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Applied Theatre and the Sustainable Development Goals: Crises, Collaboration, and Beyond (ISSN)
by Bobby Smith Taiwo Afolabi Abdul Karim HakibThis book is the first definitive publication to consider the intersections of applied theatre and the Sustainable Development Goals (SDGs) – a series of goals which have shaped development and social justice initiatives from 2015 to 2030.It brings together emerging and leading scholars and practitioners engaged in creative and community contexts globally. In so doing, the book offers critical insights to explore the convergences, complexities, and tensions of working within development frameworks, through theatre. Divided into three thematic areas, it maps out the ways in which applied theatre has related to the SDGs, examines issues with global collaborations, and, as 2030 approaches and the SDG era draws to a close, interrogates such practices, envisioning what the role of applied theatre might be in the post-SDG era. The book provokes reflection about this specific era of applied theatre and global development, as well as discussion regarding what comes next.This volume will be of importance to students, artists, scholars, practitioners, and policymakers working in applied theatre and the field of development.
Applied Theatre with Youth: Education, Engagement, Activism (Applied Theatre in Context)
by Lisa S. Brenner, Chris Ceraso, and Evelyn Diaz CruzApplied Theatre with Youth is a collection of essays that highlight the value and efficacy of applied theatre with young people in a broad range of settings, addressing challenges and offering concrete solutions. This book tackles the vital issues of our time—including, among others, racism, climate crisis, gun violence, immigration, and gender—fostering dialogue, promoting education, and inciting social change. The book is divided into thematic sections, each opening with an essay addressing a range of questions about the benefits, challenges, and learning opportunities of a particular type of applied theatre. These are followed by response essays from theatre practitioners, discussing how their own approach aligns with and/or diverges from that of the initial essay. Each section then ends with a moderated roundtable discussion between the essays’ authors, further exploring the themes, issues, and ideas that they have introduced. With its accessible format and clear language, Applied Theatre with Youth is a valuable resource for theatre practitioners and the growing number of theatre companies with education and community engagement programs. Additionally, it provides essential reading for teachers and students in a myriad of fields: education, theatre, civic engagement, criminal justice, sociology, women and gender studies, environmental studies, disability studies, ethnicity and race studies.
Applied Theatre: The Key Concepts (Routledge Key Guides)
by Kay HepplewhiteThis accessible book outlines the key ideas that define the global phenomenon of applied theatre, not only its theoretical underpinning, its origins and practice, but also providing eight real-life examples drawn from a diversity of forms and settings.The clearly arranged topic sections entitled When, What, Who, Why and Where emphasise the responsive nature of applied theatre, its social context and the importance of a beneficial outcome for participants, which can connect fields as disparate as health, criminal justice, education and migration. Labels and terms are explained, along with applied theatre’s core values, motivations and objectives, allowing the reader to build a coherent understanding of its distinguishing features.Applied Theatre: The Key Concepts is aimed at students, academics, artists and practitioners of applied theatre as well as those with an interest in this vital blend of social and creative practice.
Appreciating Dance: A Guide To The World's Liveliest Art
by Dance Horizons Editors Harriet LihsAppreciating Dance is a thorough and accurate history of various forms of dance, analyzing everything from social dance, and ballet to modern dance, tap, jazz, theatrical dance and contemporary dance. In it readers will find: a brief biography of notable dancers and choreographers; information needed to expand the enjoyment of performance; the intersection of dance and religion; the history of dance through the beginning of the 21st century; and budding dance trends. Every chapter in this fifth edition has been updated and revised with new information, including suggestions for YouTube viewing at the end of each chapter.
Appreciating Dance: A Guide to the World's Liveliest Art
by Harriet R. LihsWritten for the dance novice, this book is a concise, thorough, and accurate history of all forms of dance. It gives a brief biography of many of the notable dancers and choreographers who have contributed to each form of dance, and provides, in a nutshell, the information needed to expand the enjoyment of performance. It also details the history of dance from its earliest beginnings and covers the intersection of dance and religion, social dance, ballet, modern dance, tap, jazz, film dance, and contemporary dance.
