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Ring Shout, Wheel About: The Racial Politics of Music and Dance in North American Slavery
by Katrina Dyonne ThompsonIn this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.
Ringmaster: Vince McMahon and the Unmaking of America
by Abraham Josephine RiesmanINSTANT NEW YORK TIMES BESTSELLER NPR&’s 2023 Books We Love &“Riveting, essential reading.&” —Rick Perlstein, author of Reaganland The definitive biography of Vince McMahon, former WWE chairman and CEO, charts his rise from rural poverty to the throne of one of the world&’s most influential media empires—and features never-before-seen research and exclusive interviews with more than 150 people who witnessed, aided, and suffered from his ascent.Even if you&’ve never watched a minute of professional wrestling, you are living in Vince McMahon&’s world. In his four decades as the defining figure of American pro wrestling, McMahon was the man behind Dwayne &“The Rock&” Johnson, &“Stone Cold&” Steve Austin, John Cena, Dave Bautista, Bret &“The Hitman&” Hart, and Hulk Hogan, to name just a few of the mega-stars who owe him their careers. For more than twenty-five years, he has also been a performer in his own show, acting as the diabolical &“Mr. McMahon&”—a figure who may have more in common with the real Vince than he would care to admit. Just as importantly, McMahon is one of Donald Trump&’s closest friends—and Trump&’s experiences as a performer in McMahon&’s programming were, in many ways, a dress rehearsal for the 45th President&’s campaigns and presidency. McMahon and his wife, Linda, are major Republican donors. Linda was in Trump&’s cabinet. McMahon makes deals with the Saudi government worth hundreds of millions of dollars. And for generations of people who have watched wrestling, he has been a defining cultural force. Accessible to anyone, regardless of wrestling knowledge, Ringmaster is an unauthorized, independent, investigative chronicle of Vince McMahon&’s origins and rise to supreme power. It is built on exclusive interviews with more than 150 people, from McMahon&’s childhood friends to those who accuse him of destroying their lives. Far more than just an athletics or entertainment biography, Ringmaster uses Vince&’s story as a new lens for understanding the contemporary American apocalypse.
Ringside Seat: John Cena
by Tracey WestJohn Cena is hands-down the most popular Superstar in the WWE. Our brand-new bio features 128 pages all about Cena and his life in and out of the ring, and includes 4 pages of full-color photos for fans to admire. Girls especially will love reading all about their favorite Superstar--and they can even test their knowledge with a special all-Cena quiz at the end of the book!
Ripped: How the Wired Generation Revolutionized Music
by Greg KotA decade ago the vast majority of mainstream music was funneled through a handful of media conglomerates. Now, more people are listening to more music from a greater variety of sources than at any time in history. And big corporations such as Viacom, Clear Channel, and Sony are no longer the sole gatekeepers and distributors, their monopoly busted by a revolution -- an uprising led by bands and fans networking on the Internet. Ripped tells the story of how the laptop generation created a new grassroots music industry, with the fans and bands rather than the corporations in charge. In this new world, bands aren't just musicmakers but self-contained multimedia businesses; and fans aren't just consumers but distributors and even collaborators. As the Web popularized bands and albums that previously would have been relegated to obscurity, innovative artists -- from Prince to Death Cab for Cutie -- started coming up with, and stumbling into, alternative ways of getting their music out to fans. Live music took on an even more significant role. TV shows and commercials emerged as great places to hear new tunes. Sample-based composition and mash-ups leapfrogged ahead of the industry's, and the law's, ability to keep up with them. Then, in 2007, Radiohead released an album exclusively on the Internet and allowed customers to name their own price, including $0.00. Radiohead's "it's up to you" marketing coup seized on a concept the old music industry had forgotten: the customer is always right. National radio host and critically acclaimed music journalist Greg Kot masterfully chronicles this story of how we went from $17.99 to $0.00 in less than a decade. It's a fascinating tale of backward thinking, forward thinking, and the power of music.
Ripping England!: Postwar British Satire from Ealing to the Goons (SUNY series, Horizons of Cinema)
by Roger RawlingsRipping England! investigates a fertile moment for British satire—the period between 1947 and 1953, which produced the films Passport to Pimlico, Kind Hearts and Coronets, and The Lavender Hill Mob, as well as the seminal radio program The Goon Show. Against the postwar background of fading empire, universal rationing, and the implementation of a welfare state, these satires laid the foundation for a new British cultural identity later fleshed out by the Angry Young Men, the Movement poets, the Social Realists, and those involved in the satire boom of the 1960s, which lives on even to this day.The peculiarity of these satires and the British identity they shaped is better understood when seen in relief against postwar cinematic cultures of Italy, France, and the United States. Roger Rawlings places postwar British film in the context of contemporaneous European national film movements and contrasts it with Hollywood's comedies and satires of the same period. British satires of the late forties and early fifties held up a mirror to a nation that was in the throes of change, moving from a colonial empire to an inward-turning island culture. Ripping England! looks at the all too often neglected miracle of postwar British cinema and popular culture.
Rise and Fall: A History of the World in Ten Empires
by Paul StrathernA dazzling new history of the world through ten major empires.Rise and Fall opens with the Akkadian Empire, which ruled over a vast expanse of the region of ancient Mesopotamia, then turns to the immense Roman Empire, where we trace back our western and eastern roots. Next Strathern describes how a great deal of western classical culture was developed in the Abbasid and Umayyid Caliphates. Then, while Europe was beginning to emerge from a period of cultural stagnation, it almost fell to a whirlwind invasion from the East, at which point we meet the Emperors of the Mongol Empire . . .Combining breathtaking scope with masterful concision, Paul Strathern traces connections across four millennia and sheds new light on these major civilizations - from the Mongol Empire and the Yuan Dynasty to the Aztec and Ottoman, through to the most recent and biggest Empires: the British, Russo-Soviet and American. Charting 5,000 years of global history in ten succinct chapters, Rise and Fall makes comprehensive and inspiring reading to anyone fascinated by the history of the world.(p) 2019 Hodder & Stoughton Ltd
The Rise and Fall of a Theater Geek
by Seth Rudetsky<P>Broadway, New York. The shows, the neon lights . . . the cute chorus boys! It's where Justin has always wanted to be--and now, with a winter internship for a famous actor, he finally has his chance to shine. If only he could ditch his kind, virtuous, upright, and--dare he say it?--uptight boyfriend, Spencer. <P>But once the internship begins, Justin has more to worry about than a cramped single-guy-in-the-city style. Instead of having his moment in the spotlight, he's a not-so-glorified errand boy. Plus, Spencer is hanging out with a celebra-hottie, Justin's best friend Becky isn't speaking to him, and his famous actor boss seems headed for flopdom. Justin's tap-dancing as fast as he can, but all his wit and sass might not be enough to switch his time in New York from nightmare-terrible to dream-come-true terrific. <P>Seth Rudetsky's second YA novel is endearingly human, laugh-out-loud funny, and for any kid who's ever aspired to Broadway but can only sneak in through the stage door.
Rise and Fly: Tall Tales and Mostly True Rules of Bid Whist
by Greg Morrison Yanick Rice Lamb"Proficiency in whist implies capacity for success in all these more important undertakings where mind struggles against mind." --Edgar Allan Poe, "The Murders in the Rue Morgue". "Ha, ha, fool, ya lost! Rise and fly, %@#*!" --Uncle Ralph after running a Boston, Jones family reunion, 2002. Here's a rollicking celebration and guide to bid whist, the official game of family reunions, cookouts, backyard barbecues, and house parties. In Rise and Fly, veteran journalists Greg Morrison and Yanick Rice Lamb explore the deeper secrets of the game, including: * strategies for beating the stuffing out of your opponents * hints for successful trash-talking * the official rules and exotic variations to keep things interesting * tips for organizing tournaments * resources for taking your game to the next level * a whole slew of recipes for whist-worthy snacks. Full of history, lore, and the personal recollections of celebrities and regular folks alike, this is the first all-in-one book of bid whist, a treasure for anyone who's ever pulled up to the table and been dealt in.
Rise of a Killah
by Ghostface KillahThe story of the celebrated rapper and the iconic Wu-Tang Clan, told by one of its founding members Dennis Coles—aka Ghostface Killah—is a co-founder of the Wu-Tang Clan, a legendary hip hop group who established themselves by breaking all the rules, taking their music to the streets during hip hop’s golden era on a decade-long wave of releasing anthem after classic anthem, and serving as the foundation of modern hip hop. An all-star cast who formed like Voltron to establish the pillars that serve as the foundation of modern hip hop and released seminal albums that have stood the test of time.Rise of a Killah is Ghost’s autobiography, focusing on the people, places and events that mean the most to him as he enters his fourth decade writing and performing. It’s a beautiful and intense book, going back to the creative ferment that led to Ghost’s first handwritten rhymes. Dive into Ghost’s defining personal moments, his battles with his personal demons, his journey to Africa, his religious viewpoints, his childhood in Staten Island, and his commitment to his family (including his two brothers with muscular dystrophy), from the Clan’s early successes to the pinnacle of Ghost’s career touring and spreading his wings as a solo artist, fashion icon, and trendsetter. Exclusive photos and memorabilia, as well as graphic art commissioned for this book, make Rise of a Killah both a memoir and a unique visual record, a “real feel” narrative of Ghost’s life as he sees it, a one of a kind holy grail for Wu-Tang and Ghost fans alike.
The Rise of Cable Programming in the United States: Revolution or Evolution?
by Megan MullenIn 1971, the Sloan Commission on Cable Communications likened the ongoing developments in cable television to the first uses of movable type and the invention of the telephone. <P><P>Cable's proponents in the late 1960s and early 1970s hoped it would eventually remedy all the perceived ills of broadcast television, including lowest-common-denominator programming, inability to serve the needs of local audiences, and failure to recognize the needs of cultural minorities. Yet a quarter century after the "blue sky" era, cable television programming closely resembled, and indeed depended upon, broadcast television programming. Whatever happened to the Sloan Commission's "revolution now in sight"?
The Rise of the Victorian Actor (Routledge Library Editions: Victorian Theatre #1)
by Michael BakerOriginally published in 1978. Between 1830 and 1890 the English theatre became recognisably modern. Standards of acting and presentation improved immeasurably, new playwrights emerged, theatres became more comfortable and more intimate and playgoing became a national pastime with all classes. The actor’s status rose accordingly. In 1830 he had been little better than a social outcast; by 1880 he had become a member of a skilled, relatively well-paid and respected profession which was attracting new recruits in unprecedented numbers. This is a social history of Victorian actors which seeks to show how wider social attitudes and developments affected the changing status of acting as a profession. Thus the stage’s relationship with the professional world and the other arts is dealt with and is followed by an assessment of the moral and religious background which played so decisive a part in contemporary attitudes to actors. The position of actresses in particular is given special consideration. Many non-theatrical sources are used here and there is a survey of salaries and working conditions in the theatre to show how the rising social status of the actor was matched by changes in his theatrical standing. A novel area of study is covered in tracing the changing social composition of the acting profession over the period and in exploring the case-histories of three generations of performers.
Rise of the Zombie Scarecrows (Orca Currents)
by Deb LougheadDylan is back, and this time he is making a movie, The Rise of the Zombie Scarecrows, with his best friend, Cory, and his girlfriend, Monica. The film is for school credit, and their plan is to film on Halloween. Everything is falling into place until Dylan and Monica encounter a zombie scarecrow that causes Mr. Dalton, a friend of Dylan's grandmother, to have a heart attack. Dylan and Monica learn that a couple of zombie scarecrows are pranking a local neighborhood. The police shut down Dylan's project until the pranksters are caught. But Dylan is determined to see his film through to completion, no matter what the cost.
The Rise of Transtexts: Challenges and Opportunities (Routledge Research in Cultural and Media Studies)
by Benjamin W.L. Derhy Kurtz Mélanie BourdaaThis volume builds on previous notions of transmedia practices to develop the concept of transtexts, in order to account for both the industrial and user-generated contributions to the cross-media expansion of a story universe. On the one hand exists industrial transmedia texts, produced by supposedly authoritative authors or entities and directed to active audiences in the aim of fostering engagement. On the other hand are fan-produced transmedia texts, primarily intended for fellow members of the fan communities, with the Internet allowing for connections and collaboration between fans. Through both case studies and more general analyses of audience participation and reception, employing the artistic, marketing, textual, industrial, cultural, social, geographical, technological, historical, financial and legal perspectives, this multidisciplinary collection aims to expand our understanding of both transmedia storytelling and fan-produced transmedia texts.
Rise to the Sun
by Leah JohnsonFrom the author of You Should See Me in a Crown, Leah Johnson delivers a stunning novel about being brave enough to be true to yourself, and learning to find joy even when times are unimaginably dark.Olivia is an expert at falling in love . . . and at being dumped. But after the fallout from her last breakup has left her an outcast at school and at home, she’s determined to turn over a new leaf. A crush-free weekend at Farmland Music and Arts Festival with her best friend is just what she needs to get her mind off the senior year that awaits her.Toni is one week away from starting college, and it’s the last place she wants to be. Unsure about who she wants to become and still reeling in the wake of the loss of her musician-turned-roadie father, she’s heading back to the music festival that changed his life in hopes that following in his footsteps will help her find her own way forward.When the two arrive at Farmland, the last thing they expect is to realize that they’ll need to join forces in order to get what they’re searching for out of the weekend. As they work together, the festival becomes so much more complicated than they bargained for. Olivia and Toni will find that they need each other, and music, more than they ever could have imagined.Packed with irresistible romance and irrepressible heart, bestselling author Leah Johnson delivers a stunning and cinematic story about grief, love, and the remarkable power of music to heal and connect us all.
Rise Up: The #Merky Story So Far
by Stormzy*A 2018 BOOK OF THE YEAR*‘An inspirational must-read.’ Evening Standard‘A very important book.’ Will Gompertz, BBC‘A motivational, inspirational oral history.’ Nikesh Shukla, iNews‘Don’t sleep on it... the future is looking #Merky.’ Metro______________________‘It’s been a long time coming, I swear...’ In four years Stormzy has risen from one of the most promising musicians of his generation to a spokesperson for a generation. Rise Up is the story of how he got there. It’s a story about faith and the ideas worth fighting for. It’s about knowing where you’re from, and where you’re going. It’s about following your dreams without compromising who you are.Featuring never-before-seen photographs, lyrics and contributions from Team #Merky, Rise Up is the #Merky story, and the record of a journey unlike any other.______________________Edited and Co-written by Jude YawsonContributions by Team #MerkyImages by Kaylum Dennis
Rising Sun, Divided Land: Japanese and South Korean Filmmakers
by Kate Taylor-JonesRising Sun and Divided Land provides a comprehensive, scholarly examination of the historical background, films, and careers of selected Korean and Japanese film directors. It examines eight directors: Fukasaku Kinji, Im Kwon-teak, Kawase Naomi, Miike Takashi, Lee Chang-dong, Kitano Takeshi, Park Chan-wook, and Kim Ki-duk and considers their work as reflections of personal visions and as films that engage with globalization, colonialism, nationalism, race, gender, history, and the contemporary state of Japan and South Korea. Each chapter is followed by a short analysis of a selected film, and the volume as a whole includes a cinematic overview of Japan and South Korea and a list of suggestions for further reading and viewing.
Risk in the Film Business: Known Unknowns (Routledge Research in the Creative and Cultural Industries)
by Michael FranklinThis book explores the complex, multifaceted and contested subject of risk in the film business. How risk is understood and managed has a substantial impact upon which films are financed, produced and seen. Founded on substantial original research accessing the highest level of industry practitioners, this book examines the intertwined activity of independents, large media companies including major studios, the international marketplace, and related audio-visual sectors such as high-end television. The book shows how risk is generally framed, or even intuited, rather than calculated, and that this process occurs across a sliding scale of formality. This work goes beyond broad creative industries characterisations of a "risky sector" and concentrations on Box Office return modelling, to provide a missing middle. This means a coherent analytic coverage of business organisation and project construction to address the complex practicalities that mobilise strategic operations in relation to risk, often in unseen business-to-business contexts. Informed by economic sociology’s concepts addressing market assemblage and valuation, alongside applications of science and technology studies to media and communications, the book respects both the powerful roles of social and institutional actors, and affordances of new technologies in dealing with the persistent known unknown – the audience. Examining a persistent business issue in a new way, this book analyses top level industry practice through established mechanisms, and innovations like data analytics. The result is a book that will be essential reading for scholars with an interest in the film business as well as risk management more broadly.
Risk, Participation, and Performance Practice: Critical Vulnerabilities in a Precarious World
by Alice O'GradyThis book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.
Risky Business: Rock in Film
by William D. RomanowskiThe role of motion pictures in the popularity of rock music became increasingly significant in the latter twentieth century. Rock music and its interaction with film is the subject of this significant book that re-examines and extends Serge Denisoff's pioneering observations of this relationship.Prior to Saturday Night Fever rock music had a limited role in the motion picture business. That movie's success, and the success of its soundtrack, began to change the silver screen. In 1983, with Flashdance, the situation drastically evolved and by 1984, ten soundtracks, many in the pop/rock genre, were certified platinum. Choosing which rock scores to discuss in this book was a challenging task. The authors made selections from seminal films such as The Graduate, Easy Rider, American Grafitti, Saturday Night Fever, Help!, and Dirty Dancing. However, many productions of the period are significant not because of their success, but because of their box office and record store failures.Risky Business chronicles the interaction of two major mediums of mass culture in the latter twentieth century. This book is essential for those interested in communications, popular culture, and social change.
Rita Moreno
by Rita MorenoIn this New York Times bestselling memoir, Rita Moreno shares her remarkable journey from a young girl with simple beginnings in Puerto Rico to Hollywood legend--and one of the few performers, and the only Hispanic, to win an Oscar, Grammy, Tony and two Emmys. Born Rosita Dolores Alverio in the idyll of Puerto Rico, Moreno, at age five, embarked on a harrowing sea voyage with her mother and wound up in the harsh barrios of the Bronx, where she discovered dancing, singing, and acting as ways to escape a tumultuous childhood. Making her Broadway debut by age thirteen--and moving on to Hollywood in its Golden Age just a few years later--she worked alongside such stars as Gary Cooper, Yul Brynner, and Ann Miller. When discovered by Louis B. Mayer of MGM, the wizard himself declared: "She looks like a Spanish Elizabeth Taylor." Cast by Gene Kelly as Zelda Zanders in Singin' in the Rain and then on to her Oscar-winning performance in West Side Story, she catapulted to fame--yet found herself repeatedly typecast as the "utility ethnic," a role she found almost impossible to elude. Here, for the first time, Rita reflects on her struggles to break through Hollywood's racial and sexual barriers. She explores the wounded little girl behind the glamorous façade--and what it took to find her place in the world. She talks candidly about her relationship with Elvis Presley, her encounters with Howard Hughes, and the passionate romance with Marlon Brando that nearly killed her. And she shares the illusiveness of a "perfect" marriage and the incomparable joys of motherhood. Infused with Rita Moreno's quick wit and deep insight, this memoir is the dazzling portrait of a stage and screen star who longed to become who she really is--and triumphed.
