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Audio Production Techniques for Video (Routledge Library Editions: Broadcasting #4)
by David Miles HuberAudio Production Techniques for Video (1987) looks at the mechanics and operation of audio tape and video tape recorders; audio and video synchronization-technology; studio and location audio production processes; video and audio post-production; troubleshooting time-code problems.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkThis is an excellent introduction to the modern radio production studio, the equipment found in that studio, and the basic techniques needed to accomplish radio production work. The new edition is updated throughout and features new sections on mobile technology, audio editing apps and software, and digital editing, as well as updated graphics and expanded content on portable digital audio players. Features a worktext/website format tailored for both students and teachers, offering a solid foundation for anyone who wishes to know more about radio/audio equipment and production techniques.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkAudio Production Worktext, 9th Edition provides readers the best introduction to audio and radio production. It shows how to navigate modern radio production studios and utilize the latest equipment and software. The 9th edition is updated to cover new mobile technologies, digital consoles, and audio editing apps and software, as well sound for the visual media and Internet radio. The new edition continues to include the worktext/website format tailored for both students and teachers and features like Production Tips that provide notes relevant to various audio production topics, self-study questions and projects, an updated Glossary, and an up-to-date companion website with invaluable student and instructor materials. Included in this edition are offers and features from Pro Sound Effects, FilmTVsound.com, and RadioFX, as well as updated color graphics and images throughout the text.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. StarkNow in its tenth edition, the Audio Production Worktext offers a comprehensive introduction to audio production in radio, television, and film. This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for the visual media. The reader is shown the reality of audio production both within the studio and on location. New to this edition is material covering podcasting, including online storage and distribution. The new edition also includes an updated glossary and appendix on analog and original digital applications, as well as self-study questions and projects that students can use to further enhance their learning. The accompanying instructor website has been refreshed and includes an instructor’s manual and PowerPoint images. This book remains an essential text for audio and media production students seeking a thorough introduction to the field.
Audio Production Worktext: Concepts, Techniques, and Equipment
by Samuel J. Sauls Craig A. Stark Lowery A. Woodall IIINow in its eleventh edition, Audio Production Worktext offers a comprehensive introduction to audio production in radio, podcasting, television, and film.This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for visual media. The reader is shown the reality of audio production both within the studio and on location. In this new edition, chapters have been reorganized to address the growing prominence of podcasting and digital production. Thorough updates have been made to every chapter, including self-study questions and projects, and the authors continue to draw in diverse and international practitioner perspectives to help translate concepts to real-world practice.This book remains an essential text for audio and media production students seeking a thorough introduction to the field.The accompanying website for students and instructors has also been updated and includes sample syllabi, lesson plans, further study questions, test questions, and web resources, as well as images by chapter as included in the Worktext.
Audio for Single Camera Operation
by Tony GrantIn the last decade a greater demand has been placed on cameramen to record sound as well as pictures on location. For anyone wanting to learn about the basics of recording sound, specific to single camera location work this book provides an ideal grounding. It covers the equipment a single operator would use, methods and examples of how to learn sound techniques and ways of successfully working alone. While it offers an account of audio theory, including post-production it also explains the essential audio technology basics. Covering typical techniques including live broadcasting, it teaches practical everyday instruction on what microphones to rig, how to sound balance everyday news, magazine and current affairs etc.Techniques are explained and laid out in an accessible format supported by diagrams and are organised in easy to browse topics for quick reference. The author's approach is clear yet comprehensive, offering real hands-on experience of the skills involved in broadcast audio. This manual is seen as a basic, practical introduction to tackling the problems of recording sound on location as a cameraman, thus providing the necessary experience and knowledge required of everyday operation.
Audio-Vision: Sound On Screen
by Michel ChionMichel Chion’s landmark Audio-Vision has exerted significant influence on our understanding of sound-image relations since its original publication in 1994. Chion argues that sound film qualitatively produces a new form of perception. Sound in audiovisual media does not merely complement images. Instead, the two channels together engage audio-vision, a special mode of perception that transforms both seeing and hearing. We don’t see images and hear sounds separately—we audio-view a trans-sensory whole.In this updated and expanded edition, Chion considers many additional examples from recent world cinema and formulates new questions for the contemporary media environment. He takes into account the evolving role of audio-vision in different theatrical environments, considering its significance for music videos, video art, commercial television, and the internet, as well as conventional cinema. Chion explores how multitrack digital sound enables astonishing detail, extending the space of the action and changing practices of scene construction. He demonstrates that speech is central to film and television and shows why “audio-logo-visual” is a more accurate term than “audiovisual.” Audio-Vision shows us that sound is driving the creation of a sensory cinema.This edition includes a glossary of terms, a chronology of several hundred significant films, and the original foreword by sound designer, editor, and Oscar honoree Walter Murch.
