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The Castle on Sunset: Love, Fame, Death and Scandal at Hollywood's Chateau Marmont

by Shawn Levy

For nearly ninety years, Hollywood's brightest stars have favoured the Chateau Marmont as a home away from home. Filled with deep secrets but hidden in plain sight, its evolution parallels the growth of Hollywood itself. Perched above the Sunset Strip like a fairy-tale castle, the Chateau seems to come from another world entirely. An apartment-house-turned-hotel, it has been the backdrop for generations of gossip and folklore: 1930s bombshell Jean Harlow took lovers during her third honeymoon there; director Nicholas Ray slept with his sixteen-year-old Rebel Without a Cause star Natalie Wood; Anthony Perkins and Tab Hunter met poolside and began a secret affair; Jim Morrison swung from the balconies, once nearly falling to his death; John Belushi suffered a fatal overdose in a private bungalow; Lindsay Lohan got the boot after racking up nearly $50,000 in charges in less than two months. Much of what's happened inside the Chateau's walls has eluded the public eye - until now. With wit and prowess, Shawn Levy recounts the wild parties and scandalous liaisons, creative breakthroughs and marital breakdowns, births and untimely deaths that the Chateau Marmont has given rise to. Vivid, salacious and richly informed, the book is a glittering tribute to Hollywood as seen from the suites and bungalows of its most hallowed hotel.

The Castle on Sunset: Love, Fame, Death and Scandal at Hollywood's Chateau Marmont

by Shawn Levy

Chateau Marmont has sat atop the Sunset Strip for nearly a century, like the Rock of Gibraltar. It is a place filled with deep secrets but is hidden in plain sight, and its evolution parallels the growth of Hollywood itself. Since the dawn of talking pictures, the Chateau Marmont has promised privacy, mystery and a whiff of old glamour. It's where John Belushi overdosed after a three-day binge, it's the place where Roman Polanski and Sharon Tate lived while their infamous house on Cielo Drive was being completed. Billy Wilder, F. Scott Fitzgerald, Gore Vidal and Howard Hughes all spent time as long-term residents in the Chateau. Rebel without a Cause, starring James Dean and Natalie Wood, was largely conceived, cast, rehearsed and, in some way, lived, in one of its suites. Led Zeppelin may or may not have driven motorcycles through the hotel's lobby. Beyoncé and Jay-Z recently threw an Oscars bash in the hotel parking garage.With wit and prowess, Shawn Levy recounts the wild parties and scandalous liaisons, creative breakthroughs and marital breakdowns, births and untimely deaths that the Chateau Marmont has given rise to. Vivid, salacious and richly informed, the book is a glittering tribute to Hollywood as seen from the suites and bungalows of its most hallowed hotel.(p) Penguin Random House Audio 2019

The Cat in the Hat Knows A Lot About Christmas! (Big Golden Book)

by Tish Rabe

This rhymed retelling of the hit PBS Kids holiday special The Cat in the Hat Knows a Lot About Christmas! is bound to become a cherished keepsake. Written in a style reminiscent of Clement Moore's 'Twas the Night Before Christmas, the book retells the story from the Cat's Christmas Eve Party through his various mishaps while attempting to return young reindeer Ralph home in time to pull Santa's sled. Along the way, readers are introduced to a herd of elephants with an uncanny ability to smell water; a pod of dolphins who can communicate across far distances; and a single-minded army of Christmas Island crabs—all of whom demonstrate how working together is the best way to solve a problem, and how being home for the holidays is the best place to be. A perfect gift for fans of the hit PBS Kids TV showThe Cat in the Hat Knows a Lot About That!—and an ideal choice for reading aloud—this is a book the whole family can enjoy together!This Read & Listen edition contains audio narration.