Rita Moreno: Memorias
by Rita MorenoEn esta lúcida autobiografía, Rita Moreno nos hace partícipes de su extraordinario periplo desde los sencillos inicios de su temprana niñez en Puerto Rico hasta que se convirtió en una leyenda de Hollywood y en una de las pocas artistas, y la única hispana, que ha ganado un Oscar, un Grammy, un Tony, y dos Emmy. A la edad de cinco años, Rosita Dolores Alverio, nacida en la idílica isla de Puerto Rico, se embarcó en una borrascosa travesía por mar con su madre, que la llevó hasta los turbulentos barrios del Bronx, donde descubrió que la danza, el canto y la actuación serían el escape de su accidentada niñez. A sus trece años, debutó en Broadway y poco después, en los años dorados de la meca del cine, se trasladó a Hollywood donde trabajó junto a estrellas de la talla de Gary Cooper, Yul Brynner, y Ann Miller. Cuando fue descubierta por Louis B. Mayer de MGM, el propio magnate declaró: "Ella parece una Elizabeth Taylor hispana”. Gene Kelly la eligió para interpretar el papel de Zelda Zanders en Singin’ in the Rain, que la lanzó a la fama y a su actuación ganadora del Oscar, en West Side Story. Pero durante mucho tiempo Moreno fue encasillada en el estereotipo de "versátil nativa” un rol que le fue casi imposible eludir. Aquí, por primera vez Rita reflexiona sobre su prolongada lucha por superar las barreras raciales y sexuales de Hollywood. Estudia a fondo la vulnerable jovencita que ocultaba su glamorosa fachada y cuánto le costó encontrar su lugar en el mundo. Habla con franqueza de su relación con Elvis Presley, de sus encuentros con Howard Hughes, y del apasionado romance con Marlon Brando que la llevó hasta un intento de suicidio. Y nos enseña los bemoles de un matrimonio "perfecto” y las incomparables alegrías de la maternidad. Impregnada del brillante desparpajo y la profunda perspicacia de Rita Moreno, esta autobiografía es el deslumbrante retrato de una estrella del teatro y el cine que anhelaba convertirse en lo que realmente es ella. . . y lo logró. .
Rita Moreno: A Little Golden Book Biography (Little Golden Book)
by Maria CorreaHelp your little one dream big with a Little Golden Book biographyabout EGOT-winning actor, singer, and dancer, Rita Moreno. Little Golden Book biographies are the perfect introduction to nonfiction for young readers!This Little Golden Book about Rita Moreno—Puerto Rican-born star of West Side Story and the first Latina to win an Oscar—is an inspiring read-aloud for young children, as well as their parents and grandparents who are fans.Look for more Little Golden Book biographies: • Betty White • Carol Burnett • Lucille Ball • Harry Belafonte • Julie Andrews • Dwayne Johnson
The Rite of Spring at 100 (Musical Meaning and Interpretation)
by John ReefWhen Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.
The Rite of Spring at 100
by Stephen Walsh Severine Neff Maureen Carr John Reef Gretchen HorlacherWhen Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory. This version also includes audio and visual supplements designed to enhance understanding of this classic piece.
Ritorno al parquet. Quick, quick, slow (Quick, quick, slow - Club di Danza Lietzensee #3)
by Annemarie Nikolaus Ilaria IgieniPer la prima volta dopo sedici anni Friederike osa tornare sul parquet: un grave incidente d'auto l'aveva costretta ad abbandonare il ballo da sala. La danza è invece diventata il suo argomento di ricerca e ha fatto carriera come professoressa di storia. Un collega diventa il suo nuovo compagno di ballo, poiché suo marito George non vuole prendere parte a un semplice gruppo di ballo come un dilettante: non sarebbe all'altezza della sua carica di presidente del Club di Danza Lietzensee. Tuttavia la sostiene quando lei vuole girare un film sulle danze del barocco con gli square dancer e la formazione latina del circolo. Ma d'un tratto vuole ballare personalmente le danze barocche con lei. Friederike si trova davanti a un dilemma: dall'incidente si era augurata di poter ballare di nuovo con suo marito. Però non vuole neanche deludere il suo collega. Troverà una scappatoia che non offenda nessuno dei due? Il romanzo appartiene alla serie "Quick, quick, slow - Club di Danza Lietzensee", scritta da più autrici. Ogni libro della serie è un romanzo a sé e può essere letto indipendentemente dagli altri.