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Aural/Oral Dramaturgies: Theatre in the Digital Age
by Duška RadosavljevićAural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Aurelie: A Faerie Tale
by Heather TomlinsonHeartsick at losing her two dearest companions, Princess Aurelie finds comfort in the glorious music of the faeries, but the duties of the court call her, as do the needs of her friends.
Auschwitz-TV: Reflexionen des Holocaust in Fernsehserien (Serienkulturen: Analyse – Kritik – Bedeutung)
by Marcus StigleggerDie Miniserie Holocaust, deren Ausstrahlung 1978 in den USA ca. 100 Millionen Zuschauer verfolgten, erreichte in West-Deutschland ein Jahr später etwa ein Publikum von 16 Millionen. Der Band leitet die Entstehung von Marvin J. Chomskys Holocaust aus der Tradition der TV-Familiensagas (z. B. Roots) her und untersucht nah am Material, welches Bild der historischen Ereignisse diese Fernsehserie und spätere Produktionen inszenieren. Zudem wird die Auswirkung der Serie bis heute verfolgt und veranschaulicht.
Auseinandersetzung mit Brecht: Theater machen im einundzwanzigsten Jahrhundert
by Bill GelberDieses Buch ist ein Plädoyer für Bertolt Brechts anhaltende Bedeutung in einer Zeit, in der die Ereignisse des 21. Jahrhunderts nach einer studierten Art und Weise schreien, Theater für den sozialen Wandel zu produzieren. Hier wird ein einzigartiger Schritt-für-Schritt-Prozess für die Umsetzung von Brechts Arbeitsweisen auf der Bühne vorgestellt, wobei die 2015 an der Texas Tech University entstandene Produktion von Brechts "Mutter Courage und ihre Kinder" als Modell für die Erkundung dient. Besondere Brecht-Konzepte - das Epos, die Verfremdung, die Fabel, der Gestus, die Historisierung, die Literarisierung, das "Nicht...aber", das Arrangement und die Trennung der Elemente - werden erläutert und auf Szenen und Stücke angewendet. Brechts komplizierte Beziehung zu Konstantin Stanislawski wird auch in Bezug auf ihre unterschiedlichen Ansichten über das Schauspiel erforscht. Für Theaterpraktiker und -pädagogen ist dieser Band eine Aufzeichnung des pädagogischen Engagements, eine empirische Studie von Brechts Werk in der Aufführung an einer höheren Bildungseinrichtung mit Studenten und Absolventen.
Austerity and the Public Role of Drama: Performing Lives-in-Common
by Victor MerrimanThis book asks what, if any, public role drama might play under Project Austerity – an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes life-in-common in favour of narcissistic performances of life-in-public. It argues for a social order committed to human flourishing and deliberative democracy, as a counterweight to the political economy of austerity. It demonstrates, using examples from England, Ireland, Italy, and the USA, that drama and the academy pursue shared humane concerns; the one, a critical art form, the other, a social enabler of critical thought and progressive ideas. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imagining and enabling ethical lives-in-common.
Austin in the Jazz Age
by Richard ZeladeThough renowned, Austin's contemporary music scene pales in comparison with the explosion of creative talent the city spawned during the Jazz Age. Dozens of musicians who started out in the capital city attained national and international fame--but music was just one form of artistic expression that marked that time of upheaval. World War I's death and destruction bred a vehement rejection of the status quo. In its place, an enthusiastic adherence to life lived without question or consequence took root. The sentiment found fertile soil in Austin, with the University of Texas at the epicenter. Students indulged in the debauchery that typified the era, scandalizing Austin and Texas at large as they introduced a freewheeling, individualistic attitude that now defines the city. Join author Richard Zelade in a raucous investigation of the day and its most outstanding and outlandish characters.
