- Table View
- List View
Shōjo Across Media: Exploring "Girl" Practices in Contemporary Japan (East Asian Popular Culture)
by Jaqueline Berndt Kazumi Nagaike Fusami OgiSince the 2000s, the Japanese word shōjo has gained global currency, accompanying the transcultural spread of other popular Japanese media such as manga and anime. The term refers to both a character type specifically, as well as commercial genres marketed to female audiences more generally. Through its diverse chapters this edited collection introduces the two main currents of shōjo research: on the one hand, historical investigations of Japan’s modern girl culture and its representations, informed by Japanese-studies and gender-studies concerns; on the other hand, explorations of the transcultural performativity of shōjo as a crafted concept and affect-prone code, shaped by media studies, genre theory, and fan-culture research. While acknowledging that shōjo has mediated multiple discourses throughout the twentieth century—discourses on Japan and its modernity, consumption and consumerism, non-hegemonic gender, and also technology—this volume shifts the focus to shōjo mediations, stretching from media by and for actual girls, to shōjo as media. As a result, the Japan-derived concept, while still situated, begins to offer possibilities for broader conceptualizations of girlness within the contemporary global digital mediascape.
Shoah: The Complete Text Of The Acclaimed Holocaust Film
by Claude LanzmannA nine-and-a-half-hour documentary on the Nazi extermination camps, Shoah (the Hebrew word for "Holocaust") was internationally hailed as a masterpiece upon its release in 1985. Shunning any re-creation, archival footage, or visual documentation of the events, filmmaker Claude Lanzmann relied on the words of witnesses—Jewish, Polish, and German—to describe in ruthless detail the bureaucratic machinery of the Final Solution, so that the remote experiences of the Holocaust became fresh and immediate. This book presents in an accessible and vivid format the testimony of survivors, participants, witnesses, and scholars. This tenth anniversary edition, published on the fiftieth anniversary of the liberation of the camps, is newly revised and corrected in order to more accurately present the actual testimony of those interviewed. Shoah is an unparalleled oral history of the Holocaust, an intensely readable journey through the twentieth century's greatest horror.
Shock Value
by Jason ZinomanShock Value describes how horror was re-created, ridding itself of supernatural clichés and instead portraying serial killers, baseless violence, and fear found in everyday suburbia. Jason Zinoman explores how an often overlooked, but highly influential, golden age in American film began.
Shockaholic
by Carrie FisherThis memoir from the bestselling author of Postcards from the Edge and Wishful Drinking gives readers an intimate, gossip-filled look at what it's like to be the daughter of Hollywood royalty.Told with the same intimate style, brutal honesty, and uproarious wisdom that locked Wishful Drinking on the New York Times bestseller list for months, Shockaholic is the juicy account of Carrie Fisher's life. Covering a broad range of topics--from never-before-heard tales of Hollywood gossip to outrageous moments of celebrity desperation; from alcoholism to illegal drug use; from the familial relationships of Hollywood royalty to scandalous run-ins with noteworthy politicians; from shock therapy to talk therapy--Carrie Fisher gives an intimate portrait of herself, and she's one of the most indelible and powerful forces in culture at large today. Just as she has said of playing Princess Leia--"It isn't all sweetness and light sabers"--Fisher takes readers on a no-holds-barred narrative adventure, both laugh-out-loud funny and poignant.
