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Pop Science: Serious Answers to Deep Questions Posed in Songs
by James BallA Pulitzer Prize–winning journalist uses data, facts, and science to deliver hilarious, fascinating answers to some of the most famous questions in pop music history. “Is there life on Mars? Where have all the flowers gone? Pop songs can pose excellent questions and James Ball has given them the answers they deserve.”—The Times (UK) Some of the most famous questions of our time have come to us in pop songs. “What is love?” “How soon is now?” “How do you solve a problem like Maria?” But do you know the answers? Breaking down lyrics from Bob Dylan, Queen, Rihanna, the Ting Tings, Billy Joel, and a variety of other genre- and decade-spanning artists with colorful graphs and Venn diagrams,Pop Science reveals the exact points where lowbrow pop culture and the highest science and philosophy meet. By revealing the economic status of doggies in windows, what war is good for, and what becomes of the brokenhearted, James Ball uncovers what we have always known—that pop music is the key to life itself.
Pop Star Goddesses: And How to Tap Into Their Energies to Invoke Your Best Self
by Jennifer Keishin ArmstrongA compendium of thirty-five incredible female pop stars whose energies, virtues, and vices make them the ideal role models for our age—powerful women who can teach us all how to discover our own inner goddess.We are living in the age of the music goddess: Beyoncé. Lady Gaga. Taylor Swift. Katy Perry. Britney. Nicki Minaj. Cardi B. Pink. Madonna. Rihanna. Gwen Stefani. Alicia Keys. Kelly Clarkson. Never before have so many women dominated their industry and pop culture itself with such creativity, passion, and force. Visionary and ferociously talented, these women are reshaping our society and our lives. In this stunningly designed compendium, Jennifer Armstrong offers an intimate, up-close look at thirty-five of pop music’s most revered goddesses, analyzing their performances, songs, videos, interviews, social media, activism, and personal lives to illuminate their significance for both critics and fans. These divas post astounding album sales, enjoy millions of radio plays, YouTube views, and social media followings, and sell out stadiums. While we are awed and inspired by their success, we worship them for so much more. Beyoncé’s work ethic. Nicki Minaj’s no-bullshit attitude. Taylor Swift’s relatability. Pink’s sense of social justice. Jennifer Lopez’s transformation from “Jenny from the block” to fashion icon. Each of these goddesses speaks to us in her own unique way. Beyoncé is our superhuman alter ego; Britney is our survival instinct. Armstrong pairs each pop star goddess with a corresponding goddess from ancient cultures, and offers advice on how to invoke the pop star goddess’s energy in your own life, providing journal prompts and a Power Song List that allows you harness the power of a particular pop goddess’s energy when you need it. Filled with information, advice, insights, playlists, and forty gorgeous color illustrations, Pop Star Goddess will help you tune in and turn on your own divine energy. The Pop Star Goddesses are: Beyoncé, Britney Spears, Kelly Clarkson, Taylor Swift, M.I.A., Nicki Minaj, Cardi B, Lady Gaga, Carla Bruni, Pink, JLo, Kesha, Rihanna, Janelle Monae, Gwen Stephani, Alicia Keys, Katy Perry, Demi Lovato, Jennifer Hudson, Mariah Carey, Adele, Missy Elliott, Shakira, Solange, Miranda Lambert, Celine Dion, Sia, Queen Latifah, SZA, Kacey Musgraves, Mary J. Blige, Christina Aguilera, Laura Jane Grace, Ariana Grande, Carly Rae Jepsen.
