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Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Michael Kostroff Jackie ApodacaFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.
Answers in the Form of Questions: A Definitive History and Insider's Guide to Jeopardy!
by Claire McNearWhat is the smartest, most celebrated game show of all time? In this insider's guide, discover the rich history of Jeopardy! -- the beloved game show that has shaped our culture and entertained audiences for years.Jeopardy! is a lot of things: record-setting game show, beloved family tradition, and proving ground for many of North America's best and brightest. Nearly four decades into its current edition, Jeopardy! now finds itself facing unprecedented change.This is the chronicle of how the show became a cross-generational touchstone and where it's going next. ANSWERS IN THE FORM OF QUESTIONS dives deep behind the scenes, with longtime host Alex Trebek talking about his life and legacy and the show's producers and writers explaining how they put together the nightly game. Readers will travel to bar trivia showdowns with the show's biggest winners and training sessions with trivia whizzes prepping for their shot onstage. And they'll discover new tales of the show's most notable moments-like the time the Clue Crew almost slid off a glacier-and learn how celebrity cameos and Saturday Night Live spoofs built a television mainstay. ANSWERS IN THE FORM OF QUESTIONS looks to the past -- and the future -- to explain what Jeopardy! really is: a tradition unlike any other.
Antes de que me olvide: Memorias con Marcelo Ramos
by Luis BrandoniLa autobiografía de Luis Brandoni, uno de los actores más reconocidos de la Argentina, en un relato que entrevera su historia personal desde sus orígenes hasta la actualidad, con su larga trayectoria en cine, teatro y televisión, y una intensa carrera política que va de su activa participación gremial y su persecución durante la dictadura a su involucramiento como funcionario público por el radicalismo. «Un gran actor; de una especie, a mi juicio, en extinción. [De] los que, contando con instrumentos actorales que les permiten transitar con excelencia por gran parte del teatro "culto", tienen una especial capacidad de observación y reproducción de rasgos y conductas de la tipología popular. Y a los que ese don extraordinario los convierte en artistas adorados por los sectores masivos del público. Un público que los vive como cómplices, como parte de su familia».Sergio Renán «Este hombre que había logrado hacerme llorar de risa en un programa de televisión, y de emoción en una película, [ha conseguido hacer] las dos cosas en una misma obra. Beto logra el truco del mago, ese de arrancarte carcajadas y ponerte un nudo en la garganta en un lapso de segundos. Pero hay otra dimensión insoslayable de Beto. Su compromiso con el país, su labor política. [...] De eso habla, y mucho, en estas memorias. Es todo apasionante. Este libro, que es también la historia del teatro y el país de los últimos sesenta años, es un libro para aprender, para regocijarse, para emocionarse. Es para amantes del teatro y amantes del compromiso. Es el backstage de las últimas seis décadas de nuestro país. En él van a poder ver a uno de sus protagonistas, cabeza de compañía, actor de carácter y creador. Un actor, un político y un hombre como muy, muy pocos. "Aprovechenló", ya no hacen gente así».Juan José Campanella A los ochenta años, y con sesenta de trayectoria en cine, teatro y televisión, Luis Brandoni, uno de los actores más famosos de Argentina, nos ofrece por primera vez una mirada precisa, sentida y detallada sobre su vida y su carrera. El relato de su origen en Dock Sud y su vida familiar, el servicio militar y, en orden cronológico: La Comedia Nacional; su experiencia sobre tablas (acá y en el mundo) y en pantalla, de Oscar Viale a Jean Genet y de Luisa Vehil y Migré a Campanella, un vistazo a todas sus películas (de Renán a Cohn-Duprat y Borensztein) y su inclaudicable compromiso político -la pelea por los canales de televisión abierta, la dictadura y el exilio, la experiencia de Teatro Abierto-; y un balance personal que se complementa con una exhaustiva cronología de su obra; la lista de los reconocimientos que ha merecido y un completo índice onomástico que, más allá de su carácter práctico, da cuenta del infinito universo artístico y social al que pertenece.
