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The Piscatorbühne Century: Politics and Aesthetics in the Modern Theater After 1927 (Routledge Advances in Theatre & Performance Studies)
by Drew LichtenbergThis study of the Piscatorbühne season of 1927–1928 uncovers a vital, previously neglected current of radical experiment in modern theater, a ghost in the machine of contemporary performance practices. A handful of theater seasons changed the course of 20th- and 21st-century theatre. But only the Piscatorbühne of 1927–1928 went bankrupt in less than a year. This exploration tells the story of that collapse, how it predicted the wider collapse of the late Weimar Republic, and how it relates to our own era of political polarization and economic instability. As a wider examination of Piscator’s contributions to dramaturgical and aesthetic form, The Piscatorbühne Century makes a powerful and timely case for the renewed significance of the broader epic theater tradition. Drawing on a rich archive of interwar materials, Drew Lichtenberg reconstructs this germinal nexus of theory and praxis for the modern theatre. This book will be of great interest to students and scholars in theatre, performance, art, and literature.
The Pixar Touch: The Making of a Company
by David A. PriceThe Pixar Touch is a lively chronicle of Pixar Animation Studios' history and evolution, and the "fraternity of geeks" who shaped it. With the help of animating genius John Lasseter and visionary businessman Steve Jobs, Pixar has become the gold standard of animated filmmaking, beginning with a short special effects shot made at Lucasfilm in 1982 all the way up through the landmark films Toy Story, Finding Nemo, Wall-E,and others. David A. Price goes behind the scenes of the corporate feuds between Lasseter and his former champion, Jeffrey Katzenberg, as well as between Jobs and Michael Eisner. And finally he explores Pixar's complex relationship with the Walt Disney Company as it transformed itself into the $7.4 billion jewel in the Disney crown.
The Place of Dance: A Somatic Guide to Dancing and Dance Making
by Andrea Olsen Caryn McHoseThe Place of Dance is written for the general reader as well as for dancers. It reminds us that dancing is our nature, available to all as well as refined for the stage. Andrea Olsen is an internationally known choreographer and educator who combines the science of body with creative practice. This workbook integrates experiential anatomy with the process of moving and dancing, with a particular focus on the creative journey involved in choreographing, improvising, and performing for the stage. Each of the chapters, or "days," introduces a particular theme and features a dance photograph, information on the topic, movement and writing investigations, personal anecdotes, and studio notes from professional artists and educators for further insight. The third in a trilogy of works about the body, including Bodystories: A Guide to Experiential Anatomy and Body and Earth: An Experiential Guide, The Place of Dance will help each reader understand his/her dancing body through somatic work, create a dance, and have a full journal clarifying aesthetic views on his or her practice. It is well suited for anyone interested in engaging embodied intelligence and living more consciously.Publication of this book is funded by the Beatrice Fox Auerbach Foundation Fund at the Hartford Foundation for Public Giving.
The Place to Be: Washington, CBS, and the Glory Days of Television News
by Roger MuddFamed journalist and broadcast anchor Roger Mudd recounts his days with CBS and how that news bureau operated during its heady days as a global information leader. From the congressional debate during the passing of the 1964 Civil Rights Act to Mudd's departure from CBS in 1980, he offers an insider's glimpse into the political events of the last half of the twentieth century with an informative, episodic narrative structure. Mudd offers equal doses of humor and meaning with each story of this memoir, which should appeal to anyone who has followed his career through the decades. Annotation ©2008 Book News, Inc., Portland, OR (booknews.com)
The Place to Be: Washington, CBS, and the Glory Days of Television News
by Roger MuddRoger Mudd joined CBS in 1961, and as the congressional correspondent, became a star covering the historic Senate filibuster debate over the 1964 Civil Right Act. Mudd was one of half a dozen major figures in the stable of CBS News broadcasters at time when the networkOCOs standing as a provider of news was at its peak. In "The Place to Be," Mudd tells of how the bureau worked: the rivalries, the egos, the pride, the competition, the ambitions and the gathering frustrations of conveying the world to a national television audience in thirty minutes minus commercials. It is the story of a unique TV news bureau, unmatched in its quality, dedication, and professionalism, that will highlight what TV journalism was once like and what itOCOs missing today.
