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Tennessee Williams: A Casebook
by Robert F. GrossTennessee Williams' plays are performed around the world, and are staples of the standard American repertory. His famous portrayals of women engage feminist critics, and as America's leading gay playwright from the repressive postwar period, through Stonewall, to the growth of gay liberation, he represents an important and controversial figure for queer theorists. Gross and his contributors have included all of his plays, a chronology, introduction and bibliography.
Tenney Shares the Stage: Tenney Grant, Book 3) (Tenney Grant #3)
by Kellen HertzTenney & Logan are a harmonious match onstage, but behind the scenes, they are totally out of tune. In this third novel, Tenney has signed a recording contract and is ready to make the album of her dreams . . . she just wishes she didn't have to do it with moody Logan Everett! They're supposed to be songwriting partners, but Logan doesn't even seem to be trying. Just when it looks like they've found their harmony, Logan suddenly disappears, and Tenney wonders if he has bailed on their act. A couple of months ago, Tenney would have gladly taken the opportunity to go solo. But as she learns more of Logan's story, she begins to wonder: Do she and Logan need each other--and their music--now more than ever before?
Tenor: History of a Voice
by John PotterFrom its emergence in the sixteenth century to the phenomenon of the "Three Tenors" and beyond, the tenor voice has grown in popularity and esteem. This engaging and authoritative book--the first comprehensive history of tenor singing--presents fascinating details about the world's great performers, styles of singing in different countries, teachers and music schools, the variety of compositions for the tenor voice, and much more. John Potter begins by surveying the prehistory of the tenor in the medieval period, when Gregorian chant and early polyphony had implications for a voice-type, and proceeds to the sixteenth century, when singers were first identified as tenors. He focuses on many of the greatest tenors-- those who predated the gramophone as well as those whose recorded voices may still be heard--and considers the ways in which each is historically significant. The names range from legendary early figures like Ludwig Schnoor von Carolsfeld (Wagner's first Tristan) to those more familiar like Enrico Caruso, Richard Tauber, Mario Lanza, Roberto Alagna, Ian Bostridge, Andrea Bocelli, Il Divo, and, of course, Pavarotti, Domingo, and Carreras. Admirers of the tenor voice will especially appreciate the book's unique reference section, with bibliographical and discographical/video information on several hundred tenors.
Téo's Tutu
by Maryann Jacob MaciasThis story of a boy's first ballet recital celebrates gender-creativity, the joy of dance, and being yourselfTéo loves to dance, whether it's the cumbia with Papí, the bhangra with Amma, or ballet class with Miss Lila. He also loves the way his tutu makes him feel, inside and out. But when it comes time to decide which outfit to wear in the big dance recital--a sparkly tutu or shimmering silver pants--Téo wonders if being his most authentic self on stage will put him too much in the spotlight.
Terence Davies (Contemporary Film Directors)
by Michael KoreskyCalled the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and unorthodox narrative films defy easy categorization; though they would seem to exist within the realms of realism and personal memory cinema, the films lay bare the director's personal pain in a daringly abstract way. Film critic Michael Koresky explores the unique emotional tenor of Davies' work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies' ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies' work and his unfashionable ambivalence toward his own sexual orientation.
Terminator and Philosophy: I'll Be Back, Therefore I Am
by Richard Brown Kevin S. DeckerTime travelers and battles between people and machines provoke old philosophical questions: Can the past really be changed? How do we differentiate ourselves from machines? Can machines have an inner life? Brown (philosophy critical thinking, LaGuardia Community Coll.) and Decker (philosophy, Eastern Washington Univ.; co-editor, Star Wars and Philosophy) collect 19 essays by primarily young academics who pursue these questions with entertaining verve and philosophical skill. The Terminator story is about something well intentioned, a defense project going wrong. Among the book's bright spots are contributions from Harry Chotiner and Jennifer Culver that show us something about how the movies work and explore the feminist issues posed by placing Sarah Connor at the center of the story. One essayist, Phillip Seng, addresses the philosophical trouble at the heart of the tale: telling good from evil in politics is hard.
