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Steppin and Family
by Hope NewellTo Steppin, brown, eager and limber, tap-dancing was the only art in the world, but Harlem boys don't have much money for dancing lessons; and fame seemed very far away as he sat forlornly under the Wishing Tree. Little could Steppin Stebbins imagine the twists and turns in his home life and budding career in the year to follow. From his little corner of Harlem, to the wide open country of upstate New York, and even eventually to the lights of Broadway, Steppin Stebbin knows only one thing; his dream is to dance with the world's most famous tap dancer, Bob Williams. This is a prequel to the Mary Ellis nursing series.
Stepping Left: Dance and Politics in New York City, 1928–1942
by Ellen GraffStepping Left simultaneously unveils the radical roots of modern dance and recalls the excitement and energy of New York City in the 1930s. Ellen Graff explores the relationship between the modern dance movement and leftist political activism in this period, describing the moment in American dance history when the revolutionary fervor of "dancing modern" was joined with the revolutionary vision promised by the Soviet Union. This account reveals the major contribution of Communist and left-wing politics to modern dance during its formative years in New York City. From Communist Party pageants to union hall performances to benefits for the Spanish Civil War, Graff documents the passionate involvement of American dancers in the political and social controversies that raged throughout the Depression era. Dancers formed collectives and experimented with collaborative methods of composition at the same time that they were marching in May Day parades, demonstrating for workers' rights, and protesting the rise of fascism in Europe. Graff records the explosion of choreographic activity that accompanied this lively period--when modern dance was trying to establish legitimacy and its own audience. Stepping Left restores a missing legacy to the history of American dance, a vibrant moment that was supressed in the McCarthy era and almost lost to memory. Revisiting debates among writers and dancers about the place of political content and ethnicity in new dance forms, Stepping Left is a landmark work of dance history.
Stepping Through The Stargate: Science, Archaeology And The Military In Stargate Sg1
by P.N. Elrod and Roxanne ConradExplore the Stargate SG-1 universe as never before with the expertise and insight of noted professionals from a diverse range of fields: from archaeology to parasitology to science fiction, is a fascinating collection of essays that delve into every aspect of Stargate with the same humor and intellectual curiosity of the show itself.
Stepping out in Cincinnati: Queen City Entertainment 1900-1960
by Allen J. SingerLong before folks had a television set and radio in every room, they sought entertainment by stepping out for a night on the town. The choices around Cincinnati were nearly limitless: live theater at the Cox; spectacular musicals at the Shubert; hotels featuring fine dining and dance orchestras; talking pictures at everyone's favorite movie palace--the Albee; burlesque and vaudeville shows at the Empress Theater on Vine Street; and gambling casinos were just a short drive across the river in Newport. All of the major entertainment venues in the Queen City during the first half of the 20th century are explored in Stepping out in Cincinnati. From saloons to ornate movie palaces and from the Cotton Club to the Capitol, you join those pleasure seekers, getting a real sense of what they saw: wonderful events and their countless images--the things of which fond memories were made. Today, those memories have faded and virtually all of the once-glittering showplaces have been bulldozed into history. But within these pages, we get to experience first hand what it was like to be there. Unique among the many photographs featuring unforgettable movie houses and nightclub orchestras are never-before-published images of actual live vaudeville performances onstage at the Shubert, plus rare, clandestine pictures snapped inside the casinos in Newport. Also revealed are the locations of the better-known speakeasies during Prohibition; where the best halls to dance to live orchestras were; what the earliest movie houses were like; and what black Cincinnatians did for entertainment.
