- Table View
- List View
Reclaiming the Archive: Feminism and Film History
by Vicki CallahanReclaiming the Archive: Feminism and Film History brings together a diverse group of international feminist scholars to examine the intersections of feminism, history, and feminist theory in film. Editor Vicki Callahan has assembled essays that reflect a range of methodological approaches--including archival work, visual culture, reception studies, biography, ethno-historical studies, historiography, and textual analysis--by a diverse group of film and media studies scholars to prove that feminist theory, film history, and social practice are inevitably and productively intertwined. Essays in Reclaiming the Archive investigate the different models available in feminist film history and how those feminist strategies might serve as paradigmatic for other sites of feminist intervention. Chapters have an international focus and range chronologically from early cinema to post-feminist texts, organized around the key areas of reception, stars, and authorship. A final section examines the very definitions of feminism (post-feminism), cinema (transmedia), and archives (virtual and online) in place today. The essays in Reclaiming the Archive prove that a significant heritage of film studies lies in the study of feminism in film and feminist film theory. Scholars of film history and feminist studies will appreciate the breadth of work in this volume.
Recollecting Lotte Eisner: Cinema, Exile, and the Archive (Feminist Media Histories #3)
by Naomi DeCellesRecollecting Lotte Eisner provides the first in-depth examination of the remarkable transnational career of film journalist, archivist, and historian Lotte Eisner (1896–1983). From her early years as a film critic in interwar Berlin to her escape from prison in occupied France and from her role as chief curator at the Cinémathèque française to that as the mythic "collective conscience" of New German Cinema, Eisner was a prolific writer and lecturer and a pivotal voice in early film and media studies. Situated at the juncture of feminist media historiography and disciplinary intellectual history, this groundbreaking book is based on extensive multilingual archival research and the excavation of a rich corpus of previously overlooked materials. Introducing samples of Eisner's writing in translation, this volume makes some of the most important contributions of a foundational scholar in the field of film studies accessible for the first time to an English-language readership.
Reconceptualising Film Policies (Routledge Studies in Media and Cultural Industries)
by Nolwenn Mingant Cecilia TirtaineThis volume explores and interrogates the shifts and changes in both government and industry-based screen policies over the past 30 years. It covers a diverse range of film industries from different parts of the world, along with the interrelationship between different localities, policy regimes and technologies/media. Featuring in-depth case studies and interviews with practitioners and policy-makers, this book provides a timely overview of government and industry’s responses to the changing landscape of the production, distribution, and consumption of screen media.
Reconceptualising Multilingualism on African Radio: Language and Identity
by Gilbert Motsaathebe Limukani MatheThis book redefines multilingualism via the concept of radio in Africa. Africa presents unique challenges of lingual diversity which the media still struggles to accommodate, particularly when it comes to indigenous languages. Contributors argue that the linguistic realities of African radio reflect ethnic co-existence and fluidity of identity in pre-colonial, colonial and post-colonial contexts. They argue that communities consist of several “majorized” and “minoritized” indigenous languages which, if closely analysed, reflect a commonality of multilingualism. The book also suggests practical measures through which linguistic co-existence could be achieved and explores cases that redefine, reconceptualize and reframe multilingualism on African radio.
Reconstructing Performance Art: Practices of Historicisation, Documentation and Representation (Routledge Advances in Theatre & Performance Studies)
by Tancredi GusmanThis book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated over time and its transnational history reconstructed. Through contributions and case studies spanning various countries, regions and artistic fields, the authors outline an innovative theoretical-methodological framework for capturing the processes and strategies for transmitting the tangible and intangible heritage of performance art. This book will be of great appeal to students, researchers, and practitioners in the fields of Theatre and Performance Studies as well as Visual Arts and Art History, who have an interest in performance art, its history and presence in the contemporary artistic and cultural landscape.