Audio-Visuelle Tropen: Die Rhetorik von ‚Nahrungs-Aufnahmen‘ im Dokumentarischen
by Markus KügleIn diesem Buch werden Dokumentarfilme analysiert, welche prominent die zeitgenössische Ernährung zum Thema haben. Die audiovisuelle Dokumentation wird dabei als Argumentation begriffen, das Zusammenspiel von bestimmten Inszenierungs-Modi in Sachen Bewegtbild und Ton als rhetorische Figuren, genauer als Tropen, welche jeweils bestimmte Persuasionen zu evozieren imstande sind. Frei nach Ansätzen aus dem Bereich der Neuen Rhetorik und der Psychoanalytischen Filmtheorie (u. a. Christian Metz) wird ein Modell, bestehend aus Metonymie, Synekdoche, Metapher, Katachrese und Ironie, entwickelt, um klären zu können, wie ‚Nahrungs-Aufnahmen‘ argumentationstechnisch oder vielmehr sophistisch, wenn nicht gar rabulistisch funktionieren.
Audiotopia: Music, Race, and America
by Josh KunRanging from Los Angeles to Havana to the Bronx to the U.S.-Mexico border and from klezmer to hip hop to Latin rock, this groundbreaking book injects popular music into contemporary debates over American identity. Josh Kun insists that America is not a single chorus of many voices folded into one, but rather various republics of sound that represent multiple stories of racial and ethnic difference. To this end he covers a range of music and listeners to evoke the ways that popular sounds have expanded our idea of American culture and American identity. Artists as diverse as The Weavers, Cafe; Tacuba, Mickey Katz, Rahsaan Roland Kirk, Bessie Smith, and Ozomatli reveal that the song of America is endlessly hybrid, heterogeneous, and enriching--a source of comfort and strength for populations who have been taught that their lives do not matter. Kun melds studies of individual musicians with studies of painters such as Jean-Michel Basquiat and of writers such as Walt Whitman, James Baldwin, and Langston Hughes. There is no history of race in the Americas that is not a history of popular music, Kun claims. Inviting readers to listen closely and critically, Audiotopia forges a new understanding of sound that will stoke debates about music, race, identity, and culture for many years to come.
Audiovisual Tourism Promotion: A Critical Overview
by Alfio Leotta Diego BonelliThis book deploys the concept of ‘audiovisual tourism promotion’ to account for the promotional functions performed by a vast array of diverse media texts including tourism films, feature films, digital videos conceived for online circulation, video games and TV commercials. From this point of view, this volume fills a major gap in the literature by providing the first comprehensive critical overview of audiovisual tourism promotion as a distinct media field. In this book, the study of audiovisual tourism promotion is characterised by an interdisciplinary approach which combines film studies, media studies, human geography, sociology, tourism studies, history, postcolonial and gender studies. This book will appeal to a wide range of students and scholars from different disciplines.
Audiovisual Translation (Routledge Introductions to Translation and Interpreting)
by Patrick ZabalbeascoaThis accessible textbook introduces the core concepts and issues of translation relevant for the training of audiovisual translators.Structured around different characteristics and problem areas in audiovisual translation (AVT), this text provides the scaffolding for shaping informed, critical thinkers and astute translators. Adopting a theory-driven approach, with short theoretical introductions and clear definitions, the author incorporates challenging issues to encourage readers to find their own answers and opinions. Translation technology is explored where relevant and current online resources will be introduced but discussed in a timeless fashion, without focusing on specific software, so that the thinking can be applied to and reconciled with evolving and future platforms, as well as other modes of translation. Each chapter includes an introduction to concepts and issues, explanations and debate, a wide range of examples and exercises and questions throughout. Written by a leading researcher and practising teacher with experience freelancing in the AVT field, this is the ideal core textbook for students on postgraduate courses in AVT and of interest to both practising translators and students in translation studies, multimodal analysis, languages and film studies.
