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South Jersey Movie Houses
by Allen F. HaussSince the early 1900s, when the first moving images flickered on the screens of storefront nickelodeons, going to the movies has been an integral part of life across America. By the 1950s, there were over 230 theaters in southern New Jersey, ranging from lavish palaces like the 2,000-seat Stanley in Camden to modest venues like the 350-seat Little in Haddonfield. Today, sadly, less than a dozen remain standing, and most of those are now used for other commercial purposes. Only the Broadway in Pitman continues to operate as the last of the original motion-picture palaces. South Jersey Movie Houses is a pictorial tour of the theaters that once raised their curtains to audiences across the southern part of the state. It offers a nostalgic look at their neon marquees and silver screens, bringing back memories of Saturday matinees, 3-D glasses, and movie date nights.
The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs (Wesleyan Film)
by Jinhee ChoiFor the past decade, the Korean film industry has enjoyed a renaissance. With innovative storytelling and visceral effects, Korean films not only have been commercially viable in the domestic and regional markets but also have appealed to cinephiles everywhere on the international festival circuit. This book provides both an industrial and an aesthetic account of how the Korean film industry managed to turn an economic crisis--triggered in part by globalizing processes in the world film industry--into a fiscal and cultural boom. Jinhee Choi examines the ways in which Korean film production companies, backed by affluent corporations and venture capitalists, concocted a variety of winning production trends. Through close analyses of key films, Choi demonstrates how contemporary Korean cinema portrays issues immediate to its own Korean audiences while incorporating the transnational aesthetics of Hollywood and other national cinemas such as Hong Kong and Japan. Appendices include data on box office rankings, numbers of films produced and released, market shares, and film festival showings.
South Pacific: The Complete Book and Lyrics of the Broadway Musical
by Richard Rodgers Oscar Hammerstein IIWinner of the Pulitzer Prize for Drama and the Tony for Best Musical, South Pacific flourished as the golden musical of Broadway's post-WWII golden era. Nearly 60 years after its 1949 premiere, South Pacific returned to Broadway in Lincoln Center Theater's glorious Tony-winning production, setting box-office records and bringing this timely and timeless musical to new generations. With a score by Rodgers & Hammerstein and a libretto by Hammerstein and Joshua Logan, based on James A. Michener's Pulitzer Prize-winning novel, Tales of the South Pacific, this landmark musical combines compassionate love stories with the saga of a world at war. Richly developed characters are faced with life-changing moments in a complex world, their thoughts and yearnings powerfully expressed in the lyrics to such songs as “This Nearly Was Mine ” “Younger Than Springtime ” and “Some Enchanted Evening.”
Southeast Asian Independent Cinema
by Tilman BaumgartelThe rise of independent cinema in Southeast Asia, and the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered new voices from a part of the world rarely heard or seen in international film circles. This book documents these developments as a genuine outcome of the democratization and liberalization of film production of films. Interviewees include Lav Diaz, Amir Muhammad, Apichatpong Weerasethakul, Eric Khoo, Garin Nugroho, Nia Dinata and others.
Sovereign Screens: Aboriginal Media on the Canadian West Coast
by Kristin L. DowellWhile Indigenous media have gained increasing prominence around the world, the vibrant Aboriginal media world on the Canadian West Coast has received little scholarly attention. As the first ethnography of the Aboriginal media community in Vancouver, Sovereign Screens reveals the various social forces shaping Aboriginal media production including community media organizations and avant-garde art centers, as well as the national spaces of cultural policy and media institutions.Kristin L. Dowell uses the concept of visual sovereignty to examine the practices, forms, and meanings through which Aboriginal filmmakers tell their individual stories and those of their Aboriginal nations and the intertribal urban communities in which they work. She explores the ongoing debates within the community about what constitutes Aboriginal media, how this work intervenes in the national Canadian mediascape, and how filmmakers use technology in a wide range of genres—including experimental media—to recuperate cultural traditions and reimagine Aboriginal kinship and sociality. Analyzing the interactive relations between this social community and the media forms it produces, Sovereign Screens offers new insights into the on-screen and off-screen impacts of Aboriginal media.