The Cat in the Hat Knows A Lot About Christmas! (Big Golden Book)

by Tish Rabe

This rhymed retelling of the hit PBS Kids holiday special The Cat in the Hat Knows a Lot About Christmas! is bound to become a cherished keepsake. Written in a style reminiscent of Clement Moore's 'Twas the Night Before Christmas, the book retells the story from the Cat's Christmas Eve Party through his various mishaps while attempting to return young reindeer Ralph home in time to pull Santa's sled. Along the way, readers are introduced to a herd of elephants with an uncanny ability to smell water; a pod of dolphins who can communicate across far distances; and a single-minded army of Christmas Island crabs--all of whom demonstrate how working together is the best way to solve a problem, and how being home for the holidays is the best place to be. A perfect gift for fans of the hit PBS Kids TV show The Cat in the Hat Knows a Lot About That!--and an ideal choice for reading aloud--this is a book the whole family can enjoy together!

The Cat's Very First Little Golden Book Collection (CITH Knows a Lot About That)

by Tish Rabe Christopher Moroney

Featuring three Little Golden Books based on the hit PBS Kids' TV show The Cat in the Hat Knows a Lot About That!, this omnibus makes an ideal gift for holidays, birthdays, and happy occasions of all kinds. In The Thinga-ma-jigger Is Coming Today!, readers are introduced to the cast of the TV show; in Bamboozled, the Cat and Co. visit with a panda and learn about its favorite food (bamboo); and in Born to Run, the gang go swimming upstream with a spawning salmon. Perfect for new viewers of the show--as well as die-hard fans--this is a seasonless gift that will keep on giving!

The Catholic Church and Antisemitism

by Ronald Modras

Interwar Poland was home to more Jews than any other country in Europe. Its commonplace but simplistic identification with antisemitism was due largely to nationalist efforts to boycott Jewish business. That they failed was not for want of support by the Catholic clergy, for whom the ''Jewish question'' was more than economic. The myth of a Masonic-Jewish alliance to subvert Christian culture first flourished in France but held considerable sway over Catholics in 1930s Poland as elsewhere. This book examines how, following Vatican policy, Polish church leaders resisted separation of church and state in the name of Catholic culture. In that struggle, every assimilated Jew served as both a symbol and a potential agent of security. Antisemitism is no longer regarded as a legitimate political stance. But in Europe, the United States, and the Middle East, the issues of religious culture, national identity, and minorities are with us still. This study of interwar Poland will shed light on dilemmas that still effect us today.

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition

by Barry Gifford

The Cavalry Charges: Writings on Books, Film, and Music, Revised Edition is a collection of anecdotal reflections that relate many of the experiences that shaped Barry Gifford as a writer. Representative of Gifford’s body of work, this volume is divided into three sections: books, film and television, and music. Within these sections, Gifford’s best work is showcased, including a nine-part dossier on Marlon Brando’s One-Eyed Jacks in which Gifford examines the public and private lives of those involved in the film. New to the collection are four previously published essays: a brief look at the novels of Álvaro Mutis; a reflection on Gifford’s schooling under Nebraska poet John Neihardt; an essay on Elliot Chaze and his novel Black Wings Has My Angel; and a short piece on Sailor and Lula.

The Cecchetti Method of Classical Ballet: Theory and Technique

by Cyril W. Beaumont Stanislas Idzikowski

This dance classic presents a complete beginning course in classical ballet. The founder of this method, Enrico Cecchetti (1850–1928), performed and taught in Russia and with Diaghilev's troupe. By elaborating on a logical progression of exercises, Cecchetti provided dance with an unprecedented unity — balancing the adagio and allegro, re-establishing the notion of "legato," strengthening the arabesque, and developing the exercise of the pliés. Cyril W. Beaumont, a distinguished writer on ballet, has codified Cecchetti's program of study with the assistance of one of Cecchetti's star pupils, Stanislas Idzikowski, and with the approval of Cecchetti himself.The first chapter defines and illustrates the basic theory of the positions, body movements, and technical terms. Detailed chapters of exercises include "Exercises at the Bar," "Port de Bras," "Centre Practice," "Adagio," and "Allegro." Each exercise appears with a numbered series of instructions, and a table of daily exercises for the week is provided. The text is accompanied by 109 line illustrations, showing positions and movements of the body in detail and offering ballet lovers a perfect guide to the basics of classical ballet.

