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Profitable Menu Planning, Fourth Edition
by John A. Drysdale Jennifer Adams Galipeau<P>This volume offers single-volume coverage of all aspects of menu planning.<P> Hands-on and real-world in approach, it features accompanying interactive software with specific examples of costing, mark-ups and menu engineering.
Profitable Photography in Digital Age: Strategies for Success
by Dan HellerThis groundbreaking resource demonstrates how to use digital imaging and the Internet as the cornerstone of a successful photography business. Topics covered include setting business goals, marketing, setting prices, selling prints, running a Web-based photography business, working with stock agencies, legally protecting images, and more. Both serious amateurs considering a start-up and established businesses looking for fresh approaches need this timely, relevant book.Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
Programme Making for Radio
by Jim BeamanProgramme Making for Radio offers trainee radio broadcasters and their instructors focused practical guidelines to the professional techniques applied to the making of radio shows, explaining how specific radio programmes are made and the conventions and techniques required to produce them. This book describes how and why these methods are applied through the use of a behind-the-scenes glimpse at working practices and procedures used in the industry. It considers the constraints and incentives that limit or stimulate creativity and innovation within programme production. Programme Making for Radio examines the individual roles and responsibilities of the whole production team and the importance of team-working skills. Chapters focus on the specific requirements of specialist programmes and offer advice from a range of programme makers working in local and national broadcasting. There is a case study example that follows the progress of a feature programme from pitching the original idea, through assembling material to final transmission. Programme Making for Radio includes: a clear description of the role of each member of the programme making team, their duties and responsibilities practical tips on interviewing, mixing and presenting explanations of the key elements that make up a radio programme such as clips, wraps, packages, features and interviews with a full glossary of technical terms. This book is informative, accessible and comprehensive, covering the whole range of skills needed by the radio professional in the studio and on location.
Programming Theater History: The Actor's Workshop of San Francisco
by Herbert Blau‘One of the great stories of the American theater..., the Workshop not only built an international reputation with its daring choice of plays and nontraditional productions, it also helped launch a movement of regional, or resident, companies that would change forever how Americans thought about and consumed theater.’ – Elin Diamond, from the Introduction Herbert Blau founded, with Jules Irving, the legendary Actor's Workshop of San Francisco, in 1952, starting with ten people in a loft above a judo academy. Over the course of the next 13 years and its hundred or so productions, it introduced American audiences to plays by Brecht, Beckett, Pinter, Genet, Arden, Fornes, and various unknown others. Most of the productions were accompanied by a stunningly concise and often provocative programme note by Blau. These documents now comprise, within their compelling perspective, a critique of the modern theatre. They vividly reveal what these now canonical works could mean, first time round, and in the context of 1950s and 60s American culture, in the shadow of the Cold War. Programming Theater History curates these notes, with a selection of the Workshop's incrementally artful, alluring programme covers, Blau's recollections, and evocative production photographs, into a narrative of indispensable artefacts and observations. The result is an inspiring testimony by a giant of American performance theory and practice, and a unique reflection of what it is to create theatre history in the present.
Programming for TV, Radio & The Internet: Strategy, Development & Evaluation
by Philippe Perebinossoff Lynne Gross Brian GrossWhere do program ideas come from? How are concepts developed into saleable productions? Who do you talk to about getting a show produced? How do you schedule shows on the lineup? What do you do if a series is in trouble? The answers to these questions, and many more, can be found in this comprehensive, in-depth look at the roles and responsibilities of the electronic media programmer. Topics include: Network relationships with affiliates, the expanded market of syndication, sources of programming for stations and networks, research and its role in programming decisions, fundamental appeals to an audience and what qualities are tied to success, outside forces that influence programming, strategies for launching new programs or saving old ones. Includes real-life examples taken from the authors' experiences, and 250+ illustrations!
