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The Columbia History of American Television (Columbia Histories of Modern American Life)
by Gary EdgertonTelevision is a form of media without equal. It has revolutionized the way we learn about and communicate with the world and has reinvented the way we experience ourselves and others. More than just cheap entertainment, TV is an undeniable component of our culture and contains many clues to who we are, what we value, and where we might be headed in the future.Media historian Gary R. Edgerton follows the technological developments and increasing cultural relevance of TV from its prehistory (before 1947) to the Network Era (1948-1975) and the Cable Era (1976-1994). He begins with the laying of the first telegraph line in 1844, which gave rise to the idea that images and sounds could be transmitted over long distances. He then considers the remodeling of television's look and purpose during World War II; the gender, racial, and ethnic components of its early broadcasts and audiences; its transformation of postwar America; and its function in the political life of the country. He talks of the birth of prime time and cable, the influence of innovators like Sylvester "Pat" Weaver, Roone Arledge, and Ted Turner, as well as television's entrance into the international market, describing the ascent of such programs as Dallas and The Cosby Show, and the impact these exports have had on transmitting American culture abroad. Edgerton concludes with a discerning look at our current Digital Era (1995-present) and the new forms of instantaneous communication that continue to change America's social, political, and economic landscape. Richly researched and engaging, Edgerton's history tracks television's growth into a convergent technology, a global industry, a social catalyst, a viable art form, and a complex and dynamic reflection of the American mind and character. It took only ten years for television to penetrate thirty-five million households, and by 1983, the average home kept their set on for more than seven hours a day. The Columbia History of American Television illuminates our complex relationship with this singular medium and provides historical and critical knowledge for understanding TV as a technology, an industry, an art form, and an institutional force.
The Comeback
by Marlene PerezSophie Donnelly is one half of the most popular and powerful couple in school,until new girl Angie Vogel shows up and compromises everything. Angie steals Sophie's starring role in the school play, and, worse, her super-popular boyfriend. Sophie has been quickly dispatched to social Siberia, but not for long -- she'll do anything it takes to make a triumphant comeback. From the author of the witty, romantic novel "Love in the Corner Pocket" comes a story about high school royalty and what it takes to stay on the throne.
The Comedians in Cars Getting Coffee Book
by Jerry SeinfeldA celebration of and behind-the-scenes look at Jerry Seinfeld’s groundbreaking streaming series Comedians in Cars Getting Coffee. <p><p>In his streaming show, Comedians in Cars Getting Coffee, Jerry Seinfeld has engaged with some of the funniest people in history in classic cars, coffee shops, and diners. He has reminisced with Larry David; bantered with legends Steve Martin, Tina Fey, and Eddie Murphy; reunited with the cast of Seinfeld; and even paid a visit to President Barack Obama in the Oval Office. These and dozens of other guests talked about the intricacies of stand-up, the evolution of their careers and personal lives, and whatever else popped into their brilliant minds. <p><p>Seinfeld’s carefully crafted episodes have reimagined the talk show format, each one a unique, hilarious, and yet intimate conversation—a rare opportunity for viewers to witness their favorite performers unscripted and unvarnished. But in producing eighty-four episodes over eleven seasons, he has also created arguably the most important historical archive about the art of comedy ever amassed, with episodes featuring Garry Shandling, Jerry Lewis, Don Rickles, Carl Reiner, and Norm McDonald already serving as permanent shrines for legendary comedians. Timed to the 10th anniversary of the show’s debut and with an introduction from Jerry Seinfeld, this book isn’t just a record of the show but instead an inventive tribute full of behind-the-scenes photos and anecdotes. The book dives into the inspiration and creation of segments, the most unforgettable lines from guests, an index of the cars, and some of the most memorable moments from crew members. Originally conceived as an “anti-talk show,” Comedians in Cars Getting Coffee earned multiple Emmy nominations and helped lead the streaming revolution. <p> <b>New York Times Bestseller</b>
