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When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man
by Jerry Weintraub Rich CohenHere is the story of Jerry Weintraub: the self-made, Brooklyn-born, Bronx-raised impresario, Hollywood producer, legendary deal maker, and friend of politicians and stars. No matter where nature has placed him--the club rooms of Brooklyn, the Mafia dives of New York's Lower East Side, the wilds of Alaska, or the hills of Hollywood--he has found a way to put on a show and sell tickets at the door. "All life was a theater and I wanted to put it up on a stage," he writes. "I wanted to set the world under a marquee that read: 'Jerry Weintraub Presents.'"In WHEN I STOP TALKING, YOU'LL KNOW I'M DEAD, we follow Weintraub from his first great success at age twenty-six with Elvis Presley, whom he took on the road with the help of Colonel Tom Parker; to the immortal days with Sinatra and Rat Pack glory; to his crowning hits as a movie producer, starting with Robert Altman and Nashville, continuing with Oh, God!, The Karate Kid movies, and Diner, among others, and summiting with Steven Soderbergh and Ocean's Eleven, Twelve, and Thirteen.Along the way, we'll watch as Jerry moves from the poker tables of Palm Springs (the games went on for days), to the power rooms of Hollywood, to the halls of the White House, to Red Square in Moscow and the Great Palace in Beijing-all the while counseling potentates, poets, and kings, with clients and confidants like George Clooney, Bruce Willis, George H. W. Bush, Armand Hammer, Brad Pitt, Matt Damon, Bob Dylan, Led Zeppelin, John Denver, Bobby Fischer . . .well, the list goes on forever.And of course, the story is not yet over . . .as the old-timers say, "The best is yet to come."As Weintraub says, "When I stop talking, you'll know I'm dead."With wit, wisdom, and the cool confidence that has colored his remarkable career, Jerry chronicles a quintessentially American journey, one marked by luck, love, and improvisation. The stories he tells and the lessons we learn are essential, not just for those who love movies and music, but for businessmen, entrepreneurs, artists . . . everyone.
When I Was a Girl
by Alison PolletDiscover the defining moments and fondest memories of some of the world's most celebrated women!Based on the popular WE: Women's Entertainment television series and featuring an introduction by famed television journalist and author Linda Ellerbee,When I Was a Girlpresents a collection of timeless girlhood tales. Extraordinary women from the worlds of politics, sports, entertainment, literature, music, and beyond relive the early moments that shaped them: the first friendships and academic pitfalls, the consuming crushes and favorite outfits. These are some of the remarkable women who offer a glimpse into what inspired them when they were girls:Gillian AndersonIndia. ArieCandice BergenEllen BurstynCandace BushnellAnn CurryEllen DeGeneresIlleana DouglasMarian Wright EdelmanMelissa EtheridgeEdie FalcoFionnula FlanaganSue GraftonDenyce GravesMelanie GriffithCherry JonesGladys KnightLisa LeslieSusan LucciWendie MalickRita MorenoDee Dee MyersCynthia NixonElizabeth PerkinsKelly PrestonAnna QuindlenSally RideMichelle RodriguezAmy SedarisJamie-Lynn SiglerMary SteenburgenLee Ann WomackAnd many more!Here are cherished memories, evocative and insightful, for every woman who recalls fondly what she was like. . . when she was a girl. For more information on WE: Women's Entertainment and the seriesWhen I Was a Girllog on to www. we. tv.
When I Was a Nipper: The Way We Were in Disappearing Britain
by Alan TitchmarshIn When I Was a Nipper Alan Titchmarsh goes on a personal and nostalgic journey through post-War Britain in search of treasured values and traditions that were once the soul of society. With characteristic wit, warmth and humour he draws on the experience of his own childhood, and also takes a broader perspective, creating a wonderfully detailed and evocative portrait of a way of life that is fast disappearing, and asks what can we learn from this era of austerity to make our lives better today?Born in Yorkshire in 1949 and brought up in a Britain still recovering from World War 2, Alan remembers a time of relative calm, when it was enough to return home at night knowing that the house would still be standing. We were known throughout the world for our patience, resourcefulness and resilience. 'Mustn't grumble' was almost a national catchphrase, and queuing was second nature. Peppered with wonderful archive photographs and advertisements, When I Was a Nipper takes us back to those days, down high streets and through farmyards, on to trolley buses and into local pubs. As we move towards a global economy, as communities fragment and customs are lost, When I Was a Nipper captures a world that is fast receding into history. It's powerfully nostalgic for those who remember those days, but it's also Alan's timely call to all recession-hit Brits to heed the lessons of austerity Britain: 'make do and mend'; 'look on the bright side' and 'take the knocks on the chin'.
