- Table View
- List View
Skin & Liars
by Dennis FoonSkin introduces us to a group of Canadian teenagers who are coming of age in the late 1980s. Faced with racial discrimination, Phiroza, Jennifer, and Tuan must navigate the choppy waters of high school, each confronting his or her own set of challenges. Ranging from academic difficulties, to budding relationships, to the trials of adapting to a foreign language and culture, the three share their stories of struggle, survival, and defiance of negative expectations and racist attitudes. Lenny is at the top of her class. Jace seemingly couldn't care less. By all appearances these two classmates are polar opposites, but despite all their differences they are inexplicably drawn towards one another. When it is revealed that each has been trying to hide the same dark secret—that they share a home with an alcoholic parent—each decides to take action and confront the demon they call "Mom" or "Dad."
The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses
by Laura U. MarksMemories that evoke the physical awareness of touch, smell, and bodily presence can be vital links to home for people living in diaspora from their culture of origin. How can filmmakers working between cultures use cinema, a visual medium, to transmit that physical sense of place and culture? In The Skin of the Film Laura U. Marks offers an answer, building on the theories of Gilles Deleuze and others to explain how and why intercultural cinema represents embodied experience in a postcolonial, transnational world. Much of intercultural cinema, Marks argues, has its origin in silence, in the gaps left by recorded history. Filmmakers seeking to represent their native cultures have had to develop new forms of cinematic expression. Marks offers a theory of "haptic visuality"--a visuality that functions like the sense of touch by triggering physical memories of smell, touch, and taste--to explain the newfound ways in which intercultural cinema engages the viewer bodily to convey cultural experience and memory. Using close to two hundred examples of intercultural film and video, she shows how the image allows viewers to experience cinema as a physical and multisensory embodiment of culture, not just as a visual representation of experience. Finally, this book offers a guide to many hard-to-find works of independent film and video made by Third World diasporic filmmakers now living in the United States, Great Britain, and Canada. The Skin of the Film draws on phenomenology, postcolonial and feminist theory, anthropology, and cognitive science. It will be essential reading for those interested in film theory, experimental cinema, the experience of diaspora, and the role of the sensuous in culture.
Skin Shows: Gothic Horror and the Technology of Monsters
by Judith HalberstamIn this examination of the monster as cultural object, Judith Halberstam offers a rereading of the monstrous that revises our view of the Gothic. Moving from the nineteenth century and the works of Shelley, Stevenson, Stoker, and Wilde to contemporary horror film exemplified by such movies as Silence of the Lambs, Texas Chainsaw Massacre, and Candyman, Skin Shows understands the Gothic as a versatile technology, a means of producing monsters that is constantly being rewritten by historically and culturally conditioned fears generated by a shared sense of otherness and difference.Deploying feminist and queer approaches to the monstrous body, Halberstam views the Gothic as a broad-based cultural phenomenon that supports and sustains the economic, social, and sexual hierarchies of the time. She resists familiar psychoanalytic critiques and cautions against any interpretive attempt to reduce the affective power of the monstrous to a single factor. The nineteenth-century monster is shown, for example, as configuring otherness as an amalgam of race, class, gender, and sexuality. Invoking Foucault, Halberstam describes the history of monsters in terms of its shifting relation to the body and its representations. As a result, her readings of familiar texts are radically new. She locates psychoanalysis itself within the gothic tradition and sees sexuality as a beast created in nineteenth century literature. Excessive interpretability, Halberstam argues, whether in film, literature, or in the culture at large, is the actual hallmark of monstrosity.
Skinheads, Fur Traders, and DJs: An Adventure Through the 1970s
by Kim Clarke ChampnissThe true story of a legend of Canadian pop culture broadcasting and the way he got his start in the 1970s: working as a fur trader for the Hudson’s Bay Company in the Northwest Territories and then moving on to DJing in disco-era Vancouver. A true story of an adventurous pop-loving teenager who, in the early 1970s, went from London’s discotheques to the Canadian sub-arctic to work for the Hudson’s Bay Company. His job? Buying furs and helping run the trading post in the settlement of Arviat (then known as Eskimo Point), Northwest Territories (population: 750). That young man is Kim Clarke Champniss, who would later become a VJ on MuchMusic. His extraordinary adventures unfolded in a chain of On the Road experiences across Canada. His mind-boggling journey, from London to the far Canadian North and then to the spotlight, is the stuff of music and TV legends. Kim brings his incredible knowledge of music, pop culture, and the history of disco music, weaving them into this wild story of his exciting and uniquely crazy 1970s.
