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Sitcoms and Culture (Comedy & Culture)
by James ShanahanDoes it matter what television we watch? Despite their stodgy reputation among many consumers of television, sitcoms, or situation comedies, have stuck around as a cornerstone of the television landscape.Sitcoms and Culture examines sitcoms as cultural artifacts ripe for exploration as they reflect the shifting landscapes of our society. From questions of social change to the portrayal of women and other racial, ethnic, and sexual minorities, sitcoms have evolved alongside the major social changes of the last half century. Using an interdisciplinary approach, author James Shanahan combines research on cultural indicators with an empirical methodology and cultural analysis to examine over 50 years of sitcoms to discern the reality of how these comedies have portrayed life to us across generations of television.Sitcoms and Culture helps us gain a deeper understanding of how sitcoms mirror and shape societal norms and of the pivotal role they have played in reflecting and influencing cultural trends.
Site Dance: Choreographers and the Lure of Alternative Spaces
by Melanie Kloetzel Carolyn PavlikIn recent years, site-specific dance has grown in popularity. In the wake of groundbreaking work by choreographers who left traditional performance spaces for other venues, more and more performances are cropping up on skyscrapers, in alleyways, on trains, on the decks of aircraft carriers, and in a myriad of other unexpected locations worldwide.In Site Dance, the first anthology to examine site-specific dance, editors Melanie Kloetzel and Carolyn Pavlik explore the work that choreographers create for nontraditional performance spaces and the thinking behind their creative choices. Combining interviews with and essays by some of the most prominent and influential practitioners of site dance, they look at the challenges and rewards of embracing alternative spaces. The close examinations of the work of artists like Meredith Monk, Joanna Haigood, Stephan Koplowitz, Heidi Duckler, Ann Carlson, and Eiko Otake provide important insights into why choreographers leave the theatre to embrace the challenges of unconventional venues.Site Dance also includes more than 80 photographs of site-specific performances, revealing how the arts, and movement in particular, can become part of and speak to our everyday lives. Celebrating the often unexpected beauty and juxtapositions created by site dance, the book is essential reading for anyone curious about the way that these choreographers are changing our experience of the world one step at a time.
Site, Dance and Body: Movement, Materials and Corporeal Engagement
by Victoria HunterHow does the moving, dancing body engage with the materials, textures, atmospheres, and affects of the sites through which we move and in which we live, work and play? How might embodied movement practice explore some of these relations and bring us closer to the complexities of sites and lived environments?This book brings together perspectives from site dance, phenomenology, and new materialism to explore and develop how ‘site-based body practice’ can be employed to explore synergies between material bodies and material sites. Employing practice-as-research strategies, scores, tasks and exercises the book presents a number of suggestions for engaging with sites through the moving body and offers critical reflection on the potential enmeshments and entanglements that emerge as a result. The theoretical discussions and practical explorations presented will appeal to researchers, movement practitioners, artists, academics and individuals interested in exploring their lived environments through the moving body and the entangled human-nonhuman relations that emerge as a result.
Site-Specific Art: Performance, Place and Documentation
by Nick KayeSite-Specific Art charts the development of an experimental art form in an experimental way. Nick Kaye traces the fascinating historical antecedents of today's installation and performance art, while also assembling a unique documentation of contemporary practice around the world. The book is divided into individual analyses of the themes of space, materials, site, and frames. These are interspersed by specially commissioned documentary artwork from some of the world's foremost practitioners and artists working today. This interweaving of critique and creativity has never been achieved on this scale before. Site-Specific Art investigates the relationship of architectural theory to an understanding of contemporary site related art and performance, and rigorously questions how such works can be documented. The artistic processes involved are demonstrated through entirely new primary articles from: * Meredith Monk * Station House Opera * Brith Gof * Forced Entertainment. This volume is an astonishing contribution to debates around experimental cross-arts practice.