Sterling Hayden's Wars (Hollywood Legends Series)
by Lee MandelA master sailor when he was barely in his twenties, Sterling Hayden (1916-1986) became an overnight film star despite having no training in acting. After starring in two major films, he quit Hollywood and trained as a commando in Europe. Hayden joined the OSS and fought in the Balkans and Mediterranean, earning a Silver Star for his distinguished service. Hayden's wartime admiration for the Yugoslavian Partisans led to a brief membership in the Communist Party after the war, and this would come back to haunt him when he was called to testify in front of the House Un-American Activities Committee where he became the first star to name names.After returning to Hollywood, Hayden's film career flourished as he starred in several films including The Asphalt Jungle, Denver and Rio Grande, and The Killing. His personal life, however, descended into chaos. His bitter custody battle with his second wife led to his well-publicized and controversial kidnapping of their four children for a voyage to Tahiti. Increasing alcohol and substance abuse would take its toll, but Hayden's career would be revived as a character actor in such classics as Dr. Strangelove and The Godfather. In addition, he proved to be an excellent author, penning two international bestsellers.Despite these achievements, his later years were characterized by depression, self-doubt, alcoholism, and substance abuse. His life was metaphorically a series of wars, including the most difficult of them all--the war that Sterling Hayden fought with himself.
Sterling's Gold: Wit and Wisdom of an Ad Man (Books That Changed the World)
by Roger SterlingQuips and quotes from one of Mad Men’s sharpest wits.Multiple Emmy winner Mad Men continues to captivate viewers around the world with its brilliant portrayal of the 1960s and its stylish characters, including the dashing advertising mogul Roger Sterling, who’s acquired a reputation for his quips, barbs, and witticisms over the show’s many season. This book, presented as Roger’s memoir during the fourth season of Mad Men, is an entertaining collection of our favorite ad man’s best one-liners.Roger Sterling’s pithy comments and observations amount to a unique window into the advertising world—a world that few among us are privileged to witness firsthand—as well as a commentary on life in New York City in the middle of the twentieth century.
Steve Allen's Private Joke File
by Steve AllenA compendium of the author's favorite jokes from over the years, this reference gives a sneak peek into Steve Allen's own sense of humor, as well as providing readers with gags, anecdotes, and one-liners for any occasion.
Steve Goodman: Facing The Music
by Clay EalsA very detailed biography of singer/songwriter Steve Goodman (City of New Orleans). This book chronicles his life, from his childhood through his 16-year battle with leukemia, and beyond his death. Includes a Preface by Studs Terkel and a Foreword by Arlo Guthrie.
Steve McQueen: A Biography
by Marc EliotSteve McQueen is one of America's legendary movie stars best known for his hugely successful film career in classics such as The Magnificent Seven, The Great Escape, The Thomas Crown Affair, Bullitt, and The Towering Inferno as well as for his turbulent life off-screen and impeccable style. His unforgettable physical beauty, his soft-spoken manner, his tough but tender roughness, and his aching vulnerability had women swooning and men wanting to be just like him. Today--nearly thirty years after he lost his battle against cancer at the age of fifty--McQueen remains "The King of Cool." Yet, few know the truth of what bubbled beneath his composed exterior and shaped his career, his passions, and his private life. Now, in Steve McQueen, New York Times bestselling author, acclaimed biographer, and film historian, Marc Eliot captures the complexity of this Hollywood screen legend. Chronicling McQueen's tumultuous life both on and off the screen, from his hardscrabble childhood to his rise to Hollywood superstar status, to his struggles with alcohol and drugs and his fervor for racing fast cars and motorcycles, Eliot discloses intimate details of McQueen's three marriages, including his tumultuous relationships with Neile Adams and Ali MacGraw, as well as his numerous affairs. He also paints a full portrait of this incredible yet often perplexing career that ranged from great films to embarrassing misfires. Steve McQueen, adored by millions, was obsessed by Paul Newman, and it is the nature of that obsession that reveals so much about who McQueen really was. Perhaps his greatest talent was to be able to convince audiences that he was who he really wasn't, even as he tried to prove to himself that he wasn't who he really was. With original material, rare photos, and new interviews, Eliot presents a fascinating and complete picture of McQueen's life.From the Hardcover edition.