Skinny
by Laura L. SmithWhen the pressures of having good grades, good friends, a position on the dance team, and the perfect boyfriend become too much for Melissa, she turns to strict dieting to regain control.
Skinny Habits
by Greg Critser Bob HarperBob Harper lets us in on the secret behaviors of people who not only lose weight but keep the pounds off for good--and make it look easy. In Bob Harper's #1 New York Times bestselling book The Skinny Rules, the trusted trainer and coach of NBC's The Biggest Loser laid out the twenty nonnegotiable eating rules for getting thin. In the process of helping countless men and women reach their weight loss goals, Harper has noticed six fundamental patterns in the lifestyle choices of those who succeed long-term--from the unique way they plan ahead to how they organize their environment and social calendars to even the way they dress. With his signature authority, colorful stories, and real-world solutions, Harper draws on the most up-to-date research related to habit formation, neuroplasticity, and cognitive behavioral psychology to show how feeding your brain--"the muscle between your ears"--can wield as much control over your weight as what you put in your mouth. With anecdotes about his clients, guided steps for adopting your new practices, and tips for integrating them into your own daily routine, Skinny Habits has everything you need to shape your body and your life!From the Hardcover edition.
The Skinny Rules: The Simple, Nonnegotiable Principles for Getting to Thin (Skinny Rules)
by Greg Critser Bob HarperWith so much conflicting weight-loss advice out there to confuse your efforts, it's no wonder you haven't been successful losing weight and keeping it off. But with Bob Harper, superstar trainer and co-host of NBC's hit show The Biggest Loser as your personal authority and coach, you can and will finally shed the pounds--whether you want to lose two or two hundred! Distilling Bob's vast knowledge of nutrition, weight-loss strategy, and human nature down to twenty simple, nonnegotiable principles, The Skinny Rules will help you step away from a reliance on processed foods and the need for so much sweet and salt and step into a newly thin lifestyle. And Bob's methods couldn't be more straightforward. Taking the guesswork out of implementing the Skinny Rules, Bob offers a month's worth of menu plans and more than 90 delicious, rule-abiding recipes for breakfast, lunch, dinner, and snacks to keep you cooking and eating skinny for life. You'll be happily astounded to see the variety and volume of the tasty food on your plate! He also includes terrific tips for what to stock in your fridge and what to prepare every weekend in order to set yourself up for success during your too-busy-to-cook weekdays. A virtual GPS to your weight-loss goals, The Skinny Rules takes the mystery out of the process, offering the fastest route to your skinny destination. LOSING WEIGHT IS NOW AS SIMPLE AS 1-2-3 . . . AND 3-15-18-20 TOO! Rule #3: Eat protein at every meal, making some kind of fish your go-to protein as often as you can. Take your weight and divide it by two--that's more or less how much protein you should be eating in grams every day. Rule #15: Eat at least ten meals a week at home (and cook them yourself). Restaurant portions are usually 40 to 50 percent bigger than what you'd serve at home--the more you eat out, the more you overeat. Set yourself up for success by preparing my turkey meatballs, hummus, and roasted vegetables on the weekend so that you will have go-to staples and no excuses! Rule #18: Go to bed slightly hungry. Denied fuel for more than five hours, your body will start burning its own fat and sugar. Make a point not to eat after dinner and you'll be burning fat while you're sleeping. Rule #20: Enjoy a splurge meal once a week. Unlike episodic bingeing, splurge meals are an ingredient in your diet. When you plan something, you are in control.
Skippyjon Jones Cirque de Ole (Skippyjon Jones)
by Judy SchachnerThe #1 New York Times bestselling kitty boy goes to the circus! In his newest adventure, the irresistible Skippyjon Jones swings out of his closet and into the spectacular Cirque de Ole, where his pals, the Chimichango gang, perform feats of derring-do. There are many acts to see, but only Skippito the Strong can perform the trickiest stunt of all. Judy Schachner's vivacious art and riotous text make for mucho read-aloud fun. Come one, come all--with Skippyjon Jones as the circus star, the Greatest Show on Earth just got even better!