The Comedians in Cars Getting Coffee Book
by Jerry SeinfeldA celebration of and behind-the-scenes look at Jerry Seinfeld&’s groundbreaking streaming series Comedians in Cars Getting Coffee.Over eleven seasons and eighty-four episodes, Jerry Seinfeld drove around in classic cars, grabbing coffee and chatting with the funniest people alive. He reminisced with the late Garry Shandling; bantered with legends Steve Martin, Tina Fey, and Eddie Murphy; reunited with the cast of Seinfeld; and even paid a visit to President Barack Obama in the Oval Office. These and dozens of other guests talked about the intricacies of stand-up, the evolution of their careers and personal lives, and whatever else popped into their brilliant minds. The result was not only a hilarious collection of casual yet intimate conversations—a rare opportunity for viewers to witness their favorite performers unscripted and unvarnished—but arguably the most important historical archive about the art of comedy ever amassed.Now that archive is preserved in the form of a gorgeously designed and carefully curated book. Seinfeld has hand-picked the show&’s keenest insights and funniest exchanges. Also included is a fascinating oral history featuring interviews with dozens of crew members, executives, guests, and Seinfeld himself that details how this scrappy creative experiment landed unprecedented access to the White House, earned multiple Emmy nominations, and helped lead the streaming revolution.Featuring a newly written introduction by Seinfeld and filled with beautiful never-before-seen production photos, this book is essential reading for comedy lovers, car aficionados, coffee connoisseurs, and Jerry Seinfeld fans.
The Comedians: Drunks, Thieves, Scoundrels, And The History Of American Comedy
by Kliph NesteroffIn The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over two hundred original interviews and extensive archival research, Nesteroff's groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. <P><P> Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedian--an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian's primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy's part in the Civil Rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s,The Comedians culminates with a new era of media-driven celebrity in the twenty-first century.
The Comedians: Drunks, Thieves, Scoundrels, and the History of American Comedy
by Kliph NesteroffIn The Comedians, comedy historian Kliph Nesteroff brings to life a century of American comedy with real-life characters, forgotten stars, mainstream heroes and counterculture iconoclasts. Based on over two hundred original interviews and extensive archival research, Nesteroff’s groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years.Starting with the vaudeville circuit at the turn of the last century, Nesteroff introduces the first stand-up comedian-an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the Civil Rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century.
The Comedy Bible: From Stand-up to Sitcom--the Comedy Writer's Ultimate "How To" Guide
by Judy CarterDo you think you're funny? Do you want to turn your sense of humor into a career? If the answer is yes, then Judy Carter's The Comedy Bible is for you. The guru to aspiring stand-up comics provides the complete scoop on being -- and writing -- funny for money. If you've got a sense of humor, you can learn to make a career out of comedy, says Judy Carter. Whether it's creating a killer stand-up act, writing a spec sitcom, or providing jokes for radio or one-liners for greeting cards, Carter provides step-by-step instructions in The Comedy Bible. She helps readers first determine which genre of comedy writing or performing suits them best and then directs them in developing, refining, and selling their work. Using the hands-on workbook format that was so effective in her bestselling first book, Stand-Up Comedy: The Book, Carter offers a series of day-by-day exercises that draw on her many years as a successful stand-up comic and the head of a nationally known comedy school. Also included are practical tips and advice from today's top comedy professionals -- from Bernie Brillstein to Christopher Titus to Richard Lewis. She presents the pros and cons of the various comedy fields -- stand-up, script, speech and joke writing, one-person shows, humor essays -- and shows how to tailor your material for each. She teaches how to find your "authentic" voice -- the true source of comedy. And, perhaps most important, Carter explains how to take a finished product to the next level -- making money -- by pitching it to a buyer and negotiating a contract. Written in Carter's unique, take-no-prisoners voice, The Comedy Bible is practical, inspirational, and funny.