Pop with Gods, Shakespeare, and AI: Popular Film, (Musical) Theatre, and TV Drama
by Iris H. TuanApplying the theories of Popular Culture, Visual Culture, Performance Studies, (Post)Feminism, and Film Studies, this interdisciplinary and well-crafted book leads you to the fascinating and intriguing world of popular film, (musical) theatre, and TV drama. It explores the classical and contemporary cases of the literature works, both Eastern and Western, adapted, represented and transformed into the interesting artistic medium in films, performances, TV dramas, musicals, and AI robot theatre/films. ‘Iris Tuan’s book is wide ranging in scope and diversity, examining theatre, music, film and television productions from both Western and Asian countries. Tuan also surveys an extensive range of critical and theoretical perspectives, especially from performance studies and popular cultural studies, to offer context for her descriptions of the many different works. Some of her examples are well-known (Shakespeare’s Romeo & Juliet, Disney’s The Lion King) while others little known outside their place of origin (such as the Hakka Theatre of Taiwan) -- all are approached by the author with enthusiasm.’ —Susan Bennett, Professor of English, University of Calgary, Canada ‘Tuan takes us through multiple examples of contemporary popular performance in theatre/film/TV ranging from "high" art sources (Shakespeare or Journey to the West in films, Hirata's robotic theatre experiments) to "low" (Taiwanese TV soap operas Hakka Theatre: Roseki and Story of Yangxi Palace, Korean film Along with the Gods: The Two Worlds). The reader moves at a speed-dating pace through contemporary culture production and interpretive theories, encountering significant works, controversies (i. e., yellow face), and conundrums selected from China, Korea, Japan and the U. S. and filtered through a Taiwanese female gaze.’ —Kathy Foley, Professor of Theatre Arts, University of California Santa Cruz, USA
Popper the Poltergeist: The First Haunting Shown on TV (Real-Life Ghost Stories)
by Megan AtwoodIn February 1958, the Herrmann family began to experience strange events at their home in Seaford, New York. The first occurrences were harmless--just caps popping off of bottles. But soon things escalated. Dishes were smashed, bookshelves toppled over, and objects moved. Could these unexplained events have been the work of a devious poltergeist named Popper?
Poppy's Secret Wish (Ballerina Dreams #1)
by Ann BryantPoppy wants to be chosen to advance to the next level of ballet classes. When the new girl in class distracts her, breaks her concentration, and Poppy is not chosen to advance, Poppy has to decide who is to blame for her being held back. Is Rose to blame, or is the fault Poppy's? Though Poppy and Rose are very different and clash at first, they begin to form a real friendship.
Poptastic!: My Life in Radio
by Tony BlackburnTony Blackburn is probably one of the most recognisable disc jockeys working in Britain today, and is always busy doing what he does best - playing music to listeners. With Radio One celebrating its 40th anniversary this year, Tony feels the time is right to commemorate his own anniversary, and look back on the time he has spent in radio and the media. The days spent as a radio pirate, to becoming the number one DJ in the UK for the best part of a decade. The stars he befriended, the rivalries in radio he endured, the friendships made, and broken, all will be told in his candid style. Much as John Peel's book was a reflection of one style of DJing, so will this book be for Tony's unique brand of playing and enjoying music. Much derided by some comedians, but very much still going strong, and ever popular.(p) 2007 Orion Publishing Group
Popular Cinema and Politics in South India: The Films of MGR and Rajinikanth
by S. RajanayagamThis work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India. This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.
Popular Cinema of the Third Reich
by Sabine HakeToo often dismissed as escapist entertainment or vilified as mass manipulation, popular cinema in the Third Reich was in fact sustained by well-established generic conventions, cultural traditions, aesthetic sensibilities, social practices, and a highly developed star system—not unlike its Hollywood counterpart in the 1930s. This pathfinding study contributes to the ongoing reassessment of Third Reich cinema by examining it as a social, cultural, economic, and political practice that often conflicted with, contradicted, and compromised the intentions of the Propaganda Ministry. Nevertheless, by providing the illusion of a public sphere presumably free of politics, popular cinema helped to sustain the Nazi regime, especially during the war years.
Popular Culture and Law: The Vanishing Line Between Law And Popular Culture (The\international Library Of Essays In Law And Society Ser.)
by Richard K. SherwinWhat are the consequences when law's stories and images migrate from the courtroom to the court of public opinion and from movie, television and computer screens back to electronic monitors inside the courtroom itself? What happens when lawyers and public relations experts market notorious legal cases and controversial policy issues as if they were just another commodity? What is the appropriate relationship between law and digital culture in virtual worlds on the Internet? In addressing these cutting edge issues, the essays in this volume shed new light on the current status and future fate of law, truth and justice in our time.