Appreciating the Art of Television: A Philosophical Perspective (Routledge Advances in Television Studies)
by Ted NannicelliContemporary television has been marked by such exceptional programming that it is now common to hear claims that TV has finally become an art. In Appreciating the Art of Television, Nannicelli contends that televisual art is not a recent development, but has in fact existed for a long time. Yet despite the flourishing of two relevant academic subfields—the philosophy of film and television aesthetics—there is little scholarship on television, in general, as an art form. This book aims to provide scholars active in television aesthetics with a critical overview of the relevant philosophical literature, while also giving philosophers of film a particular account of the art of television that will hopefully spur further interest and debate. It offers the first sustained theoretical examination of what is involved in appreciating television as an art and how this bears on the practical business of television scholars, critics, students, and fans—namely the comprehension, interpretation, and evaluation of specific televisual artworks.
Appropriate Behavior (Queer Film Classics)
by Maria San FilippoPremiering at Sundance in 2014, Desiree Akhavan’s acclaimed debut feature, Appropriate Behavior, introduced the indie film world to the deadpan, irreverent wit that had already won over fans of her trailblazing LGBTQ web series The Slope. The first volume in the Queer Film Classics series to spotlight a work by and about a bisexual woman of colour, this book explores Appropriate Behavior as an instant classic of US indie filmmaking in the 2010s, as a radical reappropriation of straight and gay film genres, as an artist’s coming-of-age story, and as a model for feminist-queer creative collaboration. Less than a decade old, Appropriate Behavior captures an urban queer community imperilled by gentrification and homonormativity and serves as exemplar of an innovative wave of independent cinema not yet subsumed by the streaming economy. Maria San Filippo explores how filmmaker and film render a singular voice and story that queers not only its celebrated romcom predecessors but also the gay coming-out film and the lesbian romance alike. The book concludes with an interview with Akhavan.San Filippo pays special tribute to Akhavan’s audacious sensibility and the “inbetweener” moxie that makes Appropriate Behavior an unparalleled portrayal of bisexuality.
Appropriations of Irish Drama in Modern Korean Nationalist Theatre (Routledge Advances in Theatre & Performance Studies)
by Hunam YunThis book investigates the translation field as a hybrid space for the competing claims between the colonisers and the colonised. By tracing the process of the importation and appropriation of Irish drama in colonial Korea, this study shows how the intervention of the competing agents – both the colonisers and the colonised – formulates the strategies of representation or empowerment in the rival claims of the translation field. This exploration will be of great interest to students and scholars of theatre and performance studies, translation studies, and Asian studies.
April Fools' Week
by Gaby FeBlandMeet the many generations of the great Dinostein Pranksters! In this family, April Fools' lasts a whole week. It's a tradition that dates back to the Jurassic Period. But little Joelle maybe the best prankster yet!
Apropos of Nothing
by Woody AllenThe long-awaited, enormously entertaining memoir by one of the great artists of our time. In this candid and often hilarious memoir, the celebrated director, comedian, writer, and actor offers a comprehensive, personal look at his tumultuous life. <P><P> Beginning with his Brooklyn childhood and his stint as a writer for the Sid Caesar variety show in the early days of television, working alongside comedy greats, Allen tells of his difficult early days doing standup before he achieved recognition and success. With his unique storytelling pizzazz, he recounts his departure into moviemaking, with such slapstick comedies as Take the Money and Run, and revisits his entire, sixty-year-long, and enormously productive career as a writer and director, from his classics Annie Hall, Manhattan, and Annie and Her Sisters to his most recent films, including Midnight in Paris. <P><P> Along the way, he discusses his marriages, his romances and famous friendships, his jazz playing, and his books and plays. We learn about his demons, his mistakes, his successes, and those he loved, worked with, and learned from in equal measure. This is a hugely entertaining, deeply honest, rich and brilliant self-portrait of a celebrated artist who is ranked among the greatest filmmakers of our time. <P><P><b>A New York Times Bestseller</b>
Apropos of Nothing: Deconstruction, Psychoanalysis, and the Coen Brothers (SUNY series, Insinuations: Philosophy, Psychoanalysis, Literature)
by Clark BucknerThe Coen Brothers' films are rife with figures of absence. In The Big Lebowski, the Dude does nothing. He is put on the trail of a kidnapping that never happened, and solves the crime when he realizes that he paid the ransom with "a ringer for a ringer." The Hudsucker Proxy features a dupe who draws zeros throughout the film, enthusiastically proclaiming, "You know, for the kids!" Barton Fink is a film that revolves around the absence of a film. In Apropos of Nothing, Clark Buckner appeals to these and other figures of the void in the Coen Brothers' films in order to articulate the close proximity and ultimate opposition between Lacanian psychoanalysis and Derridean deconstruction. In the process, he situates both theories in relationship to Heidegger's existential phenomenology, and undertakes a comparative analysis of the negativity in death, language, drive, anxiety, visual perception, paternity, and the unconscious. Formulating one of the most theoretically rigorous readings of the Coens' oeuvre to date, Buckner also offers a readable overview of some central debates in late twentieth-century continental philosophy.