Soviet Film Music (Contemporary Music Studies)
by Tatiana EgorovaFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
The Soviet Regional Dilemma
by Jan Ake DellenbrantIncorporating an oral history approach, this history of radio covers the impact of the arrival of television, the rise of transistor radios, the popularity of rock n' roll, FM stereo stations, underground radio of the sixties, talk radio, public radio, and how technology will affect its future.
A Soviet Theatre Sketch Book (Routledge Revivals)
by Joseph MacleodFirst Published in 1951, A Soviet Theatre Sketch Book presents Joseph Macleod’s take on Russian Theatre in a semi-fictional way to show the effect of the productions upon different audiences. By using his pen as an artist uses his pencil, he gives, for the first time, an account of theatre audiences as composed of individual human beings and is able to paint the scenes vividly without neglecting the technical methods of the Soviet stage. By supple use of the sketch- book form, theatres, theatre-schools, actors, and actresses including some no longer appearing are painted into an all-over view of Russian and Ukrainian post-war life. In this book the author writes less immediately about the Soviet Union and does not depend on topicality or stop press news. Joseph Macleod and his wife visited the Soviet Union as the guests of the Russian and Ukrainian Societies for Cultural Relations with Foreign Countries. This book will be of interest to scholars and researchers of theatre, history of theatre, and performance studies.
Soy Bailarina de Ballet (Little Golden Book)
by Sue FliessUn libro en rima, entre los más vendidos de los Little Golden Books, acerca de una pequeña niña que estudia ballet — ¡ahora en español!Únete al regocijo de una niña que va a clase de ballet y luego participa en su primer recital. Un libro rimado y divertido, perfecto para ser leído en voz alta, con encantadoras ilustraciones que deleitarán a los niños. ¡Un regalo estupendo para todos los pequeños que disfrutan de la danza! A rhyming best-selling Little Golden Book about a young girl learning ballet--now in Spanish!Join in on the fun as a young girl goes to ballet class and then performs in her very first recital. This rhyming Little Golden Book is a fun read-aloud with delightful art that children will really enjoy. Makes a terrific gift for all young dancers!
Soy lo que soy
by Oswaldo CattoneLa autobiografía de uno de los hombres más queridos e influyentes del teatro peruano Cuando empezó la cuarentena sanitaria en 2020 y las salas de teatro se cerraron, Osvaldo Cattone se las ingenió para mantener encendido su espíritu creador. Durante ese año se dio a la tarea de compendiar sus recuerdos más entrañables. El resultado es esta apasionante autobiografía que cifra una existencia consagrada al mundo del espectáculo. Soy lo que soy es un aleccionador y ameno recuento de una vida tocada por el duende de la vocación artística. Un recorrido por los tres países que lo acogieron, formaron y aplaudieron —Argentina, Italia y Perú—, y donde Cattone desarrolló una destacada carrera como actor, director, productor y empresario. Décadas de entrega profesional que hoy constituyen uno de los capítulos esenciales en la historia del teatro peruano. En estas ejemplares memorias, escritas a sus 87 años, Cattone celebra y agradece su vida, al tiempo que se despide de ella con la alegría y la lucidez que siempre lo acompañaron
Sozioautobiographie und szenische Künste: Performative Suchbewegungen in einer offenen Gattung (Abhandlungen zur Literaturwissenschaft)
by Raffael HidenGesellschaftsdiagnosen durchkreuzen die Soziologiegeschichte in sehr unterschiedlichen Formen. Während sich geschichtsphilosophische Traditionslinien weitestgehend verflüchtigt haben, bestimmen aktuell interdisziplinäre und intermediale Experimentierfelder das Geschäft der Gesellschaftsdiagnose. Gegenwärtig wird diese Gattung mit performativen Instrumentarien erweitert, die im Zusammenhang stehen mit 'sozioautobiographischen' Schreibweisen . Gesellschaft wird hier zusehends mit dem Aufzug von Figuren und figurativen Darstellungsmodi an der Schnittstelle von Autobiographie und soziologischer Reflexion verhandelt. Dieser Band nimmt sich dieser Konjunktur an und versammelt Beiträge zur aktuellen Tendenz der szenischen Adaption bzw. Neuausrichtung dieser Stoffe, die anhand exemplarischer Fallbeispiele (u.a. Elfriede Jelinek, Milo Rau, Kim de l'Horizon) dargelegt werden.