Steve McQueen: Interviews (Conversations with Filmmakers Series)
by Geoffrey LokkeSteve McQueen: Interviews is the first collection of conversations with the acclaimed filmmaker, and one that spans his career to date. Included are McQueen’s discussions with such artists, critics, curators, and public intellectuals as Donna De Salvo, Paul Gilroy, David Olusoga, Tricky, and Cornel West. In these conversations, McQueen (b. 1969) discusses some of his preoccupations and recurring themes throughout his oeuvre including nationalism, martyrdom, and violence; obsession and desire; and the intertwined histories of racism, surveillance, and carceral politics. Most interestingly, he also talks about his love for his fellow artists, past and present, including Miles Davis, Jean-Luc Godard, Prince, Yvonne Rainer, Paul Robeson, Jean Vigo, and Andy Warhol.McQueen is one of the most celebrated British filmmakers of his generation, an artist as committed to avant-garde film and lyric forms of documentary as he is to producing landmark historical dramas. A deeply humane artist with a clear ethical drive, McQueen nevertheless explores the sublime sense of scale that cinema affords its viewers in his films. While he remains best known for his feature film 12 Years a Slave—winner of three Academy Awards including Best Picture—McQueen has been a fixture of major contemporary museum and gallery exhibitions for decades, beginning with the short experimental works that garnered him the prestigious Turner Prize in 1999. His acclaimed installations include the diptychs Caribs’ Leap/Western Deep and Gravesend/Unexploded, works that interrogate film form as they challenge documentary norms, not unlike his recent four-and-a-half-hour epic Occupied City that investigates the Nazi occupation of Amsterdam.
Steve McQueen: The Salvation of an American Icon
by Greg LaurieJoin Greg Laurie as he takes a cross-country drive in his 1968 Highland Green Ford Mustang 390 GT through the canyons of Malibu, the alleys of Hollywood, the wide and open roads of the Midwest, and the streets of New York as he traces the woolly geography of actor Steve McQueen's life, relationships, career, and spiritual journey. This iconic muscle car was the vehicle McQueen drove in his most raucous and enduring film, Bullitt. In the 1960s, McQueen was, according to box office receipts, the biggest movie star of his generation and one of the coolest men to ever walk the planet. Greg Laurie was a teen at the time and an ardent fan of "The King of Cool," first mesmerized by McQueen in 1963's The Great Escape. Like millions of cinema fans, Greg developed a lifelong fascination with the actor. Now he has a chance to tell McQueen's story. McQueen was a complex, contradictory man who lived the same way he drove his motorcycles and cars: fearlessly, ruthlessly and at top speed. After a lifetime of fast cars, women, and drugs, McQueen took a surprising detour. In this book, Laurie thoughtfully interviews Steve McQueen's friends, co-stars, associates, widow, and pastor to tell of the dramatic life-change for the actor in the spring of 1979 - six months before McQueen was diagnosed with terminal cancer. What were the critical steps that led McQueen to make such a life-altering decision? Perhaps more importantly, why is that part of his story so rarely told? This book answers these questions. Greg Laurie will follow the seeds of Christianity that were sown throughout McQueen's improbable life where a Light finally shone into the darkness of his troubled life. These seeds miraculously germinated, allowing McQueen to see that redemption through Jesus Christ is a lasting truth more glittering and real than any magic of the entertainment industry.
Steve Mcqueen: The Life and Legend of a Hollywood Icon
by Marshall Terrill Peter O. WhitmerSteve McQueen takes us on a journey as his harrowing and painful childhood is laid bare, through his glittering career, and right up to his heroic battle with cancer and dramatic death in Mexico. It chronicles the good with the ugly, revealing the great power McQueen wielded. It features numerous behind-the-scenes stories from some of his cinema's greatest films, including The Magnificent Seven, The Great Escape, The Sand Pebbles, The Thomas Crown Affair, Bullitt, The Getaway, and Papillon. The book's triumph is the way in which the author explores McQueen in full through his larger-than-life exploits but as important, the lesser known, humanitarian side of the Hollywood legend. It also captures the fundamental essence of what made McQueen cinema's grave King of Cool.
