- Table View
- List View
Art Matters: Because Your Imagination Can Change the World (Apple FF)
by Neil Gaiman Chris RiddellA stunning and timely creative call-to-arms combining four extraordinary written pieces by Neil Gaiman illustrated with the striking four-color artwork of Chris Riddell.“The world always seems brighter when you’ve just made something that wasn’t there before.”—Neil GaimanDrawn from Gaiman’s trove of published speeches, poems, and creative manifestos, Art Matters is an embodiment of this remarkable multi-media artist’s vision—an exploration of how reading, imagining, and creating can transform the world and our lives.Art Matters bring together four of Gaiman’s most beloved writings on creativity and artistry: “Credo,” his remarkably concise and relevant manifesto on free expression, first delivered in the wake of the Charlie Hebdo shootings“Make Good Art,” his famous 2012 commencement address delivered at the Philadelphia University of the Arts“Making a Chair,” a poem about the joys of creating something, even when words won’t come“On Libraries,” an impassioned argument for libraries that illuminates their importance to our future and celebrates how they foster readers and daydreamersFeaturing original illustrations by Gaiman’s longtime illustrator, Chris Riddell, Art Matters is a stirring testament to the freedom of ideas that inspires us to make art in the face of adversity, and dares us to choose to be bold.
Art Rebels: Race, Class, and Gender in the Art of Miles Davis and Martin Scorsese
by Paul LopesHow creative freedom, race, class, and gender shaped the rebellion of two visionary artistsPostwar America experienced an unprecedented flourishing of avant-garde and independent art. Across the arts, artists rebelled against traditional conventions, embracing a commitment to creative autonomy and personal vision never before witnessed in the United States. Paul Lopes calls this the Heroic Age of American Art, and identifies two artists—Miles Davis and Martin Scorsese—as two of its leading icons.In this compelling book, Lopes tells the story of how a pair of talented and outspoken art rebels defied prevailing conventions to elevate American jazz and film to unimagined critical heights. During the Heroic Age of American Art—where creative independence and the unrelenting pressures of success were constantly at odds—Davis and Scorsese became influential figures with such modern classics as Kind of Blue and Raging Bull. Their careers also reflected the conflicting ideals of, and contentious debates concerning, avant-garde and independent art during this period. In examining their art and public stories, Lopes also shows how their rebellions as artists were intimately linked to their racial and ethnic identities and how both artists adopted hypermasculine ideologies that exposed the problematic intersection of gender with their racial and ethnic identities as iconic art rebels.Art Rebels is the essential account of a new breed of artists who left an indelible mark on American culture in the second half of the twentieth century. It is an unforgettable portrait of two iconic artists who exemplified the complex interplay of the quest for artistic autonomy and the expression of social identity during the Heroic Age of American Art.
Art and Dance in Dialogue: Body, Space, Object
by Sarah Whatley Imogen Racz Katerina Paramana Marie-Louise CrawleyThis interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
Art and Engagement in Early Postwar Japan
by Justin JestyJustin Jesty’s Art and Engagement in Early Postwar Japan reframes the history of art and its politics in Japan post-1945. This fascinating cultural history addresses our broad understanding of the immediate postwar era moving toward the Cold War and subsequent consolidations of political and cultural life. At the same time, Jesty delves into an examination of the relationship between art and politics that approaches art as a mode of intervention, but he moves beyond the idea that the artwork or artist unilaterally authors political significance to trace how creations and expressive acts may (or may not) actually engage the terms of shared meaning and value.Art and Engagement in Early Postwar Japan centers on a group of social realists on the radical left who hoped to wed their art with anti-capitalist and anti-war activism, a liberal art education movement whose focus on the child inspired innovation in documentary film, and a regional avant-garde group split between ambition and local loyalty. In each case, Jesty examines writings and artworks, together with the social movements they were a part of, to demonstrate how art—or more broadly, creative expression—became a medium for collectivity and social engagement. He reveals a shared if varied aspiration to create a culture founded in amateur-professional interaction, expanded access to the tools of public authorship, and dispersed and participatory cultural forms that intersected easily with progressive movements. Highlighting the transformational nature of the early postwar, Jesty deftly contrasts it with the relative stasis, consolidation, and homogenization of the 1960s.
