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The Strategic Producer: On the Art and Craft of Making Your First Feature
by Federico Arditti MuchnikToday’s technologies and economic models won’t settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader’s mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape. - Written in clear, succinct, and non-technical prose. - Includes six sidebar in depth interviews with industry professionals providing additional perspectives. - Clearly presented line drawings help readers quickly understand complex ideas like production timelines, story structure, and business models. - Includes samples from key documents such as script pages, budgets, shooting schedules, and business plans for potential investors.
The Street of Lies: An Official Coronation Street Interactive Novel (Coronation Street)
by Abigail Kemp ITV Studios Global Dist LtdAn official Coronation Street Interactive novel set in the celebrated cobbled town of ITV's Weatherfield.It's November 1983. A series of poison-pen letters has been landing on the doormats of Coronation Street. Each threatens to expose a past scandal or spread an unsavoury rumour.But why were they sent and from whom? Why is the perpetrator targeting residents and just how dangerous are they?That's where you come in. Step into the shoes of a young detective constable desperate for promotion. Your job is to determine the course of the story and make the right choices. Along the way you'll meet some familiar faces - iconic characters who strode the cobbles in this era, including Vera and Jack Duckworth, Hilda Ogden, Elsie Tanner, Brian Tilsley, Ken and Deirdre Barlow, Bet Lynch and many more. Can you make the right decisions, stay under cover, crack the case, save the Rovers and your own skin? Achieve the goal and reach the best of many outcomes and you'll be rewarded with promotion. Fail, and the Street may never be the same again and you'll be back on traffic duty, or even worse, a colleague may just be called on to investigate your suspicious death!Good luck.
The Street of Lies: An Official Coronation Street Interactive Novel (Coronation Street)
by Abigail Kemp ITV Studios Global Dist LtdAn official Coronation Street Interactive novel set in the celebrated cobbled town of ITV's Weatherfield.It's November 1983. A series of poison-pen letters has been landing on the doormats of Coronation Street. Each threatens to expose a past scandal or spread an unsavoury rumour.But why were they sent and from whom? Why is the perpetrator targeting residents and just how dangerous are they?That's where you come in. Step into the shoes of a young detective constable desperate for promotion. Your job is to determine the course of the story and make the right choices. Along the way you'll meet some familiar faces - iconic characters who strode the cobbles in this era, including Vera and Jack Duckworth, Hilda Ogden, Elsie Tanner, Brian Tilsley, Ken and Deirdre Barlow, Bet Lynch and many more. Can you make the right decisions, stay under cover, crack the case, save the Rovers and your own skin? Achieve the goal and reach the best of many outcomes and you'll be rewarded with promotion. Fail, and the Street may never be the same again and you'll be back on traffic duty, or even worse, a colleague may just be called on to investigate your suspicious death!Good luck.
The Street to Recovery
by Kevin KennedyCurly Watts is a TV icon - for twenty years appearing on millions of TV screens around the country in Coronation Street. Kevin Kennedy is one of the UK's most successful soap actors, although behind the scenes and high-profile appearances, he faced a painful personal battle.Kevin shares his experiences of alcoholism, rehab and IVF as well stories from the set and stars he worked with during some of the brightest, and darkest moments of his life, through to his music career and current roles.This brutally honest autobiography provides a rare glimpse into life behind the scenes, the power of addiction, and his battle with recovery.
The Structure of Complex Images (Palgrave Close Readings in Film and Television)
by Robert B. RayAfter over a century of existence, the cinema still has its mysteries. Why, for example, is the job we call movie stardom unlike any other in the world? How do films provide so much unconcealed information that we fail to notice? What makes it hard to define what counts as “acting”? How do movies like Casablanca and Breathless store the film and world histories of their generations? How can we reconcile auteurism’s celebration of the movie director’s authority with the camera’s automatism? Why have the last four decades of film criticism so often neglected such questions? After beginning with an overview of film studies, this book proposes a shift from predictable theoretical approaches to models that acknowledge the perplexities and mysteries of the movies. Deriving methods from cinephilia, Wittgenstein, Richard Rorty, Stanley Cavell, Eleanor Duckworth, V. F. Perkins, and James Naremore, Robert B. Ray offers close readings that call attention to what we have missed in such classic films as La Règle du Jeu, It Happened One Night, It’s a Wonderful Life, Vertigo, Holiday, The Philadelphia Story, Casablanca, Breathless, and Tickets.
The Struggle for Form
by Kamila KucThis is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish émigré filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Józef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.
The Struggle for Form
by Kamila KucThis is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish émigré filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Józef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.