Apuntes sobre el mundo del revés. Una guía no oficial de Stranger Things
by Adams GuyLa guía definitiva para desvelar todos los secretos de Stranger Things . Devoraste Stranger Things en menos de una semana y acabar de verla te ha dejado con un vacío del tamaño de un Demogorgon. No te preocupes, tiene solución: Apuntes sobre el mundo del revés es una guía para descubrirlo todo sobre los orígenes de la serie. Incluye una incomparable banda sonora de los 80 y un montón de hechos tenebrosos, además de test graciosos y curiosidades para que estés preparado para disfrutar al máximo de la próxima temporada. Si quieres saber cuál es la influencia que Steven Spielberg ha tenido en la serie, qué libros de Stephen King deberías leer (spoiler: casi todos) o de dónde ha salido el nombre de David O'Bannon (el policía que encuentra el cadáver de Will), este es el libro perfecto para ti. Haz acopio de Eggos y viaja a Hawkins, Indiana. ¡Y que no se te olviden las luces de Navidad!
Aquarius: The Art of Living Well and Finding Happiness According to Your Star Sign
by Sally KirkmanYou are an Aquarius. You are the innovative thinker and social agent of the zodiac.The signs of the zodiac can give us great insight into our day-to-day living as well as the many talents and qualities we possess. But in an increasingly unpredictable world, how can we make sense of them? And what do they mean? This insightful and introductory guide delves deep into your star sign, revealing unique traits and meanings which you didn't know. Along the way, you will discover how your sign defies your compatibility, how to improve your health and what your gifts are. ***The Pocket Astrology series will teach you how to live well and enhance every aspect of your life. From friendship to compatibility, careers to finance, you will discover new elements to your sign and learn about the ancient art of astrology. Other audiobooks in the series include: Aries, Taurus, Gemini, Cancer, Leo, Virgo, Libra, Scorpio, Sagittarius,Capricorn, Aquarius, Pisces(P)2018 Hodder & Stoughton Limited
Aquí no hay quien viva: Detrás de las cámaras: la delirante historia de esta nuestra comunidad
by Javier P. MartínEl libro definitivo de Aquí no hay quien viva solo podría resumirse en palabras del gran Juan Cuesta, presidente de esta nuestra comunidad: «¡Qué follón!» Alberto Caballero: Querían que no funcionara. Pensaron: «Que estos gilipollas emitan cinco, que están firmados por contrato, y que se vayan a la mierda». Loles León: «Ya lo decía el título: 'Aquí no hay quien viva'. Y efectivamente, ahí no había quien viviera».Fue la serie española más vista de la década de los 2000. Sus audiencias millonarias la convirtieron en la gallina de los huevos de oro. En cuestión de meses, los actores pasaron a tener las caras más conocidas del país. Dos décadas después sigue siendo un éxito en redes sociales y plataformas de streaming, gracias en parte a su capacidad para conquistar a cada nueva generación. Lo de Aquí no hay quien viva es único en la historia de la televisión española.Todo ello tiene aún más mérito cuando uno sabe cómo se hizo. Fue una apuesta en la que casi nadie creía, producida por el controvertido José Luis Moreno y creada y capitaneada por sus sobrinos, los por entonces inexpertos Alberto y Laura Caballero. La producción fue un caos diario en el que equipo técnico y reparto trabajaban a contrarreloj, y en jornadas interminables, para entregar a tiempo el episodio cada semana. Esta es la historia de un milagro televisivo, contada en palabras de los protagonistas. Este libro es la reconstrucción de tres años (¡solo tres años!) increíbles a través de más de medio centenar de entrevistas con las personas que los vivieron, de Fernando Tejero y Malena Alterio a los guionistas, pasando por técnicos y familiares.
