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Awesome Possum Family Band
by Jimmy OsmondThere's No Business Like Show Business!And for the Awesome Possum Family Band, they're about to get their big break! The youngest possum wants to join in the music making but doesn't know his talent...To be a part of the family showbiz, Possum Number Nine tries to discover his special gift. Is it painting, presenting, or playing the drums?Find out in Jimmy Osmond's inspiring "tail" about the importance of family and following your dreams.
Azar on Fire
by Olivia AbtahiFinding her voice takes on a whole new meaning when fourteen-year-old Azar Rossi sets out to win her local Battle of the Bands contest in this heartfelt and hilarious contemporary YA.Fourteen-year-old Azar Rossi&’s first year of high school has mostly been silent, and intentionally so. After a bad case of colic as a baby, Azar&’s vocal folds are shredded—full of nodules that give her a rasp the envy of a chain-smoking bullfrog. Her classmates might just think she&’s quiet, but Azar is saving her voice for when it really counts and talking to her classmates is not medically advisable or even high on her list.When she hears about a local Battle of the Bands contest, it&’s something she can&’t resist. Azar loves music, loves songwriting, but with her vocal folds the way they are, there's no way she can sing her songs on stage. Then she hears lacrosse hottie, Ebenezer Lloyd Hollins the Fifth, aka Eben, singing from the locker room. She&’s transfixed. He's just the person she needs. His voice + her lyrics = Battle of the Bands magic. But getting a band together means Azar has a lot of talking to do and new friends to make. For the chance to stand on stage with Eben it might all just be worth it.
B Is for Bad Cinema: Aesthetics, Politics, and Cultural Value (SUNY series, Horizons of Cinema)
by Claire Perkins; Constantine VerevisB Is for Bad Cinema continues and extends, but does not limit itself to, the trends in film scholarship that have made cult and exploitation films and other "low" genres increasingly acceptable objects for critical analysis. Springing from discussions of taste and value in film, these original essays mark out the broad contours of "bad"—that is, aesthetically, morally, or commercially disreputable—cinema. While some of the essays share a kinship with recent discussions of B movies and cult films, they do not describe a single aesthetic category or represent a single methodology or critical agenda, but variously approach bad cinema in terms of aesthetics, politics, and cultural value. The volume covers a range of issues, from the aesthetic and industrial mechanics of low-budget production through the terrain of audience responses and cinematic affect, and on to the broader moral and ethical implications of the material. As a result, B Is for Bad Cinema takes an interest in a variety of film examples—overblown Hollywood blockbusters, faux pornographic works, and European art house films—to consider those that lurk on the boundaries of acceptability.
B Is for Ballet: A Dance Alphabet (American Ballet Theatre)
by John Robert AllmanAn A to Z celebration of the world of ballet, from the renowned American Ballet Theatre.A is for arabesque, B is for Baryshnikov, and C is for Coppélia in this beautifully illustrated, rhyming, alphabetic picture book, filled with ballet stars, dances, positions, and terminology. Written by the acclaimed author of A Is for Audra: Broadway's Leading Ladies from A to Z, the dazzling, creative wordplay forms a graceful pas de deux with the stylish, swooping lines and rich color of the sumptuous illustrations. In partnership with the American Ballet Theatre, here is the perfect gift for any ballet fan, from children just starting ballet to adults who avidly follow this graceful artform.
B is for Ballroom: Be Your Own Armchair Dancefloor Expert
by Anton du BekeDo you know your Botafago from your Volta Cross? Ever wondered how the Foxtrot got its name? Why is the Quick Step so quick? Which is easier, the standard Ballroom dances or the Latin ones? If you don't know the answer to most of these questions but fancy yourself as something of an armchair aficionado when it comes to Ballroom dancing, this book is for you. It will lead you into the wonderful world of Ballroom and teach you everything you need to know, without, if necessary, you even having to reach for your dancing shoes. As you'll soon discover, B is for Ballroom does exactly what the title suggests. Set out in an A to Z format it's the ultimate companion for anyone interested in Ballroom - whether you're nine years old or over ninety. It will teach you everything you need to know about this most beloved form of dance without you even having to take a class, break a leg or be dragged across the floor.
