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The CIA in Hollywood: How the Agency Shapes Film and Television
by Tricia JenkinsWhat’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.
The CIA in Hollywood: How the Agency Shapes Film and Television
by Tricia JenkinsAn in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates.What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s.The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.“Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
The CIA in Hollywood: How the Agency Shapes Film and Television
by Tricia JenkinsAn in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates.What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s.The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.“Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
The COACH Model for Christian Leaders: Powerful Leadership Skills for Solving Problems, Reaching Goals, and Developing Others
by Keith E. WebbThe COACH Model® is a radically different approach to leading people. You will learn how to create powerful conversations to assist others to solve their own problems, reach goals, and develop leadership skills in the process. The COACH Model for Christian Leaders is packed with stories and illustrations that bring the principles and practice to life.
The Call of the Eco-Weird in Fiction, Films, and Games
by Brian Hisao Onishi Nathan M. BellThis edited volume identifies and analyses the Eco-Weird as an interdisciplinary theoretical tool for engaging in fictional, philosophical, filmic, and ludic texts. It is the first volume to engage in the study of the Eco-Weird, which is a developing field at the intersection of environmental thought and Weird fiction, broadly construed to include literature, games, films, art, and television shows. The Eco-Weird has intersections with other literary and scholarly fields, including horror studies, game studies, phenomenology, literary criticism, and eco-criticism, but provides a unique set of tools to engage both its texts and the ongoing environmental crises of climate change, environmental justice, pollution, and more.
The Call of the Heart: John M. Stahl and Hollywood Melodrama
by Bruce Babington Charles BarrThe profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886–1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.
The Call of the Heart: John M. Stahl and Hollywood Melodrama
by Bruce Babington and Charles BarrA study of an important but neglected director that “fills many gaps and updates our knowledge of a major filmmaker of the silent period and beyond” (Positif).The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master, but John M. Stahl has been stuck in it for far too long. His strong association with melodrama and the “woman’s film” is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude.His remarkable silent melodramas were either lost or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahl’s much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows.Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahl’s work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.
The Callback: The Audition; The Callback; The Competition (Maddie Ziegler #2)
by Maddie ZieglerBunheads meets The Kicks in this second novel in a middle grade trilogy from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!After a successful first competition, twelve-year-old Harper is eager to keep on making her mark in Dance Starz. But lately, she&’s having a bit of &“dancer&’s block.&” In her one-on-one with her teacher, Harper is reminded that dancing isn&’t just about the spins and leaps; it&’s about the emotion and passion for dancing, too. And lately, she hasn&’t felt that Harper has been living up to her usual standards. Vanessa will be choosing the first soloist to compete at the next competition for the team, and suggests to Harper that she find a way to figure out how to get that mojo back. Thanks to a chance conversation, Harper joins the school musical. Not only is this an opportunity to polish up her stage presence, but as the newbie at school, Harper is excited to make some more friends. But some of the teammates are not thrilled that Harper is doing something besides the dance team. Plus, their biggest rivals, the Belles, are looking to go toe-to-toe with them in the upcoming competition—and both teams have something to prove. Harper realizes that the musical, dance team, and school might be a little much. Can she figure out how to find her balance—on-stage and off?
The Calling (The Dark Chronicles #3)
by Barbara SteinerMiki O'Ryan jumps at the chance to be part of a mysterious dance troupe--until she realizes its members may be more dangerous than they appear For several nights, Miki O'Ryan has snuck into the condemned Sullivan Theater to watch an enigmatic, shadowy group perform haunting routines that are part gymnastics, part dance, and part magic. When the director catches Miki spying one night, he invites her to join them. The Theater of the Dead is a gothic troupe whose members all pretend to be vampires. Miki is thrilled to finally belong to a family, however odd it may be. When the gorgeous Davin is assigned to be her partner--and seems as if he may be interested in being more--Miki is ready to follow the Theater of the Dead anywhere. But whenever Miki dances with them, she feels as if they are putting her under a spell with their sensuous movement and hypnotic eyes. Is it possible that these strange people are more than what they seem? Miki realizes she may be in danger of losing her life--and her soul--to the Theater of the Dead.