The Struggle for Form: Perspectives on Polish Avant-Garde Film, 1916–1989
by Michael Eds. Kuc Kamila O’PrayThis is the first comprehensive English-language account of the Polish avant-garde film, from its beginnings in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally-acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; the Thaw and animation (Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski); documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish émigré filmmakers (Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the highly influential Film Form Workshop (Józef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including a mix of historical writings from early film magazines with commissioned essays, this book constitutes an important source on the rich, complex and diverse history of the Polish film avant-garde, which is presented from the perspective of both British (A. L. Rees, Jonathan Owen, Michael O'Pray) and Polish (Marcin Gizycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the subject. This book is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers.
The Studio
by John Gregory DunneIn 1967, John Gregory Dunne asked for unlimited access to the inner workings of Twentieth Century Fox. Miraculously, he got it. For one year Dunne went everywhere there was to go and talked to everyone worth talking to within the studio. He tracked every step of the creation of pictures like "Dr. Dolittle," "Planet of the Apes," and "The Boston Strangler." The result is a work of reportage that, thirty years later, may still be our most minutely observed and therefore most uproariously funny portrait of the motion picture business.Whether he is recounting a showdown between Fox's studio head and two suave shark-like agents, watching a producer's girlfriend steal a silver plate from a restaurant, or shielding his eyes against the glare of a Hollywood premiere where the guests include a chimp in a white tie and tails, Dunne captures his subject in all its showmanship, savvy, vulgarity, and hype. Not since F. Scott Fitzgerald and Nathanael West has anyone done Hollywood better."Reads as racily as a novel...(Dunne) has a novelist's ear for speech and eye for revealing detail...Anyone who has tiptoed along those corridors of power is bound to say that Dunne's impressionism rings true."--Los Angeles Times
The Studios after the Studios: Neoclassical Hollywood (1970-2010)
by J. D. ConnorModern Hollywood is dominated by a handful of studios: Columbia, Disney, Fox, Paramount, Universal, and Warner Bros. Threatened by independents in the 1970s, they returned to power in the 1980s, ruled unquestioned in the 1990s, and in the new millennium are again beseiged. But in the heyday of this new classical era, the major studios movies — their stories and styles — were astonishingly precise biographies of the studios that made them. Movies became product placements for their studios, advertising them to the industry, to their employees, and to the public at large. If we want to know how studios work—how studios think—we need to watch their films closely. How closely? Maniacally so. In a wide range of examples, The Studios after the Studios explores the gaps between story and backstory in order to excavate the hidden history of Hollywood's second great studio era.
The Stuff of Spectatorship: Material Cultures of Film and Television
by Caetlin Benson-AllottFilm and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film
by Hilary NeroniConsidering representations of torture in such television series as 24, Alias, and Homeland; the documentaries Taxi to the Dark Side (2007), Ghosts of Abu Ghraib (2007), and Standard Operating Procedure (2008); and "torture porn" feature films from the Saw and Hostel series, Hilary Neroni unites aesthetic and theoretical analysis to provide a unique portal into theorizing biopower and its relation to the desiring subject. Her work ultimately showcases film and television studies' singular ability to expose and potentially disable the fantasies that sustain torture and the regimes that deploy it.
The Summer of 1787: The Men Who Invented the Constitution
by David O. StewartSuccessful creation of the Constitution is a suspense story. The Summer of 1787 takes us into the sweltering room in which delegates struggled for four months to produce the flawed but enduring document that would define the nation -- then and now. George Washington presided, James Madison kept the notes, Benjamin Franklin offered wisdom and humor at crucial times. The Summer of 1787 traces the struggles within the Philadelphia Convention as the delegates hammered out the charter for the world's first constitutional democracy. Relying on the words of the delegates themselves to explore the Convention's sharp conflicts and hard bargaining, David O. Stewart lays out the passions and contradictions of the often painful process of writing the Constitution. It was a desperate balancing act. Revolutionary principles required that the people have power, but could the people be trusted? Would a stronger central government leave room for the states? Would the small states accept a Congress in which seats were allotted according to population rather than to each sovereign state? And what of slavery? The supercharged debates over America's original sin led to the most creative and most disappointing political deals of the Convention. The room was crowded with colorful and passionate characters, some known -- Alexander Hamilton, Gouverneur Morris, Edmund Randolph -- and others largely forgotten. At different points during that sultry summer, more than half of the delegates threatened to walk out, and some actually did, but Washington's quiet leadership and the delegates' inspired compromises held the Convention together. In a country continually arguing over the document's original intent, it is fascinating to watch these powerful characters struggle toward consensus -- often reluctantly -- to write a flawed but living and breathing document that could evolve with the nation.