Popular Culture in Indonesia: Fluid Identities in Post-Authoritarian Politics (Media, Culture and Social Change in Asia)
by Ariel HeryantoThis book examines popular culture in Indonesia, the world’s most populous Muslim nation, and the third largest democracy. It provides a full account of the key trends since the collapse of the authoritarian Suharto regime (1998), a time of great change in Indonesian society more generally. It explains how one of the most significant results of the deepening industrialization in Southeast Asia since the 1980s has been the expansion of consumption and new forms of media, and that Indonesia is a prime example of this development. It goes on to show that although the Asian economic crisis in 1997 had immediate and negative impacts on incumbent governments, as well as the socioeconomic life for most people in the region, at the same time popular cultures have been dramatically reinvigorated as never before. It includes analysis of important themes, including political activism and citizenship, gender, class, age and ethnicity. Throughout, it shows how the multilayered and contradictory processes of identity formation in Indonesia are inextricably linked to popular culture. This is one of the first books on Indonesia's media and popular culture in English. It is a significant addition to the literature on Asian popular culture, and will be of interest to anyone who is interested in new developments in media and popular culture in Indonesia and Asia.
Popular Hindi Cinema: Aesthetic Formations of the Seen and Unseen (Routledge Contemporary South Asia Series)
by Ronie ParciackThe popular Hindi film industry is the largest in India and the most conspicuous film industry in the non-Western world. This book analyses the pivotal visual and narrative conventions employed in popular Hindi films through the combined prism of film studies and classical Indian philosophy and ritualism. The book shows the films outside Western paradigms, as visual manifestations and outcomes of the evolution of classical Hindu notions and esthetic forms. These include notions associated with the Advaita-Vedānta philosophical school and early Buddhist thought, concepts and dynamism stemming from Hindu ritualism, rasa esthetic theories, as well as Brahmanic notions such as dharma (religion, law, order), and mokṣa (liberation). These are all highly abstract notions which the author defines as "the unseen": a cluster of diversified concepts denoting what subsists beyond the phenomenal, what prevails beyond the empirical world of saṁsāra and stands out of this world (alaukika), while simultaneously being embodied and transformed within visual filmic imagery, codes and semiotics that are teased out and analyzed. A culturally sensitive reading of popular Hindi films, the interpretations put forward are also applicable to the Western context. They enable a fuller understanding of religious phenomena outside the primary religious field, within the vernacular arenas of popular culture and mass communication. The book is of interest to scholars in the fields of Indology, modern Indian studies, film, media and cultural studies.
Popular Music and National Culture in Israel
by Motti Regev Edwin SeroussiA scholarly book on popular music's role in the national identity and political culture in Israel.
Popular Music in Spanish Cinema (Ashgate Popular and Folk Music Series)
by Lidia López GómezPopular Music in Spanish Cinema analyses the aesthetics and stylistic development of soundtracks from national productions, considering how political instability and cultural diversity in Spain determined the ways of making art and managing culture. As a pioneering study in this field, the chronologically structured approach of this book provides readers with a complete overview of Spanish music and connects it to the complex historical events that conditioned Spanish culture throughout the 20th century to the present day, from the Second Republic, the Spanish Civil war, and the dictatorship through to democracy. The book enables an understanding of the relationships between the recording and film production industries, the construction of collective imagination, the formulation of new stereotypes, semiotic meanings within film music and the musical exchanges between national and international cinema. This volume is an essential read for students and academics in the field of musicology, ethnomusicology and history as well as those interested in the study of diverse musical styles such as copla, zarzuela, flamenco, jazz, foxtrot, pop and rock and how they have been used in Spanish films throughout history.