Art and Politics: The History of the National Arts Centre
by Sarah JenningsShort-listed for the Ottawa Book Awards, 2010 This is the story of the creation and first four decades of one of Canada’s pre-eminent cultural organizations. While it documents the history of Canada’s National Arts Centre in Ottawa, it also tells the story of the arts in Canada from the 1960s to 2006. The story breaks down into three parts: the years of creation and early growth, fuelled by the talent and resources generated by Canada’s 1967 Centennial celebration; the turbulent middle years, marked by a dearth of funds and political disinterest; and finally the "renaissance," when the decision is made to restore and recast the organization to provide continuing benefit to the performing arts in Canada’s capital and the country at large. Written in a documentary style, moving from episode to episode, the story is enriched by the personal memories of those who participated in it, including the leading artists, managers, officials, and politicians who were involved.
Art and Ventriloquism (Critical Voices in Art, Theory and Culture)
by David GoldblattThis exciting collection of David Goldblatt's essays, available for the first time in one volume, uses the metaphor of ventriloquism to help understand a variety of art world phenomena. It examines how the vocal vacillation between ventriloquist and dummy works within the roles of artist, artwork and audience as a conveyance to the audience of the performer's intentions, emotions and beliefs through a created performative persona. Considering key works, including those of Nietzsche, Foucault, Socrates, Derrida, Cavell and Wittgenstein, Goldblatt examines how the authors use the framework of ventriloquism to construct and negate issues in art and architecture. He ponders 'self-plagiarism'; why the classic philosopher cannot speak for himself, but must voice his thoughts through fictional characters or inanimate objects and works. With a close analysis of two ventriloquist paintings by Jasper Johns and Paul Klee, a critical commentary by Garry L. Hagberg, and preface by series editor Saul Ostrow, Goldblatt's thoroughly fascinating book will be an invaluable asset to students of cultural studies, art, and philosophy.
Art and the Bible: Two Essays (IVP Classics)
by Francis A. Schaeffer"The lordship of Christ should include an interest in the arts," writes Francis Schaeffer. "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars."
Art in Motion: Animation Aesthetics
by Maureen FurnissArt in Motion, Revised Edition is the first comprehensive examination of the aesthetics of animation in its many forms. It gives an overview of the relationship between animation studies and media studies, then focuses on specific aesthetic issues concerning flat and dimensional animation, full and limited animation, and new technologies. A series of studies on abstract animation, audiences, representation, and institutional regulators is also included.
Art in a Democracy: Selected Plays of Roadside Theater, Volume 1: The Appalachian History Plays, 1975–1989
by Ben FinkSeminal plays and essays reveal the radical origins and approach of Appalachia’s Roadside TheaterThis two-volume anthology tells the story of Roadside Theater’s first 45 years and includes nine award-winning original play scripts; ten essays by authors from different disciplines and generations, which explore the plays’ social, economic, and political circumstances; and a critical recounting of the theater’s history from 1975 through 2020. The plays in Volume 1 offer a people’s history of the Appalachian coalfields, from the European incursion through the American War in Vietnam.
Art in a Democracy: Selected Plays of Roadside Theater, Volume 2: The Intercultural Plays, 1990–2020
by Ben FinkCollaborative plays with diverse ensembles across the country address pressing issues of our timesThe plays in Volume 2 come from Roadside’s intercultural and issue-specific theater work, including long-term collaborations with the African American Junebug Productions in New Orleans and the Puerto Rican Pregones Theater in the South Bronx, as well as with residents on both sides of the walls of recently-built prisons. Roadside has spent 45 years searching for what art in a democracy might look like. The anthology raises questions such as, What are common principles and common barriers to achieving democracy across disciplines, and how can the disciplines unite in common democratic cause?
Art in the Cinematic Imagination
by Susan FellemanBringing an art historical perspective to the realm of American and European film, "Art in the Cinematic Imagination" examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs.
Art of Expressing the Human Body
by Bruce LeeThe Art of Expressing the Human Body, a title coined by Bruce Lee himself to describe his approach to martial arts, documents the techniques he used so effectively to perfect his body for superior health and muscularity. Beyond his martial arts and acting abilities, Lee's physical appearance and strength were truly astounding. He achieved this through an intensive and ever-evolving conditioning regime that is being revealed for the first time in this book. Drawing on Lee's own notes, letters, diaries and training logs, Bruce Lee historian John Little presents the full extent of Lee's unique training methods including nutrition, aerobics, isometrics, stretching and weight training. In addition to serving as a record of Bruce Lee's own training,The Art of Expressing the Human Body, with its easy-to-understand and simple-to-follow training routines, is a valuable source book for those who seek dramatic improvement in their health, conditioning, physical fitness, and appearance.
Art of He-Man and the Masters of the Universe
by VariousIn 1983, the world was introduced to He-Man and the Masters of the Universe. What followed was a cultural sensation that changed the landscape of children's entertainment forever! Join Mattel and Dark Horse in this comprehensive retrospective chronicling He-Man's decades-long epic journey from toy, to television, to film, to a true pop culture phenomenon!
