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Techniques of Special Effects of Cinematography (Library Of Communication Techniques)
by Raymond FieldingFirst published in 1985. Exactly 20 years have passed since the first edition of this text appeared, in 1965. During this period, the author has gathered feedback from professional film-making circles. This fourth revision introduces new information in nearly all chapters. 130 new illustrations have been added, many of them illustrating feature films which are currently in release. The bibliography has also been enlarged considerably. The contributions of the visual-effects cinematographer have always been valued highly within the theatrical motion-picture industry. Because of their work, film producers have been able to endow their pictures with considerable 'production value' which the budget could not otherwise sustain.
Techno-Orientalism
by Jinny Huh Catherine Fung Abigail De Kosnik Seo-Young Chu Dylan Yeats Kathryn Allan Julie Ha Tran Aimee Bahng Jason Crum Tzarina T. Prater Douglas S. Ishii Greta A. Niu Kenneth Hough Betsy Huang Se Young Kim Warren Liu Victor Bascara David S. Roh Steve Choe Charles ParkWhat will the future look like? To judge from many speculative fiction films and books, from Blade Runner to Cloud Atlas, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. The collection's fourteen original essays trace the discourse of techno-orientalism across a wide array of media, from radio serials to cyberpunk novels, from Sax Rohmer's Dr. Fu Manchu to Firefly. Applying a variety of theoretical, historical, and interpretive approaches, the contributors consider techno-orientalism a truly global phenomenon. In part, they tackle the key question of how these stereotypes serve to both express and assuage Western anxieties about Asia's growing cultural influence and economic dominance. Yet the book also examines artists who have appropriated techno-orientalist tropes in order to critique racist and imperialist attitudes. Techno-Orientalism is the first collection to define and critically analyze a phenomenon that pervades both science fiction and real-world news coverage of Asia. With essays on subjects ranging from wartime rhetoric of race and technology to science fiction by contemporary Asian American writers to the cultural implications of Korean gamers, this volume offers innovative perspectives and broadens conventional discussions in Asian American Cultural studies.
Technologies of Gender: Essays on Theory, Film, and Fiction
by Teresa De LauretisWhile all the essays in the volume imply the feminist perspective articulated in "Alice Doesn't", a development may be seen to have taken place (especially in essays 1, 7, and 8) with regard to the understanding of feminism as a radical rewriting, as well as a rereading, of the dominant forms of Western culture; a rewriting which effectively inscribes the presence of a different, and gendered, social subject. But even so, what these essays propose and argue for is a continued testing of the boundaries, an essaying of the no-man's land inhabited by "Alice," rather than a fully constructed view from "elsewhere."
Technologies of Gender: Essays On Theory, Film, And Fiction
by Teresa de de Lauretis"Technologies of Gender builds a bridge between the fashionable orthodoxies of academic theory (Lacan, Foucault, Derrida, et al.) and the frequently-marginalized contributions of feminist theory.... In sum, de Lauretis has written a book that should be required reading for every feminist in need of theoretical ammunition--and for every theorist in need of feminist enlightenment." --B. Ruby Rich"... sets philosophical ideas humming.... she has much to say." --Cineaste"I can think of no other work that pushes the debate on the female subject forward with such passion and intellectual rigor." --SubStanceThis book addresses the question of gender in poststructuralist theoretical discourse, postmodern fiction, and women's cinema. It examines the construction of gender both as representation and as self-representation in relation to several kinds of texts and argues that feminism is producing a radical rewriting, as well as a rereading, of the dominant forms of Western culture.
Technologies of Vision: The War Between Data and Images (The\mit Press Ser.)
by Steve F AndersonAn investigation of the computational turn in visual culture, centered on the entangled politics and pleasures of data and images.If the twentieth century was tyrannized by images, then the twenty-first is ruled by data. In Technologies of Vision, Steve Anderson argues that visual culture and the methods developed to study it have much to teach us about today's digital culture; but first we must examine the historically entangled relationship between data and images. Anderson starts from the supposition that there is no great divide separating pre- and post-digital culture. Rather than creating an insular field of new and inaccessible discourse, he argues, it is more productive to imagine that studying “the digital” is coextensive with critical models—especially the politics of seeing and knowing—developed for understanding “the visual.”Anderson's investigation takes on an eclectic array of examples ranging from virtual reality, culture analytics, and software art to technologies for computer vision, face recognition, and photogrammetry. Mixing media archaeology with software studies, Anderson mines the history of technology for insight into both the politics of data and the pleasures of algorithms. He proposes a taxonomy of modes that describe the functional relationship between data and images in the domains of space, surveillance and data visualization. At stake in all three are tensions between the totalizing logic of data and the unruly chaos of images.