The Celestial Dancers: Manipuri Dance on Australian Stage (Routledge Advances in Theatre & Performance Studies)

by Amit Sarwal

The Celestial Dancers: Manipuri Dance on Australian Stage charts the momentous journey of the popularization of Manipur’s Hindu dances in Australia. Tradition has it that the people of Manipur, a northeastern state of India, are descended from the celestial gandharvas, dance and music blessed among them as a God’s gift. The intricately symbolic Hindu dances of Manipur in their original religious forms were virtually unseen and unknown outside India until an Australian impresario, Louise Lightfoot, brought them to the stage in the 1950s. Her experimental changes through a pioneering collaboration with dancers Rajkumar Priyagopal Singh and Ibetombi Devi modernized Manipuri dance for presentation on a global stage. This partnership moved Manipur’s Hindu dances from the sphere of ritualistic temple practice to a formalized stage art abroad. Amit Sarwal chronicles how this movement, as in the case of other prominent Indian classical dances and dancers, enabled both Manipuri dance and dancers to gain recognition worldwide. This book is ideal for anyone with an interest in Hindu temple dance, Manipur dance, cross-cultural collaborations and the globalizing of Indian Classical Dance. The Celestial Dancers is a comprehensive study of how an exceptional Hindu dance form developed on the global stage.

The Celluloid Atlantic: Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973 (SUNY series, Horizons of Cinema)

by Saverio Giovacchini

Offers a fresh look at American and Italian cinema in the postwar period.The Celluloid Atlantic changes the way we look at American and Italian cinema in the postwar period. In the thirty years following World War II, American and Italian film industries came to be an integrated, transnational unit rather than two separate, nation-based entities. Written in jargon-free prose and based on previously unexplored archival sources, this book revisits the history of Neorealism, World War II combat cinema, the "Western all'Italiana," and the career of John Kitzmiller, the African American star who made Italy his home and was the first person of color to win the Best Actor Award at the Cannes Film Festival. The Celluloid Atlantic makes the trailblazing argument that culturally hybrid genres like the so-called spaghetti Western were less the exceptions than the norm. Giovacchini argues that the waning of the Celluloid Atlantic in the early 1970s was due to the economic policies of the first Nixon administration, specifically its important, but largely neglected, Revenue Act of 1971, as well as to the ideological debates between Europeans and Americans that intensified during the American intervention in Vietnam.

The Celluloid Madonna: From Scripture to Screen

by Catherine O'Brien

The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).

The Celluloid Madonna: From Scripture to Screen (Wallflower Press Ser.)

by Catherine O'Brien

The Celluloid Madonna is the first book to analyze the life of the Virgin Mary on screen from the silent era through to the present. For decades, Mary has caught the imagination of filmmakers from a range of religious backgrounds, whether Catholic, Protestant, Muslim, Marxist, or atheist, and film's intersection of theology and secular culture has inspired some of the most singular and controversial visions of this icon in cinema history. Focusing on the challenge of adapting Scripture to the screen, this volume discusses Cecil B. DeMille's The King of Kings (1927), Pier Paolo Pasolini's The Gospel According to St. Matthew (1964), Franco Zeffirelli's Jesus of Nazareth (1977), Jean-Luc Godard's Hail Mary (1984), Jean Delannoy's Mary of Nazareth (1994), Mel Gibson's The Passion of the Christ (2004), Catherine Hardwicke's The Nativity Story (2006), and Mark Dornford-May's Son of Man (2006).

The Celluloid Specimen: Moving Image Research into Animal Life

by Benjamin Schultz-Figueroa

A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In The Celluloid Specimen, Benjamín Schultz‑Figueroa examines rarely seen behaviorist films of animal experiments from the 1930s and 1940s. These laboratory recordings—including Robert Yerkes's work with North American primate colonies, Yale University's rat‑based simulations of human society, and B. F. Skinner's promotions for pigeon‑guided missiles—have long been considered passive records of scientific research. In Schultz‑Figueroa's incisive analysis, however, they are revealed to be rich historical, political, and aesthetic texts that played a crucial role in American scientific and cultural history—and remain foundational to contemporary conceptions of species, race, identity, and society.