Programming the Future: Politics, Resistance, and Utopia in Contemporary Speculative TV
by Professor Sherryl Vint Professor Jonathan AlexanderFrom 9/11 to COVID-19, the twenty-first century looks increasingly dystopian—and so do its television shows. Long-form science fiction narratives take one step further the fears of today: liberal democracy in crisis, growing economic precarity, the threat of terrorism, and omnipresent corporate control. At the same time, many of these shows attempt to visualize alternatives, using dystopian extrapolations to spotlight the possibility of building a better world.Programming the Future examines how recent speculative television takes on the contradictions of the neoliberal order. Sherryl Vint and Jonathan Alexander consider a range of popular SF narratives of the last two decades, including Battlestar Galactica, Watchmen, Colony, The Man in the High Castle, The Expanse, and Mr. Robot. They argue that science fiction television foregrounds governance as part of explaining the novel institutions and norms of its imagined futures. In so doing, SF shows allegorize and critique contemporary social, political, and economic developments, helping audiences resist the naturalization of the status quo. Vint and Alexander also draw on queer theory to explore the representation of family structures and their relationship to larger social structures. Recasting both dystopian and utopian narratives, Programming the Future shows how depictions of alternative-world political struggles speak to urgent real-world issues of identity, belonging, and social and political change.
Prohibido nacer: Memorias De Racismo, Rabia Y Risa
by Trevor NoahMÁS DE UN MILLÓN DE EJEMPLARES VENDIDOS NOMBRADO UNO DE LOS MEJORES LIBROS DEL AÑO POR Michiko Kakutani, New York Times USA Today San Francisco Chronicle NPR Esquire Newsday Booklist La impresionante trayectoria de Trevor Noah, desde su infancia en Sudáfrica durante el apartheid hasta el escritorio de The Daily Show, comenzó con un acto criminal: su nacimiento. Trevor nació de un padre suizo blanco y una madre Xhosa negra, en una época de la historia sudafricana en que tal unión era castigada con cinco años de prisión. Como prueba viviente de la indiscreción de sus padres, Trevor permaneció los primeros años de su vida bajo el estricto resguardo de su madre, quien se veía obligada a tomar medidas extremas y, a veces, absurdas para ocultar a Trevor de un gobierno que podría, en cualquier momento, llevárselo. Prohibido nacer es la historia de un niño travieso que se convierte en un joven inquieto mientras lucha por encontrarse a sí mismo en un mundo enel que nunca se suponía que debía existir. También es la historia de la relación de ese joven con su intrépida, rebelde y ferviente madre religiosa: su compañera de equipo, una mujer decidida a salvar a su hijo del ciclo de pobreza, violencia y abuso que en última instancia amenazaría su propia vida.
Prohibido nacer: Memorias de racismo, rabia y risa.
by Trevor NoahMÁS DE UN MILLÓN DE EJEMPLARES VENDIDOS NOMBRADO UNO DE LOS MEJORES LIBROS DEL AÑO POR Michiko Kakutani, New York Times • USA Today • San Francisco Chronicle • NPR • Esquire • Newsday • Booklist La impresionante trayectoria de Trevor Noah, desde su infancia en Sudáfrica durante el apartheid hasta el escritorio de The Daily Show, comenzó con un acto criminal: su nacimiento. Trevor nació de un padre suizo blanco y una madre Xhosa negra, en una época de la historia sudafricana en que tal unión era castigada con cinco años de prisión. Como prueba viviente de la indiscreción de sus padres, Trevor permaneció los primeros años de su vida bajo el estricto resguardo de su madre, quien se veía obligada a tomar medidas extremas —y, a veces, absurdas— para ocultar a Trevor de un gobierno que podría, en cualquier momento, llevárselo. Prohibido nacer es la historia de un niño travieso que se convierte en un joven inquieto mientras lucha por encontrarse a sí mismo en un mundo en el que nunca se suponía que debía existir. También es la historia de la relación de ese joven con su intrépida, rebelde y ferviente madre religiosa: su compañera de equipo, una mujer decidida a salvar a su hijo del ciclo de pobreza, violencia y abuso que en última instancia amenazaría su propia vida.