Terrence Malick (Contemporary Film Directors)
by Lloyd MichaelsFor a director who has made only four feature films over three decades, Terrence Malick has sustained an extraordinary critical reputation as one of America's most original and independent filmmakers. In this book, Lloyd Michaels analyzes each of Malick's four features in depth, emphasizing both repetitive formal techniques such as voiceover and long lens cinematography as well as recurrent themes drawn from the director's academic training in modern philosophy and American literature. Michaels explores Malick's synthesis of the romance of mythic American experience and the aesthetics of European art film. He performs close cinematic analysis of paradigmatic moments in Malick's films: the billboard sequence in Badlands, the opening credits in Days of Heaven, the philosophical colloquies between Witt and Welsh in The Thin Red Line, and the epilogue in The New World. This richly detailed study also includes the only two published interviews with Malick, both in 1975 following the release of his first feature film.
Terrence Malick and the Examined Life (Intellectual History of the Modern Age)
by Martin WoessnerTerrence Malick is one of American cinema’s most celebrated filmmakers. His films—from Badlands (1973) and Days of Heaven (1978) to The Thin Red Line (1998), The Tree of Life (2011), and, most recently, A Hidden Life (2019)—have been heralded for their artistry and lauded for their beauty, but what really sets them apart is their ideas. Terrence Malick and the Examined Life is the most comprehensive account to date of this unparalleled filmmaker’s intellectual and artistic development.Utilizing newly available archival sources to offer original interpretations of his canonical films, Martin Woessner illuminates Malick’s early education in philosophy at Harvard and Oxford as well as his cinematic apprenticeship at the American Film Institute to show how a young student searching for personal meaning became a famous director of Hollywood films. Woessner’s book presents a rich, interdisciplinary exploration of the many texts, thinkers, and traditions that made this transformation possible—from the novels of Hamlin Garland, James Jones, and Walker Percy to the philosophies of Stanley Cavell, Martin Heidegger, and Søren Kierkegaard to road movies, Hollywood Westerns, and the comedies of Jean Renoir. Situating Malick’s filmmaking within recent intellectual and cultural history, Woessner highlights its lasting contributions to both American cinema and the life of the mind.Terrence Malick and the Examined Life suggests it is time for philosophy to be viewed not merely as an academic subject, overseen by experts, but also as a way of life, open to each and every moviegoer.
Terrence Malick’s Unseeing Cinema: Memory, Time And Audibility
by James BatchoThis unique study opens up a new dimension of Terrence Malick’s cinema – its expressions of unseeing and hearing. ‘Unseeing’ is Malick’s means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, Terrence Malick’s Unseeing Cinema moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Søren Kierkegaard. It investigates how Malick’s gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love.
Terrence McNally: A Casebook (Casebooks on Modern Dramatists #No. 22)
by Toby Silverman ZinmanFirst Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Terrible Legend of Kuluch and Olwen
by Meg ThacherPrince Kuluch has been cursed by his evil stepmother! Now he is in love with the daughter of a giant. Follow Kuluch as he completes the list of tasks from the giant with the help of knights, King Arthur, and even ants! Will he be able to marry the love of his life?
The Terrible Tryouts (Bad News Ballet #1)
by Jahnna N. Malcolm[from the back cover] "Who thought they'd be friends? McGee, Gwen, Mary Bubnik, Zan, and Rocky are five misfit ballerinas. Zan would rather be reading a good book, and Mary Bubnik is a dancing klutz. Gwen prefers Twinkles to plies; McGee's busy with her ice hockey team...and Rocky is just too cool for leotards and pink tights. Too bad their mothers think ballet is good for them. The girls would never have been friends...if they hadn't gotten stuck together trying out for parts in a professional ballet! Can McGee and her new friends turn themselves into real ballerinas? They'd better--or it's bad news for the gang and their ballet!" This is just the beginning of the funny situations of these ballet school friends who like each other more than they like ballet. The Bookshare collection has the whole series. Check out #2 Battle of the Bunheads, #3 Stupid Cupids, #4 Who Framed Mary Bubnik, #5 Blubberina, #6 Save D.A.D., #7 The King and Us, #8 Camp Clodhopper, #9 Boo Who?, and #10 A Dog Named Toe Shoe, with more to come.
