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Sirens of Modernity: World Cinema via Bombay (Cinema Cultures in Contact #3)
by Samhita SunyaA free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
Sis, Don't Settle: How to Stay Smart in Matters of the Heart
by Faith JenkinsDATE SMARTER, MAKE BETTER DECISIONS IN LOVE, AND ACHIEVE THE RELATIONSHIP YOU DESERVE… IT ALL STARTS WITH NOT SETTLING! By day, Faith Jenkins is the host of Oxygen's Killer Relationship and former host of the nationally syndicated relationship show Divorce Court; by night, she&’s a happily married new mother who navigated these dating streets for years before learning how to attract the love of her dreams. When she turned 35 without a wedding ring in sight, like most women, she started getting tons of questions about not being married. But she made a decision: I. Will. Not. Settle. As an attorney and arbitrator, Faith has presided over hundreds of cases, and has helped couples avoid and resolve a wealth of drama. And she&’s seen it all! In Sis, Don&’t Settle, she&’s gathered an arsenal of love, wisdom and advice for women on how to play it smart. Modern culture would have women believe they can&’t have it all—and be smart, successful, strong women with authentic love to boot. Wrong. Told in her signature style—sometimes salty and sometimes sweet—Faith provides real solutions that will teach you how to thrive in relationships while avoiding common missteps and pitfalls. She delivers it straight, with no chaser, to show us how to level up, and reminds you that how you live single will set the tone for your success in relationships. Smart, illuminating, and, often laugh-out-loud funny, Sis, Don&’t Settle is the essential playbook that will help you build your confidence, generate better results in love, and land a high-value relationship once and for all. You&’ll find tips on topics like: Strong Independent Women…and the Men Who Love Them What&’s Worse than a Bad Relationship? Overextending Your Stay in One Becoming the Right Person to Attract the Right Person How to Release Trash Subconscious Beliefs that Keep You Settling And much more! Whether you&’re single, divorced, or in a situationship, Sis, Don&’t Settle reveals the direction and guidance you need to navigate love and take back your power.
Sistemas de películas: para el hogar (Como hacer... #20)
by Owen JonesSistemas de películas para el hogar Hola y gracias por comprar mi libro electrónico llamado 'Home Movie Systems'. Espero que encuentre la información útil, útil y rentable. La información en este libro electrónico sobre sistemas de películas caseras y temas relacionados es organizado en 17 capítulos de aproximadamente 500-600 palabras cada uno. Le ayudará a configurar un sistema de cine en casa, e incluso puede ayudarlo a aventurarse en una nueva carrera. Lo menos que hará es ahorrarle cientos de asesoramiento profesional. Como beneficio adicional, te estoy otorgando permiso para usar el contenido en tu propio sitio web o en tus propios blogs y boletines, aunque es mejor si los reescribes en tus propias palabras primero. También puede dividir el libro y revender los artículos. De hecho, el único derecho que no tiene es revender o regalar el libro tal como se le entregó. Si tiene algún comentario, por favor déjelo con la empresa que comprado este libro de. Puedes encontrar más libros como este allí también. Gracias de nuevo por comprar este libro electrónico, Respecto, Owen Jones
Sister Switch
by Beth GarrodA laugh-out-loud, modern take on the ever popular body-swap story from bestselling author Beth Garrod. Perfect for 9+ fans of Rachel Renée Russell's Dork Diaries and Alesha Dixon&’s Star Switch. Twelve-year-old Lily Mavers and her sister, Erin, do not get on. It doesn&’t help that Lily has nothing in common with her overachieving, Grade A student sister. But after an emergency trip to the oddly named Hairy Godmother salon, Lily and Erin leave with much more than a new look – they&’ve got a whole new life. Because the sisters have undergone a full-on body switch and they're about to find out that life in each other's shoes is much harder than it looks!Praise for Sister Switch: &‘World-class and whip-smart comedy magically mixed with a sweet message about sibling friendship. I absolutely loved it!&’ Sibéal Pounder, bestselling author of the Bad Mermaid series
Sisters in the Life: A History of Out African American Lesbian Media-Making (a Camera Obscura Book)
by Yvonne Welbon Alexandra JuhaszFrom experimental shorts and web series to Hollywood blockbusters and feminist porn, the work of African American lesbian filmmakers has made a powerful contribution to film history. But despite its importance, this work has gone largely unacknowledged by cinema historians and cultural critics. Assembling a range of interviews, essays, and conversations, Sisters in the Life tells a full story of African American lesbian media-making spanning three decades. In essays on filmmakers including Angela Robinson, Tina Mabry and Dee Rees; on the making of Cheryl Dunye's The Watermelon Woman (1996); and in interviews with Coquie Hughes, Pamela Jennings, and others, the contributors center the voices of black lesbian media makers while underscoring their artistic influence and reach as well as the communities that support them. Sisters in the Life marks a crucial first step in narrating the history and importance of these compelling yet unsung artists. Contributors. Jennifer DeVere Brody, Jennifer DeClue, Raul Ferrera-Balanquet, Alexis Pauline Gumbs, Thomas Allen Harris, Devorah Heitner, Pamela L. Jennings, Alexandra Juhasz, Kara Keeling, Candace Moore, Marlon Moore, Michelle Parkerson, Roya Rastegar, L. H. Stallings, Yvonne Welbon, Patricia White, Karin D. Wimbley