The Chairs Are Where the People Go: How to Live, Work, and Play in the City

by Sheila Heti Misha Glouberman

Should neighborhoods change? Is wearing a suit a good way to quit smoking? Why do people think that if you do one thing, you're against something else? Is monogamy a trick? Why isn't making the city more fun for you and your friends a super-noble political goal? Why does a computer last only three years? How often should you see your parents? How should we behave at parties? Is marriage getting easier? What can spam tell us about the world? Misha Glouberman's friend and collaborator, Sheila Heti, wanted her next book to be a compilation of everything Misha knew. Together, they made a list of subjects. As Misha talked, Sheila typed. He talked about games, relationships, cities, negotiation, improvisation, Casablanca, conferences, and making friends. His subjects ranged from the sublime to the ridiculous. But sometimes what had seemed trivial began to seem important—and what had seemed important began to seem less so. The Chairs Are Where the People Go is refreshing, appealing, and kind of profound. It's a self-help book for people who don't feel they need help, and a how-to book that urges you to do things you don't really need to do.

The Challenge of World Theatre History

by Steve Tillis

The future of theatre history studies requires consideration of theatre as a global phenomenon. The Challenge of World Theatre History offers the first full-scale argument for abandoning an obsolete and parochial Eurocentric approach to theatre history in favor of a more global perspective. This book exposes the fallacies that reinforce the conventional approach and defends the global perspective against possible objections. It moves beyond the conventional nation-based geography of theatre in favor of a regional geography and develops a new way to demarcate the periods of theatre history. Finally, the book outlines a history that recognizes the often-connected developments in theatre across Eurasia and around the world. It makes the case that world theatre history is necessary not only for itself, but for the powerful comparative and contextual insights it offers to all theatre scholars and students, whatever their special areas of interest.

The Champ & The Chump: A heart-warming, hilarious true story about fighting and family

by James McNicholas

'Hard-hitting and hilarious' - James Acaster'Funny, moving and compelling' - Mike CostelloA heart-warming, hilarious true story about fighting and family, based on the acclaimed stage show. For fans of books by Dave Gorman, James Acaster and Danny Wallace, along with boxing tales from the likes of Tyson Fury and Ricky Hatton.THE CHAMPTerry Downes - the charismatic cockney known as 'The Paddington Express' - was a world champion boxer, US Marine, gangsters' favourite and later a film star and businessman. THE CHUMPJames McNicholas' PE teacher once told him he was so unfit he'd be dead by the time he was 23. James has spent his life pursuing a career in acting and comedy. In reality, that has meant stints as a car park caretaker and river cruise salesperson. After Terry's death, James finds himself in reflective mood, comparing his story of underachievement against that of his world champ grandad. What follows is an increasingly colourful journey through post-war Paddington to the blood-soaked canvases of Baltimore and Shoreditch, via Mayfair parties with the Krays. Along the way, James begins to dig into his own story, confronting the dysfunctional elements of his childhood, describing his often hilarious efforts to make it in the world of showbiz, and attempting to recreate Terry's trials by enlisting in a brutal military boot camp and boxing gym. When James is diagnosed with a frightening and mysterious neurological condition, the two tales of the fighter and the writer suddenly collide, and what began as a nostalgic journey takes on a far more important significance altogether. 'A wonderfully funny and heartfelt story of what family and lineage means. Even made me like boxing' - Josh Widdicombe'An extraordinary family history, told with warmth and wit. Two remarkable underdog stories - come for the cockney scrapper who conquered the world, stay for the grandson and the fight of his life' - Greg Jenner'If you like comedy and boxing this is the perfect book. James McNicholas is a very funny man and a brilliant writer' - Rob Beckett