Popular Music in the Nostalgia Video Game: The Way It Never Sounded (Palgrave Studies in Audio-Visual Culture)
by Andra IvănescuThis book looks at the uses of popular music in the newly-redefined category of the nostalgia game, exploring the relationship between video games, popular music, nostalgia, and socio-cultural contexts. History, gender, race, and media all make significant appearances in this interdisciplinary work, as it explores what some of the most critically acclaimed games of the past two decades (including both AAA titles like Fallout and BioShock, and more cult releases like Gone Home and Evoland) tell us about our relationship to our past and our future. Appropriated music is the common thread throughout these chapters, engaging these broader discourses in heterogeneous ways. This volume offers new perspectives on how the intersection between popular music, nostalgia, and video games, can be examined, revealing much about our relationship to the past and our hopes for the future.
Popular Theatre: A Sourcebook (Worlds of Performance)
by Joel SchechterBertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction.Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe's comic melodramas, and a 'Fun Palace' proposed for London.The book features essays from the archives of The Drama Review and other research. Contributions by Roland Barthes, Hovey Burgess, Marvin Carlson, John Emigh, Dario Fo, Ron Jenkins, Joan Littlewood, Brooks McNamara, Richard Schechner, and others, offer some of the most important, informative, and lively writing available on popular theatre. Introducing both Western and non-Western popular theatre practices, the sourcebook provides access to theatrical forms which have delighted audiences and attracted stage artists around the world.
Popularisation and Populism in the Visual Arts: Attraction Images (Routledge Advances in Art and Visual Studies)
by Anna SchoberThis book investigates the pictorial figurations, aesthetic styles and visual tactics through which visual art and popular culture attempt to appeal to "all of us". One key figure these practices bring into play—the "everybody" (which stands for "all of us" and is sometimes a "new man" or a "new woman")—is discussed in an interdisciplinary way involving scholars from several European countries. A key aspect is how popularisation and communication practices—which can assume populist forms—operate in contemporary democracies and where their genealogies lie. A second focus is on the ambivalences of attraction, i.e. on the ways in which visual creations can evoke desire as well as hatred.
Porcelain: A Memoir
by MobyFrom one of the most interesting and iconic musicians of our time, a piercingly tender, funny, and harrowing account of the path from suburban poverty and alienation to a life of beauty, squalor, and unlikely success out of the NYC club scene of the late '80s and '90s.There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene. This was the New York of Palladium; of Mars, Limelight, and Twilo; of unchecked, drug-fueled hedonism in pumping clubs where dance music was still largely underground, popular chiefly among working-class African Americans and Latinos. And then there was Moby--not just a poor, skinny white kid from Connecticut, but a devout Christian, a vegan, and a teetotaler. He would learn what it was to be spat on, to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City: the age of AIDS and crack but also of a defiantly festive cultural underworld. Not without drama, he found his way. But success was not uncomplicated; it led to wretched, if in hindsight sometimes hilarious, excess and proved all too fleeting. And so by the end of the decade, Moby contemplated an end in his career and elsewhere in his life, and put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would in fact be the beginning of an astonishing new phase: the multimillion-selling Play. At once bighearted and remorseless in its excavation of a lost world, Porcelain is both a chronicle of a city and a time and a deeply intimate exploration of finding one's place during the most gloriously anxious period in life, when you're on your own, betting on yourself, but have no idea how the story ends, and so you live with the honest dread that you're one false step from being thrown out on your face. Moby's voice resonates with honesty, wit, and, above all, an unshakable passion for his music that steered him through some very rough seas. Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, your place, thinking you've lost them both, and then, somehow, when you think it's over, from a place of well-earned despair, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age, and something timeless about the human condition. Push play.