Steven Soderbergh (Contemporary Film Directors)
by Aaron BakerSteven Soderbergh's feature films present a diverse range of subject matter and formal styles: from the self-absorption of his breakthrough hit Sex, Lies, and Videotape to populist social problem films such as Erin Brockovich, and from the modernist discontinuity of Full Frontal and filmed performance art of Gray's Anatomy to a glossy, star-studded action blockbuster such as Ocean's Eleven. Using a combination of realism and expressive stylization of character subjectivity, Soderbergh's films diverge from the contemporary Hollywood mainstream through the statements they offer on issues including political repression, illegal drugs, violence, environmental degradation, the empowering and controlling potential of digital technology, and economic inequality. Arguing that Soderbergh practices an eclectic type of moviemaking indebted both to the European art cinema and the Hollywood genre film, Aaron Baker charts the common thematic and formal patterns present across Soderbergh's oeuvre. Almost every movie centers on an alienated main character, and Soderbergh has repeatedly emphasized place as a major factor in his narratives. Formally, he represents the unconventional thinking of his outsider protagonists through a discontinuous editing style. Including detailed analyses of major films as well as two interviews with the director, this volume illustrates Soderbergh's hybrid flexibility in bringing an independent aesthetic to wide audiences.
Steven Soderbergh: Interviews, Revised and Updated (Conversations with Filmmakers Series)
by Anthony KaufmanThe long and prolific career of Steven Soderbergh (b. 1963) defies easy categorization. From his breakout beginnings in 1989 with sex, lies, and videotape to 2013, when he retired from big-screen studio movie making to focus on other pursuits including television, the director's output resembles nothing less than an elaborate experiment. Soderbergh's Hollywood vehicles such as the Ocean's Eleven movies, Contagion, and Magic Mike appear just as risky and outside-the-box as low-budget exercises such as Schizopolis, Bubble, and The Girlfriend Experience. This updated edition details key career moments: his creative crisis surrounding his fourth film, The Underneath; his rejuvenation with the ultra-low-budget free-style Schizopolis; the mainstream achievements Erin Brockovich, Traffic, and the Ocean's Eleven films; and his continuing dedication to pushing his craft forward with films as diverse as conspiracy thrillers, sexy dramas, and biopics on Che Guevara and Liberace. Spanning twenty-five years, these conversations reveal Soderbergh to be as self-effacing and lighthearted in his later more established years as he was when just beginning to make movies. He comes across as a man undaunted by the glitz and power of Hollywood, remaining, above all, a truly independent filmmaker unafraid to get his hands dirty and pick up the camera himself.
Steven Spielberg All the Films: The Story Behind Every Movie, Episode, and Short
by Olivier Bousquet Arnaud Devillard Nicolas SchallerA first-of-its-kind deep dive into Steven Spielberg's decades-long career, covering everything from early short films and television episodes to each of his more than 30 feature length-films. Organized chronologically and covering every short film, television episode, and blockbuster movie that Steven Spielberg has ever directed, Steven Spielberg All the Films draws upon years of research to tell the behind-the-scenes stories of how each project was conceived, cast, and produced; from the creation of the costumes to the search for perfect locations; details about Spielberg's work with longtime collaborators like George Lucas, producer Kathleen Kennedy, and composer John Williams; and of course, the direction of some of Hollywood's most memorable scenes. Spanning more than fifty years, this book details the creative processes that resulted in numerous classic films like E.T. the Extra-Terrestrial, Jaws, Jurassic Park, The Color Purple, Schindler's List, and Saving Private Ryan (to name just a few). Newer work like Lincoln, The Post, and The Fabelmans is also featured alongside awards stats, original release dates, box office totals, casting details, and other insider scoops that will keep fans turning pages. Celebrating one of cinema's most iconic artists, Steven Spielberg All the Films is the authoritative guide to the man who invented the Hollywood blockbuster.
Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book
by Dean A. KowalskiHas any film director had a greater impact on popular culture than Steven Spielberg? Whether filming Holocaust heroes and villains, soldiers, dinosaurs, extraterrestrials, or explorers in search of the Holy Grail, Spielberg has given filmgoers some of the most memorable characters and wrenching moments in the history of cinema. Whatever his subject -- war, cloning, slavery, terrorism, or adventure -- all of Spielberg's films have one aspect in common: a unique view of the moral fabric of humanity. Dean A. Kowalski's Steven Spielberg and Philosophy is like a remarkable conversation after a night at the movie theater, offering new insights and unexpected observations about the director's most admired films. Some of the nation's most respected philosophers investigate Spielberg's art, asking fundamental questions about the nature of humanity, cinema, and Spielberg's expression of his chosen themes. Applying various philosophical principles to the movies, the book explores such topics as the moral demands of parenthood in War of the Worlds; the ultimate unknowability of the "other" in Close Encounters of the Third Kind and Schindler's List; the relationship between nature and morality in Jurassic Park; the notion of consciousness in A. I. : Artificial Intelligence; issues of war theory and ethics in Munich; and the foundation of human rights in Amistad. Impressive in scope, this volume illustrates the philosophical tenets of a wide variety of thinkers from Plato to Aquinas, Locke, and Levinas. Contributors introduce readers to philosophy while simultaneously providing deeper insight into Spielberg's approach to filmmaking. The essays consider Spielberg's movies using key philosophical cornerstones: metaphysics, epistemology, ethics, axiology, aesthetics, and political philosophy, among others. At the same time, Steven Spielberg and Philosophy is accessible to those new to philosophy, using the philosophical platform to ponder larger issues embedded in film and asking fundamental questions about the nature of cinema and how meanings are negotiated. The authors contend that movies do not present philosophy -- rather philosophy is something viewers do while watching and thinking about films. Using Spielberg's films as a platform for discussing these concepts, the authors contemplate questions that genuinely surprise the reader, offering penetrating insights that will be welcomed by film critics, philosophers, and fans alike.
Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book (The Philosophy of Popular Culture #Ppcs)
by Dean A. Kowalski&“This lively collection of essays on the ideas underpinning his films enriches and enlarges our understanding of Spielberg&’s complex body of work.&” —Joseph McBride, author of Steven Spielberg: A Biography Few directors have had as powerful an influence on the film industry and the movie-going public as Steven Spielberg. Whatever the subject—dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism—one clear and consistent touchstone is present in all of Spielberg&’s films: an interest in the human condition. In movies ranging from Jaws to Schindler&’s List to Amistad to Jurassic Park, he has brought to life some of the most popular heroes—and most despised villains—of all time. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation&’s most respected philosophers investigate Spielberg&’s art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg&’s work. Avid moviegoers and deep thinkers will discover plenty to enjoy in this collection.
Steven Spielberg's Children
by Linda Ruth WilliamsWhy has Steven Spielberg’s work been so often identified with childhood and children? How does the director elicit such complex performances from his young actors? Steven Spielberg’s Children is the first book to investigate children, childhood, and Spielberg’s employment of child actors together and in depth. Through a series of lively readings of both the celebrated performances he elicits from his young stars in films such as E.T.: The Extra Terrestrial, A.I.: Artificial Intelligence, and Empire of the Sun, as well as less discussed roles in films such as War of the Worlds, The BFG, and Jurassic Park, this book shows children to be key players in the director’s articulation of childhood since the 1970s. Steven Spielberg’s Children presents children and childhood in some surprising ways, not only analyzing boyhood and girlhood according to Spielberg, but considering children as alien, adult-children who refuse to grow up, and children who aren’t even human. It discusses the way in which children have served to cast Spielberg as a sentimentalist, but also how they are more frequently framed as complex, cruel, and canny. The child might be dangled as bait in an exploitation horror scenario (Jaws), might become the image of universal higher beings (Close Encounters of the Third Kind), or might be a young cultural creator like the director was himself (The Fabelmans), "born with a camera glued to [his] eye." The child, on both sides of the camera, is a resonant image, signifying all that adult culture wants it to be, yet resisting this through authorship of their own stories. The book also looks at Spielberg's young actors in the long history of child stars in theater and cinema, and how Spielberg’s children have fared as performers and celebrities.