Technology, Monstrosity, and Reproduction in Twenty-First Century Horror
by Kimberly JacksonThrough a wide spectrum of horror sub-genres, this book examines how the current state of horror reflects the anxieties in Western culture. Horror films bring them to a mass audience and offer new figures for the nameless faceless 'antagonist' that plagues us and provides material with which to build a different understanding of ourselves.
Ted, White and Blue: The Nugent Manifesto
by Ted NugentAnother hell-raising book by the famous rocker, where he comments on the state of USA and how to fix many of our problems
Teddy Bears of the Rich and Famous
by Mark LeighA fantastic gift book for all ages which imagines what the teddy bears of the rich and famous would look like.Even the most tyrannical of despots or the most scholarly of geniuses probably had a 'Mister Cuddles' or 'Big Ted' at some point in their childhood. As the book's title suggests, this is a collection of bears that could have belonged to the rich and famous. Whether it's politicians, heads of state, artists, spiritual leaders, inventors, revolutionaries, entertainers or entrepreneurs, the teddy bears reflect the personalities/traits of their owners.
Teen Movies: American Youth on Screen (Short Cuts)
by Rob McInnes Timothy SharyTeen Movies: American Youth on Screen is a detailed look at the depiction of teens on film and its impact throughout film's history. Timothy Shary looks at the development of the teen movie – the rebellion, the romance, the sex and the horror – up to contemporary portrayals of ever-changing youth. Films studied include Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), and American Pie (1999).
Teen Movies: A Century of American Youth (Short Cuts)
by Timothy SharyCinema has always engaged with the experiences, hopes, fears, and anxieties of—and about—adolescents, teenagers, and young people. This book is a comprehensive and accessible history of the depiction of teenagers in American film, from the silent era to the twenty-first century.Timothy Shary explores the development of teenage roles across eras and industrial cycles, such as the juvenile delinquent pictures of the 1950s, the beach movies of the 1960s, the horror films of the 1980s, and the fantasy epics of the 2000s. He considers the varied genres of the teen movie—horror and melodrama, romance and adventure, fantasy and science fiction—and its shifting themes and tropes around sex and gender, childhood and adulthood, rebellion and social order, crime and consumer culture. Teen Movies features analyses of films such as Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), American Pie (1999), and the Twilight series (2008–2012).This second edition is updated throughout and features a new chapter examining Millennials and Generation Z on screen, with discussions of many contemporary topics, including queer youth in movies like Moonlight (2016), abortion in films such as Never Rarely Sometimes Always (2020), and the flourishing of a “tween” cinema as seen in Are You There God? It’s Me, Margaret. (2023).
Teen Movies
by Timothy SharyTeen Movies: American Youth on Screen is a detailed look at the depiction of teens on film and its impact throughout film's history. Timothy Shary looks at the development of the teen movie -- the rebellion, the romance, the sex and the horror -- up to contemporary portrayals of ever-changing youth. Films studied include Rebel Without a Cause (1955), Splendor in the Grass (1961), Carrie (1976), The Breakfast Club (1985), and American Pie (1999).
Teen Titans Go! (TM): Silkie Time
by Magnolia BelleLearn about the Teen Titans' mascot and everybody's favorite worm, Silkie! Passport to Reading Level 2 TM & © DC Comics. (s17)
Teen TV: Repräsentationen, Lesarten und Produktionsweisen aktueller Jugendserien
by Florian Krauß Moritz StockDas Teen TV boomt. Aktuelle Jugendserien auf Streaming-Plattformen sind dafür ein klares Indiz, haben in der deutschsprachigen Medienwissenschaft bislang aber kaum Beachtung gefunden. Dieser Sammelband führt grundlegend in das serielle Teen TV ein und nimmt zentrale Fallbeispiele in den Blick, von 13 Reasons Why bis zu DRUCK, der deutschen Adaption des norwegischen Transmedia-Jugenddramas SKAM. Neben den Inhalten und der Ästhetik der seriellen Jugendnarrationen geht es um ihre Rezeption und um Produktionskontexte.
Teenage Audiences and British Period Drama
by Shelley Anne GalpinThis book provides an engaging insight into the responses of teenage audiences to British period drama, presenting original data collected from young people across England. Situated in relation to debates regarding the heritage film and young people’s consumption of the media, Teenage Audiences and British Period Drama challenges the often homogenous characterisation of teenagers by demonstrating the range of responses this genre inspires in young viewers. Arguing for the period drama’s underestimated relevance to younger audiences, the book details the varied ways that young people use film and television drama to make sense of the world and their place in it, and highlights the under-researched significance of collective viewing in influencing viewer response. Analysis demonstrates the key role that values play in influencing judgements amongst youth audiences, the importance of perceived historical accuracy and the potential for screen texts to inspire a deeper relationship with the past.