Porcelain: A Memoir
by MobyFrom one of the most interesting and iconic musicians of our time, a piercingly tender, funny, and harrowing account of the path from suburban poverty and alienation to a life of beauty, squalor, and unlikely success out of the NYC club scene of the late '80s and '90s.There were many reasons Moby was never going to make it as a DJ and musician in the New York club scene. This was the New York of Palladium; of Mars, Limelight, and Twilo; of unchecked, drug-fueled hedonism in pumping clubs where dance music was still largely underground, popular chiefly among working-class African Americans and Latinos. And then there was Moby--not just a poor, skinny white kid from Connecticut, but a devout Christian, a vegan, and a teetotaler. He would learn what it was to be spat on, to live on almost nothing. But it was perhaps the last good time for an artist to live on nothing in New York City: the age of AIDS and crack but also of a defiantly festive cultural underworld. Not without drama, he found his way. But success was not uncomplicated; it led to wretched, if in hindsight sometimes hilarious, excess and proved all too fleeting. And so by the end of the decade, Moby contemplated an end in his career and elsewhere in his life, and put that emotion into what he assumed would be his swan song, his good-bye to all that, the album that would in fact be the beginning of an astonishing new phase: the multimillion-selling Play. At once bighearted and remorseless in its excavation of a lost world, Porcelain is both a chronicle of a city and a time and a deeply intimate exploration of finding one's place during the most gloriously anxious period in life, when you're on your own, betting on yourself, but have no idea how the story ends, and so you live with the honest dread that you're one false step from being thrown out on your face. Moby's voice resonates with honesty, wit, and, above all, an unshakable passion for his music that steered him through some very rough seas. Porcelain is about making it, losing it, loving it, and hating it. It's about finding your people, your place, thinking you've lost them both, and then, somehow, when you think it's over, from a place of well-earned despair, creating a masterpiece. As a portrait of the young artist, Porcelain is a masterpiece in its own right, fit for the short shelf of musicians' memoirs that capture not just a scene but an age, and something timeless about the human condition. Push play.
Pornography: A Groundwork Guide (Groundwork Guides)
by Debbie NathanInformative and thought-provoking, this book from one of the most interesting and original thinkers currently looking at human sexuality provides a fresh view of pornography. Clearly and concisely written for young adults.Pornography addresses a very important issue in a rational, analytical manner. Society tells us that we aren't supposed to look at pornography — much less talk publicly about it — but the Internet has created unprecedented access to porn over the last few years.This book deals with pornography as a social issue, translating the best academic research into reader-friendly language."[The Groundwork Guides] are excellent books, mandatory for school libraries and the increasing body of young people prepared to take ownership of the situations and problems previous generations have left them." — Globe and Mail
Portable Video: ENG & EFP
by Norman Medoff Edward J. FinkPortable Video: ENG and EFP, Fifth Edition" focuses on the techniques and technology of single camera electronic news gathering and electronic field production. Covering everything from basic creative and technical editing techniques to budgets and copyright issues, it is accessible to the home videomaker or amateur and to the professional seeking information on the newest advances in technique and equipment. It includes special focus on TV news production and field production and is suitable for complete beginners.
Portraits in Life and Death
by Peter HujarA new edition of the cult classic photography book by the legendary Peter Hujar. “I am moved by the purity of [Hujar’s] intentions.... These memento mori can exorcise morbidity as effectively as they evoke its sweet poetry and its panic.” —Susan Sontag Portraits in Life and Death is the only book of photographs published by Peter Hujar during his lifetime. The twenty-nine portraits of creative people—ranging from William Burroughs, Susan Sontag, and John Waters to Larry Ree, founder of the Trocadero Gloxinia Ballet Company, and T.C. (whose identity is unclear)—possess a haunting beauty and degree of psychological examination that is both offbeat and riveting. Following the portraits come eleven images that can only be described as devastating: pictures of semi-preserved, clothed bodies of nineteenth-century Sicilians found in the arid catacombs beneath a church in Palermo. There is no necessary connection in the photographs themselves or between the two sections of the book, yet the pictorial progression from life to death is an emblem of the journey we all take. The living subjects seem to be meditating on the mortality that is limned with such profound effect in the catacomb pictures. In different ways, both groups of images speak to the basic fears and emotions that we carry with us, somewhere beyond our consciousness. After viewing this extraordinary book, it is almost impossible not to make those connections and interpretations or be moved by Hujar’s consistent ability to convey what appears to be the inner spirit of his subjects. Even so, an air of nonchalance, even gaiety, hovers over the photographs. The book is odd, oblique, sometimes opaque, and certainly deeply felt; but it sticks to the mind like a burr. It will be noticed. Once seen, it cannot be forgotten.