The Plague Lords of Ruel (Lone Wolf Gamebook #13)
by Joe DeverYou are Grand Master Lone Wolf, last of the Kai Lords of Sommerlund and sole survivor of a massacre that wiped out the First Order of your elite warrior caste. It is the year MS 5075 and twenty-five years have passed since your brave kinsmen perished at the hands of the Darklords of Helgedad. These champions of evil, who were sent forth by Naar, the King of the Darkness, to destroy the fertile world of Magnamund, have themselves since been destroyed. You vowed to avenge the murder of the Kai and you kept your pledge, for it was you who brought about their downfall when alone you infiltrated their foul domain--the Darklands--and caused the destruction of their leader, Archlord Gnaag, and the core of their cancerous power that was the infernal city of Helgedad.
The Planet of Junior Brown: Zeely / The House Of Dies Drear / The Planet Of Junior Brown / M. C. Higgins, The Great / Sweet Whispers, Brother Rush
by Virginia HamiltonJunior Brown is a musical prodigy losing touch with reality and everyone around him—except for one important friend Junior Brown is different than the other kids in his eighth-grade class. For one, he weighs three hundred pounds. He&’s also a talented musician with a serious future as a professional pianist—if he survives middle school. With an overbearing mom, disappointed teachers, and fellow students who tease him mercilessly, Junior starts to slip away into his own mind. His last hope may be his only friend, Buddy Clark, a boy in his class without a home or family who has already learned some of life&’s toughest lessons.
The Platinum Age of Television: From I Love Lucy to The Walking Dead, How TV Became Terrific
by David BianculliTelevision shows have now eclipsed films as the premier form of visual narrative art of our time. This new book by one of our finest critics explains--historically, in depth, and with interviews with the celebrated creators themselves--how the art of must-see/binge-watch television evolved. Darwin had his theory of evolution, and David Bianculli has his. Bianculli's theory has to do with the concept of quality television: what it is and, crucially, how it got that way. In tracing the evolutionary history of our progress toward a Platinum Age of Television--our age, the era of The Sopranos and Breaking Bad and Mad Men and The Wire and Homeland and Girls--he focuses on the development of the classic TV genres, among them the sitcom, the crime show, the miniseries, the soap opera, the western, the animated series and the late night talk show. In each genre, he selects five key examples of the form, tracing its continuities and its dramatic departures and drawing on exclusive and in-depth interviews with many of the most famed auteurs in television history.Television has triumphantly come of age artistically; David Bianculli's book is the first to date to examine, in depth and in detail and with a keen critical and historical sense, how this inspiring development came about.
The Play Goes On: A Memoir
by Neil SimonIn his critically acclaimed Rewrites, Neil Simon talked about his beginnings -- his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart to the reader permeates The Play Goes On. This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life. Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself.
The Playboy of the Western World (The Fourth Wall)
by Christopher Collins‘I’m thinking this night wasn’t I a foolish fellow not to kill my father in years gone by.’ – Christy Mahon On the first night of J. M. Synge’s The Playboy of the Western World (1907) the audience began protesting in the theatre; by the third night the protests had spilled onto the streets of Dublin. How did one play provoke this? Christopher Collins addresses The Playboy ’s satirical treatment of illusion and realism in light of Ireland’s struggle for independence, as well as Synge’s struggle for artistic expression. By exploring Synge’s unpublished diaries, drafts and notebooks, he seeks to understand how and why the play came to be. This volume invites the reader behind the scenes of this inflammatory play and its first performances, to understand how and why Synge risked everything in the name of art.