Sitting Pretty: The Life and Times of Clifton Webb (Hollywood Legends Series)
by Clifton WebbMore than any other male movie star, the refined Clifton Webb (1889-1966) caused the moviegoing public to change its image of a leading man. In a day when leading men were supposed to be strong, virile, and brave, Clifton Webb projected an image of flip, acerbic arrogance. He was able to play everything from a decadent columnist (Laura) to a fertile father (Cheaper by the Dozen and The Remarkable Mr. Pennypacker), delivering lines in an urbanely clipped, acidly dry manner with impeccable timing. Long before his film career began, Webb was a child actor and later a suavely effete song-and-dance man in numerous Broadway musicals and revues. The turning point in his career came in 1941 when his good friend Noël Coward cast him in Blithe Spirit. Director Otto Preminger saw Webb's performance and cast him in Laura in 1944. Webb began to write his autobiography, but he said that he eventually had gotten “bogged down” in the process. However, he did complete six chapters and left a hefty collection of notes that he intended to use in the proposed book. His writing is as witty and sophisticated as his onscreen persona. Those six chapters, information and voluminous notes, and personal research by coauthor David L. Smith provide an intimate view of an amazingly talented man's life and times.
Situated Knowing: Epistemic Perspectives on Performance (Routledge Advances in Theatre & Performance Studies)
by Ewa Bal and Mateusz ChaberskiSituated Knowing aims to critically examine performance studies’ ideological and socio-political underpinnings while also challenging the Anglo-centrism of the discipline. This book reworks the concept of situated knowledges put forward over thirty years ago by American biologist and philosopher Donna Haraway in order to challenge the Enlightenment paradigm of objectivity in sciences by emphasising the role of the embodied and partial socio-cultural perspective of the scholar in the production of knowledge. Through carefully selected case studies of contemporary natural, cultural and technological performances, contributors to this volume show that the proposed approach requires new genealogies of traditional concepts, emerges from encounters with contemporary performative arts or contact zones and may potentially go beyond the human in order to include non-human ways of being in the world. It will be of great interest to students and scholars of performance studies, cultural studies, media studies and theatre studies.
Situating Opera: Period, Genre, Reception
by Herbert LindenbergerSetting opera within a variety of contexts - social, aesthetic, historical - Lindenberger illuminates a form that has persisted in recognizable shape for over four centuries. The study examines the social entanglements of opera, for example the relation of Mozart's Abduction from the Seraglio and Verdi's Il trovatore to its initial and later audiences. It shows how modernist opera rethought the nature of theatricality and often challenged its viewers by means of both musical and theatrical shock effects. Using recent experiments in neuroscience, the book demonstrates how different operatic forms developed at different periods to create new ways of exciting a public. Lindenberger considers selected moments of operatic history from Monteverdi's Orfeo to the present to study how the form has communicated with its diverse audiences. Of interest to scholars and operagoers alike, this book advocates and exemplifies opera studies as an active, emerging area of interdisciplinary study.
Six Flags Great Adventure (Images of America)
by Harry Applegate Thomas BentonBuilt in 1974 in New Jersey, Great Adventure was the larger-than-life dream of a larger-than-life personality, Warner LeRoy.The consummate showman, LeRoy had visions of a fantasy world of rides, shows, and animals in a beautiful and unspoiled woodland setting. In 1977, Great Adventure became a member of the Six Flags family of theme parks and has continued to grow ever since, with bigger and better attractions added each season. Six Flags Great Adventure revisits some of the park's past attractions, like the Garden of Marvels, Big Balloon, and Super Teepee, and illustrates the park's evolution into a state-of-the-art theme park enjoyed by a new generation of guests.
Six Flags Great Adventure (Images of Modern America)
by Thomas Benton Harry ApplegateBuilt in 1974, Great Adventure was the larger-than-life dream of a larger-than-life personality, Warner LeRoy. The consummate showman, LeRoy had visions of a fantasy world of rides, shows, and animals in a beautiful and unspoiled woodland setting. In 1977, Great Adventure became a member of the Six Flags family of theme parks and has continued to grow ever since, with bigger and better attractions added each season. Six Flags Great Adventure revisits some of the park's past attractions, like the Garden of Marvels, Big Balloon, and Super Teepee, and illustrates the park's evolution into a state-of-the-art theme park enjoyed by a new generation of guests.