Sky
by Roderick TownleyAlec Schuyler has two immediate problems: what to do with the rest of his life, and what to do about Suze Matheson. She's his date for the Winter Dance. And she's got trouble of her own. The English teacher, Mr. "Call me Mark" Truscott, has made a move on her, a move which Sky has witnessed from his hiding place in a coat closet. Fifteen-year-old Sky is not one for making scenes -- or even speaking up. Instead he speaks through his music, his jazz piano. This novel, in three sets and an encore, plays all the chords and paradiddles of Sky's life -- at the moment, the life of a runaway in New York City, 1959. So how come he's hiding in a tenth-grade homeroom coat closet?Since his mother died, Sky and his father have had their umpteenth fight about the future. Like many a kid, Sky must leave home to get home. For him it's the world of Beat poetry and cool jazz. Along the way, he discovers an unexpected guide -- a blind musician who shows Sky how to see -- and learns what he has to lose to gain his own voice.
The Sky Is Everywhere
by Jandy NelsonSeventeen-year-old Lennie Walker, bookworm and band geek, plays second clarinet and spends her time tucked safely and happily in the shadow of her fiery older sister Bailey. But when Bailey dies abruptly, Lennie is catapulted to center stage of her own life -- and, despite her nonexistent history with boys, suddenly finds herself struggling to balance two. Toby was Bailey's boyfriend; his grief mirrors Lennie's own. Joe is the new boy in town, a transplant from Paris whose nearly magical grin is matched only by his musical talent. For Lennie, they're the sun and the moon; one boy takes her out of her sorrow, the other comforts her in it. But just like their celestial counterparts, they can't collide without the whole wide world exploding. Just as much a celebration of love as it is a portrait of loss, Lennie's struggle to sort her own melody out of the noise around her is always honest, often hilarious, and ultimately unforgettable.
The Sky Is Everywhere
by Jandy NelsonJandy Nelson's beloved, critically adored debut is now an Apple TV+ and A24 original film starring Jason Segel, Cherry Jones, Grace Kaufman, and Jacques Colimon.&“Both a profound meditation on loss and grieving and an exhilarating and very sexy romance." —NPRAdrift after her sister Bailey&’s sudden death, Lennie finds herself torn between quiet, seductive Toby—Bailey&’s boyfriend who shares Lennie&’s grief—and Joe, the new boy in town who bursts with life and musical genius. Each offers Lennie something she desperately needs. One boy helps her remember. The other lets her forget. And she knows if the two of them collide, her whole world will explode. As much a laugh-out-loud celebration of love as a nuanced and poignant portrait of loss, Lennie&’s struggle to sort her own melody out out the noise around her makes for an always honest, often uproarious, and absolutely unforgettable read.
Sky Train: Stories from CBC's Fresh Air
by Ward Mcburney Jeff GoodesWhat do Northtrop Frye, French dairy cows, and Historic Fort York have in common? They're all part of Ward McBurney's lyric and personal stories from CBC Radio's Fresh Air, which are now available for the first time in print. <p><p> Broadcasting live on Saturday mornings, with Jeff Goodes as host, Ward has been performing his own work for over four years. Sky Train collects 35 of his creative non-fiction pieces, in which Isaac Brock, steam trains, dream trains, Fred Astaire, star fortifications, a tai chi master, truss bridges, ghost soldiers, lost loves, found objects, and, not the least, the author's pet turtle, all find a home. <p> A spirit of companionship and urban curiosity informs these stories, which cherish the marginalia of everyday life, while revealing that the past is always just around the present corner.
“Skygirl On Cloud 9”
by Sharon Birlson Kirkham"Skygirl On Cloud 9" is an entertaining narrative of the amazing globe-trekking adventures of fllight attendant Sharon Birlson Kirkham. Each amusing account recalls one of the exciting opportunities Sharon and her husband Cary have experienced through-out her career, and since. While she says they've done their best to see as much as possible, "the world is a really big place. There are hundreds more trips to be taken and stories to be written, 'but' there are only 365 days in a year...."