Audiovisual Translation in the Digital Age: The Italian Fansubbing Phenomenon
by Serenella MassiddaThis pioneering study on fan translation focuses on Italian fansubbing as a concept, a vibrant cultural and social phenomenon which is described from its inception in 2005 to today. It explores far-reaching issues related to fansubbing and crowdsourcing, highlighting in particular the benefits and drawbacks of Web 2. 0.
Audition
by Kehoe Stasia WardWhen high school junior Sara wins a coveted scholarship to study ballet, she must sacrifice everything for her new life as a professional dancer-in-training. Living in a strange city with a host family, she's deeply lonely-until she falls into the arms of Remington, a choreographer in his early twenties. At first, she loves being Rem's muse, but as she discovers a surprising passion for writing, she begins to question whether she's chosen the right path. Is Rem using her, or is it the other way around? And is dancing still her dream, or does she need something more? This debut novel in verse is as intense and romantic as it is eloquent. .
Audition
by Michael ShurtleffMichael Shurtleff has been casting director for Broadway shows likeChicago and Becket and for films like The Graduate and Jesus Christ Superstar. His legendary course on auditioning has launched hundreds of successful careers. Now in this book he tells the all-important HOW for all aspiring actors, from the beginning student of acting to the proven talent trying out for that chance-in-a-million role!
Audition For Your Career, Not The Job: Mastering The On-camera Audition
by Stephanie Gunning Tim PhillipsYou’ve got a big audition lined up for a role in a film or on a television series. What do you do now? AUDITION FOR YOUR CAREER, NOT THE JOB covers steps you can take and specific skills you can put to use immediately to feel more confident about your performance in your next audition and make a great and lasting impression on casting directors and producers. If your work is consistently first-rate and memorable, then every on-camera audition is an opportunity to advance your acting career. This book will teach you techniques that improve your ability to read and interpret the sides quickly, helping you to trust your instincts and craft strong, bold, specific acting choices, and setting you up for an active and profitable career.
Audition Speeches for Women (Stage And Costume Ser.)
by Jean MarlowAudition Speeches for Women is an invaluable resource for acting classes, competitions, auditions, and rehearsals, and an affordable and necessary tool for serious actors everywhere.
Audition Speeches for Young Actors 16+: For All Ages And Accents (Audition Speeches Ser.)
by Jean MarlowAudition Speeches for 6-16 Year Olds offers a generous helping of carefully selected speeches that children can prepare for auditions. Each speech is introduced with commentary to set the scene and help the young actor.
Audition Speeches for Younger Actors 16+: For All Ages And Accents (Audition Speeches Ser.)
by Jean MarlowAudition speeches for actors aged 16-18, selected by Jean Marlow. Includes advice from actors, casting directors and teachers
Audition Success (A\theatre Arts Book Ser.)
by Don GreeneAudition Success presents a groundbreaking method that has already made Don Greene one of the country's leading audition trainers. Combining specially designed self-tests and real-life examples from the careers of two performers, Audition Success will help performers understand what prevents them from nailing an audition and give them the tools to reach their goals.
Auditioning On Camera: An Actor's Guide
by Joseph HackerTo win a screen role, an actor must learn to contend with an on-camera audition. Understanding how to make the crucial adjustments to one’s craft that this kind of audition requires is vital to the career of any screen actor. Auditioning On Camera sets out the key elements of a successful on-camera audition and explains how to put them into practice. Joseph Hacker draws on 35 years of acting experience to guide the reader through the screen auditioning process with an engaging and undaunting approach. Key elements examined include: textual analysis knowing where to look dealing with nerves on-camera interviews using the environment retaining the camera’s focus The book also features point-by-point chapter summaries, as well as a glossary of acting and technical terms, and is a comprehensive and enlightening resource for screen actors of all levels.