Reconstructing Strangelove: Inside Stanley Kubrick's "Nightmare Comedy"
by Mick BroderickDuring his career Stanley Kubrick became renowned for undertaking lengthy and exhaustive research prior to the production of all his films. In the lead-up to what would eventually become Dr. Strangelove (1964), Kubrick read voraciously and amassed a substantial library of works on the nuclear age. With rare access to unpublished materials, this volume assesses Dr. Strangelove's narrative accuracy, consulting recently declassified Cold War nuclear-policy documents alongside interviews with Kubrick's collaborators. It focuses on the myths surrounding the film, such as the origins and transformation of the "straight" script versions into what Kubrick termed a "nightmare comedy." It assesses Kubrick's account of collaborating with the writers Peter George and Terry Southern against their individual remembrances and material archives. Peter Sellers's improvisations are compared to written scripts and daily continuity reports, showcasing the actor's brilliant talent and variations.
Reconstructing Violence: The Southern Rape Complex in Film and Literature (Southern Literary Studies)
by Deborah E. BarkerIn this bold study of cinematic depictions of violence in the south, Deborah E. Barker explores the ongoing legacy of the "southern rape complex" in American film. Taking as her starting point D. W. Griffith's infamous Birth of a Nation, Barker demonstrates how the tropes and imagery of the southern rape complex continue to assert themselves across a multitude of genres, time periods, and stylistic modes. Drawing from Gilles Deleuze's work on cinema, Barker examines plot, dialogue, and camera technique as she considers several films: The Story of Temple Drake (1933), Sanctuary (1958), Touch of Evil (1958), To Kill a Mockingbird (1962), and Cape Fear (1962). Placing this body of analysis in the context of the historical periods when these films appeared and the literary sources on which they are based, Barker reveals the protean power of cinematic racialized violence amid the shifting cultural and political landscapes of the South and the nation as a whole. By focusing on familiar literary and cinematic texts--each produced or set during moments of national crisis such as the Great Depression or the civil rights movement--Barker's Reconstructing Violence offers fresh insights into the anxiety that has underpinned sexual and racial violence in cinematic representations of the South.
Record Label Marketing, 2nd ed.
by Paul Allen Tom Hutchison Amy MacyRecord Label Marketing offers a comprehensive look at the inner workings of record labels, showing how the record labels connect commercial music with consumers. In the current climate of selling music through both traditional channels and new media, authors Tom Hutchison, Paul Allen and Amy Macy carefully explain the components of the contemporary record label's marketing plan and how it is executed. This new edition is clearly illustrated throughout with figures, tables, graphs, and glossaries, and includes a valuable overview of the music industry.<P> Record Label Marketing has become essential reading for current and aspiring professionals, and for music business students everywhere. <P> Record Label Marketing.<P> * Gives you an exclusive and complete look at SoundScan and how it is used as a marketing tool<P> * Presents essential information on uses of new media, label publicity, advertising, retail distribution, and marketing research by record labels<P> * Offers insight into how successful labels use videos, promotional touring, and special products to build revenue<P> * Includes important specialized marketing strategies using the tools of grassroots promotion and international opportunities<P> * Reveals how labels are managing within their transitional digital industry<P> * Looks to the future of the music business - how online developments, technological diffusion, and convergence and new markets continue to reshape the industry
Recording Voiceover: The Spoken Word in Media
by Tom BlakemoreThe only book on the market to specifically address its audience, Recording Voiceover is the comprehensive guide for engineers looking to understand the aspects of capturing the spoken word. Discussing all phases of the recording session, Recording Voiceover addresses everything from microphone recommendations for voice recording to pre-production considerations, including setting up the studio, working with and directing the voice talent, and strategies for reducing or eliminating distracting noise elements found in human speech. Recording Voiceover features in-depth, specific recommendations for recording radio and television commercials, corporate communications, documentaries, tracks for gaming and animation, radio drama, interviews and roundtable discussions. A discussion of the voice in film and television is also included. Special attention is paid to the final release format and its impact on recording strategies. Exploration of using telephone interfaces – including both analogue and digital ISDN, as well as recording across the internet – is included.