Steven Spielberg: A Life in Films
by Molly HaskellA film-centric portrait of the extraordinarily gifted movie director whose decades-long influence on American popular culture is unprecedented “Everything about me is in my films,” Steven Spielberg has said. Taking this as a key to understanding the hugely successful moviemaker, Molly Haskell explores the full range of Spielberg’s works for the light they shine upon the man himself. Through such powerhouse hits as Close Encounters of the Third Kind, E.T., Jurassic Park, and Indiana Jones, to lesser-known masterworks like A.I. and Empire of the Sun, to the haunting Schindler’s List, Haskell shows how Spielberg’s uniquely evocative filmmaking and story-telling reveal the many ways in which his life, work, and times are entwined. Organizing chapters around specific films, the distinguished critic discusses how Spielberg’s childhood in non-Jewish suburbs, his parents’ traumatic divorce, his return to Judaism upon his son’s birth, and other events echo in his work. She offers a brilliant portrait of the extraordinary director—a fearful boy living through his imagination who grew into a man whose openness, generosity of spirit, and creativity have enchanted audiences for more than 40 years.
Steven Spielberg: A Little Golden Book Biography (Little Golden Book)
by Geof SmithDream big with a Little Golden Book biography about Hollywood's most famous director Steven Spielberg. It's the perfect introduction to nonfiction for young readers—as well as fans of all ages!This Little Golden Book about Steven Spielberg—the Academy Award-winning director of iconic films such as Jaws, E.T. The Extra-Terrestrial, Jurassic Park, Schindler's List, and the Indiana Jones original film trilogy—is an inspiring read-aloud for young children and fans of any age.Look for more Little Golden Book biographies:Betty WhiteDwanye JohnsonOprah WinfreyCarol BurnettJulie Andrews
Steven Spielberg: Interviews, Revised and Updated (Conversations with Filmmakers Series)
by Steven SpielbergMore than four decades after the premiere of his first film, Steven Spielberg (b. 1946) continues to be a household name whose influence on popular culture extends far beyond the movie screen. Now in his seventies, Spielberg shows no intention of retiring from directing or even slowing down. Since the publication of Steven Spielberg: Interviews in 2000, the filmmaker has crafted some of the most complex movies of his extensive career. His new movies consistently reinvigorate entrenched genres, adding density and depth. Many of the defining characters, motifs, tropes, and themes that emerge in Spielberg’s earliest movies shape these later works as well, but often in new configurations that probe deeper into more complicated subjects—dangerous technology rather than man-eating sharks, homicidal rather than cuddly aliens, lethal terrorism instead of rampaging dinosaurs. Spielberg's movies continue to display a remarkably sophisticated level of artistry that matches, and sometimes exceeds, the memorable visual hallmarks of his prior work. His latest series of films continue to demonstrate an ongoing intellectual restlessness and a willingness to challenge himself as a creative artist. With this new collection of interviews, which includes eleven original interviews from the 2000 edition and nine new interviews, readers will recognize the themes that motivate Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.
Stick With Me
by Jennifer BlecherAn ice skater without a rink. An artist without a place to draw. Two misfit girls who become unlikely friends over the course of an unusual week. Readers of Lynda Mullaly Hunt, Rebecca Stead, and Lisa Graff will adore Stick with Me.Izzy’s best friend seems to be ditching her for the Queen of Mean, Daphne Toll. Izzy wants to fit in and have some real friends, but all she really has are her drawings. And then her family rents out their house during winter break for some extra cash—and that family’s daughter is sleeping in Izzy’s room and attending the same camp!Wren is focused on perfecting her ice-skating routine after tanking at sectionals last year. But when her sister qualifies for a life-changing treatment for her epilepsy, Wren is carted off to stay in a rented home near Boston. It doesn’t help that she’s forced to attend the local theater camp, where it seems like the mean girls have it out for her.Will Izzy and Wren’s shared status as targets of Phoebe and Daphne bring them closer? Or will middle school drama prevent them from ever becoming friends?Jennifer Blecher, the author of the acclaimed Out of Place, writes with a pitch-perfect ear for tween girls about the ups and downs of middle school friendships. Told from dual perspectives, Stick with Me is a story about fitting in and figuring yourself out.