Project 17
by Laurie Faria StolarzHigh atop Hathorne Hill, near Boston, sits Danvers State Hospital, an abandoned mental institute rumored to be the birthplace of the lobotomy. Locals have long believed the place to be haunted. On the eve of the hospitals demolition, six teens break in to spend the night and film a movie. What starts as a playful dare escalates into a nightmare.
Project Bollywood (Orca Currents)
by Mahtab NarsimhanKey Selling Points In Project Bollywood a teen filmmaker tries to control every detail of his school project. This book explores the themes of teamwork and the importance of challenging stereotypes. The story is built around a Bollywood script, which makes for lots of humorous hijinks. The previous Orca Currents title by this author, Embrace the Chicken, has been very well received. The author is of Indian descent and loved Bollywood movies as a child. Enhanced features (dyslexia-friendly font, cream paper, larger trim size) to increase reading accessibility for dyslexic and other striving readers.
Project Odyssey
by Lynda ChervilVenture capitalist Gabrielle Landrieu represents a client who has developed material necessary for an orbiting solar power station called Project Odyssey. But when the client goes missing, Gabrielle testifies on his behalf before a congressional committee that is considering funding for the project. Despite her best efforts, the committee remains gridlocked, heavily influenced by special interest groups who are concerned the new power station will hurt their bottom line. Following the hearing, Gabrielle finds her family under threat from dark forces as she continues her search for her missing client. Struggling to navigate the political pitfalls of the project, she soon learns that more and more investors are dropping out, due to threats and uncertainty. Undaunted, she digs deeper, until she discovers who is planning to fill their pockets through a shocking conspiracy designed to derail the program. Gabrielle risks her family, her career, and her life to expose the sinister plot involving corrupt politicians and corporate interests, devoted to making sure the revolutionary energy project gets off the ground. From political intrigue to exciting aerospace technology, Project Odyssey is a nonstop high-tech thriller that will engage you with one of the most critical environmental issues of our time.
Project Runway: The Show That Changed Fashion
by Eila MellUltimate guide to "Project Runway," features hundreds of photos, the highlights of seasons past, and interviews with designers and stars.
Projected Shadows: Psychoanalytic Reflections on the Representation of Loss in European Cinema (The New Library of Psychoanalysis)
by Andrea SabbadiniProjected Shadows presents a new collection of essays exploring films from a psychoanalytic perspective, focusing specifically on the representation of loss in European cinema. This theme is discussed in its many aspects, including: loss of hope and innocence, of youth, of consciousness, of freedom and loss through death. Many other themes familiar to psychoanalytic discourse are explored in the process, such as: Establishment and resolution of Oedipal conflicts Representation of pathological characters on the screen Use of unconscious defence mechanisms The interplay of dreams, reality and fantasy Projected Shadows aims to deepen the ongoing constructive dialogue between psychoanalysis and film. Andrea Sabbadini has assembled a remarkable number of internationally renowned contributors, both academic film scholars and psychoanalysts from a variety of cultural backgrounds, who use an array of contemporary methodologies to apply psychoanalytic thinking to film. This original collection will appeal to anyone passionate about film, as well as professionals, academics and students interested in the relationship between psychoanalysis and the arts.
Projecting History
by Nora M. AlterThe intersection between social, historical, and political developments in Germany and the emergence of a nonfiction mode of film production
Projecting Politics: Political Messages in American Films
by Terry Christensen Peter J. Haas Elizabeth HaasThe new edition of this influential work updates and expands the scope of the original, including more sustained analyses of individual films, from The Birth of a Nation to The Wolf of Wall Street. An interdisciplinary exploration of the relationship between American politics and popular films of all kinds—including comedy, science fiction, melodrama, and action-adventure—Projecting Politics offers original approaches to determining the political contours of films, and to connecting cinematic language to political messaging. A new chapter covering 2000 to 2013 updates the decade-by-decade look at the Washington-Hollywood nexus, with special areas of focus including the post-9/11 increase in political films, the rise of political war films, and films about the 2008 economic recession. The new edition also considers recent developments such as the Citizens United Supreme Court decision, the controversy sparked by the film Zero Dark Thirty, newer generation actor-activists, and the effects of shifting industrial financing structures on political content. A new chapter addresses the resurgence of the disaster-apocalyptic film genre with particular attention paid to its themes of political nostalgia and the turn to global settings and audiences. Updated and expanded chapters on nonfiction film and advocacy documentaries, the politics of race and African-American film, and women and gender in political films round out this expansive, timely new work. A companion website offers two additional appendices and further materials for those using the book in class.