Space and Time in African Cinema and Cine-scapes (Routledge Advances in Film Studies)
by Kenneth W. HarrowThis book is the first of its kind to bring basic notions of contemporary physics to bear on African cine-scapes. In this book, renowned African cinema scholar Kenneth W. Harrow presents unique new ways to think about space and time in film, with a specific focus on African and African diasporic cinema. Through a series of case studies, he explores how cinema creates and represents time and space and, more specifically, how a cinema centered in African landscapes and figures accomplishes this. He reflects on the issues and problems posed by scientists when faced with the basic questions of what space and time are and their solutions or conclusions, giving both film studies and African studies scholars access to new ways to formulate their thinking about African cine-scapes. Working beyond the limits of a framework based in a postcolonial and cultural understanding of time and space, Harrow demonstrates how a scientific understanding of time and space can open up new approaches to African cinema and cinema in general. A unique, interdisciplinary book that encourages brand new ways to approach cinematic texts and, specifically, African cine-scapes.
Space Between: Explorations of Love, Sex, and Fluidity
by Nico TortorellaYounger star and LGTBQIA+ advocate Nico Tortorella investigates love, sex, gender, addiction, family, fame, and fluidity through their personal story and the lens of their nonbinary identity “Nico Tortorella embodies the twenty-first-century human.”—RuPaulNico Tortorella is a seeker. Raised on a steady regimen of Ram Dass and raw food, they have always been interested in the more spiritual aspects of life. That is, until the desire for fame and fortune eclipsed their journey toward enlightenment and sent them into a downward spiral of addiction and self-destructive behavior. It wasn’t until Nico dug deep and began to examine the fluidity of both their sexuality and gender identity that they became more comfortable in their own skin, got sober from alcohol, entered into an unconventional marriage with the love of their life, and fully embraced a queer lifestyle that afforded them the opportunity to explore the world outside the gender binary. It was precisely in that space between that Nico encountered the diverse community of open-minded, supportive peers they’d always dreamed of having. Expanding on themes explored on their popular podcast, The Love Bomb, Nico shares the intimate details of their romantic partnerships, the dysfunction of their loud but loving Italian family, and the mingling of their feminine and masculine identities into one multidimensional, sexually fluid, nonbinary individual. Nico has become a leading voice of the fluidity movement by encouraging open dialogue and universal acceptance. Space Between is at once an education for readers, a manifesto for both the labeled and label-free generations, and a personal memoir of love, identity, and acceptance.Praise for Space Between“In an industry that thrives on artifice, Nico Tortorella’s candid soul-searching is precious and invigorating. As with the best truth-telling, it gives language to a thirst we had forgotten, while also quenching it. This is a book about addiction, familial trauma, and gender—yes—but more so it is about living. Living is an art form that Nico does well, and this book is an argument for making meaning from the messiness that surrounds us rather than simply muting it. Nico’s distinct and relatable prose tangos us past binaries, toward an intimacy beyond language.”—Alok Vaid-Menon
Space in Romanian and Hungarian Cinema
by Anna BatoriThis book examines the structuring of space in Romanian and Hungarian cinema, and particularly how space is used to express the deep imprint of a socialist past on a post-socialist present. It considers this legacy of the Eastern European socialist regimes by interrogating the suffocating, tyrannical and enclosing structures that are presented in film. By tracing such paradigmatic models as horizontal and vertical enclosure, this book aims to show how enclosed spatial structuring restages the post-socialist era to produce an implicit and collective form of remembrance. While closely scrutinizing the interplay of location and image, Space in Romanian and Hungarian Cinema offers a new approach to the cinema of the region, which unites the filmic productions under a defined, post-socialist Eastern European spatial umbrella. By simultaneously portraying the gloom of a socialist past, while also conveying a sense of longing for a pre-capitalist era, these films convey how sense of unity and also ambivalence is a defining hallmark of Eastern European cinema.