Six Flags Great America (Images of Modern America)
by Steven W. WilsonMarriott’s Great America first opened in Gurnee, Illinois, on May 29, 1976. Located midway between Chicago and Milwaukee, it was the second of two Marriott Corporation theme parks. Great America was created to be a place where families could have fun together while gaining an appreciation for United States history. The park’s five authentically themed areas based on America’s past included the best in family and thrill rides, restaurants, specialty shops, artisans, and games. First-rate live entertainment included Broadway-style musicals, bands, parades, a circus, and the Warner Bros. characters featuring BUGS BUNNY. In 1984, the park became Six Flags Great America when it joined the Six Flags family of theme parks. Since then, the park has continued to innovate and expand. Today, including its 20-acre Hurricane Harbor water park, Six Flags Great America is one of the country’s finest theme parks. Since 1976, the park has entertained more than 100 million guests.
Six Flags Over Georgia
by Tim HollisWhen Six Flags Over Georgia opened in June 1967, it became the first theme park in the Southeast. Although the park is best known today for its high-speed roller coasters, this book recaptures its earlier years when it was devoted to the various periods of Georgia's history. Six Flags Over Georgia revisits such classic rides and attractions as the Log Jamboree, Tales of the Okefenokee, Jean Ribaut'sAdventure, the Krofft Puppet Theater, the Happy Motoring Freeway, and many others. It also explores how the park's focus changed and expanded over the decades and takes a look at some of its classic advertising and souvenirs.
Six Great Modern Plays
by Anton ChekhovA collection of modern--yet timeless--plays: "The Glass Menagerie," by Tennessee Williams; "All My Sons," by Arthur Miller; "Three Sisters," by Anton Chekhov; "The Master Builder," by Henrik Ibsen; "Mrs. Warren's Profession," by George Bernard Shaw; and "Red Roses for Me," by Sean O'Casey.
Six Men
by Alistair CookeDrawing on a lifetime of journalistic encounters with the great and the famous, Alistair Cooke profiles the six extraordinary men who impressed him the most Over the course of his sixty-year career as a broadcaster, television host, and newspaper reporter, Alistair Cooke met many remarkable people of the twentieth century. This entertaining and insightful collection shares his unique, often startling personal vision of six key figures from the worlds of literature, entertainment, and politics. They are: Charlie Chaplin, whom Cooke befriended in Hollywood and who courted controversy in his politics and romances; the charming-yet-naive Edward VIII, whose love affair changed the course of World War II; Humphrey Bogart, the first antihero hero onscreen and a sensitive gentleman at home; H. L. Mencken, brilliant, inspirational, and deeply flawed; Adlai Stevenson, whom Cooke labeled the failed saint; and Bertrand Russell, who had the courage and the audacity to try to make the world a better place. The subjects of Six Men are united by the deep complexities of their characters. In balancing informed details of their lives with an objectivity set against the ever-changing landscape of their times, Six Men is a master course in the art of concise biography.
Six Plays
by Lillian HellmanThese six plays span nearly twenty years of theatre and display the range of Lillian Hellman's dramatic gifts. The Children's Hour (1934), her first play, was considered shocking at the time; it concerns the devastating effects of a child's malicious charge of lesbianism against two of her teachers. Days to Come (1936) is about the tragic consequences of strike-breaking in a small Midwestern community. The Little Foxes (1939) and Another Part of the Forest (1946) together constitute a chilling study of the financial and psychological conflicts within the Hubbards, a wealthy and rapacious Southern family. Watch on the Rhine (1941), the story of how fascism affects an American family and the refugees they harbor, won the New York Drama Critics Circle Award. The Autumn Garden (1951) is a poignant yet humorous drama set at a summer resort near New Orleans.
A Six String History of America
by Jay M. PilzerDrawing on his years of experience as a history professor and longtime guitar dealer, author Jay Pilzer leads us on an entertaining and thoughtful journey through the fascinating, diverse, and sometimes wild history of the guitar in America. Viewed through the broad scope of the American experience, this retrospective cleverly melds together such unexpected guitar-related subjects as the Tulip Mania of 1636, the swaying hips of hula girls in Hawaii, and what really powered Jimi Hendrix's Stratocaster at Woodstock. Our author ponders all aspects of guitar history, including:- How the period of the Enlightenment was an influence on guitars- Why the economics of the 1600s were a prelude to guitar prices of the twenty-first century- The surprising influences on guitar designs and styles- How the advent of American steamboats and railroads helped guitar sales- The development of blues and jazz, and the types of instruments used for each style- The affects of installment buying on guitar sales after the Great Depression- How and why guitar quality declined in the 1970s and why guitar executives cringed at the sound of disco in the 1980sThese, and many other aspects of guitar history, are covered in this fully-readable and enjoyable book. Whether you play or listen, this romp through the history of guitars will truly entertain!