When I Was Summer
by J. B. HowardA relatable novel about unrequited love, rock 'n' roll, and what you find when you go searching for yourself.Sixteen-year-old Nora Wakelin has always felt like an outsider in her own family. Her parents and older sister love her, but they don't understand anything about her: not her passion for music, not her all-encompassing crush on her bandmate Daniel (who is very much unavailable), not her recklessness and impulsiveness. Nora has always imagined that her biological mother might somehow provide the answer as to why she feels like such an outsider. Through internet stalking and leaps of logic, Nora identifies three women living elsewhere in California who seem like they could be her biological mother. So she sets out to track them each down, one by one, under the pretense of a statewide tour with her rock band, Blue Miles. Three cities, three gigs, three possible birth mothers--it sounds so easy.But once they're on the road, of course, it's anything but easy. Nora wants to be with Daniel, she wants to find her birth mother, she wants to keep her parents happy, she wants the band to stay together, and she wants to know why she is the way she is. But she won't be the first musician to find out that, while you can't always get what you want, sometimes you get what you need.
When I Was Your Age: Life Lessons, Funny Stories & Questionable Parenting Advice from a Professional Clown
by Kenan ThompsonWhen I Was Your Age is a hilarious, heartwarming and surprising ode to growing up, getting older and wiser, and luck, life, and learning from the school of hard knocks, from SNL's longest-serving actor, Kenan ThompsonKenan Thompson is Saturday Night Live’s longest-ever-serving cast member and a star of such pioneering sketches as “Black Jeopardy” and is hugely beloved thanks to a tidal wave of nostalgic fans who grew up on early 2000s classics All That, Good Burger, and Kenan & Kel on Nickelodeon.He’s also a dad (to two girls) in his mid-40s living in suburbia, and whose universal, relatable, family-friendly humor has created unbelievable appeal and engagement from fans from middle America to coastal elites. Becoming a dad sucked the cool right out of him -- and he's OK with that!When I Was Your Age is packed with hilarious yet poignant essays that are aimed to offer any reader valuable advice on parenting, focusing on positivity, and having fun in life. Kids, new parents, fellow fathers, budding comics, and aunties who want to pinch his cheeks, can all learn from his biggest mistakes and most triumphant victories. There’s something for everybody here!
When It's Real (Harlequin Teen)
by Erin WattWealth, fame and a real-life romance she never expected-seventeen-year-old Vaughn Bennett lands it all when she agrees to become a pop star's fake girlfriend in this smart, utterly addictive novel from #1 New York Times bestselling author duo Erin Watt Under ordinary circumstances, Oakley Ford and Vaughn Bennett would never even cross paths. There's nothing ordinary about Oakley. This bad-boy pop star's got Grammy Awards, millions of fangirls and a reputation as a restless, too-charming troublemaker. But with his home life disintegrating, his music well suddenly running dry and the tabloids having a field day over his outrageous exploits, Oakley needs to show the world he's settling down-and who better to help him than Vaughn, a part-time waitress trying to help her family get by? The very definition of ordinary. Posing as his girlfriend, Vaughn will overhaul Oakley's image from troublemaker to serious artist. In return for enough money to put her brothers through college, she can endure outlandish Hollywood parties and carefully orchestrated Twitter exchanges. She'll fool the paparazzi and the groupies. She might even start fooling herself a little. Because when ordinary rules no longer apply, there's no telling what your heart will do...