B is for Ballroom: Be Your Own Armchair Dancefloor Expert
by Anton du BekeDo you know your Botafago from your Volta Cross? Ever wondered how the Foxtrot got its name? Why is the Quick Step so quick? Which is easier, the standard Ballroom dances or the Latin ones? If you don't know the answer to most of these questions but fancy yourself as something of an armchair aficionado when it comes to Ballroom dancing, this book is for you. It will lead you into the wonderful world of Ballroom and teach you everything you need to know, without, if necessary, you even having to reach for your dancing shoes. As you'll soon discover, B is for Ballroom does exactly what the title suggests. Set out in an A to Z format it's the ultimate companion for anyone interested in Ballroom - whether you're nine years old or over ninety. It will teach you everything you need to know about this most beloved form of dance without you even having to take a class, break a leg or be dragged across the floor.
BAM... and Then It Hit Me
by Karen Brooks HopkinsPresident Emerita of the Brooklyn Academy of Music (BAM) Karen Brooks Hopkins pens BAM…and Then It Hit Me, an inspiring memoir of her 36 years at the iconic cultural institution, America's oldest performing arts center. The book has a sharp focus on concepts such as leadership, innovation, urban revitalization (including the transformation of Brooklyn from Manhattan Outpost to the coolest neighborhood on the planet), as highly successful cultural fundraising played critical roles in the colorful evolution of this world-class cultural juggernaut in the performing arts.
BBC Sport in Black and White (Palgrave Studies in the History of the Media)
by Richard HaynesThis book provides the first detailed account of the formative decades of BBC televised sport when it launched its flagship programmes Sportsview, Grandstand and Match of the Day. Based on extensive archival research in the BBC's written archives and interviews with leading producers, editors and commentators of the period, it provides a 'behind-the-scenes' narrative history of this major institution of British cultural life. In 2016 the BBC celebrated the fiftieth anniversary of its television coverage of England's World Cup victory. Their coverage produced one of the most oft-played moments in the history of television, Kenneth Wolstenholme's famous line: 'Some people are on the pitch, they think it's all over . . . it is now!' as Geoff Hurst scored England's fourth goal, securing England's 4-2 victory. It was a landmark in English football as well as a watershed in the BBC's highly professionalised approach to televised sport. How the BBC reached this peak of television expertise, and who was behind their success in developing the techniques of televised sport, is the focus of this book.
BBC Wildlife Documentaries in the Age of Attenborough (Palgrave Studies in Science and Popular Culture)
by Jean-Baptiste GouyonThis book explores the history of wildlife television in post-war Britain. It revolves around the role of David Attenborough, whose career as a broadcaster and natural history filmmaker has shaped British wildlife television. The book discusses aspects of Attenborough’s professional biography and also explores elements of the institutional history of the BBC—from the early 1960s, when it was at its most powerful, to the 2000s, when its future is uncertain. It focuses primarily on the wildlife ‘making-of’ documentary genre, which is used to trace how television progressively became a participant in the production of knowledge about nature. With the inclusion of analysis of television programmes, first-hand accounts, BBC archival material and, most notably, interviews with David Attenborough, this volume follows the development of the professional culture of wildlife broadcasting as it has been portrayed in public. It will be of interest to wildlife television amateurs, historians of British television and students in science communication.
