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Sociology on Film: Postwar Hollywood's Prestige Commodity
by Professor Chris CagleAfter World War II, Hollywood’s “social problem films”—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. In an era of film famed for its reliance on pop psychology, these movies were a form of popular sociology, bringing the academic discipline’s concerns to a much broader audience. Sociology on Film examines how the postwar “problem film” translated contemporary policy debates and intellectual discussions into cinematic form in order to become one of the preeminent genres of prestige drama. Chris Cagle chronicles how these movies were often politically fractious, the work of progressive directors and screenwriters who drew scrutiny from the House Un-American Activities Committee. Yet he also proposes that the genre helped to construct an abstract discourse of “society” that served to unify a middlebrow American audience. As he considers the many forms of print media that served to inspire social problem films, including journalism, realist novels, and sociological texts, Cagle also explores their distinctive cinematic aesthetics. Through a close analysis of films like Gentleman’s Agreement, The Lost Weekend, and Intruder in the Dust, he presents a compelling case that the visual style of these films was intimately connected to their more expressly political and sociological aspirations. Sociology on Film demonstrates how the social problem picture both shaped and reflected the middle-class viewer’s national self-image, making a lasting impact on Hollywood’s aesthetic direction.
Sofia Coppola: Interviews (Conversations with Filmmakers Series)
by Amy N. MonaghanSofia Coppola (b. 1971) was baptized on film. After appearing in The Godfather as an infant, it took twenty-five years for Coppola to take her place behind the camera, helming her own adaptation of Jeffrey Eugenides’s celebrated novel The Virgin Suicides. Following her debut, Coppola was the third woman ever to be nominated for Best Director and became an Academy Award winner for Best Original Screenplay for her sophomore feature, Lost in Translation. She has also been awarded the Golden Lion at the Venice Film Festival and Best Director at Cannes. In addition to her filmmaking, Coppola is recognized as an influential tastemaker. She sequenced the so-called Tokyo dream pop of the Lost in Translation soundtrack like an album, a success in its own right. Her third film, Marie Antoinette, further showcased Coppola’s ear for the unexpected needle drop, soundtracking the controversial queen’s life with a series of New Romantic bangers popular during the director’s adolescence. The conversations compiled within Sofia Coppola: Interviews mark the filmmaker’s progression from dismissed dilettante to acclaimed auteur of among the most visually arresting, melancholy, and wryly funny films of the twenty-first century. Coppola discusses her approach to collaboration, Bill Murray as muse, and how Purple Rain blew her twelve-year-old mind. There are interviews from major publications, but Coppola speaks with musician Kim Gordon for indie magazine Bust and Tavi Gevinson, then-adolescent founder of online teen magazine Rookie, as well. The volume also features a new and previously unpublished interview conducted with volume editor Amy N. Monaghan in which Coppola discusses her plans for the now-cancelled adaptation of The Custom of the Country. To read these interviews is to witness Sofia Coppola coming into her own as a world-renowned artist.
Sofia Coppola: The Politics of Visual Pleasure
by Anna Backman RogersA feminist study of the mood, texture, tone, and multifaceted meaning of director Sofia Coppola’s aesthetic through her most influential and well-known films. A Choice Outstanding Academic Title 2019 “With this book Rogers has produced a sophisticated and impassioned analysis of Coppola’s work… Rogers’s main argument – that Coppola manipulates pleasurable images to unsettle rather than mollify us – is utterly convincing. If nothing else, this certainly hits home in relation to my own enchantment with Coppola’s work.”—Bright Lights Film Journal All too often, the movies of Sofia Coppola have been dismissed as “all style, no substance.” But such an easy caricature, as this engaging and accessible survey of Coppola’s oeuvre demonstrates, fundamentally misconstrues what are rich, ambiguous, meaningful films. Drawing on insights from feminist philosophy and psychology, the author here takes an original approach to Coppola, exploring vital themes from the subversion of patriarchy in The Virgin Suicides to the “female gothic” in The Beguiled. As Rogers shows, far from endorsing a facile and depoliticized postfeminism, Coppola’s films instead deploy beguilement, mood, and pleasure in the service of a robustly feminist philosophy. From the Introduction: Sofia Coppola possesses a highly sophisticated and intricate knowledge of how images come to work on us; that is, she understands precisely how to construct an image – what to add in and what to remove – in order to achieve specific moods, tones and cinematic affects. She knows that similar kinds of images can have vastly different effects on the viewer depending on their context…. This monograph is an extended study of Coppola’s outstanding ability to think through and in images.