Auditioning for Musical Theatre
by Denny BerryAuditioning for Musical Theatre demystifies the process of giving the best possible professional audition for a role in a musical. It is the result of Denny Berry’s own experience, sitting "behind the audition desk" for 30 years of professional Broadway auditions, as well as teaching newcomers and coaching established actors. The book coaches performers on how to be their best selves—and avoid the pitfalls of nerves and poor preparation. To do so, it offers: An in-depth, practical approach to a professional audition that gives readers detailed suggestions about how to identify their vocal strengths, choose the material most suited to it, and present the entirety of their "product" with confidence. Rules to guide the actor through the audition process, along with sample homework assignments. A comprehensive list of musical material, genres, and commonly-referred-to categories of songs designed to help auditioners select the right material for any given audition. The book is intended for the talented newcomer as well as the experienced actor who wants to deliver a more effective audition. Ultimately, Auditioning for Musical Theatre takes the reader through the parts of auditioning that they can control, and helps them tailor every situation to show their individual best.
Auditioning: An Actor-Friendly Guide
by Joanna MerlinTheater veteran and acting teacher Joanna Merlin has written the definitive guide to auditioning for stage and screen, bringing to it a valuable dual perspective. She has spent her career on both sides of the auditioning process, both as an award-winning casting director who has worked with Harold Prince, Bernard Bertolucci, and James Ivory, and as an accomplished actor herself. In this highly informative and accessible book, Merlin provides everything the actor needs to achieve self-confidence and artistic honesty-from the most basic practical tips to an in-depth framework for preparing a part. Filled with advice from the most esteemed people in the business, such as James Lapine, Nora Ephron, and Stephen Sondheim, and charged with tremendous wisdom and compassion, this indispensable resource will arm the reader to face an actor's greatest challenge: getting the part.
Auditions: The Complete Guide
by Richard EvansAuditions are an integral part of every performer's life. From getting into drama school through to a successful career in an overcrowded industry, Auditions: The Complete Guide offers crucial advice, resources and tried and tested techniques to maximise success before, during and after each audition. Written by an established casting director and former actor, with over 35 years of experience on a wide range of productions, this book offers a wealth of personal and professional insights, covering: • drama and theatre schools • showcases • amateur and professional auditions • contemporary, classical, physical and musical theatre • television and commercial castings, movie screen tests and self taping • voice-overs and radio drama • networking • recalls and workshops • handling job offers, and rejection From training to triumph, nerves to networking and camera to casting couch, Auditions: The Complete Guide is an entertaining, accessible and indispensable read for every performer. Richard Evans CDG has cast a wide variety of productions in all media since 1989 and, prior to this, worked as an actor for 10 years. He has devised and presented audition and career development workshops at many top drama and theatre schools worldwide, and at the Actors Centre, London and has written Auditions: A Practical Guide (Routledge, 2009) and 'A Casting Director’s Perspective' for The Actors’ Yearbook, 2005. He is a member of The Casting Directors’ Guild of Great Britain and Ireland. www.auditionsthecompleteguide.com
Audrey Hepburn
by Barry ParisThe most ambitious and personal account ever written about Hollywood's most gracious star-Audrey Hepburn by Barry Paris is a "moving portrayal" (The New York Times Book Review) that truly captures the woman who captured our hearts... With the insights of family and friends who never before spoke to a Hepburn biographer-and never-before-published photographs-Paris has created an in-depth portrait of the actress, from her childhood in Nazi-occupied Europe, through her legendary career, and into her UN ambassadorship.
Audrey Hepburn
by Donald SpotoBorn in Brussels in 1929, Audrey Hepburn was the daughter of a British father and a Dutch Baroness. But when she was five, her father deserted the family. With the outbreak of war in 1939, her mother thought they would be safer in Holland than Holland Park, but although they survived the German Occupation, the experience left its physical and emotional scars. Back in England again, Audrey studied ballet with Marie Rambert. After a few West End musicals and minor film parts, she was spotted by the author, Colette, to star in a stage version of her novel, Gigi. And then Audrey's career took off. Her debut screen role was the Princess in the enchanting Roman Holiday. It won her an Oscar. She went on to bring her unique grace and high spirits to a number of highly acclaimed films - from Funny Face and The Nun's Story to My Fair Lady, Breakfast at Tiffany's and Robin and Marian. For a while it looked as though her personal life would follow the Hollywood dream. But her marriage to Mel Ferrer was not to last. She married and divorced a second time, and there were other passionate but short-lived affairs, some revealed for the first time in this book, but her relationships were never entirely successful. With all the insight, background knowledge and innate sympathy for his subject, qualities that have made his biographies of Hitchcock, Dietrich, Monroe and Bergman such international successes, Donald Spoto truly captures the spirit of an elusive, beautiful, talented and vulnerable woman.