Space Is the Place
by John F. SzwedAlways riveting, Space Is the Place is the definitive biography of "one of the great big-band leaders, pianists, and surrealists of jazz" (New York Times)--unparalleled for his purposeful outlandishness, a man who exerted a powerful influence over a vast array of artists.Sun Ra--a/k/a Herman Poole "Sonny Blount--was born in Alabama on May 22, 1914. But like Father Divine and Elijah Muhammad, he made a lifelong effort to obscure many of the facts of his early life. After years as a rehearsal pianist for nightclub revues and in blues and swing bands, including Wynonie Harris's and Fletcher Henderson's, Sun Ra set out in the 1950s to find a way to impart his views about the galaxy, black people, and spiritual matters through the various incarnations of the Intergalactic Arkestra. His repertoire ranging from boogie-woogie, swing, and bebop to free form, fusion, and whatever, Sun Ra was above all a paragon of contradictions: profundity and vaudeville; technical pianistic virtuosity and irony; assiduous attention to arrangements and encouragement of collective improvisation; respect for tradition and celebration of the fresh.Some might have been bemused by his Afro-Platonic neo-hermeticism; others might have laughed at his egregious excesses. But Sun Ra was at once one of the great avant-gardists of the latter half of the twentieth century and a black cultural nationalist who extended Afrocentrism from ancient Egypt to the heavens.
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece
by Michael BensonThe definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke—&“a tremendous explication of a tremendous film….Breathtaking&” (The Washington Post).Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ever made, 2001: A Space Odyssey depicted the first contacts between humanity and extraterrestrial intelligence. The movie was the product of a singular collaboration between Stanley Kubrick and science fiction visionary Arthur C. Clarke. Fresh off the success of his cold war satire Dr. Strangelove, Kubrick wanted to make the first truly first-rate science fiction film. Drawing from Clarke&’s ideas and with one of the author&’s short stories as the initial inspiration, their bold vision benefited from pioneering special effects that still look extraordinary today, even in an age of computer-generated images. In Space Odyssey, author, artist, and award-winning filmmaker Michael Benson &“delivers expert inside stuff&” (San Francisco Chronicle) from his extensive research of Kubrick&’s and Clarke&’s archives. He has had the cooperation of Kubrick&’s widow, Christiane, and interviewed most of the key people still alive who worked on the film. Drawing also from other previously unpublished interviews, Space Odyssey provides a 360-degree view of the film from its genesis to its legacy, including many previously untold stories. And it features dozens of photos from the making of the film, most never previously published. &“At last! The dense, intense, detailed, and authoritative saga of the making of the greatest motion picture I&’ve ever seen…Michael Benson has done the Cosmos a great service&” (Academy Award-winning actor Tom Hanks).
Space Race Television: Bildfahrzeuge als Agenten (trans-)globaler Medialisierung Ost/West
by Sven GramppDer Band bietet eine medientheoretisch ausgerichtete Perspektive auf das Space Race. Analysiert werden Spielfilme, Dokumentationen, Live-Berichterstattung im Fernsehen, Magazine, Briefmarken, Plakate, Konfettiparaden, die das Space Race in je spezifischer Weise ins Bild setzten und von ‚Ost‘ nach ‚West‘ und von ‚West‘ nach ‚Ost‘ transnational über den ‚Eisernen Vorhang‘ hinweg in Umlauf brachten. Gezeigt wird, wie sich die Berichterstattung über das Space Race dabei zwischen 1955 und 1975 als globalisierende Bilder-Verflechtungsgeschichte während des Kalten Krieges nacherzählen lässt.