Soft Is Fast: Simone Forti in the 1960s and After
by Meredith MorseAn innovative analysis of Simone Forti's interdisciplinary art, viewing her influential 1960s “dance constructions” as negotiating the aesthetic strategies of John Cage and Anna Halprin.Simone Forti's art developed within the overlapping circles of New York City's advanced visual art, dance, and music of the early 1960s. Her “dance constructions” and related works of the 1960s were important for both visual art and dance of the era. Artists Robert Morris and Yvonne Rainer have both acknowledged her influence.Forti seems to have kept one foot inside visual art's frames of meaning and the other outside them. In Soft Is Fast, Meredith Morse adopts a new way to understand Forti's work, based in art historical analysis but drawing upon dance history and cultural studies and the history of American social thought. Morse argues that Forti introduced a form of direct encounter that departed radically from the spectatorship proposed by Minimalism, and prefigured the participatory art of recent decades.Morse shows that Forti's work negotiated John Cage's ideas of sound, score, and theater through the unique approach to movement, essentially improvisational and grounded in anatomical exploration, that she learned from performer and teacher Ann (later Anna) Halprin. Attentive to Robert Whitman's and La Monte Young's responses to Cage, Forti reshaped Cage's concepts into models that could accommodate Halprin's charged spaces and imagined, interpenetrative understanding of other bodies.Morse considers Forti's use of sound and her affective use of materials as central to her work; examines Forti's text pieces, little discussed in art historical literature; analyzes Huddle, considered one of Forti's signature works; and explicates Forti's later improvisational practice. Forti has been relatively overlooked by art historians, perhaps because of her work's central concern with modes of feeling and embodiment, unlike other art of the 1960s, which was characterized by strategies of depersonalization and affectlessness. Soft Is Fast corrects this critical oversight.
Soft Lad: A collection of stories (about me)
by Nick GrimshawThe debut book from much-loved Radio Royalty, DJ and TV personality, Nick Grimshaw.In Soft Lad, for the first time, Grimmy will share his outlooks, surprising obsessions and personal experiences with the world, in audiobook form, from his 14 year career climbing to the helm of the Radio 1 breakfast show, he'll discuss everything from his love of music through to self-care and partying, Red Nose Day, coming out, dogs, family, ADHD, Catholicism, and his journey from Oldham, Lancashire to the bright lights and big city of London - with all that he's seen in-between. These are his very best tales and learnings about himself from things gone right and wrong, with all the high and lows, that will make listeners laugh, cry and feel completely nostalgic. It is a heartfelt read that's unmistakeably Grimmy.(P)2022 Hodder & Stoughton Limited
Soft Lad: Coming-of-age Stories
by Nick GrimshawComing-of-age stories from much loved radio royalty, DJ and TV personality Nick Grimshaw - now with a new chapter.'Hilarious and quintessentially Nick. Unapologetically himself always, and that's what I love the most' Dua Lipa'Very funny, very sweet and full of charm -- a bit like the man himself' Graham NortonFrom partying with pop stars and chatting breeze on the radio, to drinking too much, to not drinking at all, to growing up, coming out, general nonsense, the journey from self-loathing to self-care and making dreams come true. These are Grimmy's brilliant, nostalgic coming-of-age tales, covering life's pivotal moments, the loves, the losses, and the fun had with the family and friends that made him. Heart-breaking and heartening in equal measure, Nick will have you laughing out loud, feeling all the emotions and (potentially) having a good cry.'A snapshot of his formative moments that feel relatable, emotional and downright unfiltered . . . like a good long chat with a mate you have always adored' Glamour'One of those fearlessly honest books that manages to be moving and thought-provoking and funny at the same time. A bit like him really' Emily Dean, The Times'Personal and beautifully written . . . I can't recommend it enough' Tom Allen, Virgin Radio
Soft Lad: Coming-of-age Stories