The Champ & The Chump: A heart-warming, hilarious true story about fighting and family

by James McNicholas

'Hard-hitting and hilarious' - James Acaster'Funny, moving and compelling' - Ian CostelloA heart-warming, hilarious true story about fighting and family, based on the acclaimed stage show. For fans of books by Dave Gorman, James Acaster and Danny Wallace, along with boxing tales from the likes of Tyson Fury and Ricky Hatton.THE CHAMPTerry Downes - the charismatic cockney known as 'The Paddington Express' - was a world champion boxer, US Marine, gangsters' favourite and later a film star and businessman. THE CHUMPJames McNicholas' PE teacher once told him he was so unfit he'd be dead by the time he was 23. James has spent his life pursuing a career in acting and comedy. In reality, that has meant stints as a car park caretaker and river cruise salesperson. After Terry's death, James finds himself in reflective mood, comparing his story of underachievement against that of his world champ grandad. What follows is an increasingly colourful journey through post-war Paddington to the blood-soaked canvases of Baltimore and Shoreditch, via Mayfair parties with the Krays. Along the way, James begins to dig into his own story, confronting the dysfunctional elements of his childhood, describing his often hilarious efforts to make it in the world of showbiz, and attempting to recreate Terry's trials by enlisting in a brutal military boot camp and boxing gym. When James is diagnosed with a frightening and mysterious neurological condition, the two tales of the fighter and the writer suddenly collide, and what began as a nostalgic journey takes on a far more important significance altogether. 'A wonderfully funny and heartfelt story of what family and lineage means. Even made me like boxing' - Josh Widdicombe'An extraordinary family history, told with warmth and wit. Two remarkable underdog stories - come for the cockney scrapper who conquered the world, stay for the grandson and the fight of his life' - Greg Jenner'If you like comedy and boxing this is the perfect book. James McNicholas is a very funny man and a brilliant writer' - Rob Beckett

The Champ & The Chump: A heart-warming, hilarious true story about fighting and family

by James McNicholas

A heart-warming, hilarious true story about fighting and family, based on the acclaimed stage show. For fans of books by Dave Gorman, James Acaster and Danny Wallace, along with boxing tales from the likes of Tyson Fury and Ricky Hatton.The Champ Terry Downes - known as 'The Paddington Express' - was a world champion boxer, US Marine, gangsters' favourite and latter-day film star and businessman. The Chump James McNicholas's PE teacher once told him he was so unfit he'd be dead by the time he was 23. James has spent his life pursuing a career in acting and comedy. In reality, that has meant spells working as a painter-decorator and river cruise salesperson. After Terry's death, James finds himself in reflective mood, comparing how he's doing in life to how his grandad was at that age. What follows is an increasingly colourful journey that takes James from post-war Paddington to the blood-soaked canvases of Baltimore and Whitechapel, via Mayfair parties with the Krays and betting shop bust-ups, as he discovers the truth about his grandfather's extraordinary life. Along the way he begins to dig into his own story, confronting the family addictions that blighted his early years, describing his often-hilarious efforts to make it in the world of showbiz, and attempts to recreate Terry's trials by enlisting in a brutal army boot camp and boxing gym. When James is diagnosed with a frightening and mysterious neurological condition, the two stories of the fighter and the writer suddenly collide, and what began as a nostalgic journey takes on a far more important significance.(P)2021 Headline Publishing Group Limited

The Chance: A Story with Two Morals

by Nola Jasmine Hosking

A young man with musical talents named Johann wandered the streets of Germany hoping for a chance to join the orchestra. But without a decent suit of clothes, Johann had very little hope of being heard. Thanks to the kindness of two strangers, and two fish heads, Johann got his chance! Learn more about the story of famous composer Johann Sebastian Bach.

The Changing Face of Korean Cinema: 1960 to 2015 (Asia's Transformations)

by Brian Yecies Aegyung Shim

The rapid development of Korean cinema during the decades of the 1960s and 2000s reveals a dynamic cinematic history which runs parallel to the nation’s political, social, economic and cultural transformation during these formative periods. This book examines the ways in which South Korean cinema has undergone a transformation from an antiquated local industry in the 1960s into a thriving international cinema in the 21st century. It investigates the circumstances that allowed these two eras to emerge as creative watersheds, and demonstrates the forces behind Korea’s positioning of itself as an important contributor to regional and global culture, and especially its interplay with Japan, Greater China, and the United States. Beginning with an explanation of the understudied operations of the film industry during its 1960s take-off, it then offers insight into the challenges that producers, directors, and policy makers faced in the 1970s and 1980s during the most volatile part of Park Chung-hee’s authoritarian rule and the subsequent Chun Doo-hwan military government. It moves on to explore the film industry’s professionalization in the 1990s and subsequent international expansion in the 2000s. In doing so, it explores the nexus and tensions between film policy, producing, directing, genre, and the internationalization of Korean cinema over half a century. By highlighting the recent transnational turn in national cinemas, this book underscores the impact of developments pioneered by Korean cinema on the transformation of ‘Planet Hallyuwood’. It will be of particular interest to students and scholars of Korean Studies and Film Studies.