The Sun Will Come Out
by Joanne LevyKey Selling Points A sweet summer camp story about a painfully shy girl who meets a boy with a rare genetic condition. The book explores themes of facing your fears and the nature of true friendship. One of the main characters has progeria, a genetic condition that causes premature aging. Most children who have this don’t live past age 14. This story had its genesis in a terrible summer camp experience for the author. The book has a happy ending. Bea and her new friends stay in touch after summer is over.
The Sun and Her Stars: Salka Viertel and Hitler's Exiles in the Golden Age of Hollywood
by Donna RifkindThe little-known story of screenwriter Salka Viertel, whose salons in 1930s and 40s Hollywood created a refuge for a multitude of famous figures who had escaped the horrors of World War ll. Hollywood was created by its &“others&”; that is, by women, Jews, and immigrants. Salka Viertel was all three and so much more. She was the screenwriter for five of Greta Garbo's movies and also her most intimate friend. At one point during the Irving Thalberg years, Viertel was the highest-paid writer on the MGM lot. Meanwhile, at her house in Santa Monica she opened her door on Sunday afternoons to scores of European émigrés who had fled from Hitler—such as Thomas Mann, Bertolt Brecht, and Arnold Schoenberg—along with every kind of Hollywood star, from Charlie Chaplin to Shelley Winters. In Viertel's living room (the only one in town with comfortable armchairs, said one Hollywood insider), countless cinematic, theatrical, and musical partnerships were born.Viertel combined a modern-before-her-time sensibility with the Old-World advantages of a classical European education and fluency in eight languages. She combined great worldliness with great warmth. She was a true bohemian with a complicated erotic life, and at the same time a universal mother figure. A vital presence in the golden age of Hollywood, Salka Viertel is long overdue for her own moment in the spotlight.
The Sundance Reader (6th edition)
by Mark ConnellyThis edition has been updated to include over two dozen new readings, a four-part questioning strategy that follows each entry, expanded descriptions of the writing process to include thesis statements and outlines, sample student essays, a sample MLA-documented essay, materials on social issues, new visuals, expanded coverage on analyzing media, critiques of how writers use more than one method of development, and information on writing beyond the classroom. Connelly (Milwaukee Area Technical College) works thematically, focusing on the writing context and process, critical reading, narration, description, definition, comparison and contrast, analysis, division and classification, process, cause and effect, argument and persuasion. Along with a range of worthy readings, Connelly provides useful samples of writing students can analyze and many tips on organizing ideas and getting them down on paper. The result would work in survey literature and composition undergraduate courses.
The Super Cool Science of Harry Potter: The Spell-Binding Science Behind the Magic, Creatures, Witches, and Wizards of the Potter Universe!
by Mark BrakeDiscover the scientific secrets of Harry, Hermione, Ron, Dumbledore, and more in J. K. Rowling&’s universe.Movie-goers and young readers the world over have been spellbound by the tales of &“the boy who lived.&” J. K. Rowling&’s stories have conjured ideas of magic and sorcery into our minds like no other book series before. But nature is its own magic. And Muggle scientists have uncovered answers for the weird and wonderful questions from the magic world. Questions such as: Who was the real Merlin?Who really was the last great wizard?Do real-life love potions work?Platform 9¾: are there real hidden railway stations in London?And many more!The Super Cool Science of Harry Potter is for any young fan of Harry Potter. You don&’t need to be a witch or wizard to weave your magical way through the facts about your favorite characters, potions, spells, and mysteries from the boy wizard&’s world!
The Super Cool Science of Star Wars: The Saber-Swirling Science Behind the Death Star, Aliens, and Life in That Galaxy Far, Far Away!
by Mark BrakeLearn about the science used by Luke Skywalker, Kylo Ren, Han Solo, Chewbacca, Princess Leia, and more in the Star Wars galaxy.Star Wars has captured the hearts and imaginations of sci-fi fans worldwide. We all marvel at its dazzling variety of aliens, spaceships, and planets. That&’s because there&’s something revolutionary about the actual science in Star Wars. These painted pictures from the movies make us see the universe in a new light. They inspire us to ask questions such as:How much would it cost to build a Death Star?Did Star Wars predict the existence of exoplanets?Could a single blast from the Death Star destroy the earth?Could Starkiller Base suck the energy from a star?And many more!The Super Cool Science of Star Wars is a book for any young Star Wars fan. You don&’t need to be a Jedi scientist to make the jump to light speed and find the facts behind the Star Wars galaxy!