The Cambodian Dancer
by Christy Hale Daryn Reicherter Bophal PenhNot even the most terrible brutality can completely destroy the human spirit.In clear but simple language and beautiful illustrations, this Cambodian children's story communicates a sense of the joy, sadness, injustice and triumph that lives on in young Cambodian Americans. It shows that it is possible to overcome great hardship, and that a single decision can do much to heal one's self and others.The Cambodian Dancer is the true story of a Cambodian refugee-a dancer and teacher-who built a life in the US after fleeing the Khmer Rouge. She became a counselor to other Cambodian refugees and created a school of dance for children. Her gift of hope was to teach children in the Cambodian community the traditional dances of Cambodia so that young people growing up far away from the land of their ancestors would know about their culture.
The Cambodian Dancer
by Daryn ReicherterNot even the most terrible brutality can completely destroy the human spirit. In clear but simple language and beautiful illustrations, this Cambodian children's story communicates a sense of the joy, sadness, injustice and triumph that lives on in young Cambodian Americans. It shows that it is possible to overcome great hardship, and that a single decision can do much to heal one's self and others. The Cambodian Dancer is the true story of a Cambodian refugee--a dancer and teacher--who built a life in the US after fleeing the Khmer Rouge. She became a counselor to other Cambodian refugees and created a school of dance for children. Her gift of hope was to teach children in the Cambodian community the traditional dances of Cambodia so that young people growing up far away from the land of their ancestors would know about their culture.
The Cambridge Companion to Ballet
by Marion KantBallet is a paradox: much loved but little studied. It is a beautiful fairy tale; detached from its origins and unrelated to the men and women who created it. Yet ballet has a history, little known and rarely presented. These great works have dark sides and moral ambiguities, not always nor immediately visible. The daring and challenging quality of ballet as well as its perceived 'safe' nature is not only one of its fascinations but one of the intriguing questions to be explored in this 2007 Companion. The essays reveal the conception, intent and underlying meaning of ballets and recreate the historical reality in which they emerged. The reader will find new and unexpected aspects of ballet, its history and its aesthetics, the evolution of plot and narrative, new insights into the reality of training, the choice of costume and the transformation of an old art in a modern world.
The Cambridge Companion to Benjamin Britten, Billy Budd
by Mervyn CookeBilly Budd, based on Herman Melville's nautical allegory, is one of Britten's most challenging operas. This comprehensive guide considers the work from both literary and musical viewpoints. Melville's novella is discussed, as is the interpretation given to the novella by the librettists E. M. Forster and Eric Crozier. A detailed synopsis guides the reader through the musical and dramatic action of the opera and in a chapter devoted to the music, Britten's distinctive technique of tonal symbolism is analyzed to demonstrate the effectiveness of his musical response to the dramatic suggestions of Melville's story. The most important critical writings on Billy Budd are represented by an expanded version of Donald Mitchell's 1979 notebook on the opera. A final chapter charts the opera's stage history and fluctuating critical reception.
The Cambridge Companion to Bob Dylan
by Kevin J. H. DettmarA towering figure in American culture and a global twentieth-century icon, Bob Dylan has been at the centre of American life for over forty years. The Cambridge Companion to Bob Dylan brings fresh insights into the imposing range of Dylan's creative output. The first Part approaches Dylan's output thematically, tracing the evolution of Dylan's writing and his engagement with American popular music, religion, politics, fame, and his work as a songwriter and performer. Essays in Part II analyse his landmark albums to examine the consummate artistry of Dylan's most accomplished studio releases. As a writer Dylan has courageously chronicled and interpreted many of the cultural upheavals in America since World War II. This book will be invaluable both as a guide for students of Dylan and twentieth-century culture, and for his fans, providing a set of new perspectives on a much-loved writer and composer.
The Cambridge Companion to Choral Music
by André De QuadrosChoral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.
The Cambridge Companion to Debussy
by Simon TreziseOften considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This Companion offers new insights into Debussy's character, his environment and his music, including challenging views of the roles of nature and eroticism in his life and music. While works in all genres are discussed, they are considered through the themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century.
The Cambridge Companion to Ravel
by Deborah MawerThis companion provides a comprehensive introduction to the life, music and compositional aesthetic of French composer Maurice Ravel (1875-1937). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context. Marking the 125th anniversary of Ravel's birth, the volume explores the full range of his work--piano repertory, chamber works, orchestral music, ballets, songs and operas--and concludes by analyzing the performance and reception of his music, including previously untranslated reviews.