BRAT: An '80s Story
by Andrew McCarthyFans of Patti Smith's Just Kids and Rob Lowe's Stories I Only Tell My Friends will love this beautifully written, entertaining and bracingly honest memoir by an actor, director and author who found his start as a 1980s Hollywood Brat pack member. Most people know Andrew McCarthy from his roles in movies like Pretty in Pink and St Elmo's Fire, and as a charter member of Hollywood's Brat Pack. That iconic group of ingenues and heart throbs, including Rob Lowe, Molly Ringwald, Emilio Estevez and Demi Moore, has come to represent both a genre of film and an era of pop culture. In Brat, McCarthy focuses his gaze on that singular moment in time and the most defining moments of his youth. The result is a revealing look at coming of age in a maelstrom, reckoning with conflicted ambition, innocence, addiction and expectations of masculinity. New York City of the 1980s is brought to vivid life, from scoring joints in Washington Square Park to skipping school in favour of the dark revival houses of the Village where he fell in love with the movies that would change his life. Brat is at once an exclusive window into a defining period of pop-culture history and a surprising, intimate story of an outsider caught up in a most unwitting success. &‘Wit, wisdom, and a depth of honesty that resonates to your core&’ Demi Moore &‘Explores masculinity, success, the dangers of fame, ambition and cigarettes in an elegant and humorous coming of age story&’ Candace Bushnell &‘Absorbing, thoughtful, and sometimes painfully honest … a fascinating read&’ Jay McInerney &‘A riveting portrait of the artist as a young man&’ Publishers Weekly
BRAVE
by Rose McGowanNEW YORK TIMES BESTSELLER - A revealing memoir and empowering manifesto - As featured in Ronan Farrow's CATCH AND KILL and Jodi Kantor and Megan Twohey's SHE SAID"BRAVE works beautifully as a manifesto. It’s a call to arms—not just against the specific men who mistreated McGowan and the men and women who enabled that mistreatment, but against an industry."—The Boston GlobeRose McGowan was born in one cult and came of age in another, more visible cult: Hollywood.In a strange world where she was continually on display, stardom soon became a personal nightmare of constant exposure and sexualization. Rose escaped into the world of her mind, something she had done as a child, and into high-profile relationships. Every detail of her personal life became public, and the realities of an inherently sexist industry emerged with every script, role, public appearance, and magazine cover. The Hollywood machine packaged her as a sexualized bombshell, hijacking her image and identity and marketing them for profit.Hollywood expected Rose to be silent and cooperative and to stay the path. Instead, she rebelled and asserted her true identity and voice. She reemerged unscripted, courageous, victorious, angry, smart, fierce, unapologetic, controversial, and real as f*ck.BRAVEis her raw, honest, and poignant memoir/manifesto—a no-holds-barred, pull-no-punches account of the rise of a millennial icon, fearless activist, and unstoppable force for change who is determined to expose the truth about the entertainment industry, dismantle the concept of fame, shine a light on a multibillion-dollar business built on systemic misogyny, and empower people everywhere to wake up and be BRAVE. "My life, as you will read, has taken me from one cult to another. BRAVE is the story of how I fought my way out of these cults and reclaimed my life. I want to help you do the same." -Rose McGowan
BTS - The Ultimate Fan Book: Experience the K-Pop Phenomenon! (The Ultimate Fan Book)
by Malcolm CroftExperience the K-Pop phenomenon of BTS in this best-selling fanbook - FULLY UPDATED!BTS are much more than just a group of seven talented individuals, they are a band acclaimed for their record-smashing, barrier-breaking, trend-setting dance-pop and hip-hop tunes and personal philosophies. Featuring brand new content and sensational new photos, BTS: The Ultimate Fan Book includes everything you need to know about Jin, Suga, J-Hope, RM, Jimin, V and Jungkook, as well as the BTS ARMY.A celebration of the K-Pop phenomenon, exploring in stunning technicolour detail the group's origins, members and super rise to success, this Ultimate Fan Book is beautifully accompanied by photographs showcasing the band's kaleidoscope of personalities and passions that have made them famous. BTS are more than just a boy band - they are a way of life.