The Superhero Blockbuster: Adaptation, Style, and Meaning
by James C. TaylorThe Superhero Blockbuster: Adaptation, Style, and Meaning builds an innovative framework for analyzing one of the most prominent genres in twenty-first-century Hollywood. In combining theories of adaptation with close textual analysis, James C. Taylor provides a set of analytical tools with which to undertake nuanced exploration of superhero blockbusters’ meanings. This deep understanding of the films attends to historical, sociopolitical, and industrial contexts and also illuminates key ways in which the superhero genre has contributed to the development of the Hollywood blockbuster. Each chapter focuses on a different superhero or superhero team, covering some of the most popular superhero blockbusters based on DC and Marvel superheroes. The chapters cover different aspects of the films’ adaptive practices, exploring the adaptation of stylistic strategies, narrative models, and modes of seriality from superhero comic books, while being attentive to the ways in which the films engage with the wider networks of texts in various media that comprise a given superhero franchise. Chapter 1 looks back to the first superhero blockbuster, 1978’s Superman: The Movie, examining its cinematic re-envisioning of the quintessential superhero and role in establishing Hollywood’s emerging model of blockbuster filmmaking. Subsequent chapters analyze the twenty-first-century boom in superhero blockbusters and examine digital imaging and nostalgia in Spider-Man films, Marvel Studios’ adaptation of a shared universe model of seriality in the Marvel Cinematic Universe, and the use of alternate timeline narratives in X-Men films. The book concludes by turning its analytical toolkit to analysis of DC Studios’ cinematic universe, the DC Extended Universe.
The Superhero Reader
by Charles HatfieldWith contributions from Will Brooker, Jeffrey A. Brown, Scott Bukatman, John G. Cawelti, Peter Coogan, Jules Feiffer, Charles Hatfield, Henry Jenkins, Robert Jewett and John Shelton Lawrence, Gerard Jones, Geoff Klock, Karin Kukkonen, Andy Medhurst, Adilifu Nama, Walter Ong, Lorrie Palmer, Richard Reynolds, Trina Robbins, Lillian Robinson, Roger B. Rollin, Gloria Steinem, Jennifer Stuller, Fredric Wertham, and Philip Wylie Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture. While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century, they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been published over the years is staggering. Major superhero universes constitute one of the most expansive storytelling canvases ever fashioned. Moreover, characters inhabiting these fictional universes are immensely influential, having achieved iconic recognition around the globe. Their images and adventures have shaped many other media, such as film, videogames, and even prose fiction. The primary aim of this reader is twofold: first, to collect in a single volume a sampling of the most sophisticated commentary on superheroes, and second, to bring into sharper focus the ways in which superheroes connect with larger social, cultural, literary, aesthetic, and historical themes that are of interest to a great many readers both in the academy and beyond.
The Superhero Symbol: Media, Culture, and Politics
by Henry Jenkins Dan Golding Ian Gordon Neal Curtis John McGuire Steven Conway Liam Burke Jason Bainbridge Mitchell Adams Tara Lomax Claire Langsford Vladislav Iouchkov Naja Later Paul M. Malone Shan Mu Zhao Kevin Patrick“As a man, I'm flesh and blood, I can be ignored, I can be destroyed; but as a symbol... as a symbol I can be incorruptible, I can be everlasting”. In the 2005 reboot of the Batman film franchise, Batman Begins, Bruce Wayne articulates how the figure of the superhero can serve as a transcendent icon. It is hard to imagine a time when superheroes have been more pervasive in our culture. Today, superheroes are intellectual property jealously guarded by media conglomerates, icons co-opted by grassroots groups as a four-color rebuttal to social inequities, masks people wear to more confidently walk convention floors and city streets, and bulletproof banners that embody regional and national identities. From activism to cosplay, this collection unmasks the symbolic function of superheroes. Bringing together superhero scholars from a range of disciplines, alongside key industry figures such as Harley Quinn co-creator Paul Dini, The Superhero Symbol provides fresh perspectives on how characters like Captain America, Iron Man, and Wonder Woman have engaged with media, culture, and politics, to become the “everlasting” symbols to which a young Bruce Wayne once aspired.