Recovery: Freedom from Our Addictions
by Russell Brand<P>A guide to all kinds of addiction from a star who has struggled with heroin, alcohol, sex, fame, food and eBay, that will help addicts and their loved ones make the first steps into recovery. <P>“This manual for self-realization comes not from a mountain but from the mud...My qualification is not that I am better than you but I am worse.” —Russell Brand <P>With a rare mix of honesty, humor, and compassion, comedian and movie star Russell Brand mines his own wild story and shares the advice and wisdom he has gained through his fourteen years of recovery. Brand speaks to those suffering along the full spectrum of addiction—from drugs, alcohol, caffeine, and sugar addictions to addictions to work, stress, bad relationships, digital media, and fame. <P>Brand understands that addiction can take many shapes and sizes and how the process of staying clean, sane, and unhooked is a daily activity. He believes that the question is not “Why are you addicted?” but "What pain is your addiction masking? Why are you running—into the wrong job, the wrong life, the wrong person’s arms?" <P>Russell has been in all the twelve-step fellowships going, he’s started his own men’s group, he’s a therapy regular and a practiced yogi—and while he’s worked on this material as part of his comedy and previous bestsellers, he’s never before shared the tools that really took him out of it, that keep him clean and clear. Here he provides not only a recovery plan, but an attempt to make sense of the ailing world. <P><b>A New York Times Bestseller</b>
Recreating First Contact: Expeditions, Anthropology, and Popular Culture
by Joshua A. Bell Alison K. Brown Robert J. GordonRecreating First Contact explores themes related to the proliferation of adventure travel which emerged during the early twentieth century and that were legitimized by their associations with popular views of anthropology. During this period, new transport and recording technologies, particularly the airplane and automobile and small, portable, still and motion-picture cameras, were utilized by a variety of expeditions to document the last untouched places of the globe and bring them home to eager audiences. These expeditions were frequently presented as first contact encounters and enchanted popular imagination. The various narratives encoded in the articles, books, films, exhibitions and lecture tours that these expeditions generated fed into pre-existing stereotypes about racial and technological difference, and helped to create them anew in popular culture. Through an unpacking of expeditions and their popular wakes, the essays (12 chapters, a preface, introduction and afterward) trace the complex but obscured relationships between anthropology, adventure travel and the cinematic imagination that the 1920s and 1930s engendered and how their myths have endured. The book further explores the effects - both positive and negative - of such expeditions on the discipline of anthropology itself. However, in doing so, this volume examines these impacts from a variety of national perspectives and thus through these different vantage points creates a more nuanced perspective on how expeditions were at once a global phenomenon but also culturally ordered.
Recycled Stars: Female Film Stardom in the Age of Television and Video
by Mary R. DesjardinsThe popularity of television in postwar suburban America had a devastating effect on the traditional Hollywood studio system. Yet many aging Hollywood stars used television to revive their fading careers. In Recycled Stars, Mary R. Desjardins examines the recirculation, ownership, and control of female film stars and their images in television, print, and new media. Female stardom, she argues, is central to understanding both the anxieties and the pleasures that these figures evoke in their audiences' psyches through patterns of fame, decline, and return. From Gloria Swanson, Loretta Young, Ida Lupino, and Lucille Ball, who found new careers in early television, to Maureen O'Hara's high-profile 1957 lawsuit against the scandal magazine Confidential, to the reappropriation of iconic star images by experimental filmmakers, video artists, and fans, this book explores the contours of female stars' resilience as they struggled to create new contexts for their waning images across emerging media.