The Player, The Rapture, The New Age: Three Screenplays (Books That Changed the World)
by Michael TolkinThree film scripts, including an Academy Award nominee, from the man described as an “Antonioni with a sense of humor” (The New Yorker). From his earliest works to the Emmy-nominated Showtime limited series Escape at Dannemora, Michael Tolkin is known as one of the industry’s biggest talents—and sharpest satirists. This volume contains three of his acclaimed screenplays. The Player, about the twisted world of Hollywood, was directed by Robert Altman and starred Tim Robbins and Greta Scacchi. It won an Edgar Award for Best Motion Picture Screenplay and has been hailed as “one of the smartest, funniest, most penetrating movies about moviemaking ever made” (Vanity Fair).The Rapture explores the emotionally intense, surreal world of Christian fundamentalism. The Los Angeles Times called it “a nervy, unsettling, edgy piece of work, that most audacious of cinematic ventures, a film of theological ideas, intent on looking into what we believe and why we believe it, determined, even eager, to explore the issues of heaven, hell, and the hereafter.”And The New Age tells the story of a young couple’s fall from financial grace and their quest for spirituality in a world defined by materialism.
The Plays of Ernst Toller: A Revaluation
by Cecil DaviesThis book is the fullest and most detailed study yet published in English of Ernst Toller's plays and their most significant productions. In particular the productions directed by Karl-Heinz Martin, Jurgen Fehling and Erwin Piscator are closely analyzed and the author demonstrates how, brilliant though they were, they obscured or even distorted Toller's intentions. The plays are seen as eminently stage-worthy while worth lies in Toller's use of language, both in prose and inverse. The neglected puppet-play The Scorned Lovers' Revenge is analyzed from a new perspective in the light, both of its language and its sexual theme, so important in Toller's writings as a whole. The reader is led to appreciate why Toller was regarded as the most outstanding German dramatist of his generation until, after his death in 1939 his reputation was overlaid by that of Brecht. This book should do much to restore Toller to his proper place in theatre history.
The Playwright's Muse (Studies in Modern Drama #Vol. 13)
by Joan HerringtonFirst Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
The Plus: Self-Help for People Who Hate Self-Help
by Greg GutfeldNEW YORK TIMES BESTSELLER Greg Gutfeld wants to be your new guru, and he hates himself for it.Before Greg Gutfeld was a Fox News star and a New York Times bestselling author, he was a self-help writer for health magazines who had no idea what he was talking about. But now, after years of experience, he finally feels qualified to guide people on the journey of life—call this book punishment for his sins, and a huge reward for you! In The Plus, Greg teaches you how to brainwash yourself into better behavior, retaining the pluses in your life and eliminating the minuses. His approach to self-help is simple, and perfect for cynics; it&’s not about positive thinking in the short term, it&’s about positive being in the long term. With tough love and more than a little political incorrectness, he delivers sage wisdom such as: -If you aren&’t getting happier as you&’re getting older, you&’re doing it wrong. -Resist the media&’s command to expand destructive narratives. -If you&’re in the same place you were three years ago, wake up. -Don&’t tweet when drinking. Modern life grows emptier and emptier as society becomes increasingly polarized, and even those who don&’t subscribe to New Age beliefs are seeking comfort and meaning. In The Plus, Greg shows how skeptics too can advance themselves for the betterment of their lives and the healing of their communities.
The Pochsy Plays
by Karen HinesBeckett meets Betty Boop in this trilogy of monologues by Canadian cult heroine Pochsy, a nasty, vapid, utterly charming vixen. In 'Pochsy's Lips,' she's in the hospital, convinced she's sick because she's got a squid where her heart should be. In 'Oh Baby,' she's at the Last Resort, on holiday from her job packing mercury. And in 'Citizen Pochsy,' our little minx is in the waiting room at an audit from hell.In The Pochsy Plays, Hines remodels and melds traditions like stand-up, absurdism, clowning and neo-cabaret to create some of the most original and cutting satire to hit the stage - and, now, the page. Walk a mile in her distressed calfskin boots as the dark and ditzy Pochsy garbles ad slogans, self-help mantras and desperate grabs at meaning into a postmodern pastiche that is hilarious and harrowing, sweet and bitter at the same time.With extensive photos and musical scores, and an introduction by Darren O'Donnell.