Australia's Sweetheart: The amazing story of forgotten Hollywood star Mary Maguire
by Michael AdamsThis is the fascinating story of Mary Maguire, a 1930s Australian ingenue who sailed for Hollywood and a fabulous life, only to have her career cut short by scandal and tragedy. Packed with celebrity, history and gossip, AUSTRALIA'S SWEETHEART is perfect for readers of SHEILA and THE RIVIERA SET.Mary Maguire was Australia's first teenage movie star and she captivated Hollywood in the mid 1930s. Mary lived on three continents and was celebrated in Melbourne, Brisbane, Sydney, Los Angeles and London. Her life was lived in parallel with seminal incidents of the twentieth century: the Spanish Flu; the Great Depression; the Bodyline series; Australia's early radio, talkies and aviation; Hollywood's Golden Era; the British aristocracy's embrace of European fascism; London's Blitz; and post-war American culture and politics. Mary knew everyone, from Douglas Jardine, Don Bradman, Errol Flynn and Ronald Reagan, to William Randolph Hearst, Maureen O'Sullivan, Judy Garland and Queen Elizabeth II.AUSTRALIA'S SWEETHEART in an irresistible never-before-told story that captures the glamour of Hollywood and the turbulent times of the twentieth century, with a young woman at its centre. If you loved THE AMAZING MRS LIVESEY, Robert Wainwright's SHEILA and MISS MURIEL MATTERS, you will adore AUSTRALIA'S SWEETHEART.
Australian Animation: An International History
by Dan Torre Lienors TorreThis book provides the most comprehensive history and analysis of Australian animation published to date. Spanning from the 1910s to the present day, it explores a wide-range both of independent animation, and of large-scale commercial productions. Presented within a uniquely international context, it details the frequent links between Australian animation and overseas productions. New perspectives and original information are offered on a variety of international subjects such as: Felix the Cat, the Australian Hanna-Barbera studios, and the Australian Walt Disney studios. Drawing on both extensive archival research and original interviews this book illuminates, for the first time, the breadth and richness of Australia’s animation history.
Australian Genre Film (Routledge Advances in Film Studies)
by Kelly McWilliamAustralian Genre Film interrogates key genres at the core of Australia’s so-called new golden age of genre cinema, establishing the foundation on which more sustained research on film genre in Australian cinema can develop. The book examines what characterises Australian cinema and its output in this new golden age, as contributors ask to what extent Australian genre film draws on widely understood (and largely Hollywood-based) conventions, as compared to culturally specific conventions of genre storytelling. As such, this book offers a comprehensive and up-to-date survey of Australian genre film, undertaken through original analyses of 13 significant Australian genres: action, biopics, comedy, crime, horror, musical, road movie, romance, science fiction, teen, thriller, war, and the Western. This book will be a cornerstone work for the burgeoning field of Australian film genre studies and a must-read for academics; researchers; undergraduate students; postgraduate students; and general readers interested in film studies, media studies, cultural studies, Australian studies, and sociology.
Australian National Cinema
by Tom O'ReganTom O'Regan's book is the first of its kind on Australian post-war cinema. It takes as its starting point Bazin's question 'What is cinema?'and asks what the construct of a 'national' cinema means. It looks at the broader concept from a different angle, taking film beyond the confines of 'art' into the broader cultural world. O'Regan's analysis situates Australian cinema in its historical and cultural perspective producing a valuable insight into the issues that have been raised by film policy, the cinema market place and public discourse on film production strategies. Since 1970 Australian film has enjoyed a revival. This book contains detailed critiques of the key films of this period and uses them to illustrate the recent theories on the international and Australian cinema industries. Its conclusions on the nature of the nation's cinema and the discourses within it are relevant within a far wider context; film as a global phenomenon.
Australian Screen in the 2000s
by Mark David Ryan Ben GoldsmithThis book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films' preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women's filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.
Australian Tragic: Gripping tales from the dark side of our history
by Jack MarxA compelling collection of tales from Australia's dark heart - of catastrophe and misfortune, intrigue and passion, betrayal and tragedy.AUSTRALIAN TRAGIC ranges across our past and our present: the heartbreaking story of the fire at Luna Park; the unstoppable opportunist who snatched innocent men and women from Palm Island to be part of P. T. Barnum's 'Greatest Show on Earth'; a world-class boxer who lost his battle with alcohol and ended up in an unmarked American grave; a man who heroically survived a war to find himself crushed and defeated by events much closer to home; and a new story - of an echo from Ned Kelly at Stringybark Creek, in our own time ... Heartbreaking and shocking, gothic and weird, these fascinating stories are all true, and told to remind us of the Australia we don't know, the one that simmers with love and hate, of hopes raised and futures dashed, unheralded and unnoticed . . . until now.