Red Ain't Dead: 150 More Ways To Tell If You're A Redneck
by Jeff FoxworthyIt is true, as you may have heard, that a comedian's jokes are like his children. You conceive them (not nearly as much fun as with real kids), nurture them, and eventually let them go. Like real children, some are cute, some are bad, and once in a while one exceeds every expectation you ever had for it. That was the case with my "Redneck" jokes. Appropriately conceived in a cheap motel in Huntsville, Alabama, they quickly grew into more than a comedy bit or even a best-selling book. They became a part of my life. People stop me in airports or on streets and say, "Hey, you're the Redneck guy! And I'm one of 'em!" Excerpts from the first book, YOU MIGHT BE A REDNECK IF..., have been copied, modified, and faxed from workplace to workplace. The material has been "borrowed" by newspapers, wire services, and radio stations nationwide. I feared we had beaten the subject to death, but not a day goes by that someone doesn't offer me a new example of "redneckism." I have received photos of front-yard flower pots made out of old toilets, and newspaper clippings of grooms wearing Harley-Davidson tee-shirts. With the help of my wife and friends, I add several to the list almost daily. I have collected numerous Redneck lines from radio audiences and even from my live show audiences. I must admit that I am very proud of my "Redneck child." I am even happier that others love it as I do. So for all those people, here is a second helping. Though conventional wisdom says you can't believe everything you read, in this case I assure you that you can. Red ain't dead. - Jeff Foxworthy
Red Alert: Marxist Approaches to Science Fiction Cinema (Contemporary Approaches to Film and Media Series)
by Ewa Mazierska Alfredo SuppiaIn Red Alert: Marxist Approaches to Science Fiction Cinema, editors Ewa Mazierska and Alfredo Suppia argue that Marxist philosophy, science fiction, and film share important connections concerning imaginings of the future. Contributors look at themes across a wide variety of films, including many international co-productions to explore individualism versus collectivism, technological obstacles to travel through time and space, the accumulation of capital and colonization, struggles of oppressed groups, the dangers of false ideologies, and the extension of the concept of labor due to technological advances. Red Alert considers a wide swath of contemporary international films, from the rarely studied to mainstream science fiction blockbusters like The Matrix. Contributors explore early Czechoslovak science fiction, the Polish-Estonian co-productions of director Marek Piestrak, and science fiction elements in 1970s American blaxploitation films. The collection includes analyses of recent films like Transfer (Damir Lukacevic), Avalon (Mamoru Oshii), Gamer (Mark Neveldine and Brian Taylor), and District 9 and Elysium (Neill Blomkamp), along with more obscure films like Alex Rivera's materialist science fiction works and the Latin American zombie films of Pablo Parés, Hernán Sáez, and Alejandro Brugués. Contributors show that the ambivalence and inner contradictions highlighted by the films illustrate both the richness of Marx's legacy and the heterogeneity and complexity of the science fiction genre. This collection challenges the perception that science fiction cinema is a Western or specifically American genre, showing that a broader, transnational approach is necessary to fully understand its scope. Scholars and students of film, science fiction, and Marxist culture will enjoy Red Alert.
Red Barber: The Life and Legacy of a Broadcasting Legend
by James R. Walker Judith R. HiltnerBorn and raised in rural Mississippi and the even balmier climes of central Florida, Red Barber, at the age of thirty-two, became one of New York City&’s most influential citizens as the play-by-play announcer for the Brooklyn Dodgers. When he arrived in 1939, Barber brought the down-home drawl and idioms of his southern roots to the borough, where residents said they could walk down any street and never miss a pitch because his voice wafted out of every window and every passing car. From his colorful expressions like &“rhubarb&” and &“sitting in the catbird seat&” to his vivid use of similes—a close game was &“tighter than a new pair of shoes on a rainy day&”—Barber&’s influence on his contemporaries and the many generations of broadcasters who followed him cannot be overstated. But behind all the base hits, balls, and strikes lies a compelling story that dramatizes the shifting expectations and roles of a public figure—the sports broadcaster—as he adapted to complex cultural changes throughout the course of twentieth-century American life.Red Barber follows the trajectory of Barber's long career from radio and television play-by-play man for the Cincinnati Reds, Brooklyn Dodgers, and New York Yankees to his work calling college and professional football games, his nine-year tenure as director of sports for CBS Radio, and his second acts as an Episcopal lay reader, sportswriter, and weekly guest with Bob Edwards on NPR&’s Morning Edition. This talented public figure was also a private man committed to rigorous self-examination and willing to evolve and grow under the influence of changing times. When the Dodgers first signed Jackie Robinson and smashed the color barrier in Major League Baseball, Barber struggled to overcome the racism he had absorbed from his culture as a child. But after observing the vicious abuse Robinson endured from opposing fans, Barber became an ardent supporter of him and the many Black players who followed. Barber was also bothered deeply by the strains that his single-minded careerism imposed on his family. He was challenged to navigate longtime family tensions after his only child, Sarah, came out as a lesbian. And his primary role during the later years of his life was caretaking for his wife, Lylah, during her decline from Alzheimer&’s disease, at a time when the ailment was something many families concealed. Ultimately Red Barber traces the career of a true radio and television pioneer who was committed to the civic responsibility of mass media. Barber firmly believed the most important role of a broadcaster was telling the truth and promoting public well-being.
