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The Christian Q&A Book for Kids: 100+ Questions and Answers about God and the Bible
by Amy HoutsHelp kids investigate their faith—a guide for 6 to 9 year olds Religion is awe-inspiring—but it can also be overwhelming for young children. This Christian kids' book offers children much-needed insight. Written as a straightforward Q&A, it helps kids clarify their own beliefs by introducing them to frequently asked questions on topics like forgiveness, sin, and so much more. Explore common questions—Kids will dive into 100+ questions and find answers to queries like "Who is God?," "Why did the disciples follow Jesus?," and "Are angels real?" Keep the conversation going—Use the book's questions to spark deeper conversations about faith with the help of a handy parental discussion guide found in the back. For all Christian kids—This inclusive book takes all Christian perspectives into account, so it can be enjoyed by children of every denomination. Inspire kids to learn more about God's love and their own values with this standout among kids' Christian books!
The Christmas Nutcracker (Ballerina Dreams #7)
by Ann BryantThe seventh title in the lively Ballerina Dreams series, written by trained dancer and successful author, Ann Bryant. The Central School of Ballet has been involved in the creation of these realistic stories capturing the dreams and dramas of three budding ballerinas.
The Christmas Princess
by Mariah Carey Michaela Angela DavisThe Christmas Princess is an unforgettable holiday classic tale, told by Mariah Carey herself alongside Michaela Angela Davis and featuring beautiful illustrations by Fuuji Takashi.The Queen of Christmas introduces . . . Little Mariah!There was one time unlike any other,when everyone pitched in and helped one another . . .CHRISTMAS TIME!Mariah Carey, adored by fans around the world, has brought forth a unique, heartwarming, and modern fairy tale with The Christmas Princess, starring Little Mariah! Like her record-breaking, globally adored song “All I Want for Christmas Is You,” this story is an instant and inclusive family holiday classic. While firmly placed in the tradition of Christmas storytelling, The Christmas Princess is infused with her one-of-a-kind festive Mariah magic and musicality.Little Mariah doesn’t have much and doesn’t want a lot, but there is just one thing she longs for: a peaceful and joyous holiday season. Feeling outcast and alone, Little Mariah sets off on a wintry, wondrous journey, ultimately discovering the healing power of her voice to spread the spirit of Christmas at home and all around the world.
The Chronicles of Downton Abbey: A New Era (The World of Downton Abbey)
by Jessica Fellowes Matthew SturgisThe Chronicles of Downtown Abbey: A New Era is a perfect gift book for fans of the Emmy Award-winning series and feature film, inviting readers inside the third season.The Great War has ended, but Downton Abbey is far from peaceful..."Americans can't get enough of Downton Abbey," said The Boston Globe. As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.In this new era, different family members abound (including Cora's American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham's first grandchild belong to? What will become of the servants, both old and new?The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate. This lavish, entirely new book from Jessica Fellowes focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.
The Chronicles of Narnia: The Official Illustrated Movie Companion
by Perry MooreHow the movie got started, how the cast was chosen, chapters on each child, the White Witch, and the CGI, special effects, and costume teams, and an interview with Douglas Gresham, C. S. Lewis' stepson
The Church Cantatas of J. S. Bach
by Alec RobertsonFor nearly every Sunday from 1723 to 1728, J S Bach composed and his young orphan boy-students performed, a half-hour cantata in the Lutheran church services of the Saint Thomas Church in Leipzig, Germany. A cantata usually began with a chorus, contained recitatives (narrative) and arias (meditations) and closed with a hymn (chorale). Bach's cantatas contain more than 1500 movements, filling 67 compact discs in today's recordings. They contain dozens of magnificent choruses and hundreds of deeply-felt and spectacular arias and chorales. Alec Robertson analyzes 173 of Bach's roughly 210 extant cantatas. He organizes them according to the Lutheran church year, starting with Advent and ending with the Reformation Festival of October 30. He introduces each Sunday and feast day with the Biblical citations which were usually the basis for the cantatas. He discusses each movement, even listing the instrumentation. Bach's cantatas are at the pinnacle of western classical music. Not only do they give spiritual nourishment to Christians and non-Christians but they are studied the world over by amateur and professional musicians for their penetrating pictorialization, harmonizations, counterpoint and beautiful melodies. They contain great choruses, arias for all types of singers, plus some duets and trios. Whether you are an amateur or serious musician, this book will help you to understand and appreciate these works. Cantatas not discussed in this book are those intended for special occasions such as weddings, funerals, birthdays of prominent persons, civic events such as town council inaugurations, those with secular themes and those originally included in the Bach canon but which modern scholarship has determined not to have been his compositions (de-established). Accordingly, the following cantatas are not discussed: 11, 15 (deest.), 29, 50, 53 (deest), 54, 71, 97, 106, 117, 118, 119, 120, 131, 141 (deest.), 142 (deest.), 150, 160 (deest.), 189 (deest.), 191, 192, 193, 195, 196, 197, 198 and 200-215. In this braille file, German words are shown using Braille grade 2 English contractions. If you download the DAISY file, you will get the German words uncontracted. Note: an excellent internet source for all things Bach cantatas is http://bach-cantatas.com/ .