The Supernatural Sublime: The Wondrous Ineffability of the Everyday in Films from Mexico and Spain (New Hispanisms)
by Raúl Rodríguez-Hernández Claudia SchaeferThe Supernatural Sublime explores the long-neglected element of the supernatural in films from Spain and Mexico by focusing on the social and cultural contexts of their production and reception, their adaptations of codes and conventions for characters and plot, and their use of cinematic techniques to create the experience of emotion without explanation. Deploying the overarching concepts of the supernatural and the sublime, Raúl Rodríguez-Hernández and Claudia Schaefer detail the dovetailing of the unnatural and the experience of limitlessness associated with the sublime.The Supernatural Sublime embeds the films in the social histories of twentieth- and twenty-first-century Mexico and Spain, both of which made a forced leap into modernity after historical periods founded on official ideologies and circumscribed visions of the nation. Evoking Kant’s definition of the experience of the sublime, Rodríguez-Hernández and Schaefer concentrate on the unrepresentable and the contradictory that oppose purported universal truths and instead offer up illusion, deception, and imagination through cinema, itself a type of illusion: writing with light.
The Surreal Life of Leonora Carrington
by Joanna MoorheadIn 2006 journalist Joanna Moorhead discovered that her father's cousin, Prim, who had disappeared many decades earlier, was now a famous artist in Mexico. Although rarely spoken of in her own family (regarded as a black sheep, a wild child; someone they were better off without) in the meantime Leonora Carrington had become a national treasure in Mexico, where she now lived, while her paintings are fetching ever-higher prices at auction today.Intrigued by her story, Joanna set off to Mexico City to find her lost relation. Later she was to return to Mexico ten times more between then and Leonora's death in 2011, sometimes staying for months at a time and subsequently travelling around Britain and through Europe in search of the loose ends of her tale. They spent days talking and reading together, drinking tea and tequila, going for walks and to parties and eating take away pizzas or dining out in her local restaurants as Leonora told Joanna the wild and amazing truth about a life that had taken her from the suffocating existence of a debutante in London via war-torn France with her lover, Max Ernst, to incarceration in an asylum and finally to the life of a recluse in Mexico City.Leonora was one of the last surviving participants in the Surrealist movement of the 1930s, a founding member of the Women's Liberation Movement in Mexico during the 1970s and a woman whose reputation will survive not only as a muse but as a novelist and a great artist. This book is the extraordinary story of Leonora Carrington's life, and of the friendship between two women, related by blood but previously unknown to one another, whose encounters were to change both their lives.
The Survivor Manual: An Official Book of the Hit CBS Television Show
by John BoswellThe Survivor Manual is the real deal--based on techniques taught to the U.S. Armed Forces and tested in actual survival situations over decades, the information in this book could help you beat any weather condition, any circumstance, any odds. This fully illustrated guide will show you how to:--find direction and orienteer --perform first aid--travel over every type of terrain from glaciers to quicksand--identify edible plants--fish and trap--spot poisonous plants and snakes--withstand a blizzard--build a raft--construct a shelter--live through an avalanche--survive in groups--and much, much more CBS' "Survivor" is the most successful new television show of the 21st century. Mark Burnett is the show's Executive Producer along with creator Charlie Parsons.
The Survivor Wants to Die at the End (They Both Die at the End series #3)
by Adam SilveraThe third book in the No. 1 global bestselling They Both Die at the End series. What if you could find out your death date from a single phone call? Death-Cast is calling . . . will you answer? &‘If They Both Die at the End broke your heart and put it back together again, be prepared for this novel to do the same. A tender, sad, hopeful and youthful story that deserves as much love as its predecessor.&’ Culturefly &‘[A] heart-pounding story [full] of emotion and suspense.&’ Kirkus &‘An extraordinary book with a riveting plot.&’ Booklist Two strangers, each with their own complicated relationship to Death-Cast, help each other learn to live. Paz Dario stays up every night, waiting for the Death-Cast call that would mean he doesn&’t have to keep faking his way through this lonely life. After a devastating day, Paz decides he&’s done waiting around for Death-Cast. If they say he&’s not dying, he&’ll just have to prove them wrong. But right before Paz can die, a boy saves his life. Alano Rosa is heir to the Death-Cast empire that encourages everyone to live their best lives, but he doesn&’t feel in control of his own existence thanks to his father. And with a violent organisation called the Death Guard threatening Alano, his End Day might be closer than he thinks. It&’s time to live. Fate brings Paz and Alano together. But they must survive the tragic trials ahead so no one dies at the end. This book contains themes that some readers may find difficult. PRAISE FOR ADAM SILVERA: &‘There isn&’t a teenager alive who won't find their heart described perfectly on these pages.&’ Patrick Ness, author of The Knife of Never Letting Go &‘Adam Silvera is a master at capturing the infinite small heartbreaks of love and loss and grief.&’ Nicola Yoon, author of Everything, Everything &‘A phenomenal talent.&’ Juno Dawson, author of Clean and Wonderland &‘Bold and haunting.&’ Lauren Oliver, author of Delirium