Anthems We Love: 29 Iconic Artists on the Hit Songs That Shaped Our Lives
by Steve Baltin"Anthems We Love is not just a tale of artistic adventure, it's also a manual for artists and fans alike. There is no formula. Just these inspiring stories of the heart . . . " —Cameron Crowe, Academy Award–nominated director, producer, and screenwriter (Jerry Maguire, Almost Famous, Say Anything, and Pearl Jam Twenty)From U2 to Carly Simon, the Temptations to TLC, artists describe in their own words how their songs became the soundtrack of your life in this celebration of music featuring original interviews by acclaimed music journalist Steve Baltin.Which Beach Boys&’ song brings Paul McCartney to tears? What makes &“Light My Fire&” a rite-of-passage song for teens in every generation, according to Doors guitarist Robby Krieger? What is it about music that brings back so vividly the passion of our early loves, our deepest losses, our richest memories?Acclaimed music journalist Steve Baltin examines twenty-nine iconic songs of modern music to ultimately answer: what transforms a song into an anthem? How did these songs become such a part of our culture? Featuring original interviews with superstar musicians like the Beach Boys, Shania Twain, and Earth Wind and Fire, this book offers a detailed celebration of songwriting, fan connections, memorable live performances, and more.A must-have anthology for music fans, Anthems We Love showcases the most beloved and popular songs of all time, including Neil Diamond&’s &“Sweet Caroline,&” the Jackson 5&’s &“ABC,&” Aerosmith&’s &“Walk This Way,&” and TOTO&’s &“Africa.&” More so, it centers the artists behind these songs—and the songs that formed the soundtracks of their lives—as they share stories, for the first time, about how writing an anthem has changed their lives, those of their fans, and our world.
Anthony Bourdain: and Other Conversations (The Last Interview Series)
by Anthony BourdainThe brilliant intellect and candor of Anthony Bourdain is on full display in this collection of interviews from throughout his remarkable career, including interviews with Neil Degrasse Tyson and Trevor NoahAnthony Bourdain always downplayed his skills as a chef (many disagreed). But despite his modesty, one thing even he agreed with was that he was a born raconteur—as he makes clear in this collection of sparkling conversations. His wit, passion, and deep intelligence shine through all manner of discussion here, from heart-to-hearts with bloggers, to on-stage talks before massive crowds, to intense interviews with major television programs. Without fail, Bourdain is always blisteringly honest—such as when he talks about his battles with addiction, or when detailing his thoughts on restaurant critics. He regularly dispenses arresting insight about how what’s on your plate reveals much of history and politics. And perhaps best of all, the heartfelt empathy he developed travelling the world for his TV shows is always in the fore, as these talks make the “Hemingway of gastronomy,” as chef Marco Pierre White called him, live again.
Anthony Burgess, Stanley Kubrick and A Clockwork Orange (Palgrave Studies in Adaptation and Visual Culture)
by Matthew Melia Georgina OrgillThis book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!
Anthony Minghella: Interviews (Conversations with Filmmakers Series)
by Mario FalsettoAnthony Minghella: Interviews is an illuminating anthology of in-depth conversations with this important contemporary film director and producer. The collection explores Minghella's ideas on every aspect of the cinematic creative process including screenwriting, acting, editing, the use of music in film, and other topics concerning the role of the film director. Minghella (1954–2008) was a highly regarded British playwright (Made in Bangkok), and television writer (Inspector Morse) before turning to film directing with his quirky, highly regarded first film, Truly, Madly, Deeply, in 1990. He went on to direct an extraordinary trilogy of large-scale films, all adapted from significant works of contemporary literature. Minghella's 1996 adaptation of Michael Ondaatje's poetic novel The English Patient was the director's most critically and commercially successful film and went on to win dozens of awards around the world, including nine academy awards. Minghella followed this film with his entertaining, elegant adaptation of Patricia Highsmith's The Talented Mr. Ripley, a film that enjoyed great critical and commercial success and featured some of the best acting of the 1990s by its talented cast of young, rising stars, Jude Law, Matt Damon, Gwyneth Paltrow, and Philip Seymour Hoffman. Minghella's ambitious adaptation of Charles Frazier's American Civil War romance, Cold Mountain, was released in 2003, and firmly marked Minghella as a director of intimate, yet large-scale epic cinema worthy of David Lean. Although Minghella was a successful film director and producer, he was also an important part of the cultural life of the U.K. He was awarded a CBE (Commander of the British Empire) in 2001 for his contributions to culture, and he was Chairman of the Board of Governors of the British Film Institute from 2004 to 2007.