The Church of Baseball: The Making of Bull Durham: Home Runs, Bad Calls, Crazy Fights, Big Swings, and a Hit
by Ron SheltonFrom the award-winning screenwriter and director of cult classic Bull Durham, the extremely entertaining behind-the-scenes story of the making of the film, and an insightful primer on the art and business of moviemaking. &“This book tells you how to make a movie—the whole nine innings of it—out of nothing but sheer will.&” —Tony Gilroy, writer/director of Michael Clayton and The Bourne Legacy&“The only church that truly feeds the soul, day in, day out, is the church of baseball.&” —Annie in Bull DurhamBull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner&’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why. From organizing a baseball camp for the actors and rewriting key scenes while on set, to dealing with a short production schedule and overcoming the challenge of filming the sport, Shelton brings to life the making of this beloved American movie. Shelton explains the rarely revealed ins and outs of moviemaking, from a film&’s inception and financing, screenwriting, casting, the nuts and bolts of directing, the postproduction process, and even through its release. But this is also a book about baseball and its singular romance in the world of sports. Shelton spent six years in the minor leagues before making this film, and his experiences resonate throughout this book. Full of wry humor and insight, The Church of Baseball tells the remarkable story behind an iconic film.
The Church on British Television: From the Coronation to Coronation Street
by Marcus Harmes Meredith Harmes Barbara HarmesThis book will be the first systematic and comprehensive text to analyze the many and contrasting appearances of the Church of England on television. It covers a range of genres and programs including crime drama, science fiction, comedy, including the specific genre of ‘ecclesiastical comedy’, zombie horror and non-fiction broadcasting. Readers interested in church and political history, popular culture, television and broadcasting history, and the social history of modern Britain will find this to be a lively and timely book. Programs that year after year sit enshrined as national favourites (for example Dad’s Army and Midsomer Murders) foreground the Church. From the Queen’s Christmas Message to royal weddings and Coronation Street, the clergy and services of England’s national church abound in television. This book offers detailed analysis of landmark examples of small screen output and raises questions relating to the storytelling strategies of program makers, the way the established Church is delineated, and the transformation over decades of congregations into audiences.
The Cincinnati Sound (Images of America)
by Randy McNuttFrom 1940 to 1970, Cincinnati overflowed with musical opportunities. Hank Williams recorded his hit "Lovesick Blues." Andy Williams, Rosemary andBetty Clooney, and Doris Day appeared regularly on WLW Radio, which also broadcast Boone County Jamboree. Then came the network television showMidwestern Hayride and stardom for Kenny Price. Meanwhile, King and Fraternity Records released hundreds of hits for James Brown, Hank Ballard and the Midnighters, Cowboy Copas, Lonnie Mack, and the Casinos. In the late 1960s, the Lemon Pipers sang "Green Tambourine," and rock bands ruled Coney Island's Moonlite Gardens. It was a wild, incredible ride while it lasted, and it left such an indelible impression that today Cincinnati is remembered as one of America's top music capitals.
The Cine Goes to Town: French Cinema, 1896-1914, Updated and Expanded Edition
by Richard AbelRichard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema.Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France.The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
The Cinema Effect
by Sean CubittIn this highly original examination of time in film, Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality.