by Nick GrimshawComing-of-age stories from much loved radio royalty, DJ and TV personality Nick Grimshaw - now with a new chapter.'Hilarious and quintessentially Nick. Unapologetically himself always, and that's what I love the most' Dua Lipa'Very funny, very sweet and full of charm -- a bit like the man himself' Graham NortonFrom partying with pop stars and chatting breeze on the radio, to drinking too much, to not drinking at all, to growing up, coming out, general nonsense, the journey from self-loathing to self-care and making dreams come true. These are Grimmy's brilliant, nostalgic coming-of-age tales, covering life's pivotal moments, the loves, the losses, and the fun had with the family and friends that made him. Heart-breaking and heartening in equal measure, Nick will have you laughing out loud, feeling all the emotions and (potentially) having a good cry.'A snapshot of his formative moments that feel relatable, emotional and downright unfiltered . . . like a good long chat with a mate you have always adored' Glamour'One of those fearlessly honest books that manages to be moving and thought-provoking and funny at the same time. A bit like him really' Emily Dean, The Times'Personal and beautifully written . . . I can't recommend it enough' Tom Allen, Virgin Radio
Sofía Acosta Makes a Scene
by Emma OtheguyA poignant, coming of age story about a Cuban-American girl trying to figure out where she belongs--both in her ballet-loving family and the wider world. Perfect for fans of Front Desk and Merci Suárez Changes Gears.It&’s a good thing Sofía Acosta loves dreaming up costumes, because otherwise she&’s a ballet disaster—unlike her parents, who danced under prima ballerina Alicia Alonso before immigrating to the suburbs of New York. Luckily, when the Acostas host their dancer friends from Cuba for a special performance with the American Ballet Theatre, Sofía learns there&’s more than dance holding her family together. Between swapping stories about Cuba and sharing holiday celebrations, the Acostas have never been more of a team. Then Sofía finds out about the dancers&’ secret plans to defect to the United States, and makes a serious mistake—she confides in her best friend, only to discover that Tricia doesn't want "outsiders" moving to their community. Now Sofía wonders what the other neighbors in her tight-knit suburban town really think of immigrant families like hers. Sofía doesn&’t want to make a scene, but if she doesn&’t speak up, how will she figure out if her family really belongs?
Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan YoungDespite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within postwar British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Soho on Screen: Cinematic Spaces of Bohemia and Cosmopolitanism, 1948-1963
by Jingan YoungDespite Soho’s rich cultural history, there remains an absence of work on the depiction of the popular neighbourhood in film. Soho on Screen provides one of the first studies of Soho within post-war British cinema. Drawing upon historical, cultural and urban studies of the area, this book explores twelve films and theatrically released documentaries from a filmography of over one hundred Soho set productions. While predominantly focusing on low-budget, exploitation films which are exemplars of British and international filmmaking, Young also offers new readings of star and director biographies, from Laurence Harvey to Emeric Pressburger, and in so doing enlivens discussion on filmmaking in a time and place of intense social transformation, technological innovation and growing permissiveness.
Solace + Yearning – Poetry of Dance and Belonging: A Community Arts Project from Denmark, Western Australia
by Annette Carmichael‘Solace + Yearning’ layers landscape, poetry, eco-art and contemporary dance to create an immersive space for many voices: yearning to connect to country, grief for what is absent, and reaching towards an understanding of indigenous language and culture. “Along the edges, voices call softly, softly… the past speaking to the present.” This multi-arts collaboration explores ‘settler guilt’ and ‘solastalgia’—a sense of loss caused by environmental change—in a small rural community. The work unravels contradictory and complicated feelings about Australia’s stories, the assumed advantage of non-indigenous Australians, and yet our deep longing for the wisdom and connection intrinsic in indigenous cultures. “It is beneath the bark where stories are whispered and life rises to stitch together this river with this sky.” Performed in Denmark, Western Australia in 2012, and again as a solo performance by Annette Carmichael in 2014, these images and reflections portray a complex relationship between people and place. “Sometimes, sometimes I make the mistake of thinking that what has not been written down has been forgotten.” With gratitude to Joey Williams, Wayne Webb, Toni Webb, and Harley Coyne, who walked the trail with us and generously shared their Noongar culture and stories.