Art of the Cut: Conversations with Film and TV Editors
by Steve HullfishArt of the Cut provides an unprecedented look at the art and technique of contemporary film and television editing. It is a fascinating "virtual roundtable discussion" with more than 50 of the top editors from around the globe. Included in the discussion are the winners of more than a dozen Oscars for Best Editing and the nominees of more than forty, plus numerous Emmy winners and nominees. Together they have over a thousand years of editing experience and have edited more than a thousand movies and TV shows. Hullfish carefully curated over a hundred hours of interviews, organizing them into topics critical to editors everywhere, generating an extended conversation among colleagues. The discussions provide a broad spectrum of opinions that illustrate both similarities and differences in techniques and artistic approaches. Topics include rhythm, pacing, structure, storytelling and collaboration. Interviewees include Margaret Sixel (Mad Max: Fury Road), Tom Cross (Whiplash, La La Land), Pietro Scalia (The Martian, JFK), Stephen Mirrione (The Revenant), Ann Coates (Lawrence of Arabia, Murder on the Orient Express), Joe Walker (12 Years a Slave, Sicario), Kelley Dixon (Breaking Bad, The Walking Dead), and many more. Art of the Cut also includes in-line definitions of editing terminology, with a full glossary and five supplemental web chapters hosted online at www.routledge.com/cw/Hullfish. This book is a treasure trove of valuable tradecraft for aspiring editors and a prized resource for high-level working professionals. The book’s accessible language and great behind-the-scenes insight makes it a fascinating glimpse into the art of filmmaking for all fans of cinema.
Art of the Cut: Conversations with Film and TV Editors, Volume II
by Steve HullfishThis is the second volume of the widely acclaimed Art of the Cut book published in 2017. This follow-up text expands on its predecessor with wisdom from more than 360 interviews with the world’s best editors (including nearly every Oscar winner from the last 30 years).Because editing is a highly subjective art form, and one that is critical to the success of motion picture storytelling, it requires side-by-side comparisons of the many techniques and solutions used by a wide range of editors from around the world. That is why this book compares and contrasts methodologies from a wide array of diverse voices and organizes that information so that it is easily digested and understood.There is no one way to approach editorial problems, so this book allows readers to see multiple solutions from multiple editors. The interviews contained within are carefully curated into topics that are most important to film editors and those who aspire to become film editors. The questions asked, and the organization of the book, are not merely an academic or theoretical view of the art of editing but rather the practical advice and methodologies of actual working film and TV editors, bringing benefits to both students and professional readers.The book is supplemented by a collection of downloadable online exclusive chapters, which cover additional topics ranging from Choosing the Project to VFX. In addition to the supplementary chapters, access to the full-color, full-resolution images printed in the book—and other exclusive images—is included.
Art of the Film: Fantastic Beasts and Where to Find Them
by Dermot PowerAn in-depth, fully illustrated look at the art and artists behind the awe-inspiring world of J.K. Rowling’s Fantastic Beasts and Where to Find Them.Led by Academy Award®–winning production designer Stuart Craig, a number of art departments were responsible for creating the unforgettable characters, locations and beasts from the 2016 fantasy film that expanded on the Wizarding World of Harry Potter. In this beautifully illustrated volume, Dermot Power—a concept artist on the film—takes you on a magical journey through a design process every bit as wonderful as that encountered by Newt Scamander: from the earliest gatherings of the artists, designers and filmmakers to the magical time of the film’s production.Bursting with hundreds of production paintings, concept sketches, storyboards, blueprints and matte paintings, and filled with unique insights about the filmmaking journey from Stuart Craig and the artists themselves, this superb book presents a visual feast for readers, and will welcome fans of Harry Potter films into the world of Fantastic Beasts and Where to Find Them.
Art, Labour and American Life: 1930–2020
by Ben HickmanThis book examines labour in the age of US hegemony through the art that has grappled with it; and, vice versa, developments in American culture as they have been shaped by work’s transformations over the last century. Describing the complex relations between cultural forms and the work practices, Art, Labour and American Life explores everything from Fordism to feminization, from whitecollar ascendency to zero hours precarity, as these things have manifested in painting, performance art, poetry, fiction, philosophy and music. Labour, all but invisible in cultural histories of the period, despite the fact most Americans have spent most of their lives doing it, here receives an urgent re-emphasis, as we witness work’s radical redefinition across the world.