BTS - The Ultimate Fan Book: Experience the K-Pop Phenomenon! (The Ultimate Fan Book)
by Malcolm CroftExperience the K-Pop phenomenon of BTS in this best-selling fanbook - FULLY UPDATED!BTS are much more than just a group of seven talented individuals, they are a band acclaimed for their record-smashing, barrier-breaking, trend-setting dance-pop and hip-hop tunes and personal philosophies. Featuring brand new content and sensational new photos, BTS: The Ultimate Fan Book includes everything you need to know about Jin, Suga, J-Hope, RM, Jimin, V and Jungkook, as well as the BTS ARMY.A celebration of the K-Pop phenomenon, exploring in stunning technicolour detail the group's origins, members and super rise to success, this Ultimate Fan Book is beautifully accompanied by photographs showcasing the band's kaleidoscope of personalities and passions that have made them famous. BTS are more than just a boy band - they are a way of life.
Babel and Babylon: Spectatorship in American Silent Film
by Miriam HansenAlthough cinema was invented in the mid-1890s, it was a decade more before the concept of a “film spectator” emerged. As the cinema began to separate itself from the commercial entertainments in whose context films initially had been shown—vaudeville, dime museums, fairgrounds—a particular concept of its spectator was developed on the level of film style, as a means of predicting the reception of films on a mass scale. In Babel and Babylon, Miriam Hansen offers an original perspective on American film by tying the emergence of spectatorship to the historical transformation of the public sphere. Hansen builds a critical framework for understanding the cultural formation of spectatorship, drawing on the Frankfurt School’s debates on mass culture and the public sphere. Focusing on exemplary moments in the American silent era, she explains how the concept of the spectator evolved as a crucial part of the classical Hollywood paradigm—as one of the new industry’s strategies to integrate ethnically, socially, and sexually differentiated audiences into a modern culture of consumption. In this process, Hansen argues, the cinema might also have provided the conditions of an alternative public sphere for particular social groups, such as recent immigrants and women, by furnishing an intersubjective context in which they could recognize fragments of their own experience. After tracing the emergence of spectatorship as an institution, Hansen pursues the question of reception through detailed readings of a single film, D. W. Griffith’s Intolerance (1916), and of the cult surrounding a single star, Rudolph Valentino. In each case the classical construction of spectatorship is complicated by factors of gender and sexuality, crystallizing around the fear and desire of the female consumer. Babel and Babylon recasts the debate on early American cinema—and by implication on American film as a whole. It is a model study in the field of cinema studies, mediating the concerns of recent film theory with those of recent film history.
Babes in Tomorrowland: Walt Disney and the Making of the American Child, 1930-1960
by Nicholas SammondLinking Margaret Mead to the Mickey Mouse Club and behaviorism to Bambi, Nicholas Sammond traces a path back to the early-twentieth-century sources of "the normal American child. " He locates the origins of this hypothetical child in the interplay between developmental science and popular media. In the process, he shows that the relationship between the media and the child has long been much more symbiotic than arguments that the child is irrevocably shaped by the media it consumes would lead one to believe. Focusing on the products of the Walt Disney company, Sammond demonstrates that without a vision of a normal American child and the belief that movies and television either helped or hindered its development, Disney might never have found its market niche as the paragon of family entertainment. At the same time, without media producers such as Disney, representations of the ideal child would not have circulated as freely in American popular culture. In vivid detail, Sammond describes how the latest thinking about human development was translated into the practice of child-rearing and how magazines and parenting manuals characterized the child as the crucible of an ideal American culture. He chronicles how Walt Disney Productions' greatest creation--the image of Walt Disney himself--was made to embody evolving ideas of what was best for the child and for society. Bringing popular child-rearing manuals, periodicals, advertisements, and mainstream sociological texts together with the films, tv programs, ancillary products, and public relations materials of Walt Disney Productions, Babes in Tomorrowland reveals a child that was as much the necessary precursor of popular media as the victim of its excesses.