Space Race Television: Image Vehicles as Agents of (trans-)global Mediatisation
by Sven GramppThis volume offers a media-theoretically oriented perspective on the Space Race. It analyzes feature films, documentaries, live television coverage, magazines, stamps, posters, ticker-tape parades. They visualized the Space Race in a specific way and circulated it transnationally from 'East' to 'West' and from 'West' to 'East' across the 'Iron Curtain'. It will be shown how reporting on the Space Race between 1955 and 1975 can be explained as a globalizing history of the intertwining of images during the Cold War.
Space, Time and Ways of Seeing: The Performance Culture of Kutiyattam
by Mundoli NarayananThis volume explores the constitutive role played by space in the performance of Kutiyattam. The only surviving form of Sanskrit theatre, Kutiyattam is distinctive in terms of its performance conventions and its unique culture of extensive elaboration and interpretation. Drawing upon the concepts of phenomenology on the processes of perception, particularly on the works of Edmund Husserl, Martin Heidegger and Maurice Merleau-Ponty, it analyses the role of space in the communicative structures of performance of Kutiyattam and its contribution to the production of meaning in theatre, especially in the context of contemporary theatre. The book explores the theatrical event as a phenomenon that comes into existence through a triangular relationship among the ‘ways of being’ of the performers, the ‘ways of seeing’ of the audience, and the space which brings them together. Based on this formulation, Kutiyattam is approached as a ‘theatre of elaboration,’ made possible by the ‘intimate,’ ‘proximal’ ways of seeing of the audience, in the particular theatrical space of the kūttampalaṃs, the temple theatres, where Kutiyattam has customarily been performed for more than five centuries. This volume will be of great interest to scholars and researchers of cultural studies, theatre and performance studies, cultural anthropology, phenomenology and South Asian studies.
Space-Time Geometries for Motion and Perception in the Brain and the Arts (Lecture Notes in Morphogenesis)
by Tamar Flash Alain BerthozThis book is based on a two-day symposium at the Paris Institute of Advanced Study titled "space-time geometries and movement in the brain and the arts". It includes over 20 chapters written by the leading scientists and artists who presented their related research studies at the symposium and includes six sections; the first three focus on space-time geometries in perception, action and memory while the last three focus on specific artistic domains: drawing and painting, dance, music, digital arts and robotics. The book is accompanied by a dedicated webpage including related images and videos. There is an ever-growing interest in the topics covered by this book. Space and time are of fundamental importance for our understanding of human perception, action, memory and cognition, and are entities which are equally important in physics, biology, neuroscience and psychology. Highly prominent scientists and mathematicians have expressed their belief that our bodies and minds shape the ways we perceive space and time and the physical laws we formulate. Understanding how the brain perceives motion and generates -bodily movements is of great significance. There is also growing interest in studying how space, time and movement subserve artistic creations in different artistic modalities (e.g., fine arts, digital and performing arts and music). This interest is inspired by the idea that artists make intuitive use of the principles and simplifying strategies used by the brain in movement generation and perception. Building upon new understanding of the spatio-temporal geometries subserving movement generation and perception by the brain we can start exploring how artists make use of such neuro --geometrical and neuro-dynamic representations in order to express artistic concepts and emotionally affect the human observers and listeners. Scientists have also started formulating new ideas of how aesthetic judgements emerge from the principles and brain mechanisms subserving motor control and motion perception.Covering novel and multidisciplinary topics, this advanced book will be of interest to neuroscientists, behavioral scientists, artificial intelligence and robotics experts, students and artists.