Anthropocosmic Theatre: Rite in the Dynamics of Theatre (Contemporary Theatre Studies #Vol. 13.)
by Nichos NunezFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Anthropological Resources: A Guide to Archival, Library, and Museum Collections (Sociology/Psychology/Reference #Vol. 884)
by S. J. Sol Tax Lee S. Dutton Michele Calhoun Francis X. Grollig Thomas L. Mann Hans E. Panofsky Margo L. Smith Christopher WintersFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Anthropology, Film Industries, Modularity
by Ramyar D. Rossoukh and Steven C. CatonFrom Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production.Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
Anti Diva: An autobiography
by Carole PopeThroughout her career, Carole Pope has blazed a trail for the diva and anti-diva in all of us, and here she offers a no-holds-barred look at her adventures in the music scene – on the concert stage, in the recording studio, and in the bedroom. Known for ushering Canada from the punk movement of the 1970s to the new wave sound of the 1980s with Rough Trade, she candidly shares her thoughts on AIDS, sexuality and sexual politics, and the new breed of music divas that dominates the charts today.
Anti-Heimat Cinema: The Jewish Invention of the German Landscape (Social History, Popular Culture, And Politics In Germany)
by Ofer AshkenaziAnti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
Anti-Proverbs in Five Languages: Structural Features and Verbal Humor Devices
by Wolfgang Mieder Anna T. Litovkina Hrisztalina Hrisztova-Gotthardt Péter Barta Katalin VarghaThis book is the first comparative study of English, German, French, Russian and Hungarian anti-proverbs based on well-known proverbs. Proverbs are by no means fossilized texts but are adaptable to different times and changed values. While anti-proverbs can be considered as variants of older proverbs, they can also become new proverbs reflecting a more modern worldview. Anti-proverbs are therefore a lingo-cultural phenomenon that deserves the attention of cultural and literary historians, folklorists, linguists, and general readers interested in language and wordplay.
Antichrist (Devil's Advocates)
by Amy SimmonsWritten and directed by Lars von Trier, one of the most influential and provocative filmmakers working today, Antichrist (2009), tells a story of parental loss, mourning and despair that result from the tragic death of a child. When the film screened at the 2009 Cannes Film Festival, it split audiences down the middle. <P><P>Some attacked von Trier for misogyny (amongst other things), while others defended him for creating a daring and poetic portrait of grief and separation. Dense, shocking, and thought-provoking, Antichrist is a film which calls for careful analysis and in her Devil's Advocate on the film Amy Simmons follows an account of the film's making with an in-depth consideration of the themes and issues arising from it – the ambiguous depiction of the natural world, the shifting gender power relations, its reflections on Christianity and the limitations of rationality. At the film's heart, says the author, is a heartbreaking depiction of grief-stricken parents, a confounding interplay between psychology and psychosis, misogyny, and empowerment.
Antifascism and the Avant-Garde: Radical Documentary in the 1960s
by Julia AlekseyevaLeftist filmmakers of the 1960s revolutionized the art of documentary. Often inspired by the radical art of the Soviet 1920s, filmmakers in countries like France and Japan dared to make film form a powerful weapon in the fight against fascism, weaving fiction into nonfiction and surrealism with neorealism to rupture everyday ways of being, seeing, and thinking. Through careful readings of Matsumoto Toshio, Jean-Luc Godard, Chris Marker, Agnès Varda, Hani Susumu, and others, Julia Alekseyeva shows that avant-garde documentary films of the 1960s did not strive to inoculate the viewer with the ideology of Truth but instead aimed to unveil and estrange, so that viewers might approach capitalist, imperialist, and fascist media with critical awareness. Antifascism and the Avant-Garde thus provides a transnational ecology of antifascist art that resonates profoundly with our current age.