Red Bird Danced
by Dawn QuigleyWith lyrical verse and powerful emotion, Dawn Quigley (Ojibwe) tells the story of urban Native kids who find strength in connection with those who came before and in the hope that lets them take flight. Ariel and Tomah have lived in the city’s intertribal housing complex all their lives. But for both of them, this Dagwaagin (Autumn) season is different than any before.From his bench outside the front door of his building, Tomah watches his community move around him. He is better at making people laugh than he is at schoolwork, but often it feels like his neighbor Ariel is the only one who really sees him, even in her sadness. Ariel has always danced ballet because of her Auntie Bineshiinh and loves the way dance makes her feet hover above the ground like a bird. But ever since Auntie went missing, Ariel’s dancing doesn’t feel like flying.As the seasons change and the cold of winter gives way to spring’s promise, Ariel and Tomah begin to change too as they learn to share the rhythms and stories they carry within themselves.This first middle grade novel by Dawn Quigley is a tour de force. She is known for her American Indian Youth Literature Award–winning Jo Jo Makoons chapter book series and young adult novel Apple in the Middle. Give Red Bird Danced to readers who love Jasmine Warga and Christine Day!
Red Carpet Ready: Secrets for Making the Most of Any Moment You’re in the Spotlight
by Melissa Rivers Tim VandeheyBe ready the next time the spotlight is on you! She's interviewed "glamazons," watched stars shine (Sharon Stone in a Gap T-shirt at the Oscars) and bomb (Jennifer Aniston in dreadlocks, Cher in an Egyptian headdress), and witnessed many a celebrity rise to the top only to come crashing down a mere year later. And she's both reveled in kudos and despaired over criticism of herself. As the daughter of Joan Rivers and with years of face time with the Hollywood elite, Melissa has learned far more than your average person about what it takes to be a star-not just on the red carpet, but in life. For the first time, she shares the lessons she's learned along the way and teaches you how to embrace your big moments, be it a graduation, a first date, a job interview, a prom, or a wedding. Pulling from inspirational and humorous tales from her probing chats with red-carpet royalty and episodes in her own life, she lays out nine essential rules to seize momentous times with graciousness, fun, preparedness, confidence-and, of course, drop-dead gorgeous style that flatters you. (Hint: It's not always the top designer brand that'll scream stardom.) The walk down the red carpet, as Rivers so colorfully relates, can teach us all some basic but essential lessons in fashion and in life. With miles of red carpet under her belt, Melissa Rivers has seen it all, from the biggest oops! moments to those unforgettable times when a star truly did shine. She knows exactly what it takes to be a star-both on the red carpet and in life. Based on her insider knowledge and her personal experience under Hollywood's glare, Melissa shares tips and techniques for embracing your momentous times and being at your best when the focus is on you, including: * The simple trick to being the hit of every party * How to escape from a date that's become a train wreck * The celebrity secret to looking radiant, rain or shine * A success strate gy that beats pure talent every time * The one rule about people even the superstars are afraid to break * How to apologize or run into your ex and keep your cool.
Red Carpet: Hollywood, China, and the Global Battle for Cultural Supremacy
by Erich Schwartzel"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review &“In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.&” —Andrew Solomon, author of Far from the Tree and The Noonday DemonAn eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and ChinaFrom trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China&’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America&’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.