The Shocking Miss Pilgrim: A Writer in Early Hollywood
by Frederica Sagor MaasA memoir of the rise and fall of one female screenwriter&’s career during the Golden Age of Hollywood. Freddie Maas&’s revealing memoir offers a unique perspective on the film industry and Hollywood culture in their early days and illuminates the plight of Hollywood writers working within the studio system. An ambitious twenty-three-year-old, Maas moved to Hollywood and launched her own writing career by drafting a screenplay of the bestselling novel The Plastic Age for &“It&” girl Clara Bow. With that script, she landed a staff position at powerhouse MGM studios. In the years to come, she worked with and befriended numerous actors and directors, including Norma Shearer, Joan Crawford, and Eric von Stroheim, as well as such writers and producers as Thomas Mann and Louis B. Mayer. As a professional screenwriter, Frederica quickly learned that scripts and story ideas were frequently rewritten, and that screen credit was regularly given to the wrong person. Studio executives wanted well-worn plots, but it was the writer&’s job to develop the innovative situations and scintillating dialogue that would bring to picture to life. For over twenty years, Freddie and her friends struggled to survive in this incredibly competitive environment. Through it all, Freddie remained a passionate, outspoken woman in an industry run by powerful men, and her provocative, nonconformist ways brought her success, failure, wisdom, and a wealth of stories, opinions, and insight into a fascinating period in screen history.Praise for The Shocking Miss Pilgrim &“In this memorable tell-all, rise-and-fall memoir, Maas brings the gimlet hindsight of Julia Phillips&’s You&’ll Never Eat Lunch in This Town Again to early Hollywood, and the results are thoroughly captivating.&” —Publishers Weekly &“A bittersweet, extraordinarily detailed recollection of Maas&’s 30-year career in the motion picture industry. . . . Chockablock with anecdotes, and a blinding amount of star-wattage to boot.&” —Salon.com
Shocking Representation: Historical Trauma, National Cinema, and the Modern Horror Film (Film and Culture Series)
by Adam LowensteinIn this imaginative new work, Adam Lowenstein explores the ways in which a group of groundbreaking horror films engaged the haunting social conflicts left in the wake of World War II, Hiroshima, and the Vietnam War. Lowenstein centers Shocking Representation around readings of films by Georges Franju, Michael Powell, Shindo Kaneto, Wes Craven, and David Cronenberg. He shows that through allegorical representations these directors' films confronted and challenged comforting historical narratives and notions of national identity intended to soothe public anxieties in the aftermath of national traumas.Borrowing elements from art cinema and the horror genre, these directors disrupted the boundaries between high and low cinema. Lowenstein contrasts their works, often dismissed by contemporary critics, with the films of acclaimed "New Wave" directors in France, England, Japan, and the United States. He argues that these "New Wave" films, which were embraced as both art and national cinema, often upheld conventional ideas of nation, history, gender, and class questioned by the horror films. By fusing film studies with the emerging field of trauma studies, and drawing on the work of Walter Benjamin, Adam Lowenstein offers a bold reassessment of the modern horror film and the idea of national cinema.
Shoes: Chocolate for the Feet (Cathy Ser. #21)
by Cathy GuisewiteAmerica’s favorite comic strip heroine shares her passion for footwear in this hilarious collection.Like best friends who’ve been together year after year, through thick and thin, Cathy and her adoring public have created a solid and stable relationship. Faithful readers count on their cartoon heroine to tell it like it is, whether the subject is relationships, shopping, or parental responsibilities.In Shoes: Chocolate for the Feet, women immediately comprehend this connection between two of Cathy’s downfalls-food and shopping. Cathy continues to battle the bulge, constantly losing the tug-of-war between her thin clothes and a well-stocked refrigerator. Millions of women have hilariously identified with Cathy's struggles with the four basic guilt groups: food, love, mother, and career.
Shook One: Anxiety Playing Tricks on Me
by Charlamagne Tha GodCharlamagne Tha God, New York Times bestselling author of Black Privilege and always provocative cohost of Power 105.1&’s The Breakfast Club, reveals his blueprint for breaking free from your fears and anxieties.Being &“shook&” is more than a rap lyric for Charlamagne, it&’s his mission to overcome. While it may seem like he&’s ahead of the game, he is actually plagued by anxieties, such as the fear of losing his roots, the fear of being a bad dad, and the fear of being a terrible husband. In the national bestseller Shook One, Charlamagne chronicles his journey to beat those fears and shows a path that you too can take to overcome the anxieties that may be holding you back. Ironically, Charlamagne&’s fear of failure—of falling into the life of stagnation or crime that caught up so many of his friends and family in his hometown of Moncks Corner—has been the fuel that has propelled him to success. However, even after achieving national prominence as a radio personality, Charlamagne still found himself paralyzed by anxiety and distrust. Here, in Shook One, he is working through these problems—many of which he traces back to cultural PTSD—with help from mentors, friends, and therapy. Being anxious doesn&’t serve the same purpose anymore. Through therapy, he&’s figuring out how to get over the irrational fears that won&’t take him anywhere positive. Charlamange hopes Shook One can be a call to action: Getting help is your right. His second book &“cements the radio personality&’s stance in making sure he&’s on the right side of history when it comes to society&’s growing focus on mental health, while helping remove the negative stigma&” (Billboard).
