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The Popes on Air: The History of Vatican Radio from Its Origins to World War II (World War II: The Global, Human, and Ethical Dimension)
by Raffaella PerinThe story of the origin of Vatican Radio provides a unique look at the history of World War IIThe book offers the first wide-ranging study on the history of Vatican Radio from its origins (1931) to the end of Pius XII’s pontificate (1958) based on unpublished sources. The opening of the Secret Vatican Archives on the records regarding Pius XII will shed light on the most controversial pontificate of the 20th century. Moreover, the recent rearrangement of the Vatican media provided the creation of a multimedia archive that is still in Fieri.This research is an original point of view on the most relevant questions concerning these decades: the relation of the Catholic Church with the Fascist regimes and Western democracies; the attitude toward anti-Semitism and the Shoah in Europe, and in general toward the total war; the relationship of the Holy See with the new media in the mass society; the questions arisen in the after-war period such as the Christian Democratic Party in Italy; the new role of women; and anti-communism and the competition for the consensus in the social and moral order in a secularized society.
The Pornographer's Daughter: A Memoir of Childhood, My Dad, and Deep Throat
by Kristin Battista-FrazeeMore than forty years after Deep Throat arrived on the cultural scene and inspired a sexual revolution, questions about the ethics of pornography and its impact on society are still being asked today and remain as controversial as ever. Kristin Battista-Frazee was only four years old in 1974 when her father, Anthony Battista, was indicted by the federal government for distributing the now famous porn film Deep Throat. As her father unexpectedly became an early pioneer in the emerging porn industry and transformed himself from Philadelphia stockbroker to porn broker, this indictment threatened his family's stability. The stress drove Kristin's mother, Frances Battista, to worry endlessly if her husband would be put in jail. She became so depressed that she attempted suicide.Kristin survived this family trauma to live a surprisingly normal life. But instead of leaving the past behind her, she developed a burning curiosity to understand her family's history. Why did the federal government so vehemently prosecute this case? And why did her father get involved in distributing this notorious porn film in the first place? Did the influence of pornography in fact make Kristin a better person? Answering these questions and reconciling her dramatic family history with her life as a wife and mother became her mission.The Pornographer's Daughter is an insider's glimpse into the events that made Deep Throat and pornography so popular, as well as what it was like to come of age against the backdrop of the pornography business.
The Portable Film School: Everything You'd Learn in Film School (Without Ever Going to Class)
by D. B. GillesThe Portable Film School is a private tutorial from an instructor at one of the nation's most prestigious film schools. D.B. Gilles explains the fundamental skills and techniques of screenwriting and making a short film arming you with the two calling cards you'll need to break into Hollywood – without having spent the tuition or a minute in a classroom.
The Portable Radio in American Life
by Michael Brian SchifferHistory of the development of the portable radio over the years.
The Possibility Machine: Music and Myth in Las Vegas (Music in American Life)
by Kelly Kessler Joanna Dee Das Jake Johnson James Deaville Robert Fink Janis McKay Louis Niebur Cassaundra Rodriguez Celine Ayala Kirstin Bews Laura Dallman Pheaross Graham Jessica A Holmes Maddie House-Tuck Michael Kinney Carlo Lanfossi Jason Leddington Sam Murray Lynda Paul Arianne Johnson Quinn Michael M Reinhard Laura Risk Arreanna Rostosky Brian F WrightSingular and star-studded writings on America’s neon-lit playground At once a Technicolor wonderland and the embodiment of American mythology, Las Vegas exists at the Ground Zero of a reverence for risk-taking and the transformative power of a winning hand. Jake Johnson edits a collection of short essays and flash ideas that probes how music-making and soundscapes shape the City of Second Chances. Treating topics ranging from Cher to Cirque de Soleil, the contributors delve into how music and musicians factored in the early development of Vegas’s image; the role of local communities of musicians and Strip mainstays in sustaining tensions between belief and disbelief; the ways aging showroom stars provide a sense of timelessness that inoculates visitors against the outside world; the link connecting fantasies of sexual prowess and democracy with the musical values of Liberace and others; considerations of how musicians and establishments gambled with identity and opened the door for audience members to explore Sin City–only versions of themselves; and the echoes and energy generated by the idea of Las Vegas as it travels across the country. Contributors: Celine Ayala, Kirstin Bews, Laura Dallman, Joanna Dee Das, James Deaville, Robert Fink, Pheaross Graham, Jessica A. Holmes, Maddie House-Tuck, Jake Johnson, Kelly Kessler, Michael Kinney, Carlo Lanfossi, Jason Leddington, Janis McKay, Sam Murray, Louis Niebur, Lynda Paul, Arianne Johnson Quinn, Michael M. Reinhard, Laura Risk, Cassaundra Rodriguez, Arreanna Rostosky, and Brian F. Wright