Art, Religion, Amnesia: The Enchantments of Credulity
by Donald PreziosiArt, Religion, Amnesia addresses the relationship between art and religion in contemporary culture, directly challenging contemporary notions of art and religion as distinct social phenomena and explaining how such Western terms represent alternative and even antithetical modes of world-making. In this new book, Professor Preziosi offers a critique of the main thrust of writing in recent years on the subjects of art, religion, and their interconnections, outlining in detail a perspective which redefines the basic terms in which recent debates and discussions have been articulated both in the scholarly and popular literature, and in artistic, political and religious practice. Art, Religion and Amnesia proposes an alternative to the two conventional traditions of writing on the subject which have been devoted on the one hand to the ‘spiritual’ dimensions of artistry, and on the other hand to the (equally spurious) ‘aesthetic’ aspects of religion. The book interrogates the fundamental assumptions fuelling many current controversies over representation, idolatry, blasphemy, and political culture. Drawing on debates from Plato’s proposal to banish representational art from his ideal city-state to the Danish cartoons of Mohamed, Preziosi argues that recent debates have echoed a number of very ancient controversies in political philosophy, theology, and art history over the problem of representation and its functions in individual and social life. This book is a unique re-evaluation of the essential indeterminacy of meaning-making, marking a radically new approach to understanding the inextricability of aesthetics and theology and will be of interest to students and researchers in art history, philosophy and religion and cultural theory.
Artania: El grito de los faraones
by Laurie Woodward Pilar Ordaz B.Bartholomew, de once años, no puede ir a la escuela, jugar afuera o, lo peor de todo, hacer arte – así que dibuja en secreto. Después de que conoce a un pintor en patineta, Alexander DeVinci, ambos son transportados a otro reino de pinturas mágicas. Su propio mundo es muy diferente en comparación con Artania: un mundo con pinturas y esculturas vivientes. Pronto aprenden que Artania está al filo de la destrucción, y el arte de Bartholomew es la única cosa que puede salvarle. Tanto con dioses como diosas a su lado, Bartholomew se enfrenta a batallas, duelos y escapes sobre patinetas. Pero incluso con sus poderes creciendo, ¿puede él derrotar el ejército malévolo de Sickhert y traer el arte de vuelta al mundo?
Artania: L'urlo del Faraone
by Laurie WoodwardL’undicenne Bartolomeo non può andare a scuola né giocare all’aperto e, cosa peggiore di tutte, non può fare arte; così disegna in segreto. Dopo aver incontrato il pittore-skater Alexander DeVinci, i due ragazzi vengono catapultati in un altro regno grazie ad un dipinto magico. Il loro mondo reale è molto diverso se comparato ad Artania: un mondo in cui le sculture e i dipinti prendono vita. Ben presto i due ragazzi apprenderanno che Artania è sull’orlo della distruzione, e solo l’arte di Bartolomeo potrà salvare questo mondo. Con le divinità egizie dalla sua parte, Bartolomeo affronterà battaglie, duelli e fughe sullo skateboard. Ma sebbene i suoi poteri siano aumentati, riuscirà a sconfiggere l’armata di Malcuore e riportare l’arte nel mondo?
Arthur Lessac's Embodied Actor Training
by Melissa HurtArthur Lessac’s Embodied Actor Training situates the work of renowned voice and movement trainer Arthur Lessac in the context of contemporary actor training. Supported by the work of Constantin Stanislavsky and Maurice Merleau-Ponty's theories of embodiment, the book explores Lessac's practice in terms of embodied acting, a key subject in contemporary performance. In doing so, the author explains how the actor can come to experience both skill and expression as a subjective whole through active meditation and spatial attunement. As well as feeding this psychophysical approach into a wider discussion of embodiment, the book provides concrete examples of how the practice can be put into effect. Using insights gleaned from interviews conducted with Lessac and his Master Teachers, the author enlightens our own understanding of Lessac’s practices. Three valuable appendices enhance the reader’s experience. These include: a biographical timeline of Lessac’s life and career sample curricula and a lesson plan for teachers at university level explorations for personal discovery Melissa Hurt is a Lessac Certified Trainer and has taught acting and Lessac’s voice, speech, and movement work at colleges across the United States. She has a PhD from the University of Oregon and an MFA from Virginia Commonwealth University.