Shoot, Edit, Share: Video Production for Mass Media, Marketing, Advertising, and Public Relations
by Kirsten Johnson Jodi Radosh<p>Shoot, Edit, Share is an interactive, accessible introduction to video production techniques, concepts, and terminology. With the increasing availability of affordable video equipment, many students and professionals need to learn the basics of video production without being overwhelmed by technical details and equipment lists. Covering preproduction, production, editing in post, and distribution, this book shows you how to produce video quickly and effectively for a range of clients, from commercial firms to community service organizations. <p>Key features include: <p> <li>A companion website including video interviews with professionals that demonstrate and reinforce techniques covered in the book; <li>Service-learning exercises that engage readers in real-world learning experiences, encouraging them to interact with their communities and new clients; <li>Clear, easy to follow and heavily illustrated guides for all of the equipment and processes that go into video production; <li>Focus on creating stories for a target audience, and building convincing and engrossing narrative through videos; <li>A thorough breakdown of all the techniques needed in post-production, through editing, well-designed graphics, and quality sound; <li>A best-practices guide to viral videos, sharing video content online and increasing its exposure on social media sites; <li>QR codes throughout the book, that when scanned, demonstrate video techniques and concepts related to what was read.</li></p>
Shoot It!
by David SpanerShoot It! is a revealing history of how Hollywood, with its eye on the bottom line, arguably lost its ability to support the work of creative filmmakers; it is also a passionate portrait of the American independent film scene that has produced some of the best movies of the last two decades and inspired those in other countries to do the same.The book examines the Hollywood studio system over several decades, from the period when moguls like Harry and Jack Warner and Louis B. Mayer made quality yet commercially viable films, to today, when studios seem only interested in surefire sequels and comic-book adaptations aimed at a global audience. By the same token, Shoot It! also celebrates today's great movies produced outside of the studio system, chronicling the international independent film movement in seven countries (the United States, Canada, Mexico, Britain, France, Romania, and South Korea), from its roots (French New Wave, British kitchen sink, the New York scene) to the revolutionary impact of digital technology. It also features commentary from indie film notables such as Gus Van Sant, Mike Leigh, Claire Denis, Atom Egoyan, Catherine Breillat, Sally Potter, John Sayles, and Ken Loach.While the studios envisage a generic universe, repressing local film cultures along the way, talented independents continue to tell local stories with universal appeal. This book is a celebration of those determined filmmakers who, despite it all, overcome all obstacles and just shoot it.David Spaner is a film critic and freelance journalist in Vancouver, British Columbia.
Shoot Me: Independent Filmmaking from Creative Concept to Rousing Release
by Rocco Simonelli Roy FrumkesWhen the script says "shoot me" and Hollywood says no, your only alternative is to raise the money and do it yourself. Here's how screenwriters Roy Frumkes and Rocco Simonelli used digital video to do just that. Witty, original, and ruthlessly on the mark, this unvarnished look at independent film-making chronicles both the creative intricacies of collaboration and the tricks of staying in budget and out of court. The authors compare notes as they describe the entire film-making process, with coverage including:* Targeting the audience for the script and tailoring the script for the audience* Raising money: your friends, your family, and the millionaire next door* Casting: names, no-names, and personality nightmares* Locations: finding them, securing them, and sometimes even stealing them* Producing: creating a budget, scheduling the shoot, and dealing with unions* Directing: working with actors and protecting your vision* Editing: or dropping that scene you thought was a gem* Celebrating, publicizing, and distributing the finished product
Shoot on Location: The Logistics of Filming on Location, Whatever Your Budget or Experience
by Kathy M. McCurdyYou have a strong vision for how your movie should look, but how do you find the perfect spot to shoot and how do you organize the complex logistics of such a shoot once you find that perfect location? In this comprehensive guide, industry veteran Kathy M. McCurdy provides everything you need to know to get out on location-from how to break down the script, public relations tips for successful location scouting, negotiating with property owners, permitting on public property, how to handle complaints, and even where to put the very unattractive port-a-potties. It also includes samples of all the different forms and contracts you'll need and breaks down everything from where to park the trucks to when you need police on the set. Filled with real-life examples and actual filming situations, Shoot on Location provides everything you need to know from scouting through the wrap. Delivers the universal step-by-step process for managing location shoots using industry standard guidelines and real-life examples from actual filming situations. Includes samples of all of the legal forms and contract necessary for shooting off the lot and covers everything from script breakdown, negotiation with property owners, and even where to put the porta-potties. Loaded with real tips and how-to's for every level of scouting, shooting, and wrapping-up.