Sold to the Man With the Tin Leg
by Philip SerrellWhen Philip Serrell - now well known for his television appearances - gave up teaching to become a professional auctioneer, he thought he was embarking on a sensible and safe career . . . a quiet life in the country with no surprises. In THE AUCTIONEER'S LOT we found out how wrong he was. SOLD TO THE MAN WITH THE TIN LEG Philip describes more of his extraordinary experiences as a country auctioneer, aided and abetted by some of the most colourful characters Worcestershire has to offer. From dodgy cars to fakes in the saleroom; angry livestock, mangled silverware and tortuous - not to mention muddy - experiences in local markets and farm sales, Philip has been there, done that and got the hoofprints on his suit to prove it. And of course, there's the return¬? Philip's tin-legged boss . . .
Sold to the Man With the Tin Leg
by Philip SerrellWhen Philip Serrell - now well known for his television appearances - gave up teaching to become a professional auctioneer, he thought he was embarking on a sensible and safe career . . . a quiet life in the country with no surprises. In THE AUCTIONEER'S LOT we found out how wrong he was. SOLD TO THE MAN WITH THE TIN LEG Philip describes more of his extraordinary experiences as a country auctioneer, aided and abetted by some of the most colourful characters Worcestershire has to offer. From dodgy cars to fakes in the saleroom; angry livestock, mangled silverware and tortuous - not to mention muddy - experiences in local markets and farm sales, Philip has been there, done that and got the hoofprints on his suit to prove it. And of course, there's the return  Philip's tin-legged boss . . .
Soldiers' Stories: Military Women in Cinema and Television Since World War II
by Yvonne TaskerFrom Skirts Ahoy! to M*A*S*H, Private Benjamin, G. I. Jane, and JAG, films and television shows have grappled with the notion that military women are contradictory figures, unable to be both effective soldiers and appropriately feminine. In Soldiers' Stories, Yvonne Tasker traces this perceived paradox across genres including musicals, screwball comedies, and action thrillers. She explains how, during the Second World War, women were portrayed as auxiliaries, temporary necessities of "total war. " Later, nursing, with its connotations of feminine care, offered a solution to the "gender problem. " From the 1940s through the 1970s, musicals, romances, and comedies exploited the humorous potential of the gender role reversal that the military woman was taken to represent. Since the 1970s, female soldiers have appeared most often in thrillers and legal and crime dramas, cast as isolated figures, sometimes victimized and sometimes heroic. Soldiers' Stories is a comprehensive analysis of representations of military women in film and TV since the 1940s. Throughout, Tasker relates female soldiers' provocative presence to contemporaneous political and cultural debates and to the ways that women's labor and bodies are understood and valued.
Soldiers, Rebels, and Drifters: Gay Representation in Israeli Cinema
by Nir CohenA cultural history of gay filmmaking in Israel that explores its role in the rise of gay consciousness over the past three decades.
Solid Ivory: Memoirs
by James IvoryThe irreverent, brilliant memoirs of the legendary filmmaker James IvoryIn Solid Ivory, a carefully crafted mosaic of memories, portraits, and reflections, the Academy Award–winning filmmaker James Ivory, a partner in the legendary Merchant Ivory Productions and the director of A Room with a View, Howards End, Maurice, and The Remains of the Day, tells stories from his remarkable life and career as one of the most influential directors of his time. At times, he touches on his love affairs, looking back coolly and with unexpected frankness.From first meeting his collaborator and life partner, Ismail Merchant, at the Indian Consulate in New York to winning an Academy Award at age eighty-nine for Call Me by Your Name; from seeing his first film at age five in Klamath Falls, Oregon, to memories of Satyajit Ray, Jean Renoir, The New Yorker magazine’s film critic Pauline Kael (his longtime enemy), Vanessa Redgrave, J. D. Salinger, George Cukor, Kenneth Clark, Bruce Chatwin, Ruth Prawer Jhabvala, and Merchant—Ivory writes with invariable fluency, wit, and perception about what made him who he is and how he made the movies for which he is known and loved.Solid Ivory, edited by Peter Cameron, is an utterly winning portrait of an extraordinary life told by an unmatched storyteller.