Sit, Ubu, Sit: How I Went from Brooklyn to Hollywood with the Same Woman, the Same Dog, and a Lot Less Hair
by Gary David GoldbergA sports-crazed kid from Bensonhurst, Brooklyn, Gary David Goldberg never imagined he'd end up in Hollywood, let alone make it big there. But as a twenty-five-year-old waiter in Greenwich Village he met Diana, the love of his life; followed her out to Northern California; then moved in and never moved out. He also, without realizing it, put himself on track to found UBU Productions (named after his beloved Labrador retriever) and become a successful creator of such family sitcoms asFamily Ties,Brooklyn Bridge, andSpin City. * InSit, Ubu, Sit, award-winning writer/producer Goldberg tells the mostly upbeat, sometimes difficult, and frequently hilarious tale of his improbable career and the people who have filled it. A love story and a rare behind-the-scenes look at the entertainment industry,Sit, Ubu, Sitproves that it is possible to be creative and successful while holding on to your integrity, your family, and your sense of humor. *with Bill Lawrence From the Hardcover edition.
Sitcom: A History in 24 Episodes from I Love Lucy to Community
by Saul AusterlitzA carefully curated tour through TV comedy series, this mixtape of fondly remembered shows surveys the genealogy of the form, the larger trends in its history, the best of what the genre has accomplished, and the most standard of its works. From I Love Lucy, The Phil Silvers Show, and M*A*S*H to Taxi, The Larry Sanders Show, and 30 Rock, this guide presents the sitcom as a capsule version of the 20th-century arts--realism giving way to modernism and then to postmodernism, all between the hours of 8 and 10pm on weeknights. Each chapter springs from an individual representative entity, including The Simpsons' "22 Short Films About Springfield," The Mary Tyler Moore Show's "Chuckles Bites the Dust," Seinfeld's "The Pitch," and Freaks and Geeks' "Dead Dogs and Gym Teachers," where Martin Starr's nerdy Bill takes comfort in--what else--the pleasures of laughing at TV.
Sitcoms and Culture (Comedy & Culture)
by James ShanahanDoes it matter what television we watch? Despite their stodgy reputation among many consumers of television, sitcoms, or situation comedies, have stuck around as a cornerstone of the television landscape.Sitcoms and Culture examines sitcoms as cultural artifacts ripe for exploration as they reflect the shifting landscapes of our society. From questions of social change to the portrayal of women and other racial, ethnic, and sexual minorities, sitcoms have evolved alongside the major social changes of the last half century. Using an interdisciplinary approach, author James Shanahan combines research on cultural indicators with an empirical methodology and cultural analysis to examine over 50 years of sitcoms to discern the reality of how these comedies have portrayed life to us across generations of television.Sitcoms and Culture helps us gain a deeper understanding of how sitcoms mirror and shape societal norms and of the pivotal role they have played in reflecting and influencing cultural trends.
Site Dance: Choreographers and the Lure of Alternative Spaces
by Melanie Kloetzel and Carolyn PavlikIn recent years, site-specific dance has grown in popularity. In the wake of groundbreaking work by choreographers who left traditional performance spaces for other venues, more and more performances are cropping up on skyscrapers, in alleyways, on trains, on the decks of aircraft carriers, and in a myriad of other unexpected locations worldwide.In Site Dance, the first anthology to examine site-specific dance, editors Melanie Kloetzel and Carolyn Pavlik explore the work that choreographers create for nontraditional performance spaces and the thinking behind their creative choices. Combining interviews with and essays by some of the most prominent and influential practitioners of site dance, they look at the challenges and rewards of embracing alternative spaces. The close examinations of the work of artists like Meredith Monk, Joanna Haigood, Stephan Koplowitz, Heidi Duckler, Ann Carlson, and Eiko Otake provide important insights into why choreographers leave the theatre to embrace the challenges of unconventional venues.Site Dance also includes more than 80 photographs of site-specific performances, revealing how the arts, and movement in particular, can become part of and speak to our everyday lives. Celebrating the often unexpected beauty and juxtapositions created by site dance, the book is essential reading for anyone curious about the way that these choreographers are changing our experience of the world one step at a time.