Shoot to Sell: Make Money Producing Special Interest Videos
by Rick Smith Kim MillerProducing and Distributing Special Interest Videos is a step-by-step, do-it-yourself guide for successfully producing, selling and marketing videos without a huge financial investment for anyone who has an idea or expertise that they want to showcase in video. Learn how to successfully create and market videos for carefully researched niche markets, for long-term residual income.
Shoot to Win: Training for the New Pistol, Rifle, and Shotgun Shooter
by Chris Cheng Dustin Ellermann Iain HarrisonChris Cheng won the title of "Top Shot," a $100,000 cash prize, and a professional marksman contract with the show sponsor, Bass Pro Shops. How did a tech support guy who didn't shoot a lot of guns beat out seventeen other competitors-including seasoned military veterans, law enforcement officers, and pro marksmen-in History Channel's Top Shot season 4?An excellent guide for beginning shooters, Cheng focuses on the basics and ammunition of pistols, rifles, and shotguns, marksmanship fundamentals, and buying a firearm. Other chapters include:Dry Fire PracticeFirearm AccessoriesSafely Storing Your FirearmCleaning and Maintaining Your GunsAnd much more!Additionally, Cheng covers his approach to staying calm under pressure, teamwork, sportsmanship, and leadership. These traits contributed to his coming out on top and staying above the fray.With a foreword written by Top Shot season 3 champion Dustin Ellermann and an afterword written by the original Top Shot champion Iain Harrison, Shoot to Win is sure to please shooters of all stripes, but especially fans of History Channel's program Top Shot.
Shoot to Win: Training for the New Pistol, Rifle, and Shotgun Shooter
by Katie Pavlich Chris ChengA surprising journey from tech support to professional marksman in front of the cameras.Chris Cheng won the title of "Top Shot,” a $100,000 cash prize, and a professional marksman contract with the show sponsor, Bass Pro Shops. How did a tech support guy who didn’t shoot a lot of guns beat out seventeen other competitors-including seasoned military veterans, law enforcement officers, and pro marksmen-in History Channel’s Top Shot season 4?An excellent guide for beginning shooters, Cheng focuses on the basics and ammunition of pistols, rifles, and shotguns, marksmanship fundamentals, and buying a firearm. Other chapters include:Dry Fire PracticeFirearm AccessoriesSafely Storing Your FirearmCleaning and Maintaining Your GunsAnd much more!Additionally, Cheng covers his approach to staying calm under pressure, teamwork, sportsmanship, and leadership. These traits contributed to his coming out on top and staying above the fray.With a foreword written by Top Shot season 3 champion Dustin Ellermann and an afterword written by the original Top Shot champion Iain Harrison, Shoot to Win is sure to please shooters of all stripes, but especially fans of History Channel’s program Top Shot.Skyhorse Publishing is proud to publish a broad range of books for hunters and firearms enthusiasts. We publish books about shotguns, rifles, handguns, target shooting, gun collecting, self-defense, archery, ammunition, knives, gunsmithing, gun repair, and wilderness survival. We publish books on deer hunting, big game hunting, small game hunting, wing shooting, turkey hunting, deer stands, duck blinds, bowhunting, wing shooting, hunting dogs, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Shooting 007: And Other Celluloid Adventures
by Alec Mills Roger MooreIn Shooting 007, beloved cameraman and director of photography Alec Mills, a veteran of seven James Bond movies, tells the inside story of his twenty years of filming cinema’s most famous secret agent. Among many humorous and touching anecdotes, Mills reveals how he became an integral part of the Bond family as a young camera operator on 1969’s On Her Majesty’s Secret Service, how he bore the brunt of his old friend Roger Moore’s legendary on-set bantering, and how he rose to become the director of photography during Timothy Dalton’s tenure as 007. Mills also looks back on a career that took in Return of the Jedi on film and The Saint on television with wit and affection, and Shooting 007 contains many of his and Eon Productions’ unpublished behind-the-scenes photographs compiled over a lifetime of filmmaking. Featuring many of the film industry’s biggest names, this book will be a must-have for both the James Bond and British film history aficionado.