Teenage Revolution
by Alan DaviesWhen Alan Davies was growing up he seemed to drive his family mad. 'What are we going to do with you?' they would ask - as if he might know the answer.Perhaps it was because he came of age in the 1980s. That decade of big hair, greed, camp music, mass unemployment, social unrest and truly shameful trousers was confusing for teenagers. There was a lot to believe in - so much to stand for, or stand against - and Alan decided to join anything with the word 'anti' in it. He was looking for heroes to guide him (relatively) unscathed into adulthood.From his chronic kleptomania to the moving search for his mother's grave years after she died; from his obsession with joining (going so far as to become a member of Chickens Lib) to his first forays into making people laugh (not always intentionally); Teenage Revolution is a touching and funny return to the formative years that make us all.
Teenagers From Outer Space
by Mike PondsmithSo How Does a Six-Armed Green-Skinned Guy from Arcturus Get a Date on a Saturday Night? Yo, dude! Aliens from Beyond the Stars have invaded our planet! They're enrolling their kids in our schools, shopping in our shopping malls, and hanging out in our fast food joints! High school is never going to be the same again. Six-armed green-skinned guys from Arcturus are gonna date your kid sister! Silicon-based lifeforms are gonna poke their school lunch and wonder what it's supposed to be! On second thought, maybe high school won't be so different after all. What Is This Thing? Teenagers from Outer Space is a roleplaying game set on an Earth where fun-loving space aliens go to our high schools and party with the Earth kids. In the game you play the part of a teenager-alien or human-and have adventures fighting mutant monstrosities, saving the world from ravening rabbits from the X dimension, and getting your homework in on time. You're not a gamer? No sweat, dude. Teenagers is a giggle. You'll have fun reading it, even if you never play. (Honest. Hey, trust us on this one, okay?) And if you decide to play, it'll be a snap. Unlike other roleplaying games, Teenagers doesn't have encyclopedia-long rules that you have to study like a textbook before you can play. You can learn to play this thing in minutes. Seconds, even. . . . Well, okay, maybe not seconds. And if you are a gamer-hey, butchering orcs is swell for a while, but isn't it time for a change of pace? Dragons are dangerous and dungeons are deadly, but there's nothing quite as awesome, quite as fearful, quite as horrifying as an order to report to...the principal's office!
A Teen's Guide to Creating Web Pages and Blogs
by Benjamin Selfridge Peter Selfridge Jennifer OsburnWhether using a social networking site like MySpace or Facebook or building a Web page from scratch, millions of teens are actively creating a vibrant part of the Internet. This is the definitive teen's guide to publishing exciting web pages and blogs on the Web. This easy-to-follow guide shows teenagers how to: Create great MySpace and Facebook pages Build their own unique, personalized Web site Share the latest news with exciting blogging ideas Protect themselves online with cyber-safety tips Written by a teenager for other teens, this book leads readers step-by-step through the basics of web and blog design. In this book, teens learn to go beyond clicking through web sites to learning winning strategies for web design and great ideas for writing blogs that attract attention and readership.
Tele-ology: Studies in Television
by John HartleyTeleology brings together John Hartley's work on television. The book draws on current critical theory in cultural studies to develop a wide-ranging and thought-provoking view of television broadcasting in Britain, Australia and the USA.Neighbours, Hancock's Half Hour, Dallas, Monty Python, Miami Vice, Beverly Hillbillies and Bonanza are among the examples of TV art that are discussed in Hartley's exploration of cultural politics. He takes in TV truth and propaganda; populism in the news; mythologies of the audience; TV drama as a `photopoetic' genre in the tradition of Shakespeare; Kylie Minogue, Madonna and gardening shows.
Telecommunications in Developing Countries: The Challenge from Brazil (Routledge Library Editions: Broadcasting #34)
by Michael HobdayTelecommunications in Developing Countries (1990) stresses the importance of modern, micro electronics-based telecommunications for developing economies in providing a basic communications infrastructure for economic and industrial development and the springboard for new information technology activities. Although progress in telecommunications has so far been concentrated in the most advanced regions of the world, some developing countries can bypass older, less efficient forms of telecommunications and go straight to microelectronic technology. This book is the first to examine the challenges and difficulties facing developing countries in this field. extending existing theories of technology transfer and diffusion, Michael Hobday offers an explanation of the forces for change in the telecommunications industry. He then examines Brazil's experience in telecommunications, from developing the technology and building up a modern infrastructure to controlling multinational suppliers of equipment. Dr Hobday explains why Brazil's efforts in this area have succeeded, and offers lessons for other developing countries.