Red Carpets And Other Banana Skins
by Rupert Everett''Hilariously honest. . . a kind of rake's progress' Daily MailAn element of drama has always attended Rupert Everett, even before he swept to fame with his outstanding performance in 'Another Country'. He has spent his life surrounded by extraordinary people, and witnessed extraordinary events. He was in Moscow during the fall of communism; in Berlin the night the wall came down; and in downtown Manhattan on September 11th. By the age of 17 he was friends with Andy Warhol and Bianca Jagger, and since then he has been up close and personal with some of the most famous women in the world: Julia Roberts, Madonna, Sharon Stone and Donatella Versace. Whether sweeping the floor for the Royal Shakespeare Company or co-starring with Faye Dunaway and an orang-utan in 'Dunstan Checks In' (they both took ages to get ready), Rupert Everett always brings as much energy and talent to his life as he does to his career. A superb raconteur and a keen observer of human folly (especially his own), Rupert Everett turns his life into a captivating story of love, fame, glamour, gossip and drama.Praise for Red Carpets and Other Banana Skins'He has an almost fanatical loyalty to the concept of enjoyment, to the detriment, it might be argued, of his art, though to the great enrichment of his being; and for Rupert, as he makes clear in this continuously brilliant memoir, the best theatrical autobiography since Noël Coward's Present Indicative, acting is being...a superb and unexpectedly inspiring achievement' Simon Callow, Guardian'Lush, profoundly reflective, and thoroughly satisfying...a heady triumph of observation and reverie' Independent'What makes this autobiography a (novelistic) masterpiece is the way he is acutely aware of the melancholia and pain that are the other side of hedonism's coin' Daily Telegraph
Red Carpets And Other Banana Skins
by Rupert Everett''Hilariously honest. . . a kind of rake's progress' Daily MailAn element of drama has always attended Rupert Everett, even before he swept to fame with his outstanding performance in 'Another Country'. He has spent his life surrounded by extraordinary people, and witnessed extraordinary events. He was in Moscow during the fall of communism; in Berlin the night the wall came down; and in downtown Manhattan on September 11th. By the age of 17 he was friends with Andy Warhol and Bianca Jagger, and since then he has been up close and personal with some of the most famous women in the world: Julia Roberts, Madonna, Sharon Stone and Donatella Versace. Whether sweeping the floor for the Royal Shakespeare Company or co-starring with Faye Dunaway and an orang-utan in 'Dunstan Checks In' (they both took ages to get ready), Rupert Everett always brings as much energy and talent to his life as he does to his career. A superb raconteur and a keen observer of human folly (especially his own), Rupert Everett turns his life into a captivating story of love, fame, glamour, gossip and drama.Praise for Red Carpets and Other Banana Skins'He has an almost fanatical loyalty to the concept of enjoyment, to the detriment, it might be argued, of his art, though to the great enrichment of his being; and for Rupert, as he makes clear in this continuously brilliant memoir, the best theatrical autobiography since Noël Coward's Present Indicative, acting is being...a superb and unexpectedly inspiring achievement' Simon Callow, Guardian'Lush, profoundly reflective, and thoroughly satisfying...a heady triumph of observation and reverie' Independent'What makes this autobiography a (novelistic) masterpiece is the way he is acutely aware of the melancholia and pain that are the other side of hedonism's coin' Daily Telegraph
Red Carpets and Other Banana Skins: The Autobiography
by Rupert EverettRevealing himself to be a consummate storyteller, stage and screen star Everett ("My Best Friend's Wedding") pens a delightfully witty memoir in which he reveals his life experiences as an up-and-coming actor, detailing everything from the eccentricities of the British upper class to the madness of Hollywood.
Red Robinson: The Last Deejay
by Robin BrunetRed Robinson: The Last Deejay details the life and career of Red Robinson, one of Canada's most celebrated pioneers of rock and roll. Robinson began spinning hits while in high school in the early 1950s, laying the foundation for what would become a glamorous, impossible-to-stop and ultimately fulfilling career that has made him a household name west of the Rockies. <p><p> Raised by a single mother, Robinson worked as a delivery boy to help support the family. From such humble beginnings, he developed a strong work ethic and unflappable moral core that enabled him to pursue a career that has endured. Here is the account of how Robinson pranked his way into his first radio job. Readers will be delighted by behind-the-scenes stories from close encounters with Vancouver's visiting celebrities, like the time Robinson spent an hour with Elvis Presley in the BC Lions dressing room talking cars, women, movies and opera, or when Robinson nearly killed Roy Orbison and Bobby Goldsboro in a 1962 Grand Parisienne convertible while speeding to catch the Nanaimo ferry. <p> Robinson's vast career highlights are remarkable, from introducing The Beatles to the stage, ushering Randy Bachman to the status of superstardom, and as part of EXPO '86, presenting The Legends of Rock'n'Roll featuring Ray Charles, Roy Orbison, Fats Domino, Jerry Lee Lewis and The Righteous Brothers. Red Robinson: The Last Deejay recalls the highs, hurdles and triumphs of a celebrated time in rock-and-roll history, presented by the man who dug into the guts, glory and glitz that only a champion of the frontlines of music really can.