Antigone
by Jean AnouilhUn décor neutre. Trois portes semblables. Au lever du rideau, tous les personnagessont en scène. Ils bavardent, tricotent, jouent aux cartes.Le Prologue se détache et s’avance. Antigone est une pièce en un acte de Jean Anouilh représentée pour la première fois au théâtre de l'Atelier à Paris le 4 février 1944, durant l'Occupation allemande, dans une mise en scène, des décors et des costumes d'André Barsacq.
Antigone: A New Adaptation of the Classic Greek Tragedy
by Hollie McNishA modern retelling of Sophocles' classic play, Antigone, by bestselling writer and poet Hollie McNishAs the daughter of Oedipus, Antigone was dealt a cruel hand at birth - even within the bounds of Grecian tragedy. When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.'[Hollie McNish] writes with honesty, conviction, humour and love . . . She's always been one of my favourites' Kae Tempest
Antigone: A New Adaptation of the Classic Greek Tragedy
by Hollie McNishA modern retelling of Sophocles' classic play, Antigone, by bestselling writer and poet Hollie McNishAs the daughter of Oedipus, Antigone was dealt a cruel hand at birth - even within the bounds of Grecian tragedy. When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.'[Hollie McNish] writes with honesty, conviction, humour and love . . . She's always been one of my favourites' Kae Tempest
Antiracism in Ballet Teaching
by Kate Mattingly Iyun Ashani HarrisonThis new collection of essays and interviews assembles research on teaching methods, choreographic processes, and archival material that challenges systemic exclusions and provides practitioners with accessible steps to creating more equitable teaching environments, curricula, classes, and artistic settings. Antiracism in Ballet Teaching gives readers a wealth of options for addressing and dismantling racialized biases in ballet teaching, as well as in approaches to leadership and choreography. Chapters are organized into three sections - Identities, Pedagogies, and Futurities - that illuminate evolving approaches to choreographing and teaching ballet, shine light on artists, teachers, and dancers who are lesser known/less visible in a racialized canon, and amplify the importance of holistic practices that integrate ballet history with technique and choreography. Chapter authors include award-winning studio owners, as well as acclaimed choreographers, educators, and scholars. The collection ends with interviews featuring ballet company directors (Robert Garland and Alonzo King), world-renowned scholars (Clare Croft, Thomas F. DeFrantz, Brenda Dixon Gottschild), sought-after choreographers (Jennifer Archibald and Claudia Schreier), and beloved educators (Keesha Beckford, Tai Jimenez, and Endalyn Taylor). This is an essential resource for anyone teaching or learning to teach ballet in the Twenty First Century.
Antisemitism in Film Comedy in Nazi Germany
by Valerie WeinsteinToday many Germans remain nostalgic about "classic" film comedies created during the 1930s, viewing them as a part of the Nazi era that was not tainted with antisemitism. In Antisemitism in Film Comedy in Nazi Germany, Valerie Weinstein scrutinizes these comic productions and demonstrates that film comedy, despite its innocent appearance, was a critical component in the effort to separate "Jews" from "Germans" physically, economically, and artistically. Weinstein highlights how the German propaganda ministry used directives, pre- and post-production censorship, financial incentives, and influence over film critics and their judgments to replace Jewish "wit" with a slower, simpler, and more direct German "humor" that affirmed values that the Nazis associated with the Aryan race. Through contextualized analyses of historical documents and individual films, Weinstein reveals how humor, coded hints and traces, absences, and substitutes in Third Reich film comedy helped spectators imagine an abstract "Jewishness" and a "German" identity and community free from the former. As resurgent populist nationalism and overt racism continue to grow around the world today, Weinstein’s study helps us rethink racism and prejudice in popular culture and reconceptualize the relationships between film humor, national identity, and race.