The Cinema Ideal: An Introduction to Psychoanalytic Studies of the Film Spectator (Routledge Library Editions: Cinema)
by Harriet E. MargolisThis study explores the model derived from Freudian and Lacanian psychoanalysis, via Marxism and semiotics, of looking at film. It retraces the steps of film theory from ideological criticism of the late ‘60s to spectator studies in 1988 when the book was originally published. Psychoanalysis enables a discussion of the cinema’s role as a social and political force and this book enters a discourse of the politics of representation. Reconstructing discussion of basic issues, the book addresses our instincts and defences in reacting to cinema, the similarity between mental processes and cinematic technique, narrative techniques and the ‘cinematic apparatus’. Importantly, the book concerns itself with the concept of ideology and how the filmviewing experience engages the spectator in a complex net of stimuli presenting representations of an ideal world and the effect of this within film studies.
The Cinema and Its Shadow: Race and Technology in Early Cinema
by Alice MauriceThe Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition. In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of image and sound, and, perhaps most fundamentally, the immaterial image—the cinema&’s &“shadow,&” which figures both the material reality of the screen image and its racist past. Discussing early &“race subjects,&” Alice Maurice demonstrates that these films influenced cinematic narrative in lasting ways by helping to determine the relation between stillness and motion, spectacle and narrative drive. The book examines how motion picture technology related to race, embodiment, and authenticity at specific junctures in cinema&’s development, including the advent of narratives, feature films, and sound. In close readings of such films as The Cheat, Shadows, and Hallelujah!, Maurice reveals how the rhetoric of race repeatedly embodies film technology, endowing it with a powerful mix of authenticity and magic. In this way, the racialized subject became the perfect medium for showing off, shoring up, and reintroducing the cinematic apparatus at various points in the history of American film. Moving beyond analyzing race in purely thematic or ideological terms, Maurice traces how it shaped the formal and technological means of the cinema.
The Cinema and the Origins of Literary Modernism (Routledge Interdisciplinary Perspectives on Literature)
by Andrew ShailModernist writing has always been linked with cinema. The recent renaissance in early British film studies has allowed cinema to emerge as a major historical context for literary practice. Treating cinema as a historical rather than an aesthetic influence, this book analyzes the role of early British film culture in literature, thus providing the first account of cinema as a cause for modernism. Shail’s study draws on little-known sources to create a detailed picture of cinema following its ‘second birth’ as both institution and medium. The book presents a comprehensive account of how UK-based modernism originated as a consequence of—rather than a conscious aesthetic response to—this new component of the cultural landscape. Film’s new accounts of language, endeavor, time, collectivity and political change are first considered, then related to the patterns that comprised modernist texts. Authors discussed include Ford Madox Ford, Joseph Conrad, Wyndham Lewis, Ezra Pound, H.D., James Joyce, Virginia Woolf and Dorothy Richardson.
The Cinema in Flux: The Evolution of Motion Picture Technology from the Magic Lantern to the Digital Era
by Lenny LiptonThe first of its kind, this book traces the evolution of motion picture technology in its entirety. Beginning with Huygens' magic lantern and ending in the current electronic era, it explains cinema’s scientific foundations and the development of parallel enabling technologies alongside the lives of the innovators. Product development issues, business and marketplace factors, the interaction of aesthetic and technological demands, and the patent system all play key roles in the tale. The topics are covered sequentially, with detailed discussion of the transition from the magic lantern to Edison’s invention of the 35mm camera, the development of the celluloid cinema, and the transition from celluloid to digital. Unique and essential reading from a lifetime innovator in the field of cinema technology, this engaging and well-illustrated book will appeal to anyone interested in the history and science of cinema, from movie buffs to academics and members of the motion picture industry.
The Cinema of Agnès Varda
by Delphine BenezetAgnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volme considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980--81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
The Cinema of Agnès Varda: Resistance and Eclecticism (Directors' Cuts)
by Delphine BenezetAgnès Varda, a pioneer of the French New Wave, has been making radical films for over half a century. Many of these are considered by scholars, filmmakers, and audiences alike, as audacious, seminal, and unforgettable. This volume considers her production as a whole, revisiting overlooked films like Mur, Murs/Documenteur (1980–81), and connecting her cinema to recent installation work. This study demonstrates how Varda has resisted norms of representation and diktats of production. It also shows how she has elaborated a personal repertoire of images, characters, and settings, which all provide insight on their cultural and political contexts. The book thus offers new readings of this director's multifaceted rêveries, arguing that her work should be seen as an aesthetically influential and ethically-driven production where cinema is both a political and collaborative practice, and a synesthetic art form.