The Pocket DJ
by Sarah LewitinnWith more than two thousand songs handpicked and organized by former Spin magazine writer and editor Sarah Lewitinn (aka Ultragrrrl), The Pocket DJ is the ultimate insider's reference guide for selecting music, downloading MP3s, and making all-purpose mixes for every occasion imaginable
The Pocket Guide to Opera
by Anna SelbyEverything you need to know about opera in one handy guide. Part of our best-selling Pocket Guide series, The Pocket Guide to Opera contains A-Z synopses of operas and biographies of the characters, lyricists and composers. The book features the history of opera, setting it in the context of its day and discussing the influence of world events and influences such as the Freemasons and the composers patrons. With factboxes highlighting surprising, little known and often quirky operatic facts, this fascinating book is a must-buy guide for everyone who loves opera.
The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers
by Thomas A. Crowell, Esq.This no-nonsense reference helps independent filmmakers recognize and solve the critical legal issues they might face throughout the course of making a film. Author Thomas A. Crowell, TV producer turned entertainment lawyer, will help you to understand and negotiate crucial production contracts, handle actors and their agents, and navigate the perils of copyright infringement and other lawsuits. Updated throughout to address important changes to the law, and incorporating discussion of online distribution, crowd funding, social media marketing, and international productions, this expanded third edition will provide you with the skills to: Protect the copyright to your work. Finance your film and watch out for common financing traps. Understand how tax credits and other incentives are used in film financing. Work with other screenwriters, and protect your script ideas. Adapt a book or comic into a screenplay. Know how to spot the difference between copyright infringement and fair use. Hire crew members, actors, and post-production staff. Draft a production services agreement or a license to use someone else’s work. License music for soundtracks. Negotiate a distribution agreement or understand how to distribute your film alone. Learn how to best position your film for Netflix. Make money from YouTube. And much more! Written for accessibility and ease of reference, this book is a vital resource for any student or independent filmmaker wanting their films to be successful and free of legal disasters.
The Pocket Lawyer for Filmmakers: A Legal Toolkit for Independent Producers (Pocket Lawyer Ser.)
by Thomas A. Crowell* How can you use a state's film tax credits to fund your film? SEE PAGE 63. * You have an idea you want to pitch to a production company; how do you safeguard your concept? SEE PAGE 77. * How can you fund your production with product placement? SEE PAGE 157. * How do you get a script to popular Hollywood actors and deal with their agents? SEE PAGE 222. Find quick answers to these and hundreds of other questions in this new edition of The Pocket Lawyer for Filmmakers. This no-nonsense reference provides fast answers in plain English-no law degree required! Arm yourself with the practical advice of author Thomas Crowell, a TV-producer-turned-entertainment-lawyer. This new edition features: * New sections on product placement, film tax credits and production incentive financing, Letters of Intent, and DIY distribution (four-walling, YouTube, Download-to-own, Amazon.com, iTunes, and Netflix) * Updated case law * Even more charts and graphics to help you find the information you need even more quickly. This book is the next best thing to having an entertainment attorney on retainer!
The Poetic Idioms of Jean Cocteau’s Art: Paths to Immortality
by James JacksonCocteau had an ambition many a poet has: to become immortal. But he, perhaps more than most, addressed this ambition directly in a great many of his plays, poems, and films. This book puts the work of this elusive and compelling poet under the microscope, examining how he channeled the concerns and anxieties of his age (and beyond) into his creations. Putting aside anecdotes of his life and other biographical minutiae, it turns to the creative achievements of the polymath – some well-known, some less so – to examine how he wrestles with the profound questions that concern human nature and enters into a conversation with his creative forebears on matters relating to love, imagination, suffering, and consolation.
The Poetics of Information Overload: From Gertrude Stein to Conceptual Writing
by Paul StephensInformation overload is a subject of vital, ubiquitous concern in our time. The Poetics of Information Overload reveals a fascinating genealogy of information saturation through the literary lens of American modernism. Although technology has typically been viewed as hostile or foreign to poetry, Paul Stephens outlines a countertradition within twentieth- and twenty-first-century literature in which avant-garde poets are centrally involved with technologies of communication, data storage, and bureaucratic control. Beginning with Gertrude Stein and Bob Brown, Stephens explores how writers have been preoccupied with the effects of new media since the advent of modernism. He continues with the postwar writing of Charles Olson, John Cage, Bern Porter, Hannah Weiner, Bernadette Mayer, Lyn Hejinian, and Bruce Andrews, and concludes with a discussion of conceptual writing produced in the past decade.By reading these works in the context of information systems, Stephens shows how the poetry of the past century has had, as a primary focus, the role of data in human life.