Skylark: The Life and Times of Johnny Mercer
by Philip FuriaSkylark is the story of the tormented but glorious life and career of Johnny Mercer, and the first biography of this enormously popular and influential lyricist. Raised in Savannah, Mercer brought a quintessentially southern style to both his life in New York and to his lyrics, which often evoked the landscapes and mood of his youth ("Moon River", "In the Cool, Cool, Cool of the Evening"). Mercer also absorbed the music of southern blacks--the lullabies his nurse sang to him as a baby and the spirituals that poured out of Savannah's churches-and that cool smooth lyrical style informed some of his greatest songs, such as "That Old Black Magic".Part of a golden guild whose members included Cole Porter and Irving Berlin, Mercer took Hollywood by storm in the midst of the Great Depression. Putting words to some of the most famous tunes of the time, he wrote one hit after another, from "You Must Have Been a Beautiful Baby" to "Jeepers Creepers" and "Hooray for Hollywood." But it was also in Hollywood that Mercer's dark underside emerged. Sober, he was a kind, generous and at times even noble southern gentleman; when he drank, Mercer tore into friends and strangers alike with vicious abuse. Mercer's wife Ginger, whom he'd bested Bing Crosby to win, suffered the cruelest attacks; Mercer would even improvise cutting lyrics about her at parties.During World War II, Mercer served as Americas's troubadour, turning out such uplifting songs as "My Shining Hour" and "Ac-cent-tchu-ate the Positive." He also helped create Capitol Records, the first major West Coast recording company, where he discovered many talented singers, including Peggy Lee and Nat King Cole. During this period, he also began an intense affair with Judy Garland, which rekindled time and again for the rest of their lives. Although they never found happiness together, Garland became Mercer's muse and inspired some of his most sensuous and heartbreaking lyrics: "Blues in the Night," "One for My Baby," and "Come Rain or Come Shine."Mercer amassed a catalog of over a thousand songs and during some years had a song in the Top Ten every week of the year--the songwriting equivalent of Joe DiMaggio's hitting streak--but was plagued by a sense of failure and bitterness over the big Broadway hit that seemed forever out of reach.Based on scores of interviews with friends, family and colleagues, and drawing extensively on Johnny Mercer's letters, papers and his unpublished autobiography, Skylark is an important book about one of the great and dramatic characters in 20th century popular music.
Skyscrapers and High Rises (Frameworks (group 1) Ser.)
by Cynthia Phillips Shana PriwerThis work includes a brief history of skyscrapers as well as chapters on elevators and communications, facades and facing, mechanical and electrical systems, forces of nature, and much more.
Skywriting
by Jane Pauley“Truth arrives in microscopic increments, and when enough has accumulated–in a moment of recognition, you just know. You know because the truth fits. I was the only member of my family to lack the gene for numbers, but I do need things to add up. Approaching midlife, I became aware of a darkening feeling–was it something heavy on my heart, or was something missing? Grateful as I am for the opportunities I’ve had, and especially for the people who came into my life as a result, I couldn’t ignore this f...
Slags on Stage: Class, Sex, Art and Desire in British Culture
by null Katie BeswickSlags on Stage weaves cultural analysis with poetry and art criticism to explore the concept of the ‘slag’ and its place in contemporary British culture.The book traces the etymology of the word slag through the twentieth and into the twenty-first century, thinking through the ways ‘slag’ speaks to issues of class, sex and desire. Broadly, slag is an insult bound up with women’s sexual reputations – but beyond this it is a ‘key’ word that shapes the ways we debate and understand what it means to be a woman. For women who came of age in the United Kingdom in the late twentieth and early twenty-first centuries ‘slag’ produces complex feelings and has influenced how we have come to know ourselves and understand our sexual and quotidian desires. This book explores the terrain of slag and includes analyses of artworks by artists who have invoked the slag in their practice, including Tracey Emin, Cash Carraway and Michaela Coel. Covering the cultural politics of clothing, motherhood, television representations, sexual assault, sex work and desire, Slags on Stage asks: what role does the ‘slag’ play in British culture? Who is she for? And how have women used sex and sexuality to have their own say in cultures that want to control them?This is a fascinating exploration for students and scholars of British drama, theatre and performance, cultural studies and sociology.
Slapstick and Comic Performance
by Louise PeacockSlapstick comedy has a long and lively history from Greek Theatre to the present day. This book explores the ways in which comic pain and comic violence are performed within slapstick to make the audience laugh. It draws examples from theatre, television and film on both sides of the Atlantic.