Portraits of Irish Art in Practice: Rita Duffy, Mairéad McClean, Paula McFetridge & Ursula Burke
by Jennifer KeatingThis book mines the space where aesthetic expression meets lived experience for Irish artists Rita Duffy, Mairéad McClean, Paula McFetridge and Ursula Burke. Portrait essays woven with photographs, document each artist’s coming of age in Ireland and Northern Ireland, in the context of her emerging practice. As individuals, their work considers infringements on human rights, systemic violence, gender roles and the negotiation of figurative and literal borders and boundaries. Together, they interrogate past and present conflict and emergence from conflict, locally and globally. Their critical work is threaded with hope in the context of past and present political fragmentation. Works considered include Rita Duffy’s paintings, drawings and animation like Siege, The Emperor Has No Clothes and Anatomy of Hope; Mairéad McClean’s films No More, Broadcast and Making Her Mark; Paula McFetridge’s productions like convictions, staged at the Crumlin Road Courthouse, This is What We Sang, performed at the Belfast Synagogue and Belfast Quartered, A Love Story, a promenade through Belfast’s LGBTQ+ underground; and Ursula Burke’s sculptures like Bonfire, Blue Sphinx and Peach Caryatid, and embroidery like The Politicians Frieze.
Posh & Becks
by Andrew MortonYoung, good-looking, famous and rich, there is no better-known celebrity couple than Posh and Becks. In this biography, Andrew Morton reveals the truth behind the headlines. He examines Victoria's relationship with the other Spice Girls and David's relationship with Manchester United.
Posh & Becks
by Andrew MortonSHE IS A FASHION ICON WITH A LUST FOR FAME. HE IS POSSIBLY THE MOST FAMOUS ATHLETE ON THE PLANET. Together they are one of the most loved -- and hated -- pairs on Earth. This sensational, highly addictive biography delves beneath the Beckhams' glossy, glamorous facade to expose the real Posh and Becks behind the headlines and the hype. Celebrity biographer Andrew Morton, hailed for his insightful, in-depth coverage of luminaries such as Princess Diana and Madonna, explores in detail how David and Victoria Beckham followed their passions -- football and fame -- to become two of the most recognizable people in the world. From their individual childhood stories of relentlessly pursuing their dreams to achieving fame together on an international level, Posh and Becks have earned their unofficial titles as the "King and Queen of Popular Culture," and they never disappoint their fans -- or the tabloids -- when it comes to making news. Their whirlwind courtship, "royal" wedding, alleged affairs, and family struggles have been lived out under the glare of flashbulbs, which they seem to simultaneously court and shun as they attempt to balance their personal lives with their public personas. With up-to-date coverage and commentary on all things Beckham, including David's disappointing stint at Real Madrid and the family's relocation to Los Angeles, Posh & Becks lays bare the truth behind the tabloids on this fascinating couple.
Position of Trust: As seen on BBC's FLOODLIGHTS
by Andy WoodwardA brave and moving account by football's first whistle blower, breaking the silence on the scandal of sexual abuse in youth clubs and junior teams.Andy Woodward was a wide eyed, hopeful footballer playing for Stockport Boys, when Barry Bennell first noticed him. Andy was 11 years old, and Bennell a youth coach with a big reputation for spotting and nurturing young footballing talent. The clubs Bennell worked for and the parents of the boys he coached, trusted and believed in him, inviting him into their lives and their homes. But behind the charismatic mask was a profoundly evil man willing to go to any lengths to satisfy his own dark appetites. Andy has been heralded a hero for speaking up about his horrific experiences at the hands of Bennell, but also at going further to expose the long hidden abuse buried within our nations' best loved sport. His story is only the tip of the iceberg.Andy's childhood was shattered by what happened to him and by the fear and silence that surrounded it. His youthful dreams of playing the game he loved were utterly broken, and years of living with the terrible secret and shame all but destroyed him. He hopes that by coming forward he might encourage others in similar situations to find the courage to speak out. A compelling and relevant story of the dark secret at the heart of football and another chapter in the ongoing expose of institutionalised corruption.(P) 2019 Hodder & Stoughton Ltd