Projecting Race: Postwar America, Civil Rights, and Documentary Film (Nonfictions)
by Stephen CharbonneauProjecting Race presents a history of educational documentary filmmaking in the postwar era in light of race relations and the fight for civil rights. Drawing on extensive archival research and textual analyses, the volume tracks the evolution of race-based, nontheatrical cinema from its neorealist roots to its incorporation of new documentary techniques intent on recording reality in real time. The films featured include classic documentaries, such as Sidney Meyers's The Quiet One (1948), and a range of familiar and less familiar state-sponsored educational documentaries from George Stoney (Palmour Street, 1950; All My Babies, 1953; and The Man in the Middle, 1966) and the Drew Associates (Another Way, 1967). Final chapters highlight community-development films jointly produced by the National Film Board of Canada and the Office of Economic Opportunity (The Farmersville Project, 1968; The Hartford Project, 1969) in rural and industrial settings. Featuring testimonies from farm workers, activists, and government officials, the films reflect communities in crisis, where organized and politically active racial minorities upended the status quo. Ultimately, this work traces the postwar contours of a liberal racial outlook as government agencies came to grips with profound and inescapable social change.
Projecting a Camera: Language-Games in Film Theory
by Edward BraniganIn Projecting a Camera, film theorist Edward Branigan offers a groundbreaking approach to understanding film theory. Why, for example, does a camera move? What does a camera "know"? (And when does it know it?) What is the camera's relation to the subject during long static shots? What happens when the screen is blank? Through a wide-ranging engagement with Wittgenstein and theorists of film, he offers one of the most fully developed understandings of the ways in which the camera operates in film. With its thorough grounding in the philosophy of spectatorship and narrative, Projecting a Camera takes the study of film to a new level. With the care and precision that he brought to Narrative Comprehension and Film, Edward Branigan maps the ways in which we must understand the role of the camera, the meaning of the frame, the role of the spectator, and other key components of film-viewing. By analyzing how we think, discuss, and marvel about the films we see, Projecting a Camera, offers insights rich in implications for our understanding of film and film studies.
Projecting the Nation: History and Ideology on the Israeli Screen
by Eran KaplanProjecting the Nation: History and Ideology on the Israeli Screen is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat’s Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat’s book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
Projecting the World: Representing the "Foreign" in Classical Hollywood
by Russell Meeuf Anna CooperThe classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analyzing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the “foreign,” Projecting the World: Representing the “Foreign” in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States’ relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeuf’s collection delves into the intricacies—and sometimes disruptions—of this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world. Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalization through complex narratives about transnational exchange—a topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyze the “foreign” with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywood’s projection of “exoticism” on Argentina, and John Wayne’s film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatized America’s international relationships in complicated ways. A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.
Projection Design: The Basics (The Basics)
by Davin E. GaddyProjection Design: The Basics explores the concepts of visual elements in live entertainment. It provides a conversational view of the fundamentals of projection design, from production meetings and the elements of visual design to the equipment necessary to make it all happen.This text examines the themes and theories universal to a wide range of topics, to provide a foundation for anyone interested in using video for their live production or those who are looking where to start as a designer. Topics covered include: Methods of extracting visuals from a script and communicating them to production staff Basics of visual design Understanding human perception and how this influences design How to choose the right equipment to build a system With a detailed glossary, basic formulas, and comprehensive explanation from start to finish, Projection Design: The Basics is an ideal primer for Projection Design courses, and will be of interest to anyone entering the field of projection and media design for the first time.