Site, Dance and Body: Movement, Materials and Corporeal Engagement
by Victoria HunterHow does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments?This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how ‘site-based body practice’ can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.
Site-Specific Art: Performance, Place and Documentation
by Nick KayeSite-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.
Sitting Pretty: The Life and Times of Clifton Webb (Hollywood Legends Series)
by Clifton WebbMore than any other male movie star, the refined Clifton Webb (1889-1966) caused the moviegoing public to change its image of a leading man. In a day when leading men were supposed to be strong, virile, and brave, Clifton Webb projected an image of flip, acerbic arrogance. He was able to play everything from a decadent columnist (Laura) to a fertile father (Cheaper by the Dozen and The Remarkable Mr. Pennypacker), delivering lines in an urbanely clipped, acidly dry manner with impeccable timing. Long before his film career began, Webb was a child actor and later a suavely effete song-and-dance man in numerous Broadway musicals and revues. The turning point in his career came in 1941 when his good friend Noël Coward cast him in Blithe Spirit. Director Otto Preminger saw Webb's performance and cast him in Laura in 1944. Webb began to write his autobiography, but he said that he eventually had gotten “bogged down” in the process. However, he did complete six chapters and left a hefty collection of notes that he intended to use in the proposed book. His writing is as witty and sophisticated as his onscreen persona. Those six chapters, information and voluminous notes, and personal research by coauthor David L. Smith provide an intimate view of an amazingly talented man's life and times.
Situated Knowing: Epistemic Perspectives on Performance (Routledge Advances in Theatre & Performance Studies)
by Ewa Bal and Mateusz ChaberskiSituated Knowing aims to critically examine performance studies’ ideological and socio-political underpinnings while also challenging the Anglo-centrism of the discipline. This book reworks the concept of situated knowledges put forward over thirty years ago by American biologist and philosopher Donna Haraway in order to challenge the Enlightenment paradigm of objectivity in sciences by emphasising the role of the embodied and partial socio-cultural perspective of the scholar in the production of knowledge. Through carefully selected case studies of contemporary natural, cultural and technological performances, contributors to this volume show that the proposed approach requires new genealogies of traditional concepts, emerges from encounters with contemporary performative arts or contact zones and may potentially go beyond the human in order to include non-human ways of being in the world. It will be of great interest to students and scholars of performance studies, cultural studies, media studies and theatre studies.
Situating Opera: Period, Genre, Reception
by Herbert LindenbergerSetting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.
Six Flags Great Adventure (Images of America)
by Thomas Benton Harry ApplegateBuilt in 1974 in New Jersey, Great Adventure was the larger-than-life dream of a larger-than-life personality, Warner LeRoy.The consummate showman, LeRoy had visions of a fantasy world of rides, shows, and animals in a beautiful and unspoiled woodland setting. In 1977, Great Adventure became a member of the Six Flags family of theme parks and has continued to grow ever since, with bigger and better attractions added each season. Six Flags Great Adventure revisits some of the park's past attractions, like the Garden of Marvels, Big Balloon, and Super Teepee, and illustrates the park's evolution into a state-of-the-art theme park enjoyed by a new generation of guests.
Six Flags Great Adventure (Images of Modern America)
by Thomas Benton Harry ApplegateBuilt in 1974, Great Adventure was the larger-than-life dream of a larger-than-life personality, Warner LeRoy. The consummate showman, LeRoy had visions of a fantasy world of rides, shows, and animals in a beautiful and unspoiled woodland setting. In 1977, Great Adventure became a member of the Six Flags family of theme parks and has continued to grow ever since, with bigger and better attractions added each season. Six Flags Great Adventure revisits some of the park's past attractions, like the Garden of Marvels, Big Balloon, and Super Teepee, and illustrates the park's evolution into a state-of-the-art theme park enjoyed by a new generation of guests.
Six Flags Great America (Images of Modern America)
by Steven W. WilsonMarriott’s Great America first opened in Gurnee, Illinois, on May 29, 1976. Located midway between Chicago and Milwaukee, it was the second of two Marriott Corporation theme parks. Great America was created to be a place where families could have fun together while gaining an appreciation for United States history. The park’s five authentically themed areas based on America’s past included the best in family and thrill rides, restaurants, specialty shops, artisans, and games. First-rate live entertainment included Broadway-style musicals, bands, parades, a circus, and the Warner Bros. characters featuring BUGS BUNNY. In 1984, the park became Six Flags Great America when it joined the Six Flags family of theme parks. Since then, the park has continued to innovate and expand. Today, including its 20-acre Hurricane Harbor water park, Six Flags Great America is one of the country’s finest theme parks. Since 1976, the park has entertained more than 100 million guests.