Terry Nation: The Man Who Invented the Daleks
by Alwyn W. TurnerA “splendidly entertaining” biography of the British tv writer acclaimed for his invention of a fictional alien race for Doctor Who (Dominic Sandrook, author of State of Emergency—The Way We Were: Britain 1970–1974).The Daleks are one of the most iconic and fearsome creations in television history. Since their first appearance in 1963, they have simultaneously fascinated and terrified generations of children, their instant success ensuring, and sometimes eclipsing, that of Doctor Who. They sprang from the imagination of Terry Nation, a failed stand-up comic who became one of the most prolific writers for television that Britain ever produced. Survivors, his vision of a post-apocalyptic England, so haunted audiences in the Seventies that the BBC revived it over thirty years on, and Blake’s 7, constantly rumored for return, endures as a cult sci-fi classic. But it is for his genocidal pepperpots that Nation is most often remembered, and now, more than 50 years after their creation they continue to top the Saturday-night ratings. Yet while the Daleks brought him notoriety and riches, Nation played a much wider role in British broadcasting’s golden age. He wrote for Spike Milligan, Frankie Howerd and an increasingly troubled Tony Hancock, and as one of the key figures behind the adventure series of the Sixties—including The Avengers, The Saint and The Persuaders!—he turned the pulp classics of his boyhood into a major British export. In The Man Who Invented the Daleks, acclaimed cultural historian Alwyn W. Turner, explores the curious and contested origins of Doctor Who’s greatest villains, and sheds light on a strange world of ambitious young writers, producers and performers without whom British culture today would look very different.
Terry Wogan - Is it me?
by Terry WoganTerry Wogan was one of Britain's best-loved radio and television celebrities witty, charming and relaxed and undoubtedly captured the nation's heart. Here, Terry tells his life story from his beginnings as a young Limerick boy to his incredible success as an enduring celebrity with shows such as Wogan and The Eurovision Song Contest. Is It Me? is written in Terry's own inimitable style, with self-deprecating humour and a wry take on everyday life. The story is a delightfully observed, light-hearted journey through Terry's personal and professional lives. After reluctantly starting his career in banking, Terry escaped to make a sucessful break into broadcasting with RTE. Fronting Children in Need, Wogan and The Eurovision Song Contest and collecting millions of listeners to his morning BBC 2 radio show, Wake Up To Wogan, he is now the most prolific and popular presenter at the BBC. 'I am sure it's a challenging read' Sir David Frost 'I don't remember him' Jimmy Young
Test Match Special: Tall Tales – The Good The Bad and The Hilarious from the Commentary Box
by Jonathan Agnew Phil TufnellWho played the best pranks on his fellow team-mates? Which member of the TMS team terrorised his teachers in the annual staff-pupil game? And the truth behind 'the greatest sporting commentary of all time'...Between them, Jonathan Agnew and Phil Tufnell have probably watched more cricket than anyone alive, and they have many stories to tell, both as players and as commentators for Test Match Special. From their days as schoolboy cricketers, learning the ropes, to the shenanigans of the county circuit, and now their careers as commentators, they have seen it all.Joined by colleagues from TMS such as Isa Guha, Ebony Rainford Brent, Alison Mitchell, Carlos Brathwaite and Aatif Nawaz, Aggers and Tuffers share the highlights, mishaps and moments of brilliance and emotion that they have witnessed and experienced on pitches around the world.
Testimony: The Legacy of Schindler's List and the USC Shoah Foundation
by Steven SpielbergThis illustrated, large-format book, Testimony: The Legacy of Schindler’s List and the USC Shoah Foundation—A 20th Anniversary Commemoration combines, for the first time, the behind-the-scenes story of the making of Schindler’s List with the history of the remarkable organization inspired by that landmark film. Steven Spielberg’s encounters with Holocaust survivors who visited the set and personally told him their stories set him on a quest to collect and preserve survivor testimony for generations to come. In 1994, he established the Shoah Foundation, and in the following four years nearly 52,000 eyewitness interviews were video recorded in 56 countries and 32 languages. This commemorative book relates how the foundation accomplished this feat through a worldwide network of dedicated people, pioneering interview methods, and state-of-the art technologies.A special 140-page section tells the riveting story of the film in photos, script excerpts, and the words of the cast and crew, including Liam Neeson, Ben Kingsley, and Spielberg. Drawing from the Universal Pictures archives and exclusive interviews, here are details on Spielberg’s struggle to bring Oskar Schindler’s story from novel to script to screen, the casting, cinematography, and especially what happened during the difficult shoot in Poland in 1993—on locations where actual events of the Holocaust occurred. Partnered with the University of Southern California since 2006, the USC Shoah Foundation has broadened its mission and now collects and preserves testimonies from other genocides, including those in Armenia, Cambodia, and Rwanda, while expanding its educational outreach, especially to young people. Its Visual History Archive—digitized, fully searchable, and hyperlinked to the minute—has become the largest digital collection of its kind in the world. As Spielberg writes in his introduction, “I believe the work of the USC Shoah Foundation is the most important legacy of Schindler’s List.”
Tex Avery: A Unique Legacy
by Floriane Place-VerghnesFloriane Place-Verghnes examines the work of this great American animator. Focusing primarily on four facets of Avery's work, the author first concentrates on Avery's ability to depict the American attempt both to retrieve the past nostalgically and to catch the Zeitgeist of 1940s America, which confronts the questions of violence and survival. She also analyzes issues of sex and gender and the crucial role Hollywood played in reshaping the image of womanhood, reducing it to a bipolar opposition. Thirdly, she examines the comic language developed by Avery which, although drawing on the work of the Marx Brothers and Chaplin (among others), transcended their conventions. Finally, Place-Verghnes considers Avery's place in the history of cartoon-making technique.
The Texas Chain Saw Massacre
by Stefan JaworzynIn 1974, a low-budget, no-star horror movie was unleashed on the world, causing panic among the censors and provoking glee from its intended audience. The Texas Chain Saw Massacre is still as powerful today as when it was first seen almost thirty years ago, and will return to the screens in a high profile remake this Halloween. Now, in this long-awaited companion to Tobe Hooper's groundbreaking film, Stefan Jaworzyn gives us the inside story of one of the most successful, controversial and influential horror films ever made, as well as in-depth coverage of the three sequels, various documentaries and other movies also based on the life of serial killer Ed Gein. Packed with exclusive interviews, rare and unseen pictures, and with a foreword from the chainsaw-wielding Leatherface himself, Gunnar Hansen!
The Texas Chain Saw Massacre: The Film That Terrified a Rattled Nation
by Joseph LanzaWhen Tobe Hooper’s low-budget slasher film, The Texas Chainsaw Massacre, opened in theaters in 1974, it was met in equal measure with disgust and reverence. The film—in which a group of teenagers meet a gruesome end when they stumble upon a ramshackle farmhouse of psychotic killers—was outright banned in several countries and was pulled from many American theaters after complaints of its violence. Despite the mixed reception from critics, it was enormously profitable at the domestic box office and has since secured its place as one of the most influential horror movies ever made. In The Texas Chainsaw Massacre and Its Terrifying Times, cultural critic Joseph Lanza turns his attentions to the production, reception, social climate, and impact of this controversial movie that rattled the American psyche. Joseph Lanza transports the reader back to the tumultuous era of the 1970s defined by political upheaval, cultural disillusionment, and the perceived decay of the nuclear family in the wake of Watergate, the onslaught of serial killers in the US, as well as mounting racial and sexual tensions. The Texas Chainsaw Massacre and Its Terrifying Times sets the themes of the film against the backdrop of the political and social American climate to understand why the brutal slasher flick connected with so many viewers. As much a book about the movie as the moment, Joseph Lanza has created an engaging and nuanced work that grapples with the complications of the American experience.