Shooting Action Sports: The Ultimate Guide to Extreme Filmmaking
by Todd GrossmanThis full-color illustrated guide takes you through all aspects of video production, focusing on action sports. From planning and preparation to editing and postproduction, you'll get a solid understanding of the changing technology, camera techniques, and basic to more-advanced shooting principles that can be applied to almost every scenario you encounter. The countless examples of camera tricks and techniques used at major events apply to any kind of shoot.Equally as important, you're encouraged to go beyond merely recording the scene and learn how to think like a professional cameraman. Predicting and anticipating is perhaps the greatest talent a cameraman can acquire. It means keeping both eyes open and see not only what is happening around your frame, but also what is about to happen in it. Master the techniques and tools of the trade so you can create compelling and creative work.Includes tips on how to:* Choose a format* Develop your own style* Plan for a successful project, including funding and distribution* Capture the shot in any environment* Shooting tips and techniques for skateboarding, snowboarding, wakeboarding, surfing, freestyle BMX, and more
Shooting For The Mob: Based on the incredible true story
by Alex FerrariThe film project he was hired for revealed information he didn't want to know.A bipolar gangster, a naive, young film director and Batman. What could go wrong? Alex Ferrari is a first-time film director who just got hired to direct a $20 million feature film, the only problem is the film is about Jimmy, an egomaniacal gangster who wants the film to be about his life in the mob. From the backwater towns of Louisiana to the Hollywood Hills, Alex is taken on a crazy misadventure through the world of the mafia and Hollywood. Huge movie stars, billion dollar producers, studio heads and, of course, a few gangsters, populate this unbelievable journey down the rabbit hole of chasing your dream. Would you sell your soul to the devil to make your dream come true? By the way, did we mention that this story is based on true events?, no, seriously it is.
Shooting from the East
by Darrell VargaAtlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region's four provinces. Until now there has been no comprehensive history of this diverse body of work. In Shooting from the East, Darrell Varga traces the emergence of art cinema in the 1970s and '80s, and subsequent rise of a contemporary commercial feature film and television industry by way of representative examples of a great range of titles, including The Adventure of Faustus Bidgood, Life Classes, The Disappeared, and Trailer Park Boys. He provides analysis of documentary filmmaking to emphasize concerns such as the establishment of the regional National Film Board studio and the influence of broadcast policy, but also considers significant recurring themes including the environment, the body, race and First Nations, and the North. Through critical analyses of key films and interviews conducted with filmmakers from all corners of the region, Varga uncovers patterns of meaning across diverse productions and interrogates the concept of region in relation to prevailing notions of national cinema and transnational media culture. With a focus on short films and an extensive history and analysis of the filmmaking production co-operatives located in each province, Shooting from the East sheds light on the creative processes and local economic and cultural conditions for making images on the edge of the Atlantic.