The Changing Faces of Journalism: Tabloidization, Technology and Truthiness (Shaping Inquiry in Culture, Communication and Media Studies)

by Barbie Zelizer

The collection is introduced with an essay by Barbie Zelizer and organized into three sections: how tabloidization affects the journalistic landscape; how technology changes what we think we know about journalism; and how ‘truthiness’ tweaks our understanding of the journalistic tradition. Short section introductions contextualise the essays and highlight the issues that they raise, creating a coherent study of journalism today.

The Changing Meaning of Kitsch: From Rejection to Acceptance

by Max Ryynänen Paco Barragán

This book inaugurates a new phase in kitsch studies. Kitsch, an aesthetic slur of the 19th and the 20th century, is increasingly considered a positive term and at the heart of today’s society. Eleven distinguished authors from philosophy, cultural studies and the arts discuss a wide range of topics including beauty, fashion, kitsch in the context of mourning, bio-art, visual arts, architecture and political kitsch. In addition, the editors provide a concise theoretical introduction to the volume and the subject. The role of kitsch in contemporary culture and society is innovatively explored and the volume aims not to condemn but to accept and understand why kitsch has become acceptable today.

The Channeled Image: Art and Media Politics after Television

by Erica Levin

A fascinating look at artistic experiments with televisual forms. Following the integration of television into the fabric of American life in the 1950s, experimental artists of the 1960s began to appropriate this novel medium toward new aesthetic and political ends. As Erica Levin details in The Channeled Image, groundbreaking artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and Aldo Tambellini developed a new formal language that foregrounded television’s mediation of a social order defined by the interests of the state, capital, and cultural elites. The resulting works introduced immersive projection environments, live screening events, videographic distortion, and televised happenings, among other forms. For Levin, “the channeled image” names a constellation of practices that mimic, simulate, or disrupt the appearance of televised images. This formal experimentation influenced new modes of installation, which took shape as multi-channel displays and mobile or split-screen projections, or in some cases, experimental work produced for broadcast. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.

The Channeled Image: Art and Media Politics after Television

by Erica Levin

A fascinating look at artistic experiments with televisual forms. Following the integration of television into the fabric of American life in the 1950s, experimental artists of the 1960s began to appropriate this novel medium toward new aesthetic and political ends. As Erica Levin details in The Channeled Image, groundbreaking artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and Aldo Tambellini developed a new formal language that foregrounded television’s mediation of a social order defined by the interests of the state, capital, and cultural elites. The resulting works introduced immersive projection environments, live screening events, videographic distortion, and televised happenings, among other forms. For Levin, “the channeled image” names a constellation of practices that mimic, simulate, or disrupt the appearance of televised images. This formal experimentation influenced new modes of installation, which took shape as multi-channel displays and mobile or split-screen projections, or in some cases, experimental work produced for broadcast. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.

The Channeled Image: Art and Media Politics after Television

by Erica Levin

A fascinating look at artistic experiments with televisual forms. Following the integration of television into the fabric of American life in the 1950s, experimental artists of the 1960s began to appropriate this novel medium toward new aesthetic and political ends. As Erica Levin details in The Channeled Image, groundbreaking artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and Aldo Tambellini developed a new formal language that foregrounded television’s mediation of a social order defined by the interests of the state, capital, and cultural elites. The resulting works introduced immersive projection environments, live screening events, videographic distortion, and televised happenings, among other forms. For Levin, “the channeled image” names a constellation of practices that mimic, simulate, or disrupt the appearance of televised images. This formal experimentation influenced new modes of installation, which took shape as multi-channel displays and mobile or split-screen projections, or in some cases, experimental work produced for broadcast. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.

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