Projections of Passing: Postwar Anxieties and Hollywood Films, 1947-1960
by N. Megan KelleyA key concern in postwar America was “who's passing for whom?” Analyzing representations of passing in Hollywood films reveals changing cultural ideas about authenticity and identity in a country reeling from a hot war and moving towards a cold one. After World War II, passing became an important theme in Hollywood movies, one that lasted throughout the long 1950s, as it became a metaphor to express postwar anxiety. The potent, imagined fear of passing linked the language and anxieties of identity to other postwar concerns, including cultural obsessions about threats from within. Passing created an epistemological conundrum that threatened to destabilize all forms of identity, not just the longstanding American color line separating white and black. In the imaginative fears of postwar America, identity was under siege on all fronts. Not only were there blacks passing as whites, but women were passing as men, gays passing as straight, communists passing as good Americans, Jews passing as gentiles, and even aliens passing as humans (and vice versa). Fears about communist infiltration, invasion by aliens, collapsing gender and sexual categories, racial ambiguity, and miscegenation made their way into films that featured narratives about passing. N. Megan Kelley shows that these films transcend genre, discussing Gentleman's Agreement, Home of the Brave, Pinky, Island in the Sun, My Son John, Invasion of the Body-Snatchers, I Married a Monster from Outer Space, Rebel without a Cause, Vertigo, All about Eve, and Johnny Guitar, among others. Representations of passing enabled Americans to express anxieties about who they were and who they imagined their neighbors to be. By showing how pervasive the anxiety about passing was, and how it extended to virtually every facet of identity, Projections of Passing broadens the literature on passing in a fundamental way. It also opens up important counter-narratives about postwar America and how the language of identity developed in this critical period of American history.
Prologues and Epilogues of Restoration Theater: Gender and Comedy, Performance and Print
by Diana SolomonOften perceived as merely formulaic or historical documents, dramatic prologues and epilogues – players’ comic, poetic bids for the audience’s good opinion – became essential parts of Restoration theater, appearing in over 90 percent of performed and printed plays between 1660 and 1714. Their popularity coincided with the rise of the English actress, and Prologues and Epilogues of Restoration Theater unites these elements in the first book-length study on the subject. It finds that these paratexts provided the first sanctioned space for actresses in Britain to voice ideas in public, communicate directly with other women, and perform comedy – arguably the most powerful type of speech, and one that enabled interrogation of misogynist social practices. This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Prometeo
by Luis García MonteroEL NUEVO LIBRO DE LUIS GARCÍA MONTERO UN MITO CON PLENA VIGENCIA, EL DEL DESAFÍO A LOS DIOSES.UN CANTO DE ESPERANZA EN EL SER HUMANO. «Es uno de los pocos destinados a la letra grande de la historia de la literatura».José-Carlos Mainer «Admiro mucho su capacidad de seguir batallando, de no rendirse en la lucha por cambiar las cosas sin haber caído en la rabia, el resentimiento, la frustración».Juan Diego Botto «Se acercó hasta la hoguera, sostuvo la mirada contra el fuego y afirmó lentamente, una vez más: esperemos aún, sigamos todavía». Vivimos tiempos, como afirma Luis García Montero en este libro, en los que la conciencia del presente nos devuelve a la historia del pasado para fortalecernos en el deseo de resistencia. Y es éste el motivo que ha llevado al autor, a lo largo de los últimos años, a reflexionar desde el ensayo, la poesía y el teatro sobre la actualidad política y social del mito de Prometeo, ese titán que osó enfrentarse a los dioses y les robó el fuego para entregárselo a los mortales y regalarles con él la libertad. Esta obra reúne los textos de García Montero centrados en la figura rebelde de Prometeo. La pieza central —llevada a la escena por José Carlos Plaza en 2019 en el Festival de Teatro Clásico de Mérida— propone un diálogo intergeneracional entre dos Prometeos: el joven, que duda del acierto de su rebelión dado el castigo que trajo consigo, y el