-long cinematic experience itself.Ernst Lubitsch loved to act out the scenes he was shooting in front of his cast. Laurence Olivier's torrid love affair with Vivien Leigh was the only reason he agreed to play the part of Mr. Darcy in Pride and Prejudice. John Boorman once said that "watching film is very like dreaming," and truly, the highly-stylized violence of Point Blank dares its audience to reconsider what they've seen on the screen.