The Possible South: Documentary Film and the Limitations of Biraciality
by R. Bruce BrasellUsing cultural theory, author R. Bruce Brasell investigates issues surrounding the discursive presentation of the American South as biracial and explores its manifestation in documentary films, including such works as Tell about the South, bro•ken/ground, and Family Name. After considering the emergence of the region’s biraciality through a consideration of the concepts of racial citizenry and racial performativity, Brasell examines two problems associated with this framework. First, the framework assumes racial purity, and, second, it assumes that two races exist. In other words, biraciality enacts two denials, first, the existence of miscegenation in the region and, second, the existence of other races and ethnicities.Brasell considers bodily miscegenation, discussing the racial closet and the southeastern expatriate road film. Then he examines cultural miscegenation through the lens of racial poaching and 1970s southeastern documentaries that use redemptive ethnography. In the subsequent chapters, using specific documentary films, he considers the racial in-betweenness of Spanish-speaking ethnicities (Mosquitoes and High Water, Living in America, Nuestra Communidad), probes issues related to the process of racial negotiation experienced by Asian Americans as they seek a racial position beyond the black and white binary (Mississippi Triangle), and engages the problem of racial legitimacy confronted by federally nonrecognized Native groups as they attempt the same feat (Real Indian).
The Post-2000 Film Western
by Marek Paryz John R. LeoThis collection of thirteen essays by scholars from the US, UK, Netherlands, Germany, Poland, Australia and Hong Kong, explores the trajectories of the post-2000 film Western in American, transnational, inter-generic, and inter-medial contexts. With examples ranging from major American films, through acclaimed international productions, to works such as experimental films and television commercials, the contributors seek to account for the appeal and currency of the film Western today. Theyare concerned with the issues of historical revisionism and contemporary ideologies, of audience and industry, of the cross-pollination of film genres, and highlight a plethora of problems that contemporary Westerns have addressed. They make a case for the Western's capacity for renewal – through the reworking of staple themes, incorporation of other film genres, varied political implications, and foreign appropriations.
The Post-Soul Cinema of Kasi Lemmons
by Dianah WynterIn this edited volume, Kasi Lemmons, the first African-American woman auteur to solidly and steadily produce a full body of work in cinema—an oeuvre of quality, of note, of international recognition—will get the full film-studies treatment. This collection offers the first scholarly examination of Lemmons’ films through various frameworks of film theory, illuminating her highly personal, unique, and rare vision. In Lemmons’ worldview, the spiritual and the supernatural manifest in the natural, corporeal world. She subtly infuses her work with such images and narratives, owning her formalism, her modernist aesthetic, her cinematic preoccupations and her ontological leanings on race. Lemmons holds the varied experiences of African-American life before her lens—the ambitious bourgeoise, the spiritually lost, the ill and discarded, and the historically erased—and commits to capturing the nuances and differentiations, rather than perpetuating essentialized portrayals. This collection delves into Lemmons’ iconoclastic drive and post-soul aesthetic as emanations of her attitudes toward personal agency, social agency, and social justice.
The Power Of Movies
by Colin McginnHow is watching a movie similar to dreaming? What goes on in our minds when we become absorbed in a movie? How does looking “into” a movie screen allow us to experience the thoughts and feelings of a movie’s characters? These and related questions are at the heart ofThe Power of Movies,a thoughtful, invigorating, and remarkably accessible book about a phenomenon seemingly beyond reach of our understanding. Colin McGinn–“an ingenious philosopher who thinks like a laser and writes like a dream,” according to Steven Pinker–enhances our understanding of both movies and ourselves in this book of rare and refreshing insight.
The Power of Film
by Howard SuberThis book examines the patterns and principles that make films popular and memorable, and will be useful both for those who want to create films and for those who just want to understand them better.