Shooting from the East: Filmmaking on the Canadian Atlantic
by Darrell VargaAtlantic Canada has a rich tradition of storytelling and creativity that has extended to critical and audience praise for films from the region’s four provinces. Until now there has been no comprehensive history of this diverse body of work. In Shooting from the East, Darrell Varga traces the emergence of art cinema in the 1970s and ’80s, and subsequent rise of a contemporary commercial feature film and television industry by way of representative examples of a great range of titles, including The Adventure of Faustus Bidgood, Life Classes, The Disappeared, and Trailer Park Boys. He provides analysis of documentary filmmaking to emphasize concerns such as the establishment of the regional National Film Board studio and the influence of broadcast policy, but also considers significant recurring themes including the environment, the body, race and First Nations, and the North. Through critical analyses of key films and interviews conducted with filmmakers from all corners of the region, Varga uncovers patterns of meaning across diverse productions and interrogates the concept of region in relation to prevailing notions of national cinema and transnational media culture. With a focus on short films and an extensive history and analysis of the filmmaking production co-operatives located in each province, Shooting from the East sheds light on the creative processes and local economic and cultural conditions for making images on the edge of the Atlantic.
Shooting Martha
by David Thewlis'A riotously good novel, witty and earnest, brimming with sharply drawn characters and creeping suspense. David Thewlis is a fabulous writer' Anna Bailey, Sunday Times bestselling author of Tall BonesCelebrated director Jack Drake can't get through his latest film (his most personal yet) without his wife Martha's support. The only problem is, she's dead...When Jack sees Betty Dean - actress, mother, trainwreck - playing the part of a crazed nun on stage in an indie production of The Devils, he is struck dumb by her resemblance to Martha. Desperate to find a way to complete his masterpiece, he hires her to go and stay in his house in France and resuscitate Martha in the role of 'loving spouse'.But as Betty spends her days roaming the large, sunlit rooms of Jack's mansion - filled to the brim with odd treasures and the occasional crucifix - and her evenings playing the part of Martha over scripted video calls with Jack, she finds her method acting taking her to increasingly dark places. And as Martha comes back to life, she carries with her the truth about her suicide - and the secret she guarded until the end.A darkly funny novel set between a London film set and a villa in the south of France.A mix of Vertigo and Jonathan Coe, written by a master storyteller.PRAISE FOR DAVID THEWLIS'S FICTION 'David Thewlis has written an extraordinarily good novel, which is not only brilliant in its own right, but stands proudly beside his work as an actor, no mean boast' Billy Connolly'Hilarious and horror-filled' Francesca Segal, Observer'A fine study in character disintegration... Very funny' David Baddiel, The Times'Exquisitely written with a warm heart and a wry wit... Stunning' Elle'Queasily entertaining' Financial Times'A sharp ear for dialogue and a scabrously satiric prose style' Daily Mail'Laugh-out-loud, darkly intelligent' Publishers Weekly'This is far more than an actor's vanity project: Thewlis has talent' Kirkus
Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic
by Glenn Frankel"Much more than a page-turner. It’s the first essential work of cultural history of the new decade." —Charles Kaiser, The GuardianThe Pulitzer Prize–winning journalist and New York Times–bestselling author of the behind-the-scenes explorations of the classic American Westerns High Noon and The Searchers now reveals the history of the controversial 1969 Oscar-winning film that signaled a dramatic shift in American popular culture.Director John Schlesinger’s Darling was nominated for five Academy Awards, and introduced the world to the transcendently talented Julie Christie. Suddenly the toast of Hollywood, Schlesinger used his newfound clout to film an expensive, Panavision adaptation of Far from the Madding Crowd. Expectations were huge, making the movie’s complete critical and commercial failure even more devastating, and Schlesinger suddenly found himself persona non grata in the Hollywood circles he had hoped to conquer.Given his recent travails, Schlesinger’s next project seemed doubly daring, bordering on foolish. James Leo Herlihy’s novel Midnight Cowboy, about a Texas hustler trying to survive on the mean streets of 1960’s New York, was dark and transgressive. Perhaps something about the book’s unsparing portrait of cultural alienation resonated with him. His decision to film it began one of the unlikelier convergences in cinematic history, centered around a city that