The Texas Chain Saw Massacre (Devil's Advocates Ser.)
by James RoseNo-one who has ever seen the original The Texas Chain Saw Massacre (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny’. He also situates the film in the context of horror film criticism (the 'Final Girl’ character) and discusses its influence and subsequent sequels and remakes.
The Texas Chain Saw Massacre
by James RoseAs well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film
The Texas Chain Saw Massacre
by James RoseNo-one who has ever seen the original The Texas Chain Saw Massacre (1974) is ever likely to forget the experience. An intense fever dream (or nightmare), it is remarkable for its sense of sustained threat and depiction of an insane but nonetheless (dys)functional family on the furthest reaches of society who have regressed to cannibalism in the face of economic hardship. As well as providing a summary of the making of the film, James Rose discusses the extraordinary censorship history of the film in the UK (essentially banned for two decades) and provides a detailed textual analysis of the film with particular reference to the concept of 'the Uncanny'. He also situates the film in the context of horror film criticism (the 'Final Girl' character) and discusses its influence and subsequent sequels and remakes.
Texas Entertainers: Lone Stars in Profile
by Bartee HaileIn keeping with its reputation for size and spectacle, Texas has produced a staggering number of stars. Although many hailed from towns too small to have a post office, they occupied the spotlight on the largest of stages. Roger Miller's songs made him the "King of the Road," and Howard Hughes stretched his vision across the skies of the silver screen. Gene Autry won fame as a singing cowboy and Van Cliburn wore a tuxedo to international piano competitions, but both hailed from the Lone Star State. Texans penned Old Yeller and voiced Daffy Duck. From Buddy Holly to Ginger Rogers and Joan Crawford to Jimmy Dean, Bartee Haile charts the brightest constellations of Texas entertainers.
Texas Hold 'Em Book (The Everything®)
by John WenzelBecome a Texas Hold’em champion!The Everything Texas Hold’em Book is your key to winning big! Written by expert gambler John “Johnny Quads” Wenzel, this all-inclusive book guides you through the game of Texas hold’em—from how to deal the first hand to how to take the pot home! Tips and tricks include how to: -Master your perfect poker face so your opponents have no clue about your hand -Bluff your way so smoothly that your opponents think they’ve got you figured out -Use the rules, assess the risks, and employ expert tactics to win big—in casinos or at your buddy’s house! Whether you’re new to the game or a veteran player, with The Everything Texas Hold’em Book you’ll see what the cards have in store for you!
Texas Jailhouse Music: A Prison Band History
by Caroline GnagyInside the Texas State Prison is a surprising story of ingenuity, optimism and musical creativity. During the mid-twentieth century, inmates at the Huntsville unit and neighboring Goree State Farm for Women captured hearts all over Texas during weekly radio broadcasts and live stage performances. WBAP's Thirty Minutes Behind the Walls took listeners inside the penitentiary to hear not only the prisoners? songs but also the stories of those who sang them. Captivating and charismatic, banjo player Reable Childs received thousands of fan letters with the Goree All-Girl String Band during World War II. Hattie Ellis, a young black inmate with a voice that rivaled Billie Holiday's, was immortalized by notable folklorist John Avery Lomax. Cowboys, songsters and champion fiddlers all played a part in one of the most unique prison histories in the nation. Caroline Gnagy presents the decades-long story of the Texas convict bands, informed by prison records, radio show transcripts and the words and music of the inmates themselves.