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganThe first and only biography of Jann Wenner, the iconic founder of Rolling Stone magazine, and a romp through the hothouses of rock and roll, politics, media, and Hollywood, from the Summer of Love to the Internet age.Lennon. Dylan. Jagger. Belushi. Leibovitz. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, is an insider's trip through the backstages of storied concert venues, rock-star hotel rooms, and the political ups and downs of the latter half of the Twentieth Century, right up through the digital age: connecting the counterculture of Haight Ashbury to the "straight world." Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers is the story of a mercurial, wide-eyed rock and roll fan of ambiguous sexuality but unambiguous ambition who reinvents youth culture, marketing the libertine world of the late sixties counterculture in a stylish, glossy package that would stand for decades as a testament to the cultural power of American youth. Joe Hagan captures in stunning detail the extraordinary lives constellated around a magazine that began as a scrappy rebellion and became a locus of power, influence, and access--using hundreds of hours of reporting and exclusive interviews. The result is a fascinating and complex portrait of Jann Wenner that is also a biography of popular culture, celebrity, music, and politics in America over the last fifty years.
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganThe first and only biography of Jann Wenner, the iconic founder of Rolling Stone magazine, and a romp through the hothouses of rock and roll, politics, media, and Hollywood, from the Summer of Love to the Internet age.Lennon. Dylan. Jagger. Belushi. Leibovitz. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, is an insider's trip through the backstages of storied concert venues, rock-star hotel rooms, and the political ups and downs of the latter half of the Twentieth Century, right up through the digital age: connecting the counterculture of Haight Ashbury to the "straight world." Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers is the story of a mercurial, wide-eyed rock and roll fan of ambiguous sexuality but unambiguous ambition who reinvents youth culture, marketing the libertine world of the late sixties counterculture in a stylish, glossy package that would stand for decades as a testament to the cultural power of American youth. Joe Hagan captures in stunning detail the extraordinary lives constellated around a magazine that began as a scrappy rebellion and became a locus of power, influence, and access--using hundreds of hours of reporting and exclusive interviews. The result is a fascinating and complex portrait of Jann Wenner that is also a biography of popular culture, celebrity, music, and politics in America over the last fifty years.
Sticky Fingers: The Life and Times of Jann Wenner and Rolling Stone Magazine
by Joe HaganA delicious romp through the heyday of rock and roll and a revealing portrait of the man at the helm of the iconic magazine that made it all possible, with candid look backs at the era from Mick Jagger, Keith Richards, Elton John, Bono, Bruce Springsteen, Paul McCartney, and others. The story of Jann Wenner, Rolling Stone's founder, editor, and publisher, and the pioneering era he helped curate, is told here for the first time in glittering, glorious detail. Joe Hagan provides readers with a backstage pass to storied concert venues and rock-star hotel rooms; he tells never before heard stories about the lives of rock stars and their handlers; he details the daring journalism (Tom Wolfe, Hunter S. Thompson, P.J. O’Rourke) and internecine office politics that accompanied the start-up; he animates the drug and sexual appetites of the era; and he reports on the politics of the last fifty years that were often chronicled in the pages of Rolling Stone magazine. Supplemented by a cache of extraordinary documents and letters from Wenner's personal archives, Sticky Fingers depicts an ambitious, mercurial, wide-eyed rock and roll fan of who exalts in youth and beauty and learns how to package it, marketing late sixties counterculture as a testament to the power of American youth. The result is a fascinating and complex portrait of man and era, and an irresistible biography of popular culture, celebrity, music, and politics in America.