Six Flags Over Georgia
by Tim HollisWhen Six Flags Over Georgia opened in June 1967, it became the first theme park in the Southeast. Although the park is best known today for its high-speed roller coasters, this book recaptures its earlier years when it was devoted to the various periods of Georgia's history. Six Flags Over Georgia revisits such classic rides and attractions as the Log Jamboree, Tales of the Okefenokee, Jean Ribaut'sAdventure, the Krofft Puppet Theater, the Happy Motoring Freeway, and many others. It also explores how the park's focus changed and expanded over the decades and takes a look at some of its classic advertising and souvenirs.
Six Great Modern Plays
by Anton ChekhovA collection of modern--yet timeless--plays: "The Glass Menagerie," by Tennessee Williams; "All My Sons," by Arthur Miller; "Three Sisters," by Anton Chekhov; "The Master Builder," by Henrik Ibsen; "Mrs. Warren's Profession," by George Bernard Shaw; and "Red Roses for Me," by Sean O'Casey.
Six Men
by Alistair CookeDrawing on a lifetime of journalistic encounters with the great and the famous, Alistair Cooke profiles the six extraordinary men who impressed him the most Over the course of his sixty-year career as a broadcaster, television host, and newspaper reporter, Alistair Cooke met many remarkable people of the twentieth century. This entertaining and insightful collection shares his unique, often startling personal vision of six key figures from the worlds of literature, entertainment, and politics. They are: Charlie Chaplin, whom Cooke befriended in Hollywood and who courted controversy in his politics and romances; the charming-yet-naive Edward VIII, whose love affair changed the course of World War II; Humphrey Bogart, the first antihero hero onscreen and a sensitive gentleman at home; H. L. Mencken, brilliant, inspirational, and deeply flawed; Adlai Stevenson, whom Cooke labeled the failed saint; and Bertrand Russell, who had the courage and the audacity to try to make the world a better place. The subjects of Six Men are united by the deep complexities of their characters. In balancing informed details of their lives with an objectivity set against the ever-changing landscape of their times, Six Men is a master course in the art of concise biography.
Six Plays
by Lillian HellmanThese six plays span nearly twenty years of theatre and display the range of Lillian Hellman's dramatic gifts. The Children's Hour (1934), her first play, was considered shocking at the time; it concerns the devastating effects of a child's malicious charge of lesbianism against two of her teachers. Days to Come (1936) is about the tragic consequences of strike-breaking in a small Midwestern community. The Little Foxes (1939) and Another Part of the Forest (1946) together constitute a chilling study of the financial and psychological conflicts within the Hubbards, a wealthy and rapacious Southern family. Watch on the Rhine (1941), the story of how fascism affects an American family and the refugees they harbor, won the New York Drama Critics Circle Award. The Autumn Garden (1951) is a poignant yet humorous drama set at a summer resort near New Orleans.
Skateboarding and Femininity: Gender, Space-making and Expressive Movement (Routledge Advances in Theatre & Performance Studies)
by Dani AbulhawaSkateboarding and Femininity explores and highlights the value of femininity both within skateboarding and wider culture. This book examines skateboarding’s relationship to gender politics through a consideration of the personal politics connected to individual skateboarders, the social-spatial arenas in which skateboarding takes place, and by understanding the performance of tricks and symbolic movements as part of gender-based power dynamics. Dani Abulhawa anaylses the discursive frameworks connected to skateboarding philanthropic projects and how these operate through gendered tropes. Through the author’s work with skateboarding charity SkatePal, this book offers an alternative way of recognising the value of skateboarding philanthropy projects, proposing a move toward a more open and explorative somatic practice perspective.
Skeleton Cat
by Kristyn CrowA spooky Halloween read-aloud guaranteed to tickle the smallest funny bones! After nine lives, Skeleton Cat is back for his tenth. And he has big dreams: to be a drummer. So he rattles and shakes his way through town to find the perfect band.
Sketch Comedy: Identity, Reflexivity, and American Television
by Nick MarxA history of sketch comedy on American television and analysis of what it says about American culture and society.In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media.“An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University“A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
Sketch Comedy: Identity, Reflexivity, and American Television
by Nick MarxA history of sketch comedy on American television and analysis of what it says about American culture and society.In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media.“An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University“A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi