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Arnold Wesker: A Casebook (Casebooks on Modern Dramatists)

by Reade W. Dornan

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

Around The World With Mark Twain

by Robert Cooper

On July 14, 1895, Samuel Langhorne Clemens, fifty-nine years old and deeply in debt, boarded a night train to Cleveland, launching a performance tour designed to alleviate his financial woes, and, more importantly, resuscitate his alter ego, Mark Twain. The journey took him to Fiji, Australia, New Zealand, India, and South Africa, and led to the resurrection of Twain as a celebrity. Equal parts travelogue, social history, and biography, Around the World with Mark Twain paints a decidedly different portrait of Clemens: a more tragic, darker figure who faced financial ruin and personal loss throughout his life. Around the World with Mark Twain delights while deepening our understanding of this magnificent personality.

Around the Way Girl: A Memoir

by Taraji P. Henson

From Taraji P. Henson, Academy Award nominee, Golden Globe winner, and star of the award-winning film Hidden Figures and the 2023 film The Color Purple, comes an inspiring and funny memoir—&“a bona fide hit&” (Essence)—about family, friends, the hustle required to make it in Hollywood, and the joy of living your own truth.With a sensibility that recalls her beloved screen characters, including Katherine, the NASA mathematician, Yvette, Queenie, Shug, and the iconic Cookie from Empire, Taraji P. Henson writes of her family, the one she was born into and the one she created. She shares stories of her father, a Vietnam vet who was bowed but never broken by life&’s challenges, and of her mother who survived violence both at home and on DC&’s volatile streets. Here, too, she opens up about her experiences as a single mother, a journey some saw as a burden but which she saw as a gift. Around the Way Girl is also a classic actor&’s memoir in which Taraji reflects on the world-class instruction she received at Howard University and how she chipped away, with one small role after another, at Hollywood&’s resistance to give women, particularly women of color, meaty significant roles. With laugh-out-loud humor and candor, she shares the challenges and disappointments of the actor&’s journey and shows us that behind the red carpet moments, she is ever authentic. She is at heart just a girl in pursuit of her dreams in this &“inspiring account of overcoming adversity and a quest for self-discovery, written with vitality and enthusiasm&” (Shelf Awareness).

Around the World in 80 Fights: A Lifetime’s Journey to the Heart of Boxing

by Steve Bunce

An autobiographical white-knuckle ride around the global fight game by the legendary Steve Bunce: the voice of the sport who is celebrating four decades of writing and talking about boxers and boxing."This book captures the magic of the sport - the glory and the heartache." Ricky Hatton"Steve and I go way back, all the way back. He has been ringside at all my fights, from national amateurs all the way to Wembley stadium. He is the only reporter who could have ever got close to that lift in the Garden." Anthony Joshua"Bunce is a walking talking boxing library, and is not frightened to say what he thinks and says. I've enjoyed many nights and many fights with a true legend of the game." Tyson Fury"Buncey has forgotten more than most people in boxing know." Prince Naseem Hamed"He's been there, done it and pretty much seen it all." Eddie Hearn***In Around the World in 80 Fights, let 'the Voice of Boxing' take you on the ultimate sporting odyssey: to the rings of New York, to the makeshift rings of Bukom in Ghana, to the riches of Las Vegas, and to Riyadh, Atlantic City, Bethnal Green, Mexico City, Rome and Berlin.To the basement rooms in dingy pubs where old fighters chase the last round; a bullring in December under the stars; a small square on the outskirts of Naples with a ring obscured by a fountain; the abandoned centre of boxing excellence in a forest lost in East Germany; a railway arch in south London and a bin-bag packed with cash. Let 'Buncey' tell you about the conversations with Mr. T at ringside; a meeting with the Pope's people; the thoughts of Donald Trump when he had plans to make boxing great again; Don King in exile in his nineties; an overheard conversation with Fidel Castro; and a very real diplomatic incident. The hard conversations with a dead boxer's mother in the hour after a machine had been switched off. The bravery, stupidity, guts, desire and glory of the boxers in the world's most famous and unknown rings. They fought for millions, for pride, for their country and for nothing. They bled, cried and died in those rings.Around the World in 80 Fights vividly reveals the simple, wonderful and truly awful business of boxing. It is Buncey's business and this is his story.***"Steve has a great knowledge of our sport." Joe Calzaghe"Bunce captured the madness in Memphis around the fight with Tyson... the behind-the-scenes story of the Bruno fight and was there from York Hall to Las Vegas." Lennox Lewis"His love and enthusiasm for the sport is infectious." Katie Taylor"Steve understands how the minds of boxers tick." Carl Froch"Steve's knowledge on the sweet science of boxing is second to none." Carl Frampton

Around the World in 80 Fights: A Lifetime’s Journey to the Heart of Boxing

by Steve Bunce

An autobiographical white-knuckle ride around the global fight game by the legendary Steve Bunce: the voice of the sport who is celebrating four decades of writing and talking about boxers and boxing."This book captures the magic of the sport - the glory and the heartache." Ricky Hatton"Steve and I go way back, all the way back. He has been ringside at all my fights, from national amateurs all the way to Wembley stadium. He is the only reporter who could have ever got close to that lift in the Garden." Anthony Joshua"Bunce is a walking talking boxing library, and is not frightened to say what he thinks and says. I've enjoyed many nights and many fights with a true legend of the game." Tyson Fury"Buncey has forgotten more than most people in boxing know." Prince Naseem Hamed"He's been there, done it and pretty much seen it all." Eddie Hearn***In Around the World in 80 Fights, let 'the Voice of Boxing' take you on the ultimate sporting odyssey: to the rings of New York, to the makeshift rings of Bukom in Ghana, to the riches of Las Vegas, and to Riyadh, Atlantic City, Bethnal Green, Mexico City, Rome and Berlin.To the basement rooms in dingy pubs where old fighters chase the last round; a bullring in December under the stars; a small square on the outskirts of Naples with a ring obscured by a fountain; the abandoned centre of boxing excellence in a forest lost in East Germany; a railway arch in south London and a bin-bag packed with cash. Let 'Buncey' tell you about the conversations with Mr. T at ringside; a meeting with the Pope's people; the thoughts of Donald Trump when he had plans to make boxing great again; Don King in exile in his nineties; an overheard conversation with Fidel Castro; and a very real diplomatic incident. The hard conversations with a dead boxer's mother in the hour after a machine had been switched off. The bravery, stupidity, guts, desire and glory of the boxers in the world's most famous and unknown rings. They fought for millions, for pride, for their country and for nothing. They bled, cried and died in those rings.Around the World in 80 Fights vividly reveals the simple, wonderful and truly awful business of boxing. It is Buncey's business and this is his story.***"Steve has a great knowledge of our sport." Joe Calzaghe"Bunce captured the madness in Memphis around the fight with Tyson... the behind-the-scenes story of the Bruno fight and was there from York Hall to Las Vegas." Lennox Lewis"His love and enthusiasm for the sport is infectious." Katie Taylor"Steve understands how the minds of boxers tick." Carl Froch"Steve's knowledge on the sweet science of boxing is second to none." Carl Frampton

Around the World in 80 Fights: A Lifetime’s Journey to the Heart of Boxing

by Steve Bunce

An autobiographical white-knuckle ride around the global fight game by the legendary Steve Bunce: the voice of the sport who is celebrating four decades of writing and talking about boxers and boxing."This book captures the magic of the sport - the glory and the heartache." Ricky Hatton"Steve and I go way back, all the way back. He has been ringside at all my fights, from national amateurs all the way to Wembley stadium. He is the only reporter who could have ever got close to that lift in the Garden." Anthony Joshua"Bunce is a walking talking boxing library, and is not frightened to say what he thinks and says. I've enjoyed many nights and many fights with a true legend of the game." Tyson Fury"Buncey has forgotten more than most people in boxing know." Prince Naseem Hamed"He's been there, done it and pretty much seen it all." Eddie Hearn***In Around the World in 80 Fights, let 'the Voice of Boxing' take you on the ultimate sporting odyssey: to the rings of New York, to the makeshift rings of Bukom in Ghana, to the riches of Las Vegas, and to Riyadh, Atlantic City, Bethnal Green, Mexico City, Rome and Berlin.To the basement rooms in dingy pubs where old fighters chase the last round; a bullring in December under the stars; a small square on the outskirts of Naples with a ring obscured by a fountain; the abandoned centre of boxing excellence in a forest lost in East Germany; a railway arch in south London and a bin-bag packed with cash. Let 'Buncey' tell you about the conversations with Mr. T at ringside; a meeting with the Pope's people; the thoughts of Donald Trump when he had plans to make boxing great again; Don King in exile in his nineties; an overheard conversation with Fidel Castro; and a very real diplomatic incident. The hard conversations with a dead boxer's mother in the hour after a machine had been switched off. The bravery, stupidity, guts, desire and glory of the boxers in the world's most famous and unknown rings. They fought for millions, for pride, for their country and for nothing. They bled, cried and died in those rings.Around the World in 80 Fights vividly reveals the simple, wonderful and truly awful business of boxing. It is Buncey's business and this is his story.***"Steve has a great knowledge of our sport." Joe Calzaghe"Bunce captured the madness in Memphis around the fight with Tyson... the behind-the-scenes story of the Bruno fight and was there from York Hall to Las Vegas." Lennox Lewis"His love and enthusiasm for the sport is infectious." Katie Taylor"Steve understands how the minds of boxers tick." Carl Froch"Steve's knowledge on the sweet science of boxing is second to none." Carl Frampton

Arrested Development: And That's Why . . . You Always Leave a Note.

by Arrested Development

And now the story of a wealthy family who lost everything, and the one son who had no choice but to keep them all together . . . ItOCOs "Arrested Development. " Meet the formerly wealthy and habitually dysfunctional Bluth family. When the family patriarch George Sr. is sent to prison for shifty accounting practices, the Bluths must face reality?or not. Since the family assets have been frozen and the family business is in jeopardy, it looks like they may have to give up their lavish lifestyle. Worse yet, they may have to go out and get jobs The only one who seems to understand the seriousness of their predicament is Michael, who realizes itOCOs up to him to guide his eccentric family into this new chapter of their lives: Chapter 11. Full of the most memorable quotes and images from some of the best moments from the original three seasons of the show, "Arrested Development: And ThatOCOs Why . . . You Always Leave a Note" offers valuable life lessons from Michael, G. O. B. , Lucille, George Sr. , Lindsay, George Michael, Tobias, and the rest of the Bluth gang with chapters including: Family First, Huge Mistakes, Parental Guidance, Risky Business, and more. Relive all your favorite A"rrested Development" moments with this must-have companion to the ground-breaking comedy series. "

Art & Science of Music Therapy: A Handbook

by Tony Wigram Robert West Bruce Saperston

First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony

by Rochona Majumdar

The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought.Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures.Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.

Art Cinema and Neoliberalism (Global Cinema)

by Alex Lykidis

Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.

Art Direction for Film and Video

by Robert Olson

Written by an author with over 30 years of working experience, this book takes a practical, thorough look at the duties and skills of art directors and production designers. It teaches readers how to analyze a script, develop concepts that meet the needs of a script, develop sketches and construction drawings, work with directors and producers, and operate within budget limitations. The book has been updated and expanded to include interviews with professionals at all levels in the art department. A chapter on digital effects as they relate to the work of the art director has been added to this new edition. Students, novices in the profession, and persons from other art/design fields who are interested in expanding into film and video will find this is a valuable resource. Written by an author with over 30 years of working experience, this book takes a practical, thorough look at the duties and skills of art directors and production designers. It teaches readers how to analyze a script, develop concepts that meet the needs of a script, develop sketches and construction drawings, work with directors and producers, and operate within budget limitations. The book has been updated and expanded to include interviews with professionals at all levels in the art department. A chapter on digital effects as they relate to the work of the art director has been added to this new edition. Students, novices in the profession, and persons from other art/design fields who are interested in expanding into film and video will find this is a valuable resource.

Art History as Cultural History: Warburg's Projects (Critical Voices in Art, Theory and Culture)

by Richard Woodfield

This book focuses on Aby Warburg (1866-1929), one of the legendary figures of twentieth century cultural history. His collection, which is now housed in the Warburg Institute of the University of London bears witness to his idiosyncratic approach to a psychology of symbolism, and explores the Nachleben of classical antiquity in its manifold cultural legacy. This collection of essays offers the first translation of one of Warburg's key essays, the Gombrich lecture, described by Carlo Ginzburg as 'the richest and most penetrating interpretation of Warburg' and original essays on Warburg's astrology, his Mnemosyne project and his favourite topic of festivals. Richard Woodfield is Research Professor in the Faculty of Art and Design at the Nottingham Trent University, England. He has edited E.H Gombrich's Reflections on the History of Art (1987), Gombrich on Art and Psychology (1996), The Essential Gombrich (1996), and a volume on Riegl in the Critical Voices in Art, Theory and Culture series. He is also the General Editor of a new series of books for G+B Arts International, Aesthetics and the Arts. Edited by Richard Woodfield, Research Professor in the Faculty of Art and Design at Nottingham Trent University, UK.

Art Into Theatre: Performance Interviews and Documents (Contemporary Theatre Studies #Vol. 16.)

by Nick Kaye

Art Into Theatre investigates the processes of hybrid forms of performance developed between 1952 and 1994 through a series of interviews with key practitioners and over 80 pieces of documentation, many previously unpublished, of the works under discussion.Ranging from the austerity of Cage's 4'33" through the inter-species communication of Schneeman's Cat Scanand the experimental theatre work of Schechner, Foreman, and Kirby, to the recent performances of Abramovic, Forced Entertainment and the Wooster Group, Art Into Theatre offers a fascinating collection of perspectives on the destabilizing of conventional ideas of the art "object" and the theatrical "text". Nick Kaye's introductory essay to the volume offers a useful context for the reader and each interview is preceded by an informative biographical sketch.

Art Labor, Sex Politics: Feminist Effects in 1970s British Art and Performance

by Siona Wilson

Contrary to critics who have called it the &“undecade,&” the 1970s were a time of risky, innovative art—and nowhere more so than in Britain, where the forces of feminism and labor politics merged in a radical new aesthetic. In Art Labor, Sex Politics Siona Wilson investigates the charged relationship of sex and labor politics as it played out in the making of feminist art in 1970s Britain. Her sustained exploration of works of experimental film, installation, performance, and photography maps the intersection of feminist and leftist projects in the artistic practices of this heady period.Collective practice, grassroots activism, and iconoclastic challenges to society&’s sexual norms are all fundamental elements of this theoretically informed history. The book provides fresh assessments of key feminist figures and introduces readers to less widely known artists such as Jo Spence and controversial groups like COUM Transmissions. Wilson&’s interpretations of two of the best-known (and infamous) exhibitions of feminist art—Mary Kelly&’s Post-Partum Document and COUM Transmissions&’ Prostitution—supply a historical context that reveals these works anew. Together these analyses demonstrate that feminist attention to sexual difference, sex, and psychic formation reconfigures received categories of labor and politics.How—and how much—do sexual politics transform our approach to aesthetic debates? What effect do the tropes of sexual difference and labor have on the very conception of the political within cultural practice? These are the questions that animate Art Labor, Sex Politics as it illuminates an intense and influential decade of intellectual and artistic experimentation.

Art Maps and Cities: Contemporary Artists Explore Urban Spaces

by Gloria Lanci

This book presents an original study on how contemporary artists are exploring urban spaces through mapping. Despite a long history of representations of cities in maps, and the relationships that can be envisaged between art maps and cities in the contemporary world, little research is dedicated to investigating how artists intervene in the realm of urban cartography. The research examines a century-old history of art maps and draws on academic debates challenging traditional notions of maps as scientific artefacts produced through accurate measurement and surveying. The potential of art maps to construct personal narratives, through contestation, embodiment and play, is analysed in the city context, where spaces are shaped by urban planning and design, political ideologies and socio-economic forces. Adopting an exploratory and interpretative research approach that investigates the confluence of theories originated in different domains, this book conducts the reader to discover what artistic practices can bring into a more creative, while inquisitive, understanding of cities. A series of semi-structured interviews with visual artists, enquiring how they apprehend, process and re-create urban spaces in artworks, explores cartographic process and methods in visual art practices in the twenty first century, which incorporates digital technologies and critical thinking.

Art Matters: Because Your Imagination Can Change the World (Apple FF)

by Neil Gaiman Chris Riddell

A stunning and timely creative call-to-arms combining four extraordinary written pieces by Neil Gaiman illustrated with the striking four-color artwork of Chris Riddell.“The world always seems brighter when you’ve just made something that wasn’t there before.”—Neil GaimanDrawn from Gaiman’s trove of published speeches, poems, and creative manifestos, Art Matters is an embodiment of this remarkable multi-media artist’s vision—an exploration of how reading, imagining, and creating can transform the world and our lives.Art Matters bring together four of Gaiman’s most beloved writings on creativity and artistry: “Credo,” his remarkably concise and relevant manifesto on free expression, first delivered in the wake of the Charlie Hebdo shootings“Make Good Art,” his famous 2012 commencement address delivered at the Philadelphia University of the Arts“Making a Chair,” a poem about the joys of creating something, even when words won’t come“On Libraries,” an impassioned argument for libraries that illuminates their importance to our future and celebrates how they foster readers and daydreamersFeaturing original illustrations by Gaiman’s longtime illustrator, Chris Riddell, Art Matters is a stirring testament to the freedom of ideas that inspires us to make art in the face of adversity, and dares us to choose to be bold.

Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese

by Paul Lopes

How creative freedom, race, class, and gender shaped the rebellion of two visionary artistsPostwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons.In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels.Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.

Art and Dance in Dialogue: Body, Space, Object

by Sarah Whatley Imogen Racz Katerina Paramana Marie-Louise Crawley

This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.

Art and Engagement in Early Postwar Japan

by Justin Jesty

Justin Jesty’s Art and Engagement in Early Postwar Japan reframes the history of art and its politics in Japan post-1945. This fascinating cultural history addresses our broad understanding of the immediate postwar era moving toward the Cold War and subsequent consolidations of political and cultural life. At the same time, Jesty delves into an examination of the relationship between art and politics that approaches art as a mode of intervention, but he moves beyond the idea that the artwork or artist unilaterally authors political significance to trace how creations and expressive acts may (or may not) actually engage the terms of shared meaning and value.Art and Engagement in Early Postwar Japan centers on a group of social realists on the radical left who hoped to wed their art with anti-capitalist and anti-war activism, a liberal art education movement whose focus on the child inspired innovation in documentary film, and a regional avant-garde group split between ambition and local loyalty. In each case, Jesty examines writings and artworks, together with the social movements they were a part of, to demonstrate how art—or more broadly, creative expression—became a medium for collectivity and social engagement. He reveals a shared if varied aspiration to create a culture founded in amateur-professional interaction, expanded access to the tools of public authorship, and dispersed and participatory cultural forms that intersected easily with progressive movements. Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.

Art and Politics: The History of the National Arts Centre

by Sarah Jennings

Short-listed for the Ottawa Book Awards, 2010 This is the story of the creation and first four decades of one of Canada’s pre-eminent cultural organizations. While it documents the history of Canada’s National Arts Centre in Ottawa, it also tells the story of the arts in Canada from the 1960s to 2006. The story breaks down into three parts: the years of creation and early growth, fuelled by the talent and resources generated by Canada’s 1967 Centennial celebration; the turbulent middle years, marked by a dearth of funds and political disinterest; and finally the "renaissance," when the decision is made to restore and recast the organization to provide continuing benefit to the performing arts in Canada’s capital and the country at large. Written in a documentary style, moving from episode to episode, the story is enriched by the personal memories of those who participated in it, including the leading artists, managers, officials, and politicians who were involved.

Art and Ventriloquism (Critical Voices in Art, Theory and Culture)

by David Goldblatt

This exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.

Art and the Bible: Two Essays (IVP Classics)

by Francis A. Schaeffer

"The lordship of Christ should include an interest in the arts," writes Francis Schaeffer. "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."

Art in Motion: Animation Aesthetics

by Maureen Furniss

Art in Motion, Revised Edition is the first comprehensive examination of the aesthetics of animation in its many forms. It gives an overview of the relationship between animation studies and media studies, then focuses on specific aesthetic issues concerning flat and dimensional animation, full and limited animation, and new technologies. A series of studies on abstract animation, audiences, representation, and institutional regulators is also included.

Art in a Democracy: Selected Plays of Roadside Theater, Volume 1: The Appalachian History Plays, 1975–1989

by Ben Fink

Seminal plays and essays reveal the radical origins and approach of Appalachia’s Roadside TheaterThis two-volume anthology tells the story of Roadside Theater’s first 45 years and includes nine award-winning original play scripts; ten essays by authors from different disciplines and generations, which explore the plays’ social, economic, and political circumstances; and a critical recounting of the theater’s history from 1975 through 2020. The plays in Volume 1 offer a people’s history of the Appalachian coalfields, from the European incursion through the American War in Vietnam.

Art in a Democracy: Selected Plays of Roadside Theater, Volume 2: The Intercultural Plays, 1990–2020

by Ben Fink

Collaborative plays with diverse ensembles across the country address pressing issues of our timesThe plays in Volume 2 come from Roadside’s intercultural and issue-specific theater work, including long-term collaborations with the African American Junebug Productions in New Orleans and the Puerto Rican Pregones Theater in the South Bronx, as well as with residents on both sides of the walls of recently-built prisons. Roadside has spent 45 years searching for what art in a democracy might look like. The anthology raises questions such as, What are common principles and common barriers to achieving democracy across disciplines, and how can the disciplines unite in common democratic cause?

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