The Cambridge Companion to Shakespearean Comedy
by Alexander LeggattThis is an accessible, wide-ranging and informed introduction to Shakespeare's comedies and romances. Rather than taking each play in isolation, the chapters trace recurring issues, suggesting both the continuity and the variety of Shakespeare's practice and the creative use he made of the conventions he inherited. The first section puts Shakespeare in the context of classical and Renaissance comedy and comic theory, the work of his Elizabethan predecessors and the traditions of popular festivity. The second section traces a number of themes through Shakespeare's early and middle comedies, dark comedies and late romances, establishing the key features of his comedy as a whole and illuminating particular plays by close analysis. Individual chapters draw on contemporary politics, rhetoric, and the history of Shakespeare production. Written by experts in the relevant fields, the chapters bring the reader up to date on current thinking and frequently challenge long-standing critical assumptions.
The Cambridge Companion to the Actress
by Maggie B. Gale John StokesThis Companion brings together sixteen new essays which examine, from various perspectives, the social and cultural role of the actress throughout history and across continents. Each essay focuses on a particular stage in her development, for example professionalism in the seventeenth century; the emergence of the actress/critic during the Romantic period and, later on, of the actress as best selling autobiographer; the coming of the drama schools which led to today's emphasis on the actress as a highly-trained working woman. Chapters consider the image of the actress as a courtesan, as a 'muse', as a representative of the 'ordinary' housewife, and as a political activist. The collection also contains essays on forms, genres and traditions - on cross dressing, solo performance, racial constraints, and recent Shakespeare - as well as on the actress in early photography and on film. Its unique range will fascinate, surprise and instruct theatre-goers and students alike.
The Cambridge Companion to the Beatles
by Kenneth WomackFrom Please Please Me to Abbey Road, this collection of essays tells the fascinating story of the Beatles - the creation of the band, their musical influences, and their cultural significance, with emphasis on their genesis and practices as musicians, songwriters, and recording artists. Through detailed biographical and album analyses, the book uncovers the background of each band member and provides expansive readings of the band's music. - Traces the group's creative output from their earliest recordings through their career - Pays particular attention to the social and historical factors which contributed to the creation of the band - Investigates the Beatles' unique enduring musical legacy and cultural power - Clearly organized into three sections, covering Background, Works, and History and Influence, the Companion is ideal for course usage, and is also a must-read for all Beatles fans
The Cambridge Encyclopedia of Stage Actors and Acting
by Simon WilliamsActing is widely acknowledged to be the central art of the theatre and has a long and vibrant history. With over 1,000 entries, this is the first encyclopedia of stage actors and acting around the world. More than 100 renowned international contributors provide biographical, historical and technical information about actors both familiar and obscure whose work has been crucial in the development of acting methods and traditions from classical theatre to the present day. Entries on key directors, theorists and teachers and on the elements and genres of acting provide insights into the history of acting as an art and its current practice. Including a chronological list of actors that spans the past 2,000 years and many diverse countries and cultures, this Encyclopedia offers a fascinating and unique overview of acting onstage that will be of interest to anyone who attends or practises theatre.
The Cambridge Introduction to Comedy
by Eric Weitz'Laughter', says Eric Weitz, 'may be considered one of the most extravagant physical effects one person can have on another without touching them'. But how do we identify something which is meant to be comic, what defines something as 'comedy', and what does this mean for the way we enter the world of a comic text? Addressing these issues, and many more, this is a 'how to' guide to reading comedy from the pages of a dramatic text, with relevance to anything from novels and newspaper columns to billboards and emails. The book enables you to enhance your grasp of the comic through familiarity with characteristic structures and patterns, referring to comedy in literature, film and television throughout. Perfect for drama and literature students, this Introduction explores a genre which affects the everyday lives of us all, and will therefore also capture the interest of anyone who loves to laugh.
The Cambridge Introduction to Performance Theory
by Simon ShepherdWhat does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.
The Cambridge Wagner Encyclopedia
by Nicholas VazsonyiRichard Wagner is one of the most controversial figures in Western cultural history. He revolutionized not only opera but the very concept of art, and his works and ideas have had an immeasurable impact on both the cultural and political landscapes of the late nineteenth and twentieth centuries. From "absolute music" to "Zurich" and from "Theodor Adorno" to "Hermann Zumpe," the vividly-written entries of The Cambridge Wagner Encyclopedia have been contributed by recognized authorities and cover a comprehensive range of topics. More than eighty scholars from around the world, representing disciplines from history and philosophy to film studies and medicine, provide fascinating insights into Wagner's life, career, and influence. Multiple appendices include listings of Wagner's works, historic productions, recordings, and addresses where he lived, to round out a volume that will be an essential and reliable resource for enthusiasts and academics alike.
The Camera Age: Essays on Television
by Michael J. ArlenEssays and articles by Arlen, about television broadcasting during the mid twentieth century.