Arthur Miller: 1962-2005
by Christopher BigsbyBiography of one of the greatest of modern playwrights, Arthur Miller (1915-2005).This is the long-awaited biography of one of the twentieth century's greatest playwrights whose postwar decade of work earned him international critical and popular acclaim.Arthur Miller was a prominent figure in American literature and cinema for over sixty years, writing a wide variety of plays - including The Crucible, A View from the Bridge, All My Sons, and Death of a Salesman - which are still performed, studied and lauded throughout the world.Born in 1915 to moderately affluent Jewish-American parents, Miller wrote during a fascinating time in American history. The Great Depression was a period of deprivation for many that left an indelible mark on the national psyche, and, like many, Miller found hope for the beleaguered common man in Communism. The Second World War elevated the common man to war hero, but when the Cold War subsequently began, the ugly elements of American conservatism freely persecuted writers and artists who had embraced Communism. Miller was among them. His refusal to give evidence against others to the notorious House Un-American Activities Committee in 1956 gave him a heroic role to play. In that same year, Arthur Miller momentously married the young actress Marilyn Monroe, a marriage that remains famous to this day. Christopher Bigsby's gripping, meticulously researched biography, based on boxes of papers made available to him before Miller's death, offers new insights into their marriage, and sheds new light on how their relationship informed Miller's subsequent great plays. After his death in 2005, many respected actors, directors and producers paid tribute to Miller, calling him 'the last great practitioner of the American stage'. Christopher Bigsby's supremely authoritative biography does full justice to Miller's life and art.
Arthur Miller: 1962-2005
by Christopher BigsbyThe second volume of the definitive biography of one of the greatest modern playwrights, Arthur Miller (1915-2005).The first volume of Christopher Bigsby's award-winning biography of Arthur Miller was hailed as a masterpiece and the definitive account of Miller's early years. This is the second half of Miller's captivating story, covering his life from 1962 to his death in 2005.In 1962, Miller's legacy was incomplete. Ahead lay eighteen plays, five films, a novella and a handful of stories. On a personal level, 1962 saw the death of his second wife, the iconographic Marilyn Monroe, and his marriage to the photographer Inge Morath who was to transform him as a writer and a person. A visit to Mauthaussen concentration camp and to the Frankfurt trials of Auschwitz-Birkenau guards moved the Holocaust to the centre of his attention and he became a more directly political person. Christopher Bigsby brilliantly and elegantly maps out the journey of Miller's life and work. Shedding new light on Miller's complexities, and revealing unknown facts about his public and private life, Bigsby shares new insights and perspectives crucial to an understanding of one of the world's greatest playwrights.
Arthur Miller: 1962-2005
by Christopher BigsbyThe second volume of the definitive biography of one of the greatest modern playwrights, Arthur Miller (1915-2005).The first volume of Christopher Bigsby's award-winning biography of Arthur Miller was hailed as a masterpiece and the definitive account of Miller's early years. This is the second half of Miller's captivating story, covering his life from 1962 to his death in 2005.In 1962, Miller's legacy was incomplete. Ahead lay eighteen plays, five films, a novella and a handful of stories. On a personal level, 1962 saw the death of his second wife, the iconographic Marilyn Monroe, and his marriage to the photographer Inge Morath who was to transform him as a writer and a person. A visit to Mauthaussen concentration camp and to the Frankfurt trials of Auschwitz-Birkenau guards moved the Holocaust to the centre of his attention and he became a more directly political person. Christopher Bigsby brilliantly and elegantly maps out the journey of Miller's life and work. Shedding new light on Miller's complexities, and revealing unknown facts about his public and private life, Bigsby shares new insights and perspectives crucial to an understanding of one of the world's greatest playwrights.
Arthur Miller: American Witness (Jewish Lives)
by John LahrA great theater critic brings twentieth-century playwright Arthur Miller&’s dramatic story to life with bold and revealing new insights &“New Yorker critic Lahr shines in this searching account of the life of playwright Arthur Miller. . . . It&’s a great introduction to a giant of American letters.&”—Publishers Weekly Distinguished theater critic John Lahr brings unique perspective to the life of Arthur Miller (1915–2005), the playwright who almost single-handedly propelled twentieth-century American theater into a new level of cultural sophistication. Organized around the fault lines of Miller&’s life—his family, the Great Depression, the rise of fascism, Elia Kazan and the House Committee on Un-American Activities, Marilyn Monroe, Vietnam, and the rise and fall of Miller&’s role as a public intellectual—this book demonstrates the synergy between Arthur Miller&’s psychology and his plays. Concentrating largely on Miller&’s most prolific decades of the 1940s, 1950s, and 1960s, Lahr probes Miller&’s early playwriting failures; his work writing radio plays during World War II after being rejected for military service; his only novel, Focus; and his succession of award-winning and canonical plays that include All My Sons, Death of a Salesman, and The Crucible, providing an original interpretation of Miller&’s work and his personality.