The Comedy Film Nerds Guide to Movies: Featuring Dave Anthony, Lord Carrett, Dean Haglund, Allan Havey, Laura House, Jackie Kashian, Suzy Nakamura, Greg ... Schmidt, Neil T. Weakley, and Matt Weinhold
by Chris Mancini Graham ElwoodA movie guide for film and comedy fans, by filmmakers and comedians, for the movie lover with a good sense of humor. Tired of the usual boring, dry movie discussion? The Comedy Film Nerds Guide to Movies is something new. Is it serious movie discussion? Is it funny? Do the writers know what the hell they are talking about? Yes, yes, yes, and yes. Okay, that&’s too many yes&’s, but you get the point. Graham Elwood and Chris Mancini, both professional filmmakers and comedians, created comedyfilmnerds.com to mind meld the idea of real movie talk and real funny. And they called in all of their professionally funny and filmy friends to help them. Comedians and writers who have been on everything from the Tonight Show to their own comedy specials tell you what&’s what about their favorite film genres. While The Comedy Film Nerds Guide to Movies is funny and informative, each genre is given a personal touch. All of the Comedy Film Nerds have a love of film and a personal connection to each genre. Read about a love of film from an insider&’s perspective. The Comedy Film Nerds Guide to Movies brings what has been missing from movie discussion for too long: a healthy dose of humor.
The Comedy Improv Handbook: A Comprehensive Guide to University Improvisational Comedy in Theatre and Performance
by Matt Fotis Siobhan O'HaraThe Comedy Improv Handbook: A Comprehensive Guide to University Improvisational Comedy in Theatre and Performance is a one-stop resource for both improv teachers and students, covering improv history, theory, maxims, exercises, games, and structures. You will learn the necessary skills and techniques needed to become a successful improviser, developing a basic understanding of the history of improvisation and its major influences, structures, and theories. This book also addresses issues associated with being a college improviser – like auditions, rehearsals, performances, and the dynamics of improv groups.
The Comedy Studies Reader
by Nick Marx Matt SienkiewiczFrom classical Hollywood film comedies to sitcoms, recent political satire, and the developing world of online comedy culture, comedy has been a mainstay of the American media landscape for decades. Recognizing that scholars and students need an authoritative collection of comedy studies that gathers both foundational and cutting-edge work, Nick Marx and Matt Sienkiewicz have assembled The Comedy Studies Reader. This anthology brings together classic articles, more recent works, and original essays that consider a variety of themes and approaches for studying comedic media—the carnivalesque, comedy mechanics and absurdity, psychoanalysis, irony, genre, race and ethnicity, gender and sexuality, and nation and globalization. The authors range from iconic theorists, such as Mikhail Bakhtin, Sigmund Freud, and Linda Hutcheon, to the leading senior and emerging scholars of today. As a whole, the volume traces two parallel trends in the evolution of the field—first, comedy’s development into myriad subgenres, formats, and discourses, a tendency that has led many popular commentators to characterize the present as a “comedy zeitgeist”; and second, comedy studies’ new focus on the ways in which comedy increasingly circulates in “serious” discursive realms, including politics, economics, race, gender, and cultural power.
The Comedy Writer: A Novel
by Peter FarrellyA Confederacy of Dunces meets The Player in an offbeat, sidesplittingly hilarious novel about making it against all odds in 1990s' Hollywood, by the co-writer/director of Dumb and Dumber. When Henry Halloran's girlfriend dumped him, his Boston-based life suddenly seemed pointless. He was thirty-two with a dead-end job, and nothing on the horizon. There was obviously only one place to go: Hollywood. The Comedy Writer is the story of how Henry--armed with nothing more than a few ideas, a nothing-to-lose attitude, and the desire to be a screenwriter--joins myriad hopefuls in the City of Angels and achieves an L.A. kind of fame. From the surreal squalor of his one-room pad at the Blue Terrace apartments, he encounters nympho starlets, death-obsessed Rollerbladers, philosophical midgets, scruple-free producers, and an unforgettably psychotic roommate named Colleen. Combining the mordant wit and insight of Nathanael West with the lyricism and irony of a postmodern Candide, The Comedy Writer is a bawdy romp around and through the dream factory, in which Henry learns that while talent and integrity may be relative terms, life does, after all, have meaning. Sure to appeal to anyone who has ever dreamed of Hollywood success, who has found him- or herself a full-fledged adult without a clue for the future, or who ever thought Los Angeles might represent the end of modern civilization, The Comedy Writer is an incomparable comic tour de force marked by the kind of telling detail only a true insider can provide.