The Power of Virtual Reality Cinema for Healthcare Training: A Collaborative Guide for Medical Experts and Media Professionals
by Bob Fine Eric R. Williams John Bowditch Adonis DuradoCinematic Virtual Reality brings a combination of documentary, narrative and game design principles to the medical profession and, in the healthcare arena, collaboration is a key component for creating intellectually- and emotionally- rich immersive experiences. "The Power of Virtual Reality Cinema for Healthcare Training" gathers more than a dozen experts from both the production and healthcare fields to break down best practices for creating successful cine-VR projects. Designed for multi-disciplinary teams interested in integrating cine-VR production into their healthcare training and educational programs, this book has been written for two audiences: the healthcare professional interested in what production experts consider when approaching a project, and the media expert curious about how this new technology can be used in the medical field. Highlights include: Cutting edge medical education techniques developed by Ohio University’s GRID Lab, including: PREality (creating a forced sense of deja-vu to increase acclimation time), a unique approach to eye-tracking to enhance team performance, and the low-CRIS technique (a low-cost rapid implementation strategy to capture patient care for rapid graduate student training). Insightful production techniques that will enhance your cine-VR projects including advanced plating methods to hide lighting set-ups, immersive audio considerations, and new ways to consider 360 storytelling including the Lovrick montage and the Christmas Carol continuum for story development. Detailed explanations of the production considerations and results of specific cine-VR productions (from funding approaches to distribution) including access to more than five hours of cine-VR examples of the actual productions available for download. Details on a wide variety of medical cine-VR projects, including 100 images that illustrate best practices for topics such as recording in active medical facilities, building successful multi-disciplinary teams, working within HIPAA regulations, conceptualizing cine-VR libraries for graduate education, and implementing innovative distribution models.
The Power of the Actor
by Ivana ChubbuckIn The Power of the Actor, a Los Angeles Times bestseller, premier acting teacher and coach Ivana Chubbuck reveals her cutting-edge technique, which has launched some of the most successful acting careers in Hollywood. The first book from the instructor who has taught Charlize Theron, Brad Pitt, Elisabeth Shue, Djimon Hounsou, and Halle Berry, The Power of the Actor guides you to dynamic and effective results. For many of today's major talents, the Chubbuck Technique is the leading edge of acting for the twenty-first century. Ivana Chubbuck has developed a curriculum that takes the theories of the acting masters, such as Stanislavski, Meisner, and Hagen, to the next step by utilizing inner pain and emotions, not as an end in itself, but rather as a way to drive and win a goal. In addition to the powerful twelve-step process, the book takes well-known scripts, both classic and contemporary, and demonstrates how to precisely apply Chubbuck's script- analysis process. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how noted actors have mastered their craft and have accomplished success in such a difficult and competitive field. Praise for Ivana Chubbuck and The Power of the Actor"This is my bible. I don't leave home without it. "-Eva Mendes"Ivana Chubbuck is the premier acting coach of the twenty-first century. . . . Ivana's innovative methods of teaching both complement and rival those methods of the great teachers of the past. . . . Under Ivana's tutelage, the course of my career and depth of my work have changed dramatically. "-Halle Berry
The Power of the Actor, Revised and Updated: The Chubbuck Technique--The 12-Step Acting Method for Creating Dynamic Characters
by Ivana ChubbuckIn this completely updated edition of her bestselling book, renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in HollywoodLet the instructor who taught Halle Berry, Brad Pitt, Charlize Theron, Jim Carrey, Aubrey Plaza, Travis Fimmel, Gal Gadot, Beyoncé Knowles, Judith Light, Sylvester Stallone, Eva Mendes, Morris Chestnut, Shia LaBeouf, and Jake Gyllenhaal guide you to dynamic and effective results. With new stories from notable stars she&’s worked with since the first edition of The Power of the Actor and fresh exercises she&’s incorporated to upgrade her time-tested 12 step program, this revised edition, is a must-have for anyone looking to hone their craft.The Chubbuck Technique, takes the theories of acting masters such as Stanislavski, Strasberg, and Hagen to the next level by utilizing inner pain and emotions, not as an end in itself, but as a way to empower and fuel one&’s ability to overcome and win and therefore drive a unique and powerful performance. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how actors, writers, and directors have mastered their craft and accomplished success in such a difficult and competitive field.
The Practical Guide to Documentary Editing: Techniques for TV and Film
by Sam BillingeThe Practical Guide to Documentary Editing sets out the techniques, the systems and the craft required to edit compelling professional documentary television and film. Working stage by stage through the postproduction process, author Sam Billinge explores project organization, assembling rushes, sequence editing, story structure, music and sound design, and the defining relationship between editor and director. Written by a working documentary editor with over a decade’s worth of experience cutting films for major British and international broadcasters, The Practical Guide to Documentary Editing offers a unique introduction to the craft of documentary editing, and provides working and aspiring editors with the tools to master their craft in the innovative and fast-paced world of contemporary nonfiction television and film.