seemed, at first glance, as unwelcoming as Herlihy’s novel itself.Glenn Frankel’s Shooting Midnight Cowboy tells the story of a modern classic that, by all accounts, should never have become one in the first place. The film’s boundary-pushing subject matter—homosexuality, prostitution, sexual assault—earned it an X rating when it first appeared in cinemas in 1969. For Midnight Cowboy, Schlesinger—who had never made a film in the United States—enlisted Jerome Hellman, a producer coming off his own recent flop and smarting from a failed marriage, and Waldo Salt, a formerly blacklisted screenwriter with a tortured past. The decision to shoot on location in New York, at a time when the city was approaching its gritty nadir, backfired when a sanitation strike filled Manhattan with garbage fires and fears of dysentery.Much more than a history of Schlesinger’s film, Shooting Midnight Cowboy is an arresting glimpse into the world from which it emerged: a troubled city that nurtured the talents and ambitions of the pioneering Polish cinematographer Adam Holender and legendary casting director Marion Dougherty, who discovered both Dustin Hoffman and Jon Voight and supported them for the roles of “Ratso” Rizzo and Joe Buck—leading to one of the most intensely moving joint performances ever to appear on screen. We follow Herlihy himself as he moves from the experimental confines of Black Mountain College to the theatres of Broadway, influenced by close relationships with Tennessee Williams and Anaïs Nin, and yet unable to find lasting literary success.By turns madcap and serious, and enriched by interviews with Hoffman, Voight, and others, Shooting Midnight Cowboy: Art, Sex, Loneliness, Liberation, and the Making of a Dark Classic is not only the definitive account of the film that unleashed a new wave of innovation in American cinema, but also the story of a country—and an industry—beginning to break free from decades of cultural and sexual repression.
Shooting Movies Without Shooting Yourself in the Foot: Becoming a Cinematographer
by Jack AndersonShooting Movies is the book for all those film enthusiasts who can't get on a professional set or can't undertake studies at an expensive film school. This book approaches the subject of cinematography from a 'hands-on, in the trenches' viewpoint, as though the reader were an apprentice on the set. It's a book about learning to shoot a film without making an idiot of yourself and wasting lots of time and money. It's a book about how to take artistic inspiration and make it a reality. A breezy writing style mixed with practical, interactive exercises geared for both film and video give filmmakers the experience they need to take their work to the next level. Beginning with fundamental techniques and concepts of cinematography, the author shares his many years of experience with the reader, imparting invaluable advice and guidance on how to avoid common pitfalls, and more importantly, learn from mistakes. This title provides a mentorship-in-a-book approach not found any of the other technical guides to cinematography, using both film and video exercises. It is written for filmmakers working on a budget. Unique exercises throughout the book provide the reader with an interactive experience that will give them a higher level of expertise and will improve the quality of their shooting, lighting, and reel - all on a budget. It helps you learn the realty of filmmaking from the cinematographer's perspective. Companion website showcases video samples, visual demonstrations of the exercises in the book, and further video explanations of the concepts that are better explained visually.
Shooting Stars
by Jennifer BuhlGet an Insider Glimpse into What Life is Really Like Among Hollywood's Bright Lights and Big Stars As a young woman struggling to make ends meet in L.A., photographer Jennifer Buhl never dreamed that a chance encounter with the paparazzi would lead her to chasing celebrities around in her bright-red, beat-up pickup truck. It wasn't long before she became one of the most successful "paps" in the business, photographing and interacting with stars up close and seeing her iconic pictures across magazine covers nationwide. A Hilarious and Utterly Addictive Memoir... Shooting Stars is the first memoir to offer the inside scoop on the world of paparazzi and their surprisingly cooperative relationship with the stars. Jennifer recounts her wild ride through this testosterone-driven industry with moxie, weaving juicy real-life celebrity encounters with her own poignant story of searching for love and finding her way among the glittering lights of Tinseltown. An Irresistible Snapshot... A smart and sassy chronicle of celebrity culture, fame, and the art of perfect timing, Shooting Stars reveals the real lives of Hollywood's rich and famous--from behind the camera.
Shooting Stars of the Small Screen
by Douglas BrodeSince the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.