Australian Westerns in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash
by Derham GrovesAustralian Western in the Fifties: Kangaroo, Hopalong Cassidy on Tour, and Whiplash looks at Australian Westerns from three points of view—film, personal appearance, and television at the beginning, middle, and end of the 1950s, the American Western’s golden age. It looks at three significant but “forgotten” cases: (1) Kangaroo: The Australian Story, the first Technicolor film made in Australia, produced by the Hollywood movie studio 20th Century Fox, directed by the Academy Award-winning filmmaker Lewis Milestone, starring Maureen O’Hara, Peter Lawford, and Richard Boone. (2) The successful goodwill tour of Australia by the Hollywood actor William Boyd who played the film, radio, and television cowboy Hopalong Cassidy. (3) The British-American produced black-and-white TV series Whiplash, made in Australia and starring the Hollywood actor Peter Graves. The American filmmakers’ ignorance of Australia meant they learned the hard way there was more to Australian Westerns than simply replacing the prairie with the bush, bison with kangaroos, and Native Americans with Aboriginals. Indeed, the depiction of place and the presentation of Aboriginal culture are two of the most intriguing aspects of Australian Westerns. In retelling the filmmakers’ stories, a unique picture of the Australian film and television industry and everyday life during the 1950s is revealed.
Authentic Movement: A Collection of Essays - Volume Two
by Patrizia PallaroPraise for the first volume: `It is very valuable to have [this collection of articles] all together in one place...a rich repository of insights and experiences for all the somatic disciplines. It is a wonderful collection of articles.' - Somatics 1999/2000 This second volume on Authentic Movement - a new discipline aiding the creative process in choreography, writing, theatre performance, dance, graphic and expressive arts, as well as spirituality - is an engaging and dynamic collection of scholarly essays, personal stories, practical suggestions and resources. It reflects cutting edge work on creative expression, meditative discipline and psychotherapeutic endeavour. Part I comprises five chapters written by the most prominent Authentic Movement practitioners and teachers and introducing the foundations and principles of Authentic Movement. In Part II, the contributors return to the source of Authentic Movement - the psychotherapeutic setting - and provide an in-depth examination of the personal processes in the therapeutic relationship and the potential of Authentic Movement to facilitate personal growth and change. Part III traces the development of Authentic Movement as a spiritual path and as interface with other spiritual practices. Part IV provides an overview of new developments in Authentic Movement, Part V offers inspiring personal accounts and Part VI provides guidelines drawn from practice as well as tools and resources. These latter chapters sow the seeds for a new understanding and directions for the developments of Authentic Movement. This authoritative text is indispensable for practitioners of Authentic Movement, students and teachers working in the field of dance therapy, art therapists, all creative arts therapists and body psychoanalysts.
Authenticity and Adaptation (Palgrave Studies in Adaptation and Visual Culture)
by Christina WilkinsThis collection seeks to explore what authenticity means in the context of adaptation, whether there is such a thing as an authentic adaptation, and what authenticity can offer for adaptation. It does so through four specific sections, each thinking through related questions raised by the theme. By outlining theoretical approaches to authenticity, querying authorship’s relationship to adaptation, the role of medium, and the place or value of the audience, this collection brings together a holistic perspective of authenticity that will intervene in the contemporary debates within adaptation. Authenticity’s increasing importance in the zeitgeist filters through to adaptation, yet it is something that has not been explicitly debated or discussed within the field. As such, this collection both highlights and attempts to fill a gap in scholarship.
Authors and Adaptation: Writing Across Media in the Nineteenth and Early Twentieth Centuries (Palgrave Studies in Adaptation and Visual Culture)
by Annie NissenThis book studies British literary writers’ engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries. It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing. Linking canonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this book offers an interdisciplinary, transhistorical, cultural, and analytical study of adaptation and the variable positions of writers within and across media.
Authorship In Film Adaptation
by Jack BoozerAuthoring a film adaptation of a literary source not only requires a media conversion but also a transformation as a result of the differing dramatic demands of cinema. The most critical central step in this transformation of a literary source to the screen is the writing of the screenplay. The screenplay usually serves to recruit producers, director, and actors; to attract capital investment; and to give focus to the conception and production of the film project. Often undergoing multiple revisions prior to production, the screenplay represents the crucial decisions of writer and director that will determine how and to what end the film will imitate or depart from its original source. Authorship in Film Adaptation is an accessible, provocative text that opens up new areas of discussion on the central process of adaptation surrounding the screenplay and screenwriter-director collaboration. In contrast to narrow binary comparisons of literary source text and film, the twelve essays in this collection also give attention to the underappreciated role of the screenplay and film pre-production that can signal the primary intention for a film. Divided into four parts, this collection looks first at the role of Hollywood's activist producers and major auteurs such as Hitchcock and Kubrick as they worked with screenwriters to formulate their audio-visual goals. The second part offers case studies of Devil in a Blue Dress and The Sweet Hereafter, for which the directors wrote their own adapted screenplays. Considering the variety of writer-director working relationships that are possible, Part III focuses on adaptations that alter genre, time, and place, and Part IV investigates adaptations that alter stories of romance, sexuality, and ethnicity.