The Practical Guide to Documentary Editing: Techniques for TV and Film
by Sam BillingeThe Practical Guide to Documentary Editing sets out the techniques, the systems and the craft required to edit compelling professional documentary television and film. Working stage by stage through the postproduction process, author Sam Billinge explores project organization, assembling rushes, sequence editing, story structure, music and sound design, and the defining relationship between editor and director. Written by a working documentary editor with over a decade’s worth of experience cutting films for major British and international broadcasters, The Practical Guide to Documentary Editing offers a unique introduction to the craft of documentary editing, and provides working and aspiring editors with the tools to master their craft in the innovative and fast-paced world of contemporary nonfiction television and film.
The Practice of Public Art: Art, Space, And Social Inclusion (Routledge Research in Cultural and Media Studies #Vol. 14)
by Cameron Cartiere Shelly WillisThis exciting new collection of essays by practicing artists, curators, activists, art writers, administrators, city planners, and educators offers divergent perspectives on the numerous facets of the public art process. The volume also includes a useful graphic timeline of public art history.
The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan: Take Your Seat! (Routledge Advances in Theatre & Performance Studies)
by Samantha JenningsThis book is a seminal seated dance guidebook for global dance and health practitioners. Seated dance is an inclusive and diverse form of physical activity, suitable for all, regardless of age or disability.The book offers valid advice, inspiration and a wide range of tried and tested teaching and learning approaches to help practitioners succeed in the seated dance classroom, covering all ages and settings. This book introduces a potted historical journey of seated dance and subsequently guides the professional practitioner through the critical stages of setting up professional, safe and creative seated dance sessions. Research and evidence are gathered ‘in and on practice’ through the author’s dedicated dance career and teaching reflections as a Royal Academician of Dance (RAD) teacher and are underpinned by a theoretical background in mental health and wellbeing in education. It contains contributions by valued peers and professionals and extracts from research theorists in the field. ‘Take Your Seat’ is a career professional development Group-approved text (CPD) enabling the reader to claim personal and professional development points. The author places the art of seated dance at the centre of dance education, making it inclusive, diverse, accessible and justifiable in today's various dance arts and health settings.This book integrates the author's extensive experience in dance, contemporary mental health and wellbeing research and insights from esteemed peers. It empowers practitioners to embrace diverse perspectives, fostering an inclusive and forward-thinking dance environment.
The Precarious in the Cinemas of the Americas (Global Cinema)
by Constanza Burucúa Carolina SitniskyHistorically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
The Pregnancy Journal: A Day-to-Day Guide to a Healthy and Happy Pregnancy
by A. Christine HarrisAn updated edition of the million-selling guide that accompanies you through the days, weeks, and months of your pregnancy.A modern classic translated into a dozen languages, The Pregnancy Journal provides daily entries that update you on your baby’s development—as well as guiding you through the best health and nutrition decisions for both of you.With more than a million-and-half copies sold worldwide, this one-of-a-kind guide is the ultimate resource for today’s expecting mother, now in its updated fourth edition.
The Presence of the Actor
by Joseph ChaikinChaikin, who directed the celebrated Open Theater in the '60s, kindled an emphasis on communal playmaking whose impact is still evident today. This conversational review of his efforts details his methods and reveals the struggles involved in the creation of some of the most exciting theatre of our time.
The President's Lady: A Novel about Rachel and Andrew Jackson
by Irving StoneIn this acclaimed biographical novel, Irving Stone brings to life the tender and poignant love story of Rachel and Andrew Jackson. "Beyond any doubt one of the great romances of all time." -- The Saturday Review of Literature
The President’s Ladies: Jane Wyman and Nancy Davis
by Bernard F. DickRonald Reagan, a former actor and one of America's most popular presidents, married not one but two Hollywood actresses. This book is three biographies in one, discovering fascinating connections among Jane Wyman (1917–2007), Ronald Reagan (1911–2004), and Nancy Davis (b. 1921–2016). Jane Wyman, who married Reagan in 1940 and divorced him seven years later, knew an early life of privation. She gravitated to the movies and made her debut at fifteen as an unbilled member of the chorus, then toiled as an extra for four years until she finally received billing. She proved herself as a dramatic actress in The Lost Weekend, and the following year, she was nominated for an Oscar for The Yearling and soon won for her performance in Johnny Belinda, in which she did not speak a single line. Other Oscar nominations followed, along with a Golden Globe for her portrayal of Angela Channing in Falcon Crest. Conversely, Nancy Davis led a relatively charmed life, the daughter of an actress and the stepdaughter of a neurosurgeon. Surrounded by her mother's friends—Walter Huston, Spencer Tracy, Katharine Hepburn, Lillian Gish, and Alla Nazimova, her godmother—Davis started in the theater, then moved on to Hollywood, where she enjoyed modest success, and finally began working in television. When she married Reagan in 1952, she unwittingly married into politics, eventually leaving acting to concentrate on being the wife of the governor of California, and then the wife of the president of the United States. In her way, Davis played her greatest role as Reagan's friend, confidante, and adviser in life and in politics. This book considers three actors who left an indelible mark on both popular and political culture for more than fifty years.