Solo: Solo: A Star Wars Story (DK Readers Level 2)
by DKYoung readers will love this Han Solo book, packed with characters and adventures from the new Star Wars™ movie, Solo: A Star Wars Story™. Discover the new heroes, villains, aliens, droids, and vehicles from the movie, plus fan-favorites Han, Chewie, Lando, and the Millennium Falcon. Improve your reading skills while learning about the world of young Han Solo. Solo: A Star Wars Story Han on the Run is a Level 2 Reader packed with fun facts for kids who are beginning to read. It is part of an innovative DK series of leveled reading books that combine a highly visual approach with engaging non-fiction narratives.© & TM 2018 LUCASFILM LTD. Used Under Authorization.
Solo: Solo: A Star Wars Story (DK Readers Level 2)
by DKYoung readers will love this Han Solo book, packed with characters and adventures from the new Star Wars™ movie, Solo: A Star Wars Story™. Discover the new heroes, villains, aliens, droids, and vehicles from the movie, plus fan-favorites Han, Chewie, Lando, and the Millennium Falcon. Improve your reading skills while learning about the world of young Han Solo. Solo: A Star Wars Story Han on the Run is a Level 2 Reader packed with fun facts for kids who are beginning to read. It is part of an innovative DK series of leveled reading books that combine a highly visual approach with engaging non-fiction narratives.© & TM 2018 LUCASFILM LTD. Used Under Authorization.
Solve It! The Only Speedsolving Guide for Blind Cubers
by Paul MartzYou're blind. You interact with a sighted world by touch. Everything you do requires memory, agility, and concentration. Despite new challenges each day, you persevere and succeed. You're a problem solver. <P><P> If that's you, then you already possess the skills to solve the tactile Rubik's Cube™. <P><P> Solve It! is written for you—the blind cuber, solving a tactile cube by touch. It contains no illustrations or diagrams. Whether you read it with screen reading software or a braille display, Solve It! explains every step with 100% accessible plain text. <P><P> If you're new to the cube, this book features a solution that is easy to learn and master. But Solve It! goes beyond basic information. It includes a speedcubing method that will dramatically reduce your solution time. After you read this book, you'll be ready to solve competitively—something most blind cubers never attempt.
Somatic Voices in Performance Research and Beyond (Routledge Voice Studies)
by Christina KapadochaSomatic Voices in Performance Research and Beyond brings together a community of international practitioner-researchers who explore voice through soma or soma through voice. Somatic methodologies offer research processes within a new area of vocal, somatic and performance praxis. Voice work and theoretical ideas emerge from dance, acting and performance training while they also move beyond commonly recognized somatics and performance processes. From philosophies and pedagogies to ethnic-racial and queer studies, this collection advances embodied aspects of voices, the multidisciplinary potentialities of somatic studies, vocal diversity and inclusion, somatic modes of sounding, listening and writing voice. Methodologies that can be found in this collection draw on: eastern traditions body psychotherapy-somatic psychology Alexander Technique, Feldenkrais Method Authentic Movement, Body-Mind Centering, Continuum Movement, Integrative Bodywork and Movement Therapy Fitzmaurice Voicework, Linklater Technique, Roy Hart Method post-Stanislavski and post-Grotowski actor-training traditions somaesthetics The volume also includes contributions by the founders of: Shin Somatics, Body and Earth, Voice Movement Integration SOMart, Somatic Acting Process This book is a polyphonic and multimodal compilation of experiential invitations to each reader’s own somatic voice. It culminates with the "voices" of contributing participants to a praxical symposium at East 15 Acting School in London (July 19–20, 2019). It fills a significant gap for scholars in the fields of voice studies, theatre studies, somatic studies, artistic research and pedagogy. It is also a vital read for graduate students, doctoral and postdoctoral researchers.