Baby Bowie: A Book about Adjectives (Baby Rocker)
by Running PressIntroduce your littlest rocker to the magic and creativity of David Bowie in this delightful book in the new Baby Rocker board book series. Shiny lightning bolt. High boots. Spiky hair. Celebrate all that iconic musician David Bowie is about with your toddler in this fun, fantastical, and playful new book. Perfect for any Bowie fan, young or old, this book is sure to provide read-aloud fun with the pairing of iconic Bowie items and looks with simplified text. At the end of the book, put on your shoes and best costume because it's time to dance with Baby Bowie and friends!
Baby Elvis: A Book about Opposites (Baby Rocker)
by Running PressGet out your blue suede shoes. It's time to rock n' roll!Smooth hair. Rough sideburns. Long jumpsuit. Short lei. Celebrate the King of Rock n' Roll with little ones in this vibrant, playful, and fun board book.
Baby KISS: A Book about Colors (Baby Rocker)
by Running PressIntroduce your littlest rocker to the glamour and theatricality of KISS in this delightful book in the Baby Rocker board book series. Black-and-white face paint. White lights. Pink tongue. Orange fireworks. Celebrate all that encompasses the rock group KISS with your young toddler in this fun, fantastical, and playful new board book. Perfect for the KISS fan, young or old, this book is sure to provide read-aloud fun with the pairing of iconic KISS items with simplified text. At the book's end, get ready to rock n' roll all nite with Baby KISS and their baby friends!
Baby Loves Colors (Sassy)
by Grosset & DunlapBaby Loves Colors is a simple book designed for babies six months or older about all the colors they can see: red, yellow, orange, green and blue!
Baby Steps: Having the Child I Always Wanted (Just Not as I Expected)
by Elisabeth RöhmWhen Elisabeth Rohm started blogging about her family for People. com, she had no idea how many women would respond to her stories about struggling with infertility. Now the actress best known for her role on Law and Order shares what she hasn't yet: the full story of how in-vitro fertilization allowed her to have a child, how talking about infertility helped her cope with it, and how her desire for a baby and the difficult path that led to one taught her about herself and made her into the woman she was meant to be. Rohm's stories--told in a clear, funny, warmhearted voice--cover her untraditional childhood, and her long journey to motherhood. With the frankness of Down Came the Rain and the hope of A Place of Yes, Röhm encourages all women to share their stories because "when women stop talking, women stop being heard. "
Baby's ABC (Sassy)
by Grosset & DunlapMom, dad, and baby will love our new line of books from Sassy, the award-winning and innovative toy company. This $9.99 colorful and chunky book with a padded cover teaches babies their ABCs with the use of adorable illustrations.
Baby, Don't Hurt Me: Stories and Scars from Saturday Night Live
by Travis Thrasher Chris KattanYou may know him as Mango, Mr. Peepers, the gibberish-spouting Suel Forrester, or one half of the head-bopping brothers in A Night at the Roxbury. Maybe you remember him as the forlorn gothic kid Azrael Abyss, Gay Hitler, or the guitarist in the "More Cowbell" sketch. Whichever it is, Chris Kattan has earned a spot in the hearts of a generation of comedy fans. Chris Kattan has defied comparison, expectations, and sometimes gravity with his inimitable style of physical comedy. By creating some of the most memorable Saturday Night Live characters, as well as his many roles in film and television, Kattan has remained one of the most fearless and versatile comedians in the world. Not long after Chris was labeled one of the improv group Groundlings' "must-see" performers in the company, he was cast on SNL—and within the first six weeks, Chris's film career also took off. Now, for the first time, Kattan opens up about eight seasons on SNL, performing alongside friends and future legends including Will Ferrell, Jimmy Fallon, and Tina Fey, and guest hosts from Charlize Theron to Tom Hanks to David Bowie. He also shares stories of his unusual childhood (involving a secluded mountain with zen monks) with Leonard Cohen and Alan Watts. Baby, Don't Hurt Me offers an unprecedented look into Chris's life, from his fascinating relationship with Lorne Michaels, a private Valentine's Day dinner with Tom Cruise and Katie Holmes, an unforgettable flight with Beyoncé, and even breaking his neck on live television. Baby, Don't Hurt Me is a candid, revealing memoir from a timeless comedian and a window into the world of millennium-era SNL, from the rehearsals to the after-after parties, as narrated by your hilarious and inspiring friend—who just so happened to be there for all of it.