Anton Chekhov at the Moscow Art Theatre: Illustrations of the Original Productions
by Vera GottliebThe Moscow Art Theatre is still recognized as having more impact on modern theatre than any company in the world. This lavishly illustrated and beautifully produced facsimile edition of a Russian journal from 1914 documents, photographically, the premieres of all of Anton Chekhov's plays produced by the Moscow Art Theatre, including:*The Seagull, *Three Sisters*Uncle Vanya*Cherry Orchard*Ivanov.Edited by renowned theatre historian Vera Gottlieb, the volume also reproduces - for the first time in an English translation - introductions by Stanislavsky's collaborators Nemirovich-Danchenko and Efros. With 175 unique photographs, this is a significant contribution to our understanding of the origins of today's theatre.
Antonia Mercé, “LaArgentina”: Flamenco and the Spanish Avant Garde
by Ninotchka BennahumAntonia Mercé, stage-named La Argentina, was the most celebrated Spanish dancer of the early 20th century. Her intensive musical and theatrical collaborations with members of the Spanish vanguard -- Manuel de Falla, Frederico García Lorca, Enrique Granados, Néstor de la Torre, Joaquín Nín, and with renowned Andalusian Gypsy dancers -- reflect her importance as an artistic symbol for contemporary Spain and its cultural history. When she died in 1936, newspapers around the world mourned the passing of the "Flamenco Pavlova."
Antonietta
by John HerseyA saga of a magnificent violin, "Antonietta", named after a beautiful woman who was the inspiration of Antonio Stradivari's later years. As Hersey brings Mozart, Berlioz, and Stravinsky to life, he offers us a marvelous celebration of the changing character and eternal art and power of music.
Antonine Maillet: Les trésors cachés - Our Hidden Treasures (The Symons Medal Series/Collection de la Médaille Symons)
by Antonine MailletA veritable artist, Maillet becomes a “creator of sounds, of colours, of forms and words.” As she speaks, she paints a vast landscape of mountains and oceans, history and story, using the tools on her palette: blending the colours of myths and those of contemporary issues, creating an epic poem in a profoundly personal voice. This country she portrays is both young and old, speaks two languages, has a rich subconscious, and aspirations. She ends her lecture by re-telling a story originally written by Rabelais— which, incidentally, was penned the same year as the discovery of America. The grande dame of storytelling uses her art to make an appeal for solidarity, in favour of the protection of cultures and the preservation of languages. Will her country, she asks, the one made “of many faces” and paradoxes, “be able to give nations of diverse origins their rightful place?” Renowned, notably, for her iconic play La Sagouine, Antonine Maillet received the prestigious Prix Goncourt for her novel Pélagie-la-Charette, thereby becoming the first non-European laureate of the most prestigious award in France. Since then, she has published over twenty novels and many plays, and also translated several celebrated authors such as Shakespeare. She is the recipient of numerous literary awards, including the Governor General Literary Award, the Royal Society of Canada’s Lorne Pierce Medal, and the Prix Goncourt. This book is bilingual.
Antonio Triana and the Spanish Dance: A Personal Recollection (Choreography and Dance Studies Series #Vol. 6)
by Rita Vega de TrianaThis book also traces the evolution of the Spanish Dance technique, marked as it is by a turbulent history. Antonio Triana was a dancer of mature artistry, dignity and power. His physical and technical achievements went beyond what is generally known about Spanish Dance. His dance presented the essence of the Spanish character and, in his choreography, he used his traditional background for his brilliant inspirations. He partnered the legendary La Argentinita, Pilar Lopez and Carmen Amaya with spirit and gallantry. Over the years he developed a very distinct method of teaching and he became one of the foremost Spanish Flamenco dancers and teachers of his time. Rita Vega de Triana formed the Triana Ballet Español with her late husband. She currently teaches Hispanic dance and related subjects at the University of Texas at El Paso and directs her own school as well as performing around the United States as a guest artist and choreographer.