anciano, que desde su experiencia le muestra el triunfo que conlleva siempre buscar el bien común. En definitiva, Prometeo es un canto esperanzador sobre la humanidad, una lúcida reflexión en torno al poder de la solidaridad, la justicia y la libertad. Aquí, el mito, transformado a la luz de esta existencia convulsa e hiperconectada en la que estamos inmersos, sigue alentándonos hoy a sentarnos juntos alrededor del fuego para contarnos nuestro propio pasado y discutir sobre el futuro que merecemos. La crítica ha dicho:«Es uno de los pocos destinados a la letra grande de la historia de la literatura».José-Carlos Mainer «Parece capaz de contarnos, y de qué manera, lo que habíamos olvidado que sabíamos de nosotros mismos».Joaquín Sabina «Tono sostenido, poderosa nostalgia, emoción delicada que no alza la voz, poesía escueta, ceñida...».Octavio Paz «Admiro mucho su capacidad de seguir batallando, de no rendirse en la lucha por cambiar las cosas sin haber caído en la rabia, el resentimiento, la frustración».Juan Diego Botto «El mayor referente poético de España, cabeza de generación».Carmen Rengel, El HuffPost «García Montero ha defendido unos objetivos de invariable lucidez y ha logrado que su poesía remita con rigor minucioso a sus ideas estéticas. Y eso lo ha aproximado a lo que suele identificarse con un joven maestro».José Manuel Caballero Bonald «Siempre ha optado por ser testigo de su tiempo y su poesía ha sido el reflejo de sus inquietudes».Carmen Sigüenza, Agencia EFE
Promiscuous Media: Film and Visual Culture in Imperial Japan, 1926-1945 (Studies of the Weatherhead East Asian Institute, Columbia University)
by Hikari HoriIn Promiscuous Media, Hikari Hori makes a compelling case that the visual culture of Showa-era Japan articulated urgent issues of modernity rather than serving as a simple expression of nationalism. Hori makes clear that the Japanese cinema of the time was in fact almost wholly built on a foundation of Russian and British film theory as well as American film genres and techniques. Hori provides a range of examples that illustrate how maternal melodrama and animated features, akin to those popularized by Disney, were adopted wholesale by Japanese filmmakers.Emperor Hirohito's image, Hori argues, was inseparable from the development of mass media; he was the first emperor whose public appearances were covered by media ranging from postcards to radio broadcasts. Worship of the emperor through viewing his image, Hori shows, taught the Japanese people how to look at images and primed their enjoyment of early animation and documentary films alike. Promiscuous Media links the political and the cultural closely in a way that illuminates the nature of twentieth-century Japanese society.
Promises of Citizenship: Film Recruitment of African Americans in World War II (Race, Rhetoric, and Media Series)
by Kathleen GermanSince the earliest days of the nation, US citizenship has been linked to military service. Even though blacks fought and died in all American wars, their own freedom was usually restricted or denied. In many ways, World War II exposed this contradiction.As demand for manpower grew during the war, government officials and military leaders realized that the war could not be won without black support. To generate African American enthusiasm, the federal government turned to mass media. Several government films were produced and distributed, movies that have remained largely unexamined by scholars. Kathleen M. German delves into the dilemma of race and the federal government's attempts to appeal to black patriotism and pride even while postponing demands for equality and integration until victory was achieved.German's study intersects three disciplines: the history of the African American experience in World War II, the theory of documentary film, and the study of rhetoric. One of the main films of the war era, The Negro Soldier, fractured the long tradition of degrading minstrel caricatures by presenting a more dignified public image of African Americans. Along with other government films, the narrative within The Negro Soldier transformed the black volunteer into an able soldier. It included African Americans in the national mythology by retelling American history to recognize black participation. As German reveals, through this new narrative with more dignified images, The Negro Soldier and other films performed rhetorical work by advancing the agenda of black citizenship.