Arab Film and Video Manifestos: Forty-Five Years of the Moving Image Amid Revolution (Palgrave Studies in Arab Cinema)
by Kay DickinsonArab Film and Video Manifestos presents, in their entirety, five key documents that have fundamentally shaken up and helped change the face of image culture in the Middle East and beyond. The book collects together, for the first time, these influential, collectively written calls and directives that span a fifty-year period and hail from a range of different countries. Each urges a radical rethinking of film and video’s role in culture, its relation to politics, and its potential to instigate profound change. Kay Dickinson carefully positions the manifestos within their broader socio-historical contexts and provides supplementary reading and viewing suggestions for readers who cannot access Arabic-language sources.
Arab Modernism as World Cinema: The Films of Moumen Smihi
by Peter LimbrickArab Modernism as World Cinema explores the radically beautiful films of Moroccan filmmaker Moumen Smihi, demonstrating the importance of Moroccan and Arab film cultures in histories of world cinema. Addressing the legacy of the Nahda or "Arab Renaissance" of the nineteenth and early twentieth century—when Arab writers and artists reenergized Arab culture by engaging with other languages and societies—Peter Limbrick argues that Smihi’s films take up the spirit of the Nahda for a new age. Examining Smihi’s oeuvre, which enacts an exchange of images and ideas between Arab and non-Arab cultures, Limbrick rethinks the relation of Arab cinema to modernism and further engages debates about the use of modernist forms by filmmakers in the Global South. This original study offers new routes for thinking about world cinema and modernism in the Middle East and North Africa, and about Arab cinema in the world.
Arabs, Politics, and Performance (ISSN)
by Samer Al-Saber Roaa Ali George PotterThis book is a ground-breaking collection on contemporary Arab theatre.Through three sections discussing occupation and resistance, diaspora, migration, and refugees, and nationalism and belonging, this study provides nuanced responses to the contested points of intersection between Arab culture and the West, as well as many of the major concerns within contemporary Arab theatre. The collection draws together scholars from the Middle East, North Africa, Europe, and the United States who write about Arab theatre and the representation of Arabs on European and American stages. It introduces concerns in contemporary Arab theatre, the regions in which Arab theatre is performed, and the issues with representations of Arabs onstage.This volume will be of great significance for those interested in expanding the range of global, postcolonial, African, Asian, or diasporic theatre that they study, teach, or stage.
Archaeologies of Presence
by Michael Shanks Gabriella Giannachi Nick KayeArchaeologies of Presence is a brilliant exploration of how the performance of presence can be understood through the relationships between performance theory and archaeological thinking. Drawing together carefully commissioned contributions by leading international scholars and artists, this radical new work poses a number of essential questions: What are the principle signifiers of theatrical presence? How is presence achieved through theatrical performance? What makes a memory come alive and live again? How is presence connected with identity? Is presence synonymous with 'being in the moment'? What is the nature of the ‘co-presence’ of audience and performer? Where does performance practice end and its documentation begin? Co-edited by performance specialists Gabriella Giannachi and Nick Kaye, and archaeologist Michael Shanks, Archaeologies of Presence represents an innovative and rewarding feat of interdisciplinary scholarship.
Archaeology of the Political Unconscious: Theater and Opera in East Berlin, 1967–1977 (ISSN)
by Jennifer WilliamsThis book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy.This volume investigates three case studies of how leading East Berlin stages excavated fragmentary materials from Weimar dramatist Bertolt Brecht’s oeuvre and repurposed them for their post‑fascist society: Uta Birnbaum’s 1967 Man Equals Man at the Berliner Ensemble, Joachim Herz’s 1977 Rise and Fall of the City of Mahagonny at the Komische Oper, and Heiner Muller’s own productions of his trailblazing plays. In each instance, reused theatrical artifacts dialectically expressed the contradictions inherent in East German political legitimacy, at once amplifying and critiquing it. Illuminated by original archival research and translations of letters and artistic ephemera published in English for the first time, and engaging with alternative East German feminist epistemologies, this book’s critical investigation of culture and political legitimacy in the shadow of Germany’s fascist past resonates beyond the Iron Curtain into the twenty‑first century. Its final chapter examines how performative artifacts influence the process of political legitimation in more recent history, ranging from Checkpoint Charlie tourism to the January 6, 2021 US insurrection.This study will be of great interest to students and scholars in theater and performance studies, art history, musicology, German studies, anthropology, and political science.