When Magoo Flew
by Adam AbrahamWhat do Franklin Roosevelt, Dr. Seuss, the U.S. Navy, and Mr. Magoo have in common? They are all part of the surprising story of the pioneering cartoon studio UPA (United Productions of America). Throughout the 1950s, a group of artists ran a business that broke all the rules, pushing animated films beyond the fluffy fantasy of the Walt Disney Studio and the crash-bang anarchy of Warner Bros. Instead, UPA's films were innovative and graphically bold--the cartoon equivalent to modern art. When Magoo Flew is the first book-length study to chronicle the complete story of this unique American enterprise. The book features cameo appearances by Aldous Huxley, James Thurber, Orson Welles, Judy Garland, Robert Goulet, Jim Backus, Eddie Albert, and Woody Allen, as well as a select filmography of the best of UPA.Ebook Edition Note: The ebook has three images redacted: figures 1, 2, and 51.
When Marilyn Met the Queen: Marilyn Monroe's Life in England
by Michelle Morgan'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.
When Marilyn Met the Queen: Marilyn Monroe's Life in England
by Michelle MorganIn July 1956, Marilyn Monroe arrived in London—on honeymoon with her husband Arthur Miller—to make The Prince and the Showgirl with Sir Laurence Olivier. It was meant to be a happy time . . ."I am dying to walk bare-headed in the rain. I think England sounds adorable.&”—Marilyn Monroe Marilyn would work during the day at Pinewood Studios, in Iver Heath, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. But the cottage was a mansion, in Englefield Green, and Marilyn, used to living in tiny hotel rooms and apartments, felt herself being watched. She was, by several of owner Lord Drogheda's servants, who were selling stories to the papers. And when filming began, all did not go as hoped. Over time, Marilyn grew to hate Olivier; the feeling was mutual. Marilyn found herself a curiosity for the frequently hostile British press. She took solace in bike rides in Windsor Great Park, in small acts of kindness from members of the public, and in a growing fascination with Queen Elizabeth, whom she longed to meet—and eventually did.
When Marilyn Met the Queen: Marilyn Monroe's Life in England
by Michelle Morgan'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.
When Marilyn Met the Queen: Marilyn Monroe's Life in England
by Michelle Morgan'England? It seemed to be raining the whole time . . . Or maybe it was me'MARILYN MONROEIn July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way.The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual.Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth.Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.
When Movies Were Theater: Architecture, Exhibition, and the Evolution of American Film (Film and Culture Series)
by William PaulThere was a time when seeing a movie meant more than seeing a film. The theater itself shaped the very perception of events on screen. This multilayered history tells the story of American film through the evolution of theater architecture and the surprisingly varied ways movies were shown, ranging from Edison's 1896 projections to the 1968 Cinerama premiere of Stanley Kubrick's 2001. William Paul matches distinct architectural forms to movie styles, showing how cinema's roots in theater influenced business practices, exhibition strategies, and film technologies.
When Music Takes Over in Film (Palgrave Studies in Audio-Visual Culture)
by Anna K. Windisch Claus Tieber Phil PowrieThis open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research.
When My Love Returns from the Ladies Room, Will I Be Too Old To Care?
by Lewis GrizzardLewis Grizzard is back with a collection of his funniest, most outrageous columns yet. Lewis, as the title suggests, is still complaining about women ("Often I am driving on an expressway and I end up behind a woman who is cruising in the left lane at eleven miles per hour. There are times I wish I had machine guns underneath my headlights"). But he's got a few other things he likes to, uh, comment on as well. Other books by Lewis Grizzard are available in this library.
When Night Breaks (Kingdom of Cards #2)
by Janella AngelesIn Janella Angeles's When Night Breaks, the dramatic last act of the Kingdom of Cards duology, the stage is set, the spectacle awaits… and the show must finally come to an end.The competition has come to a disastrous end, and Daron Demarco’s fall from grace is front-page news. But little matters to him beyond Kallia, the contestant he fell for who is now missing and in the hands of a dangerous magician. Daron is willing to do whatever it takes to find her. Even if it means unearthing secrets that lead him on a treacherous journey, risking more than his life and with no promise of return.After falling through the mirror, Kallia has never felt more lost, mourning everything she left behind and the boy she can’t seem to forget. Only Jack, the magician who has all the answers but can’t be trusted, remains at her side. Together, they must navigate a dazzling world where mirrors show memories and illusions shadow every corner, ruled by a powerful showman who’s been waiting for Kallia to finally cross his stage. But beneath the glamour of dueling headliners and never-ending revelry, a sinister force falls like night over everyone, with the dark promise of more—more power beyond Kallia’s wildest imagination, and at a devastating cost.The truth will come out, a kingdom must fall, hearts will collide.And the show must finally come to an end.