Spaceheadz Book #2! (Spaceheadz Ser. #2)
by Jon ScieszkaThe campaign to save the earth from being turned off is going well, but Michael K. must enlist fellow fifth-graders Venus and TJ to help hide the SPHDZ from Agent Umber, especially when they become involved in a school play.
SPACEPOP: Rocking the Resistance (SPACEPOP #2)
by Erin DowningPop stars by day, secret agents by night! <br>The band called SPACEPOP gains fame across the galaxy, spreading a message of rebellion through music. But with huge fame comes huge problems! The five princesses of the pentangle, Athena, Luna, Rhea, Hera, and Juno, are finding it harder to keep their secret identities under wraps between TV appearances, commercials, and the upcoming Battle of the Bands! <br>Everyone is taking notice--especially the evil Empress Geela, who grows jealous of the hot new band. When Geela launches an offensive, SPACEPOP embarks on their most dangerous mission yet. These five undercover princesses need to save their planets and their parents! With the stakes higher than ever, SPACEPOP's ready to rock the resistance! See the band rock out in two full-color inserts inside!An Imprint Book
SPACEPOP: Not Your Average Princesses (SPACEPOP #1)
by Erin DowningFive galactic princesses go into hiding when the evil Empress Geela invades their home planets and captures their parents. Athena, Luna, Rhea, Hera, and Juno decide they can't stand by and watch Geela destroy their homeworlds! Five awesome makeovers later, the girls form a band called SPACEPOP to spread the rebel message of freedom and resistance through music. But when the princesses are recruited as secret agents, can they keep their true identities under wraps?This book includes two full-color illustrated graphic novel sections for 24 total pages of comic book fun!This middle-grade adventure series will resonate with girls eight to twelve who love fashion, music, friendship, and fun!An Imprint Book <P><P> <i>Advisory: Bookshare has learned that this book offers only partial accessibility. We have kept it in the collection because it is useful for some of our members. Benetech is actively working on projects to improve accessibility issues such as these.</i>
Spaces Mapped and Monstrous: Digital 3D Cinema and Visual Culture (Film and Culture Series)
by Nick JonesDigital 3D has become a core feature of the twenty-first-century visual landscape. Yet 3D cinema is a contradictory media form: producing spaces that are highly regimented and exhaustively detailed, it simultaneously relies upon distortions of vision and space that are inherently strange.Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema to offer a critical analysis of an inescapable part of contemporary culture. Considering 3D’s distinctive visual qualities and its connections to wider digital systems, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts. He examines 3D’s relationship with computer interfaces, virtual reality, and digital networks as well as tracing its lineage to predigital models of visual organization. Jones emphasizes that 3D is not only a technology used in films but also a tool for producing, controlling, and distorting space within systems of surveillance, corporatization, and militarization. The book features detailed analysis of a wide range of films—including Avatar (2009), Goodbye to Language (2014), Love (2015), and Clash of the Titans (2010)—demonstrating that 3D is not merely an augmentation of 2D cinema but that it has its own unique properties. Spaces Mapped and Monstrous brings together media archaeology, digital theory, and textual analysis to provide a new account of the importance of 3D to visual culture today.
Spaces of the Cinematic Home: Behind the Screen Door (Routledge Advances in Film Studies #42)
by Stella Hockenhull Eleanor Andrews Fran Pheasant-KellyThis book examines the ways in which the house appears in films and the modes by which it moves beyond being merely a backdrop for action. Specifically, it explores the ways that domestic spaces carry inherent connotations that filmmakers exploit to enhance meanings and pleasures within film. Rather than simply examining the representation of the house as national symbol, auteur trait, or in terms of genre, contributors study various rooms in the domestic sphere from an assortment of time periods and from a diversity of national cinemas—from interior spaces in ancient Rome to the Chinese kitchen, from the animated house to the metaphor of the armchair in film noir.