The Comedy and Legacy of Music-Hall Women 1880-1920: Brazen Impudence and Boisterous Vulgarity (Palgrave Studies in Comedy)
by Sam BealeThis book explores the comedy and legacy of women working as performers on the music-hall stage from 1880–1920, and examines the significance of their previously overlooked contributions to British comic traditions. Focusing on the under-researched female ‘serio-comic’, the study includes six micro-histories detailing the acts of Ada Lundberg, Bessie Bellwood, Maidie Scott, Vesta Victoria, Marie Lloyd and Nellie Wallace. Uniquely for women in the late-nineteenth and early-twentieth centuries, these pioneering performers had public voices. The extent to which their comedy challenged Victorian and Edwardian perceptions of women is revealed through explorations of how they connected with popular audiences while also avoiding censorship. Their use of techniques such as comic irony and stereotyping, self-deprecation, and comic innuendo are considered alongside the work of contemporary stand-up comedians and performance artists including Bridget Christie, Bryony Kimmings, Sara Pascoe, Shazia Mirza and Sarah Silverman.
The Comedy of Entropy: Humour/Narrative/Reading (The Royal Society of Canada Special Publications)
by Patrick O'NeillEntropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized. He describes it as the narrative expression of forms of decentred humour, or what might more loosely be called 'black humour.'O'Neill begins his investigation by examining the rise of an essentially new form of humour over the last three hundred years or so in the context of a rapid decay of confidence in traditional authoritative value systems. O'Neill analyses the resulting reorganization of the spectrum of humour, and examines th implications of this for the ways in which we read texts and the world we live in.He then turns from intellectual history to narratology and considers the relationship, in theoretical terms, of homour, play, and narrative as systems of discourse and the role of the reader as a textualizing agent.Finally, he considers some dozen twentieth-century narratives in French, German, and English (with occasional reference to other literatures) in the context of those historical and theoretical concerns. Authors of the texts analysed include Céline, Camus, Satre, and Robbe-Grillet in French; Heller, Beckett, Pynchon, Nabokov, and Joyce in English; Grass, Kafka, and Handke in German. The analyses proceed along lines suggested by structuralist, semiotic, and post-structuraist narrative and literary theory. From his analyses of these works O'Neill concludes they illustrate in narrative terms a mode of modern writing definable as entropic comedy, and he develops a taxonomy of the mode.
The Comic Book Film Adaptation: Exploring Modern Hollywood's Leading Genre
by Liam BurkeIn the summer of 2000 X-Men surpassed all box office expectations and ushered in an era of unprecedented production of comic book film adaptations. This trend, now in its second decade, has blossomed into Hollywood's leading genre. From superheroes to Spartan warriors, The Comic Book Film Adaptation offers the first dedicated study to examine how comic books moved from the fringes of popular culture to the center of mainstream film production.Through in-depth analysis, industry interviews, and audience research, this book charts the cause-and-effect of this influential trend. It considers the cultural traumas, business demands, and digital possibilities that Hollywood faced at the dawn of the twenty-first century. The industry managed to meet these challenges by exploiting comics and their existing audiences. However, studios were caught off-guard when these comic book fans, empowered by digital media, began to influence the success of these adaptations. Nonetheless, filmmakers soon developed strategies to take advantage of this intense fanbase, while codifying the trend into a more lucrative genre, the comic book movie, which appealed to an even wider audience. Central to this vibrant trend is a comic aesthetic in which filmmakers utilize digital filmmaking technologies to engage with the language and conventions of comics like never before.The Comic Book Film Adaptation explores this unique moment in which cinema is stimulated, challenged, and enriched by the once-dismissed medium of comics.
The Comic Everywoman in Irish Popular Theatre: Political Melodrama, 1890-1925 (Palgrave Studies in Comedy)
by Susanne CollearyThis book is a comprehensive study of comic women in performance as Irish Political Melodrama from 1890 to 1925. It maps out the performance contexts of the period, such as Irish “poor” theatre both reflecting and complicating narratives of Irish Identity under British Rule. The study investigates the melodramatic aesthetic within these contexts and goes on to analyse a selection of the melodramas by the playwrights J.W. Whitbread and P.J. Bourke. In doing so, the analyses makes plain the comic structures and intent that work across both character and action, foregrounding comic women at the centre of the discussion. Finally, the book applies a “practice as research” dimension to the study. Working through a series of workshops, rehearsals and a final performance, Colleary investigates comic identity and female performance through a feminist revisionist lens. She ultimately argues that the formulation of the Comic Everywoman as staged “Comic” identity can connect beyond the theatre to her “Everyday” self. This book is intended for those interested in theatre histories, comic women and in popular performance.