Red Star Over Hollywood: The Film Colony's Long Romance with the Left
by Ronald Radosh Allis RadoshUntil now, Hollywood's political history has been dominated by a steady stream of films and memoirs decrying the "nightmare" of the Red Scare and how it victimized political innocents. But in Red Star over Hollywood, Ronald and Allis Radosh tell for the first time the "backstory" behind this myth. The authors show how the Soviet Comintern decided to make the film capital a prime target in the late 1920s. They follow the lives of Budd Schulberg, Ring Lardner Jr., Maurice Rapf and other young radicals who journeyed to the USSR in the early 1930s, underwent a political conversion experience there, and came back to Hollywood as apostles preaching a Soviet gospel. They take us inside the cells and discussion groups that Communist Party members formed, the guilds and unions they tried to take over, and the studios they aimed to influence. The Radoshes not only prove that the members of the Hollywood Party were loyal first and foremost to Joseph Stalin, but demonstrate that in fact many of the screenwriters who later became part of the Hollywood Ten succeeded in using film as a propaganda medium in behalf of the Soviet cause. One of their most significant accomplishments was the wartime blockbuster Mission to Moscow, whose inside story the authors document in fascinating detail. The Radoshes are at their best when writing about the blacklist era. They take us inside the strategy sessions of the Hollywood Communists as they prepared to testify in front of the House Committee on Un-American Activities, revealing that while others were lionizing them as blameless victims of American nativism and paranoia, the Hollywood Reds themselves were beset by doubts and disagreements about their disloyalty to America and their treatment by the Communist Party. Creating memorable portraits of Dalton Trumbo, Elia Kazan and John Garfield, the authors also trace the afterlives of those touched by HUAC and the blacklist, and document their continuing argument with America and each other through the next half-century. Red Star over Hollywood is an epic work about one of the most discussed but least understood episodes in our political life. Getting behind the denial and apologetics, the Radoshes tell a story whose long half-life has not ended. The men and women who agitated for Communism decades ago created a living legacy used by Jane Fonda and others who revived the Hollywood Left in the 1960s, and by figures such as Susan Sarandon, Tim Robbins and Sean Penn in the equally turbulent filmland politics of today. Ronald Radosh, adjunct Senior Fellow at the Hudson Institute, was the first writer to establish the guilt of Julius Rosenberg, in his bestselling book, The Rosenberg File. He is also the author of Commies: A Journey Through The Old Left, The New Left, and the Leftover Left. Allis Radosh is the author of Persia Campbell: Portrait of a Consumer Activist.
Red, White & Black: Cinema and the Structure of U.S. Antagonisms
by Frank B. Wilderson IIIRed, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U. S. racial antagonisms. That structure, he argues, is based on three essential subject positions: that of the White (the "settler," "master," and "human"), the Red (the "savage" and "half-human"), and the Black (the "slave" and "non-human"). Wilderson contends that for Blacks, slavery is ontological, an inseparable element of their being. From the beginning of the European slave trade until now, Blacks have had symbolic value as fungible flesh, as the non-human (or anti-human) against which Whites have defined themselves as human. Just as slavery is the existential basis of the Black subject position, genocide is essential to the ontology of the Indian. Both positions are foundational to the existence of (White) humanity. Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster's Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films' non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.
Red-Blooded American Male: Photographs
by Robert TrachtenbergA collection of 100 inspired and surprising portraits of celebrities and everymen alike from the award-winning photographer Robert Trachtenberg.Paul Rudd checking out the merchandise; Jimmy Kimmel playing dress up; Jack Black getting a one-of-a-kind pedicure; Elon Musk unveiling his newest Tesla; Jerry Seinfeld and Larry David taking a coffee break.From leading men to comedians, ballet dancers to quarterbacks, war veterans to Broadway veterans, Red-Blooded American Male features more than 100 imaginative, striking, and sexy portraits from award-winning photographer Robert Trachtenberg. Pithy captions about each shoot accompany the photographs, giving readers a peek behind the curtain of a famed portrait photographer's creative process and his world-renowned photographs.Uncovering a unique (and often self-deprecating) side to such talents as Jimmy Fallon, Seth Rogen, Channing Tatum, Waris Ahluwalia, Will Ferrell, and Kevin Hart, this collection goes beyond mere portraiture to challenge conventional notions of masculinity and traditional male imagery.