The Slapstick Camera: Hollywood and the Comedy of Self-Reference (SUNY series, Horizons of Cinema)
by Burke HilsabeckSlapstick film comedy may be grounded in idiocy and failure, but the genre is far more sophisticated than it initially appears. In this book, Burke Hilsabeck suggests that slapstick is often animated by a philosophical impulse to understand the cinema. He looks closely at movies and gags that represent the conditions and conventions of cinema production and demonstrates that film comedians display a canny and sometimes profound understanding of their medium—from Buster Keaton's encounter with the film screen in Sherlock Jr. (1924) to Harpo Marx's lip-sync turn with a phonograph in Monkey Business (1931) to Jerry Lewis's film-on-film performance in The Errand Boy (1961). The Slapstick Camera follows the observation of philosopher Stanley Cavell that self-reference is one way in which "film exists in a state of philosophy." By moving historically across the studio era, the book looks at a series of comedies that play with the changing technologies and economic practices behind film production and describes how comedians offered their own understanding of the nature of film and filmmaking. Hilsabeck locates the hidden intricacies of Hollywood cinema in a place where one might least expect them—the clowns, idiots, and scoundrels of slapstick comedy.
Slapstick Modernism: Chaplin to Kerouac to Iggy Pop
by William SolomonSlapstick comedy landed like a pie in the face of twentieth-century culture. Pratfalls and nyuk-nyuks percolated alongside literary modernism throughout the 1920s and 1930s before slapstick found explosive expression in postwar literature, experimental film, and popular music. William Solomon charts the origins and evolution of what he calls slapstick modernism --a merging of artistic experimentation with the socially disruptive lunacy made by the likes of Charlie Chaplin. Romping through texts, films, and theory, Solomon embarks on a harum-scarum intellectual odyssey from high modernism to the late modernism of the Beats and Burroughs before a head-on crash into the raw power of punk rock. Throughout, he shows the links between the experimental writers and silent screen performers of the early century, and explores the potent cultural undertaking that drew inspiration from anarchical comedy after World War Two.
Slash: The Autobiography
by Anthony Bozza SlashFrom one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs, and rock 'n' roll He was born in England but reared in L.A., surrounded by the leading artists of the day amidst the vibrant hotbed of music and culture that was the early seventies. Slash spent his adolescence on the streets of Hollywood, discovering drugs, drinking, rock music, and girls, all while achieving notable status as a BMX rider. But everything changed in his world the day he first held the beat-up one-string guitar his grandmother had discarded in a closet. The instrument became his voice and it triggered a lifelong passion that made everything else irrelevant. As soon as he could string chords and a solo together, Slash wanted to be in a band and sought out friends with similar interests. His closest friend, Steven Adler, proved to be a conspirator for the long haul. As hairmetal bands exploded onto the L.A. scene and topped the charts, Slash sought his niche and a band that suited his raw and gritty sensibility. He found salvation in the form of four young men of equal mind: Axl Rose, Izzy Stradlin, Steven Adler, and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile, and as authentic as the streets that weaned them, they fought their way to the top with groundbreaking albums such as the iconic Appetite for Destruction and Use Your Illusion I and II. Here, for the first time ever, Slash tells the tale that has yet to be told from the inside: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they survived themselves, and, ultimately, how it all fell apart. This is a window onto the world of the notoriously private guitarist and a seat on the roller-coaster ride that was one of history's greatest rock 'n' roll machines, always on the edge of self-destruction, even at the pinnacle of its success. This is a candid recollection and reflection of Slash's friendships past and present, from easygoing Izzy to ever-steady Duff to wild-child Steven and complicated Axl. It is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka, and whatever else came along. He survived it all: lawsuits, rehab, riots, notoriety, debauchery, and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver, Slash found an even keel by sticking to his guns. Slash is everything the man, the myth, the legend, inspires: it's funny, honest, inspiring, jaw-dropping . . . and, in a word, excessive.
Slaves on Screen
by Natalie Zemon DavisPeople have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century. Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker. To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir.This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.From the Trade Paperback edition.