The Cinema of Aki Kaurismäki: Contrarian Stories
by Andrew NestingenAki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.
The Cinema of Aki Kaurismäki: Contrarian Stories (Directors' Cuts)
by Andrew NestingenAki Kaurismäki is an enigma, an eminent auteur who claims his films are a joke. Since 1983, Kaurismäki has produced classically-styled films filled with cinephilic references to film history. He has earned an international art-house audience and many prizes, influencing such directors as Jim Jarmusch, Quentin Tarantino, and Wes Anderson. Yet Kaurismäki is often depicted as the loneliest, most nostalgic of Finns (except when he promotes his films, makes political statements, and runs his many businesses). He is also depicted as a bohemian known for outlandish actions and statements. The Cinema of Aki Kaurismäki is the first comprehensive English-language study of this eccentric director. Drawing on revisionist approaches to film authorship, the text links the filmmaker and his films to the stories and issues animating film aesthetics and history, nostalgia, late modernity, politics, commerce, film festivals, and national cinema.
The Cinema of Alexander Sokurov: Figures of Paradox
by Jeremi SzaniawskiOne of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema -- a deeply original and complex body of work in dialogue with the past, the present and the future.
The Cinema of Alexander Sokurov: Figures of Paradox (Directors' Cuts)
by Jeremi SzaniawskiOne of the last representatives of a brand of serious, high-art cinema, Alexander Sokurov has produced a massive oeuvre exploring issues such as history, power, memory, kinship, death, the human soul, and the responsibility of the artist. Through contextualization and close readings of each of his feature fiction films (broaching many of his documentaries in the process), this volume unearths a vision of Sokurov's films as equally mournful and passionate, intellectual, and sensual, and also identifies in them a powerful, if discursively repressed, queer sensitivity, alongside a pattern of tensions and paradoxes. This book thus offers new keys to understand the lasting and ever-renewed appeal of the Russian director's Janus-like and surprisingly dynamic cinema – a deeply original and complex body of work in dialogue with the past, the present and the future.
The Cinema of Ang Lee
by Whitney Crothers DilleySuggestive readings of gender and identity explore the international appeal of Ang Lee
The Cinema of Ang Lee
by Whitney Crothers DilleySuggestive readings of gender and identity explore the international appeal of Ang Lee
The Cinema of Ang Lee: The Other Side of the Screen (Directors' Cuts)
by Whitney Crothers DilleyBorn in Taiwan, Ang Lee is one of cinema's most versatile and daring directors. His ability to cut across cultural, national, and sexual boundaries has given him recognition in all corners of the world, the ability to work with complete artistic freedom whether inside or outside of Hollywood, and two Academy Awards for Best Director. He has won astounding critical acclaim for Crouching Tiger, Hidden Dragon (2000), which transformed the status of martial arts films across the globe, Brokeback Mountain (2005), which challenged the reception and presentation of homosexuality in mainstream cinema, and Life of Pi (2012), Lee's first use of groundbreaking 3D technology and his first foray into complex spiritual themes.In this volume, the only full-length study of Lee's work, Whitney Crothers Dilley analyzes all of his career to date: Lee's early Chinese trilogy films (including The Wedding Banquet, 1993, and Eat Drink Man Woman, 1994), period drama (Sense and Sensibility, 1995), martial arts (Crouching Tiger, Hidden Dragon, 2000), blockbusters (Hulk, 2003), and intimate portraits of wartime psychology, from the Confederate side of the Civil War (Ride with the Devil, 1999) to Japanese-occupied Shanghai (Lust/Caution, 2007). Dilley examines Lee's favored themes such as father/son relationships and intergenerational conflict in The Ice Storm (1997) and Taking Woodstock (2009). By looking at the beginnings of Lee's career, Dilley positions the filmmaker's work within the roots of the Taiwan New Cinema movement, as well as the larger context of world cinema. Using suggestive readings of both gender and identity, this new study not only provides a valuable academic resource but also an enjoyable read that uncovers the enormous appeal of this acclaimed director.
The Cinema of Ang Lee: The Other Side of the Screen, second edition
by Dilley Whitney CrothersSuggestive readings of gender and identity explore the international appeal of Ang Lee