Authorship and Film (AFI Film Readers)
by David A. Gerstner Janet StaigerFirst published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Autism Abracadabra: Seven Magic Ingredients to Help Develop Your Child’s Interactive Attention Span
by Kate WildeDon't you wish there was a "magic" formula for activities and games that...- Your loved one on the autism spectrum actually wants to participate in? - Develops their interactive attention span and socialization? There is! Designed around common special interests enjoyed by autistic people, this book includes over 180 activities for families to do together to help strengthen relationships and develop social skills. Kate shows how seven magic ingredients for optimal game-playing can be applied to a range of themes, from trains and planes to household appliances, the human body to animals and insects, TV and film characters, and what's more, how you can introduce your loved one's favorite topics. She shares "Presto Chango" beliefs - the five mindsets you need to power activities - as well as how to understand the magic of timing and knowing when to start and stop an activity based on your loved one's cues.
Autocomplete: The Book
by Justin HookFrom the "evil genius" behind the award-winning Google Feud websiteA nearly unfiltered look at over 200 internet searches: Every time a browser autocompletes our search query, it is showing us what millions of other people all over the world are searching for. This curious collection showcases the very best of the often strange—yet 100% real—autocomplete suggestions offered up by popular search engines, compiling them into one hilarious, fascinating, and mildly disturbing volume. Each page contains one search and its 10 best autocomplete suggestions including the most and least common, from "Why is Ryan Gosling...eating cereal?" to "If the Earth is round...why are shoes flat?"Easy-to-read internet searches and playful black-and-white line art throughout Justin Hook is a writer and producer whose credits include Bob's Burgers, DreamWorks Dragons, and Simpsons Comics. His website Google Feud won "Best Game" at The Webby Awards and led TIME to call him an "evil genius." Technophiles, those fascinated by the human psyche, and others who want an eye-opening laugh will be intrigued by Autocomplete: The Book.Autocomplete shows us that we're all more alike than we think, even in our deepest, darkest internet history. Great gift idea for men and women who have everythingIncludes searches like "I wish I were a," "Why do bad guys," "Why is it fun to," "New York is full of," and so much moreUnique and laugh-out-loud humor book for our modern times
Autopsy (of an Ex-Teen Heartthrob): (poems of rage, love, sex, and sadness)
by Avan JogiaWriter, director, and actor Avan Jogia delivers a bright and acidic poetry collection on fame, rage, love, and sadness. A biting postmortem of the modern age, for fans of Lana Del Rey and Atticus.Avan Jogia grew up as a teen idol. He stumbled into the spotlight during the birth of the internet, the early days of Instagram and Twitter, before everyone online was a star. He spent his time in that spotlight writing, observing the cult of celebrity, the hilarity, the absurdity, and sometimes sinister side of being idolized before you&’ve even had the chance to decide for yourself who you are. Now, in his most revealing and honest work to date, he has assembled a book of poems as an act of self-dissection. Part boozy lovesick rage and part personal reflection on the nature of fame, Autopsy (of an Ex-Teen Heartthrob) is a sharp, tantalizing collection of poems examining Avan&’s relationship with ego, idolatry, love as an act of worship, rage as an act of prayer, and sadness as confession. Through vivid imagery (and sometimes startling honesty) Avan cuts himself open and observes the false gods he has worshipped, the ways he has sinned, and exhumes a version of himself that looks like someone we all know: a person searching for the means to cure pain, mend the wounds of insecurity, and satiate cravings for love.
Ava Gardner: A Life in Movies
by Kendra Bean Anthony UzarowskiStill renowned for her sultry screen performances, down-to- earth personality, and famed lifelong love affair with Frank Sinatra, Ava Gardner left an indelible mark on Hollywood history and led a life as adventurous as any film script.Ava is an illustrated tribute to a legendary life. Authors Kendra Bean and Anthony Uzarowski take a closer look at the Academy Award-nominated actress's life and famous screen roles. They also shed new light on the creation and maintenance of her glamorous image, her marriages, and friendships with famous figures such as Ernest Hemingway, John Huston, and Tennessee Williams. From the backwoods of Grabtown, North Carolina to the bullfighting rings of Spain, from the MGM backlot to the Rome of La Dolce Vita, this lavishly illustrated biography takes readers on the exciting journey of a life lived to the fullest and through four decades of film history with an iconic star.