Skateboarding and Femininity: Gender, Space-making and Expressive Movement (Routledge Advances in Theatre & Performance Studies)
by Dani AbulhawaSkateboarding and Femininity explores and highlights the value of femininity both within skateboarding and wider culture. This book examines skateboarding’s relationship to gender politics through a consideration of the personal politics connected to individual skateboarders, the social-spatial arenas in which skateboarding takes place, and by understanding the performance of tricks and symbolic movements as part of gender-based power dynamics. Dani Abulhawa anaylses the discursive frameworks connected to skateboarding philanthropic projects and how these operate through gendered tropes. Through the author’s work with skateboarding charity SkatePal, this book offers an alternative way of recognising the value of skateboarding philanthropy projects, proposing a move toward a more open and explorative somatic practice perspective.
Skeleton Cat
by Kristyn CrowA spooky Halloween read-aloud guaranteed to tickle the smallest funny bones! After nine lives, Skeleton Cat is back for his tenth. And he has big dreams: to be a drummer. So he rattles and shakes his way through town to find the perfect band.
The Skeptics' Guide to the Universe: How To Know What's Really Real in a World Increasingly Full of Fake
by Steven Novella'A fantastic compendium of skeptical thinking and the perfect primer for anyone who wants to separate fact from fiction.' Richard Wiseman, author 59 Seconds'Thorough, informative, and enlightening... If this book does not become required reading for us all, we may well see modern civilization unravel before our eyes.' Neil deGrasse Tyson, author of Astrophysics for People in a HurryAn entertaining and all-encompassing guide to skeptical thinking for the age of misinformation.In this tie-in to their popular 'The Skeptics Guide to the Universe' podcast, Steven Novella, along with 'Skeptical Rogues' Bob Novella, Cara Santa Maria, Jay Novella and Evan Bernstein explain the tenets of skeptical thinking and debunk some of the biggest scientific myths, fallacies and conspiracy theories (anti-vaccines, homeopathy, UFO sightings, and many more.) They'll help us try to make sense of what seems like an increasingly crazy world using powerful tools like science and philosophy. The Skeptics' Guide to the Universe is your guide through this maze of modern life. It covers essential critical thinking skills, as well as giving insight into how your brain works and how to avoid common pitfalls in thinking. They discuss the difference between science and pseudoscience, how to recognize common science news tropes, how to discuss conspiracy theories with that crazy colleague of yours, and how to apply all of this to everyday life.As fascinating as it is entertaining, this page turner is your essential guide to seeing through the fake news and media manipulation in our increasingly confusing world.(P)2018 Hachette Audio
Sketch Comedy: Identity, Reflexivity, and American Television
by Nick MarxA history of sketch comedy on American television and analysis of what it says about American culture and society.In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media.“An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University“A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
Sketch Comedy: Identity, Reflexivity, and American Television
by Nick MarxA history of sketch comedy on American television and analysis of what it says about American culture and society.In Sketch Comedy: Identity, Reflexivity, and American Television, Nick Marx examines some of the genre’s most memorable?and controversial?moments from the early days of television to the contemporary line-up. Through explorations of sketches from well-known shows such as Saturday Night Live, The State, Inside Amy Schumer, Key & Peele, and more, Marx argues that the genre has served as a battleground for the struggle between comedians who are pushing the limits of what is possible on television and network executives who are more mindful of the financial bottom line. Whether creating new catchphrases or transgressing cultural taboos, sketch comedies give voice to marginalized performers and audiences, providing comedians and viewers opportunities to test their own ideas about their place in society, while simultaneously echoing mainstream cultural trends. The result, Marx suggests, is a hilarious and flexible form of identity play unlike anything else in American popular culture and media.“An excellent study of a long-neglected area in television/media studies and is part of a larger turn toward the centrality of comedy in post-war U.S. culture.” —Jeffrey Sconce, Northwestern University“A stalwart of television . . . sketch comedy finally gets the in-depth critical attention it deserves . . . Marx shows how sketch comedy has fit (and been constrained by) TV’s industrial contexts, from live variety shows in its earliest days to movement across media in the era of multiple platforms. These case studies not only chart sketch comedy’s past, they provide the theoretical and analytical tools to consider its future.” —Ethan Thompson, Texas A&M University Corpus Christi