Some Enchanted Evenings: The Glittering Life and Times of Mary Martin
by David KaufmanMary Martin was one of the greatest stars of her day. Growing up in Texas, she was married early to Benjamin Hagman and gave birth to her first child, Larry Hagman. She was divorced even more quickly. Martin left little Larry with her parents and took off for Hollywood. She didn't make a dent in the movie industry and was lured to New York where she found herself auditioning for Cole Porter and his new show "Leave It to Me!". After she sang the bawdy "My Heart Belongs to Daddy", she ended up on the cover of Life magazine. Six years later, she became the Toast of Broadway when she starred in "South Pacific". After that, she flew as "Peter Pan", yodeled in "The Sound of Music", took "Hello, Dolly!" on the road and shared a four-poster with Robert Preston in "I Do! I Do!". Her personal life was just as interesting: In NYC, she met and married Richard Halliday, a closeted upper-class homosexual who adored her, Broadway and interior decorating (though probably not in that order). They were a powerful twosome. There were rumors about Martin, too, being in a lesbian relationship with both Janet Gaynor and Jean Arthur. Peopled with legends like Ethel Merman, Ezio Pinza, Noel Coward and a starry cast of thousands, David Kaufman's "Some Enchanted Evenings" is the delectable story of the one and only Mary Martin, a woman who described herself as a chicken farmer from Texas only to become Peter Pan and capture America's heart.
Some Kind of Genius: The Extraordinary Journey of Musical Savant Tony Deblois
by Antonia Felix Janice DebloisFor everyone whose heart was touched by the movie Rain Man, here is the inspiring true story of an exceptional autistic savant whose musical gifts thrill audiences the world over. Ever since he was born--blind and weighing less than two pounds--Tony DeBlois has been defying the odds and wildly surpassing others' expectations. Tony's story will hold special appeal for all who have seen him on the Today s how and Entertainment Tonight, etc.
Some Kind of Hero: The Remarkable Story of the James Bond Films
by Matthew Field Ajay Chowdhury George LazenbyFor over 50 years, Albert R. Broccoli’s Eon Productions has navigated the ups and downs of the volatile British film industry, enduring both critical wrath and acclaim in equal measure for its now legendary James Bond series. Latterly, this family run business has been crowned with box office gold and recognised by motion picture academies around the world. However, it has not always been plain sailing. Changing financial regimes forced 007 to relocate to France and Mexico; changing fashions and politics led to box office disappointments; and changing studio regimes and business disputes all but killed the franchise. And the rise of competing action heroes has constantly questioned Bond’s place in popular culture. But against all odds the filmmakers continue to wring new life from the series, and 2012’s Skyfall saw both huge critical and commercial success, crowning 007 as the undisputed king of the action genre. Some Kind of Hero recounts this remarkable story, from its origins in the early ‘60s right through to the present day, and draws on hundreds of unpublished interviews with the cast and crew of this iconic series.
Some Kind of Mirror: Creating Marilyn Monroe
by Amanda KonkleAlthough she remains one of the all-time most recognizable Hollywood icons, Marilyn Monroe has seldom been ranked among the greatest actors of her generation. Critics have typically viewed her film roles as mere extensions of her sexpot star persona. Yet this ignores both the subtle variations between these roles and the acting skill that went into the creation of Monroe’s public persona. Some Kind of Mirror offers the first extended scholarly analysis of Marilyn Monroe’s film performances, examining how they united the contradictory discourses about women’s roles in 1950s America. Amanda Konkle suggests that Monroe’s star persona resonated with audiences precisely because it engaged with the era’s critical debates regarding femininity, sexuality, marriage, and political activism. Furthermore, she explores how Monroe drew from the techniques of Method acting and finely calibrated her performances to better mirror her audience’s anxieties and desires. Drawing both from Monroe’s filmography and from 1950s fan magazines, newspaper reports, and archived film studio reports, Some Kind of Mirror considers how her star persona was coauthored by the actress, the Hollywood publicity machine, and the fans who adored her. It is about why 1950s America made Monroe a star, but it is also about how Marilyn defined an era.