Ava Gardner: The Secret Conversations
by Peter Evans Ava GardnerAva Gardner was one of the most glamorous and famous stars in Hollywood in the 1940s and 1950s. Her list of films includes The Killers, Showboat and Mogambo, for which she was nominated for an Academy Award for best actress, and her co-stars included Clark Gable, Gregory Peck, Burt Lancaster, Humphrey Bogart, Charlton Heston, and Richard Burton - the A-list of male Hollywood stars. Married three times - to Mickey Rooney, Artie Shaw, and Frank Sinatra - the first two lasted only about a year each whilst her marriage to Sinatra lasted several. She had a long-running affair with Howard Hughes, and a briefer one with George C. Scott, among others. In Ava Gardner, she has much to say about her husbands and lovers, and some of her co-stars, all of whom get Gardner's unflinchingly honest treatment. Ava Gardner is irresistibly candid and surprising. She began the book because, as she told Evans, 'it's either write the book or sell the jewels and I'm kinda fond of the jewels.' At the time of their collaboration Gardner was living in London, where she had lived for decades, smoking and drinking heavily. Having suffered a stroke that damaged the left side of her face and her left arm she had trouble sleeping and was often depressed - the glamorous wardrobes replaced by grey. Her story could itself have been depressing except for her wit and wickedness, which are on full display in this book. This book tells the story of her life as she wanted to tell it. Ava Gardner is the autobiography that Ava Gardner began with writer Peter Evans in 1988. She never finished it and decided against publishing it because of its frankness. She later collaborated on a tamer autobiography, which was published at her death in 1990. After Gardner's death, her estate authorised the book to be published much as she and Evans had originally conceived it.
Ava Gardner: The Secret Conversations
by Peter Evans Ava GardnerThe wickedly candid New York Times bestesller that Ava Gardner dared not publish during her lifetime—“the heartbreaking memoir of the ultimate heartbreaker” (Philadelphia Inquirer).Ava Gardner was one of Hollywood&’s biggest and brightest stars during the 1940s and 1950s, an Oscar Award–nominated leading lady who costarred with Clark Gable, Burt Lancaster, and Humphrey Bogart, among others. But this riveting account of her storied life, including her marriage to Frank Sinatra, and career had to wait for publication until after her death—because Gardner feared it was too revealing. &“I either write the book or sell the jewels,&” Gardner told coauthor Peter Evans, &“and I&’m kinda sentimental about the jewels.&” The legendary actress serves up plenty of gems in these pages, reflecting with delicious humor and cutting wit on a life that took her from rural North Carolina to the heights of Hollywood&’s Golden Age. Tell-all stories abound, especially when Gardner divulges on her three husbands: Mickey Rooney, a serial cheater so notorious that even his mother warned Gardner about him; bandleader Artie Shaw, whom Ava calls &“a dominating son of a bitch…always putting me down;&” and Frank Sinatra (&“We were fighting all the time. Fighting and boozing. It was madness. But he was good in the feathers&”). &“Her story is a raw-nerved revelation....A vivid portrait&” (Chicago Tribune). Witty, penetrating, unique in its voice, it is impossible to put down—&“A complete delight&” (Philadelphia Inquirer).
Avant Garde Theatre: 1892–1992
by Christopher InnesExamining the development of avant garde theatre from its inception in the 1890s right up to the present day, Christopher Innes exposes a central paradox of modern theatre; that the motivating force of theatrical experimentation is primitivism. What links the work of Strindberg, Artaud, Brook and Mnouchkine is an idealisation of the elemental and a desire to find ritual in archaic traditions. This widespread primitivism is the key to understanding both the political and aesthetic aspects of modern theatre and provides fresh insights into contemporary social trends. The original text, first published in 1981 as Holy Theatre, has been fully revised and up-dated to take account of the most recent theoretical developments in anthropology, critical theory and psychotherapy. New sections on Heiner Muller, Robert Wilson, Eugenio Barba, Ariane Mnouchkine and Sam Shepard have been added. As a result, the book now deals with all the major avant garde theatre practitioners, in Europe and North America. Avant Garde Theatre will be essential reading for anyone attempting to understand contemporary drama.