The Comic Imagination in Modern African Literature and Cinema: A Poetics of Laughter (Routledge Interdisciplinary Perspectives on Literature)
by Maik NwosuThis book is a seminal study that significantly expands the interdisciplinary discourse on African literature and cinema by exploring Africa’s under-visited carnivalesque poetics of laughter. Focusing on modern African literature as well as contemporary African cinema, particularly the direct-to-video Nigerian film industry known as Nollywood, the book examines the often-neglected aesthetics of the African comic imagination. In modern African literature, which sometimes creatively traces a path back to African folklore, and in Nollywood — with its aesthetic relationship to Onitsha Market Literature — the pertinent styles range from comic simplicitas to comic magnitude with the facilitation of language, characterization, and plot by a poetics of laughter or lightness as an important aspect of style. The poetics at work is substantially carnivalesque, a comic preference or tendency that is attributable, in different contexts, to a purposeful comic sensibility or an unstructured but ingrained or virtual comic mode. In the best instances of this comic vision, the characteristic laughter or lightness can facilitate a revaluation or reappreciation of the world, either because of the aesthetic structure of signification or the consequent chain of signification. This referentiality or progressive signification is an important aspect of the poetics of laughter as the African comic imagination variously reflects, across genres, both the festival character of comedy and its pedagogical value. This book marks an important contribution to African literature, postcolonial literature, world literature, comic imagination, poetics, critical theory, and African cinema.
The Comic Toolbox: How To Be Funny Even If You're Not
by John VorhausA workbook approach to comedy writing as creative problem-solving. It offers tools of the trade such as Clash of Context, Tension and Release, The Law of Comic Opposites, The Wildly Inappropriate Response, and The Myth of the Last Great Idea to writers, comics, and anyone else who wants to be funny.
The Coming of Sound
by Douglas GomeryThe coming of sound to film was an event whose importance can hardly be overestimated; sound transformed not only the Hollywood film industry but all of world cinema as well. As economic and film historian Douglas Gomery explains, the business of film became not only bigger but much more complex. As sound spread its power, the talkies became an agent of economic and social change through the globe, extending America's reach in ways that had never before been imaginable.This is an essential work for anyone interested in early film, film history and economics, and the history of the American media.
The Companions of Dr. Who: The Best Of Him (Doctor Who)
by David BushmanDoctor Who fans love to argue: Who's the best Doctor? Who's the best showrunner? And here in this anthology of essays, a roster of Who experts present their arguments for who's the best companion, and come up with some surprising nominations. "Don't be alone, Doctor," Amy Pond tells the Eleventh Doctor in "The Angels Take Manhattan," and of course the irony is that in one sense the Doctor is always alone--a Gallifreyan whose regenerative powers mean he will outlast nearly everyone near and dear to him -- while at the same time he is rarely without one or more trusted companion by his side. This is a book about those companions--those fortunate few who accompany him on his journeys through space and time on--to quote the Ninth Doctor--"the trip of a lifetime." The editors of The Villains of Doctor Who are back with a new anthology of essays--paeans, really--to Donna Noble, Sarah Jane Smith, Rose Tyler, Wilfred Mott, Chang Lee, Clara Oswald, and more. Did your favorite companion make the cut? You're going to have to read to find out! Edited by David Bushman (The Villains of Doctor Who) and Ken Deep (Showrunner of L.I Doctor Who Con) Essays by: Shaun Lyon, Joseph Dougherty, Mackenzie Flohr, Amanda-Rae Prescott, Scott Ryan, Gina R Rosich, PhD, MSW, Joshua Lou Friedman, Yee Jee Tso, Sophie Aldred, Paul J. Salamoff, Charlie Ross, Lucy Chase Williams, Amy Krell, Edwin Thrower, and Barnaby Edwards
The Company of Wolves (Devil's Advocates)
by James GraceyCo-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling), The Company of Wolves sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood. This Devil's Advocate explores all these aspects, as well as placing the film in the context of the careers of its creators and its position as an example of the "Female Gothic."