Sketches In Pen And Ink: A Bloomsbury Notebook
by Vanessa BellVanessa Bell, artist, sister of Virginia Woolf, wife of Clive Bell and lover of Duncan Grant, is one of the most fascinating and modern figures of the Bloomsbury set, but unlike most of them she rarely put pen to writing paper. When she did, she was witty and illuminating about their early lives. The eldest of the Stephen family, she grew up with Virginia in Victorian gloom at Hyde Park Gate and later blossomed in bohemian style in Bloomsbury. From the twenties to the forties she lived and painted at Charleston Farmhouse like a heroine of the sixties and seventies, at the centre of a colourful world of family, friends, artists and intellectuals. Sketches in Pen and Ink is a unique collection of largely unpublished memoirs - most of them written to be read at meetings of the Memoir club, in which Vanessa writes with wit and charm about herself, her childhood, her remarkable family and friends, her moving relationship with Roger Fry, and her art. Her daughter, Angelica Garnett, has written a vivid and personal introduction which adds considerably to our understanding of this extraordinary woman and artist.
The Skin Above My Knee
by Marcia ButlerThe unflinching story of a professional oboist who finds order and beauty in music as her personal life threatens to destroy her.Music was everything for Marcia Butler. Growing up in an emotionally desolate home with an abusive father and a distant mother, she devoted herself to the discipline and rigor of the oboe, and quickly became a young prodigy on the rise in New York City's competitive music scene. But haunted by troubling childhood memories while balancing the challenges of a busy life as a working musician, Marcia succumbed to dangerous men, drugs and self-destruction. In her darkest moments, she asked the hardest question of all: Could music truly save her life?A memoir of startling honesty and subtle, profound beauty, The Skin Above My Knee is the story of a woman finding strength in her creative gifts and artistic destiny. Filled with vivid portraits of 1970's New York City, and fascinating insights into the intensity and precision necessary for a career in professional music, this is more than a narrative of a brilliant musician struggling to make it big in the big city. It is the story of a survivor.
Skin Acts: Race, Psychoanalysis, and the Black Male Performer
by Michelle Ann StephensIn Skin Acts, Michelle Ann Stephens explores the work of four iconic twentieth-century black male performers--Bert Williams, Paul Robeson, Harry Belafonte, and Bob Marley--to reveal how racial and sexual difference is both marked by and experienced in the skin. She situates each figure within his cultural moment, examining his performance in the context of contemporary race relations and visual regimes. Drawing on Lacanian psychoanalysis and performance theory, Stephens contends that while black skin is subject to what Frantz Fanon called the epidermalizing and hardening effects of the gaze, it is in the flesh that other--intersubjective, pre-discursive, and sensuous--forms of knowing take place between artist and audience. Analyzing a wide range of visual, musical, and textual sources, Stephens shows that black subjectivity and performativity are structured by the tension between skin and flesh, sight and touch, difference and sameness.
The Skin Collector: Lincoln Rhyme Book 11 (Lincoln Rhyme Thrillers #11)
by Jeffery DeaverA new type of serial killer is stalking the streets of New York - one more devious and disturbing than ever before.They call this butcher The Skin Collector: a tattooist with a chamber of torture hidden deep underground. But instead of using ink to create each masterpiece, the artist uses a lethal poison which will render targets dead before they can even entertain the prospect of escape...Drafted in to investigate, NYPD detective Lincoln Rhyme and his associate Amelia Sachs have little to go on but a series of cryptic messages left etched into the skin of the deceased. As the pair struggle to discover the meaning behind the designs, they are led down a treacherous and twisting path where nothing is as it seems. And with the clock rapidly ticking before the killer strikes again, they must untangle the twisted web of clues before more victims - or they themselves - are next.(P)2014 Hodder & Stoughton