Babylon Confidential: A Memoir of Love, Sex, and Addiction
by Claudia Christian Morgan Grant BuchananWhen actress Claudia Christian flees a troubled childhood and moves to Hollywood at age 17, she steps through the looking glass into another world. From the set of Dallas to her starring role on the sci-fi series Babylon 5, Claudia's affairs with billionaires, supermodels, rock stars, and celebrities are mixed with shootings, stalking, heartbreak, and betrayal. Onset and off, drama follows Claudia—an alcohol-fueled coke run and makeout session with a bridesmaid on her wedding day; her tempestuous, love-hate relationship with actor Angus Macfadyen; the conspiracy theories surrounding her ex-husband's death; and a 20-year on-and-off relationship with billionaire Dodi Fayed before he dated Princess Diana. Hollywood life takes its toll on Claudia as she descends into alcohol addiction and a desperate battle to reclaim her life. Rehab, alternative treatments, and even hypnotism can't break the cycle of alcohol abuse that threatens to destroy Claudia. Close to despair she discovers The Sinclair Method, a treatment that saves her life. Sometimes shocking, often humorous, always captivating — Babylon Confidential is a story of hope that will inspire and enlighten you.
Bach's Dialogue with Modernity: Perspectives on the Passions
by John ButtProviding a detailed analysis of Bach's Passions, this book represents an important contribution to the debate about the culture of 'classical music', its origins, priorities and survival. The angles from which each chapter proceeds differ from those of a traditional music guide, by examining the Passions in the light of the mindsets of modernity, and their interplay with earlier models of thought and belief. While the historical details of Bach's composition, performance and theological context remain crucial, the foremost concern of this study is to relate these works to a historical context that may, in some threads at least, still be relevant today. The central claim of the book is that the interplay of traditional imperatives and those of early modernity renders Bach's Passions particularly fascinating as artefacts that both reflect and constitute some of the priorities and conditions of the western world.
Bachelor Nation: Inside the World of America's Favorite Guilty Pleasure
by Amy Kaufman<P>The first definitive, unauthorized, behind-the-scenes cultural history of the Bachelor franchise, America's favorite guilty pleasure.For fifteen years and thirty-five seasons, the Bachelor franchise has been a mainstay in American TV viewers' lives. Since it premiered in 2002, the show's popularity and relevance has only grown--more than eight million viewers tuned in to see the conclusion of the most recent season of The Bachelor. <P>The iconic reality television show's reach and influence into the cultural zeitgeist is undeniable. Bestselling writers and famous actors live tweet about it. Die-hard fans--dubbed "Bachelor Nation"--come together every week during each season to participate in fantasy leagues and viewing parties. Bachelor Nation is the first behind-the-scenes, unauthorized look into the reality television phenomenon. Los Angeles Times journalist Amy Kaufman is a proud member of Bachelor Nation and has a long history with the franchise--ABC even banned her from attending show events after her coverage of the program got a little too real for its liking. <P>She has interviewed dozens of producers, contestants, and celebrity fans to give readers never-before-told details of the show's inner workings: what it's like to be trapped in the mansion "bubble"; dark, juicy tales of producer manipulation; and revelations about the alcohol-fueled debauchery that occurs long before the fantasy suite. Kaufman also explores what our fascination means, culturally: what the show says about the way we view so-called ideal suitors, our subconscious yearning for fairy-tale romance, and how this enduring television show has shaped society's feelings about love, marriage, and feminism by appealing to a marriage plot that's as old as Jane Austen. <P><b> A New York Times Bestseller</b>