The Competition: The Audition; The Callback; The Competition (Maddie Ziegler #3)
by Maddie ZieglerBunheads meets The Kicks in this third novel in this entertaining middle grade series from New York Times bestselling author, dancer, model, and actress Maddie Ziegler!Harper and her fellow Dance Starz are headed to New York City for the big national competition! Not only will they be up against their arch-rivals, the Belles, but Harper will also face off against her old dance team. Does Harper have what it takes to finally prove that she belongs on the big stage?
The Complete Animation Course: The Principles, Practice and Techniques of Successful Animation
by Chris PatmoreDesktop computer artists will find a wealth of information in this heavily illustrated book. It instructs in the principles, practice, and techniques of successful animation. The author covers all forms of animation, starting with the basics of making sketches in flip books, and concluding with the latest developments in computer-generated imagery. He demonstrates with practical examples that utilize key areas of modern animation cell art, stop-action with clay or plastic models, and 3D computer-generated and web-based animations. This volume's six chapters cover the following topics: The art of storytelling and storyboarding . . . How to create stop-action animation . . . Simple cell animation, the technique for simple movie cartoon sequences . . . Full cell animation, as used by Disney, Warner Brothers, and similar studios . . . Web animation for showcasing your skill over the Internet . . . and Computer modeling and animation, including 3D modeling. The book's concluding sections discuss modern hardware and software, with emphasis on affordable beginners' equipment. Also provided is an overview of the animation industry and its applications to movies, TV, and computer games. More than 250 instructive illustrations enhance this fascinating how-to volume.
The Complete Book of Hand Shadows: Instructions for Shadowgraphy
by Louis NikolaGenerations of entertainers have amused audiences of children and adults with the art of hand shadows, using only a light source and their own two hands to form immediately recognizable profiles of people and animals. Lovers of nostalgia and aspiring hand shadow artists will delight in this facsimile of a 1913 book, which features more than 50 hand shadows. These quaint illustrations depict many different types of shadows, from swans, rabbits, and other animals to historic figures and fictional characters. Each hand shadow is accompanied by a description of specific hand positioning and an illustration. Additional helpful tips include instructions on lighting, projection screens, and hand exercises.
The Complete Canasta
by Ralph Michaels Charles H. Goren Josefina Artayeta De VielThis book teaches the reader how to play Canasta with 2, 4 or 6 people, and how to have a Canasta tournament.
The Complete Crash Collection: Crash, Clash, Crush (Crash Ser.)
by Nicole WilliamsIn the New York Times bestselling Crash trilogy, the world is introduced to this generation's Romeo and Juliet: Jude Ryder and Lucy Larson—Explosive. Sizzling. Tragic.Crash: A steamy summer encounter with bad boy Jude means trouble for Lucy. Her sights are set on becoming a ballerina, and she won't let anything get in her way . . . except Jude. He's got a rap sheet, dangerous mood swings, and a name that's been sighed, shouted, and cursed by who knows how many girls. Jude's a cancer, the kind of guy who's fated to ruin the lives of girls like Lucy—and he tells her so. But as rumors run rampant and reputations are destroyed, Lucy's not listening to Jude's warning. Is tragedy waiting in the wings? Clash: Their Romeo-and-Juliet-level passion is the only thing Jude and Lucy agree on. That, and fighting all the time . . .Also not helping? Lucy's raging jealousy of the cheerleader who's wormed her way into Jude's life. While trying to hang on to her quintessential bad boy and also training to be the top ballet dancer in her class, Lucy knows something's going to give . . . soon.Crush: A football fantasy. A giant diamond. The modern-day Romeo and Juliet are taking their relationship to the next level. . . . Jude and Lucy are happily engaged, but that doesn't mean life's a bed of roses. Once again, the hottest couple around is torn apart, this time by football training and a summer job. Now it's Jude with the trust issues. Will Lucy's life-changing news bring them back together or end their relationship for good? Can love triumph forever?