Slayers, Every One of Us: How One Girl in All the World Showed Us How to Hold On
by Kristin Russo Jenny Owen Youngs"[A] joyful ode to the awesome ability of pop-culture arcana to create a solid community." —The New York TimesA memoir reflecting on heartbreak, perseverance, and life lessons learned from Buffy the Vampire Slayer, from the hosts of the hit podcast Buffering the Vampire Slayer.Kristin and Jenny’s marriage started with an ultimatum: to further their relationship, Kristin must watch Jenny's favorite show, Buffy the Vampire Slayer. With the terms set, they began a journey that has led them through seven seasons of the beloved genre show, a podcast rewatching the series with their newly minted listenership of “Scoobies,” unexpected success, and a divorce. Through it all, their love for Buffy and their commitment to their community held them together against the odds.Slayers, Every One of Us is the story of how two queer women navigated divorce on a very public level and managed to stay in each other’s lives through it all. While chock full of Buffy-related content (and Buffering!) for true fans, this is ultimately a memoir of queer love and chosen family. It's a heartwarming story for anyone who's experienced lost love, and a roadmap for staying close with your ex.
Slayers & Vampires: The Complete Uncensored, Unauthorized Oral History of Buffy & Angel
by Edward Gross Mark A. AltmanFrom the bestselling authors of the critically acclaimed two-volume series The Fifty-Year Mission, comes Slayers & Vampires: The Complete, Uncensored, Unauthorized Oral History of Buffy The Vampire Slayer & Angel.Two decades after its groundbreaking debut, millions of fans worldwide remain enthralled with the incredible exploits of Joss Whedon’s Buffy Summers, the slayer and feminist icon who saved the world...a lot; as well as Angel, the tortured vampire with a soul who fought against the apocalyptic forces of evil.Now, go behind-the-scenes of these legendary series that ushered in the new Golden Age of Television, with the candid recollections of writers, creators, executives, programmers, critics and cast members. Together they unveil the oftentimes shocking true story of how a failed motion picture became an acclaimed cult television series, how that show became a pawn between two networks, and the spin-off series that was as engaging as everything that came before.This is the amazing true story of Buffy and the friends, vampires, slayers, and demons who changed television forever.The authors talked to almost 100 writers, producers, directors, filmmakers, sociologists and stars from Buffy The Vampire Slayer and Angel in new and vintage interviews from their personal archives, among them:Joss WhedonGuillermo del ToroFelicia DayAnthony Stewart HeadCharisma CarpenterJames MarstersDavid BoreanazAmy AckerJ. August RichardsEliza DushkuChristian KaneJulie BenzAnd More!At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Sleaze Artists: Cinema at the Margins of Taste, Style, and Politics
by Harry M. Benshoff Chuck Kleinhans Colin Gunckel Eric Schaefer Tania Modleski Jeffrey SconceBad Girls Go to Hell. Cannibal Holocaust. Eve and the Handyman. Examining film culture's ongoing fascination with the low, bad, and sleazy faces of cinema, Sleaze Artists brings together film scholars with a shared interest in the questions posed by disreputable movies and suspect cinema. They explore the ineffable quality of "sleaze" in relation to a range of issues, including the production realities of low-budget exploitation pictures and the ever-shifting terrain of reception and taste.Writing about horror, exploitation, and sexploitation films, the contributors delve into topics ranging from the place of the "Aztec horror film" in debates about Mexican national identity to a cycle of 1960s films exploring homosexual desire in the military. One contributor charts the distribution saga of Mario Bava's 1972 film Lisa and the Devil through the highs and lows of art cinema, fringe television, grindhouse circuits, and connoisseur DVD markets. Another offers a new perspective on the work of Doris Wishman, the New York housewife turned sexploitation director of the 1960s who has become a cult figure in bad-cinema circles over the past decade. Other contributors analyze the relation between image and sound in sexploitation films and Italian horror movies, the advertising strategies adopted by sexploitation producers during the early 1960s, the relationship between art and trash in Todd Haynes's oeuvre, and the ways that the Friday the 13th series complicates the distinction between "trash" and "legitimate" cinema. The volume closes with an essay on why cinephiles love to hate the movies.Contributors. Harry M. Benshoff, Kay Dickinson, Chris Fujiwara, Colin Gunckel, Joan Hawkins, Kevin Heffernan, Matt Hills, Chuck Kleinhans, Tania Modleski, Eric Schaefer, Jeffrey Sconce, Greg Taylor