Telecommunications: A Systems Approach (Routledge Library Editions: Broadcasting #33)
by G. Smol M.P.R. Hamer M.T. HillsTelecommunications: A Systems Approach (1976) uses two extended case studies, of public telephone and television systems, in order to introduce the basic ideas of telecommunication systems. It describes the application of a number of techniques within the context of practical telecommunications systems, and takes into account the needs of the users of these systems and the economic constraints which affect the choice of techniques and the overall system structure.
Telenovelas and Transformation: Saving Brazil’s Television Industry (Routledge Advances in Transmedia Studies)
by Rosane SvartmanThis book investigates how telenovelas may be the key to the future of Brazilian television and how this content can survive in an interconnected media landscape. Recognised telenovela writer and scholar Rosane Svartman considers the particular characteristics of the telenovela format – number of episodes, melodrama influence, and influence of the audience on future writing – to explore how these can be preserved on multimedia platforms, and the challenges this change may present. Svartman further charts the transformations of the telenovela throughout its history and its major influences and unveils the main storytelling elements and writing processes. Chapters examine the business model of Brazilian corporate television within the current context of hypermedia and analyse how this relationship evolves as it is influenced by the new interactive tools and technologies that amplify the audience’s power. Merging empirical practices and theory, this book will be of great interest to scholars and students of transmedia storytelling, television studies, and Latin American media, as well as professionals working in these areas.
Telenovelas in Pan-Latino Context (Latin American Tópicos)
by June Carolyn ErlickThis concise book provides an accessible overview of the history of the telenovela in Latin America within a pan-Latino context, including the way the genre crosses borders between Latin America and the United States. Telenovelas, a distinct variety of soap operas originating in Latin America, take up key issues of race, class, sexual identity and violence, interweaving stories with melodramatic romance and quests for identity. June Carolyn Erlick examines the social implications of telenovela themes in the context of the evolution of television as an integral part of the modernization of Latin American countries.
Television: A Critical Review (Routledge Library Editions: Broadcasting #35)
by Gerald BeadleTelevision: A Critical Review (1963) is written by Sir Gerald Beadle, once Director of the BBC, and possessing of a long and wide experience of broadcasting as it expanded and grew. He was there at the birth of television, and details this and the subsequent developments over many years into a global phenomenon.
Television
by Jeremy G. ButlerFor nearly two decades, Television: Critical Methods and Applications has served as the foremost guide to television studies. Designed for the television studies course in communication and media studies curricula, Television explains in depth how television programs and commercials are made and how they function as producers of meaning. Author Jeremy G. Butler shows the ways in which camera style, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. He supplies students with a whole toolbox of implements to disassemble television and read between the lines, teaching them to incorporate critical thinking into their own television viewing. The fourth edition builds upon the pedagogy of previous editions to best accommodate current modes of understanding and teaching television. Highlights of the fourth edition include: New chapter and part organization to reflect the current approach to teaching television--with greatly expanded methods and theories chapters. An entirely new chapter on modes of production and their impact on what you see on the screen. Discussions integrated throughout on the latest developments in television's on-going convergence with other media, such as material on transmedia storytelling and YouTube's impact on video distribution. Over three hundred printed illustrations, including new and better quality frame grabs of recent television shows and commercials. A companion website featuring color frame grabs, a glossary, flash cards, and editing and sound exercises for students, as well as PowerPoint presentations, sample syllabi and other materials for instructors. Links to online videos that support examples in the text are also provided. With its distinctive approach to examining television, Television is appropriate for courses in television studies, media criticism, and general critical studies.
Television: Visual Storytelling and Screen Culture (Routledge Communication Ser.)
by Jeremy G. ButlerFor over two decades, Television has served as the foremost guide to television studies, offering readers an in-depth understanding of how television programs and commercials are made and how they function as producers of meaning. Author Jeremy G. Butler shows the ways in which camera style, lighting, set design, editing, and sound combine to produce meanings that viewers take away from their television experience. Highlights of the fifth edition include: An entirely new chapter by Amanda D. Lotz on television in the contemporary digital media environment. Discussions integrated throughout on the latest developments in screen culture during the on-demand era—including the impact of binge-watching and the proliferation of screens (smartphones, tablets, computer monitors, etc.). Updates on the effects of new digital technologies on TV style.