Archaic Modernism: Queer Poetics in the Cinema of Pier Paolo Pasolini (Queer Screens)
by Daniel HumphreyIn Archaic Modernism, Daniel Humphrey offers the first book-length, English-language examination of three adaptations of Greek tragedy produced by the gay and Marxist Italian filmmaker Pier Paolo Pasolini: Oedipus Rex (1967), Medea (1969), and Notes Towards an African Orestes (1970/1973). Considering Pasolini’s own theories of a "Cinema of Poetry" alongside Jacques Derrida’s concept of écriture, as well as more recent scholarship by queer theory scholars advocating for an antirelational and antisocial subjectivity, Humphrey maintains that Pasolini’s Greek tragedy films exemplify a paradoxical sense of "archaic modernism" that is at the very heart of the filmmaker’s project. More daringly, he contends that they ultimately reveal the queer roots of Western civilization’s formative texts. Archaic Modernism is comprised of three chapters. Chapter 1 focuses on Oedipus Rex, assessing both the filmic language employed and the deeply queer mythological source material that haunts the tragedy even as it remains largely at a subtextual yet palpable level. Chapter 2 extends and deepens the concept of queer fate and queer negativity in a scene-by-scene analysis of Medea. Chapter 3 looks at the most obscure of Pasolini’s feature length films, Notes Towards an African Orestes, a film long misunderstood as an unwitting failure, but which could perhaps best be understood as a deliberate, sacrificial act on the filmmaker’s part. Considering the film as the third in an informal, maybe unconscious, trilogy, Humphrey concludes his monograph by arguing that this "trilogy of myth" can best be understood as a deconstruction, gradually more and more severe, of three of the most important origin tales of Western civilization. Archaic Modernism makes the case that these three films are as essential as those Pasolini films more often studied in the Anglophone world: Mamma Roma, The Gospel According to Matthew, Teorema, The Trilogy of Life, and Salò, and that they are of continuing, perhaps even increasing, value today. This book is of specific interest to scholars, students, and researchers of film and queer studies.
Architecture and Choreography: Collaborations in Dance, Space and Time
by Beth WeinsteinArchitecture and Choreography: Collaborations in Dance, Space and Time examines the field of archi-choreographic experiments—unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers.Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline’s tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters.Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Architecture's Pretexts: Spaces of Translation
by Aarati KanekarThe aim of this book is to expose readers to architecture’s pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture. It introduces a selection of seminal modern and contemporary architectural projects, their situation within the built environment, and their intellectual and formal situation/context as pretexts and design paradigms. Connections between diverse bodies of information will be cultivated along with the ability to posit consequential relationships for the production of architecture. Architecture’s Pretexts seeks to cultivate a vision for architecture that sponsors operative links between the discipline of architecture and those outside of architecture. Exploring the works of various architects including Guiseppe Terragni, Peter Eisenman, Peter Zumthor, Perry Kulper and Smout Allen, and Rem Koolhaas, this book provides the framework to understanding architecture through the lens of art. Key concepts discussed are: allegories, diagrams, form, material, montage, movement, musical ratios, narrative sequence and representation. A valuable tool, with over 75 black and white illustrations, for students and professionals interested in interdisciplinary methods of design thinking.
Architecture, Actor and Audience (Theatre Concepts)
by Iain MackintoshUnderstanding the theatre space on both the practical and theoretical level is becoming increasingly important to people working in drama, in whatever capacity. Theatre architecture is one of the most vital ingredients of the theatrical experience and one of the least discussed or understood. In Architecture, Actor and Audience Mackintosh explores the contribution the design of a theatre can make to the theatrical experience, and examines the failings of many modern theatres which despite vigorous defence from the architectural establishment remain unpopular with both audiences and theatre people. A fascinating and provocative book.
Archival Storytelling: A Filmmaker's Guide To Finding, Using, And Licensing Third-party Visuals And Music
by Sheila Curran Bernard Kenn RabinArchival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.
Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
by Sheila Curran Bernard Kenn RabinFully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you’re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials—images, audio, or music that you yourself did not create—to use them in your work. This book explains what’s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.