The Poetics of Rock: Cutting Tracks, Making Records
by Albin J. Zak IIIA fascinating exploration of recording consciousness and compositional process. It examines the crucial roles played by recording technologies in the construction of rock music and shows how songwriters, musicians, engineers, and producers contribute to the creative project.
The Poetics of Slumberland: Animated Spirits and the Animating Spirit
by Scott BukatmanIn The Poetics of Slumberland, Scott Bukatman celebrates play, plasmatic possibility, and the life of images in cartoons, comics, and cinema. Bukatman begins with Winsor McCay's Little Nemo in Slumberland to explore how and why the emerging media of comics and cartoons brilliantly captured a playful, rebellious energy characterized by hyperbolic emotion, physicality, and imagination. The book broadens to consider similar "animated" behaviors in seemingly disparate media--films about Jackson Pollock, Pablo Picasso, and Vincent van Gogh; the musical My Fair Lady and the story of Frankenstein; the slapstick comedies of Jerry Lewis; and contemporary comic superheroes--drawing them all together as the purveyors of embodied utopias of disorder.
The Poison Season
by Mara Rutherford"Mara Rutherford&’s The Poison Season took me on journey through a bloodthirsty forest, where two star-crossed lovers discover the true meaning of poison. It brims with evocative storytelling that left me enchanted!" — Emily J. Taylor, New York Times bestselling author of Hotel MagnifiqueOutsiders are always given a choice: the Forest or the lake. Either way, they&’re never heard from again.Leelo has spent her entire life on Endla, coexisting with the bloodthirsty Forest and respecting the poisonous lake that protects her island from outsiders who seek to destroy it. But as much as Leelo cares for her community, she struggles to accept that her younger brother will be exiled by his next birthday, unless he gains the magic of enchanted song so vital to Endla.When Leelo sees a young outsider on the verge of drowning in the lake, she knows exactly what she&’s supposed to do. But in a moment that will change everything, Leelo betrays her family, her best friend, and Endla by making an unthinkable choice.Discovery could lead to devastating consequences for both Leelo and the outsider, Jaren, but as they grow closer, Leelo realizes that not all danger comes from beyond the lake—and they can only survive if Leelo is willing to question the very fabric of her society, her people, and herself.
The Poitier Effect: Racial Melodrama and Fantasies of Reconciliation
by Sharon WillisThe civil rights struggle was convulsing the nation, its violence broadcast into every living room. Against this fraught background, Sidney Poitier emerged as an image of dignity, discipline, and moral authority. Here was the picture-perfect black man, helping German nuns build a chapel in The Lilies of the Field and overcoming the prejudices of recalcitrant students in To Sir with Love, a redneck sheriff in In the Heat of the Night, and a prospective father-in-law in Guess Who&’s Coming to Dinner. In his characters&’ restrained responses to white people&’s ignorance and bad behavior, Poitier represented racial reconciliation and reciprocal respect—the &“Poitier effect&” that Sharon Willis traces through cinema and television from the civil rights era to our own.The Poitier effect, in Willis&’s account, is a function of white wishful thinking about race relations. It represents a dream of achieving racial reconciliation and equality without any substantive change to the white world. This notion of change without change conforms smoothly with a fantasy of colorblindness, a culture in which difference makes no difference. Willis demonstrates how Poitier&’s embodiment of such a fantasy figures in the popular cinema of the civil rights era—and reasserts itself in recent melodramas such as The Long Walk Home, Pleasantville, Far from Heaven, and The Help. From change without change to change we can believe in, her book reveals how the Poitier effect, complicated by contemporary ideas about feminism, sexuality, and privilege, continues to inform our collective memory as well as our visions of a postracial society.