The Press Gang: Writings on Cinema from New York Press, 1991-2011
by Godfrey Cheshire Armond White Matt Zoller SeitzA dialogue about cinema's legacy and best directors through essays by three of the best long-form critics out there, collected from the legendary NYPress for the first time.Comprising of the kind of long-form criticism that is all too rare these days, the weekly film columns in the NYPress included polemics, reviews, interviews, festival reports and features. A far cry from what is often derisively termed the "consumer report" mode of criticism, Cheshire, Seitz and White were passionately engaged with the film culture of both their own time, and what had come before. They constituted three distinctly different voices: equally accomplished, yet notably individual, perspectives on cinema. Their distinctive tastes and approaches were often positioned in direct dialogue with each other, a constant critical conversation that frequently saw each writer directly challenging his colleagues. Dialogue is important in criticism, and here you can find a healthy example of it existing under one proverbial roof. This three-way dialogue between Cheshire, Seitz and White assesses the 1990s in cinema, along with pieces on New York's vibrant repertory scene that allow us to read the authors' takes on directors such as Hitchcock, Lean, Kubrick, Welles, Fassbinder and Bresson; as well as topics such as the legacy of Star Wars, film noir, early film projection in New York City, the New York Film Critics Circle, Sundance, the terrorist attacks of 9/11 and the emerging cinema of Iran and Taiwan.
The Price of Valor: The Life of Audie Murphy, America's Most Decorated Hero of World War II
by David A. SmithWhen he was seventeen years old, Audie Murphy falsified his birth records so he could enlist in the Army and help defeat the Nazis. When he was nineteen, he single-handedly turned back the German Army at the Battle of Colmar Pocket by climbing on top of a tank with a machine gun, a moment immortalized in the classic film To Hell and Back, starring Audie himself. In the first biography covering his entire life--including his severe PTSD and his tragic death at age 45--the unusual story of Audie Murphy, the most decorated hero of WWII, is brought to life for a new generation.
The Pride of the Yankees: Lou Gehrig, Gary Cooper, and the Making of a Classic
by Richard SandomirOn July 4, 1939, Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium. There is, for now, no known, intact film of Gehrig's speech, but instead, just a swatch of the newsreel footage has survived, incorporating his opening and closing remarks: "For the past two weeks you have been reading about the bad break I got. Yet today I consider myself the luckiest man on the face of this earth," the last line, of course, having become one of the most famous, invoked, and inspiring, ever, anywhere. The New York Times account, the following day, called it "one of the most touching scenes ever witnessed on a ball field", that made even hard-boiled reporters "swallow hard." The scene and the story would likely have been largely lost to history, altogether, were it not for the film, Pride of the Yankees, best known for Gary Cooper, as the dying Lou Gehrig, movingly describing himself as "the luckiest man on the face of the earth," even as his body was being ravaged by the disease that was soon named after him. Here, now, in THE PRIDE OF THE YANKEES: Lou Gehrig, Gary Cooper, and the Making of a Classic by Richard Sandomir, New York Times sports columnist, is, for the first time, the full story behind the pioneering, seminal movie. Filled with larger than life characters and unexpected facts, Iron Hero shows us how Samuel Goldwyn had no desire to making a baseball film but he was persuaded to make a quick deal with Lou's widow, Eleanor, not long after Gehrig had passed; Hollywood icon Cooper had zero knowledge of baseball and had to be taught to play; unknown parts of the screen treatment and screenplay that will be written about for the first time; and dishy letters to Eleanor from Christy Walsh, the pioneering business manager who represented the Gehrigs, from the Los Angeles set. Nostalgic, breezy and fun, THE PRIDE OF THE YANKEES captures a lost time in film and sports history.