When Opera Meets Film
by Marcia J. CitronOpera can reveal something fundamental about a film, and film can do the same for an opera, argues Marcia J. Citron. Structured by the categories of Style, Subjectivity, and Desire, this volume advances our understanding of the aesthetics of the opera/film encounter. Case studies of a diverse array of important repertoire including mainstream film, opera-film, and postmodernist pastiche are presented. Citron uses Werner Wolf's theory of intermediality to probe the roles of opera and film when they combine. The book also refines and expands film-music functions, and details the impact of an opera's musical style on the meaning of a film. Drawing on cinematic traditions of Hollywood, France, and Britain, the study explores Coppola's Godfather trilogy, Jewison's Moonstruck, Nichols's Closer, Chabrol's La C_r_monie, Schlesinger's Sunday, Bloody Sunday, Boyd's Aria, and Ponnelle's opera-films.
When Stories Travel: Cross-Cultural Encounters between Fiction and Film
by Cristina Della ColettaAdapting fiction into film is, as author Cristina Della Coletta asserts, a transformative encounter that takes place not just across media but across different cultures. In this book, Della Coletta explores what it means when the translation of fiction into film involves writers, directors, and audiences who belong to national, historical, and cultural formations different from that of the adapted work. In particular, Della Coletta examines narratives and films belonging to Italian, North American, French, and Argentine cultures. These include Luchino Visconti’s adaptation of James M. Cain’s The Postman Always Rings Twice, Federico Fellini’s version of Edgar Allan Poe’s story "Never Bet the Devil Your Head," Alain Corneau’s film based on Antonio Tabucchi’s Notturno indiano, and Bernardo Bertolucci’s take on Jorge Luis Borges’s "Tema del traidor y del héroe." In her framework for analyzing these cross-cultural film adaptations, Della Coletta borrows from the philosophical hermeneutics of Hans-Georg Gadamer and calls for a "hermeneutics of estrangement," a practice of mediation and adaptation that defines cultures, nations, selfhoods, and their aesthetic achievements in terms of their transformative encounters. Stories travel to unexpected and interesting places when adapted into film by people of diverse cultures. While the intended meaning of the author may not be perfectly reproduced, it still holds, Della Coletta argues, an equally valid and important intellectual claim upon its interpreters. With a firm grasp on the latest developments in adaptation theory, Della Coletta invites scholars of media studies, cultural history, comparative literature, and adaptation studies to deepen their understanding of this critical encounter between texts, writers, readers, and cultural movements.
When Summer Ends: A Novel
by Jessica PenningtonThree monthsTwo changed fatesOne chance to fall in loveAiden Emerson is an all-star pitcher and the all-around golden boy of Riverton. Or at least he was, before he quit the team the last day of junior year without any explanation. How could he tell people he’s losing his vision at seventeen?Straight-laced Olivia thought she had life all figured out. But when her dream internship falls apart, her estranged mother comes back into her life, and her longtime boyfriend ghosts her right before summer break, she starts to think fate has a weird sense of humor. Each struggling to find a new direction, Aiden and Olivia decide to live summer by chance, letting coin flips, card pulls, and rock, paper, scissors make all the hard decisions. Every fleeting adventure and stolen kiss is as fragile as a coin flip in this heartfelt journey to love and self-discovery from the author of Love Songs & Other Lies.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When the Balls Drop
by Brad GarrettA refreshingly candid and wickedly funny look at life's second half from Everybody Loves Raymond TV sitcom star and comic Brad Garrett.In this no-holds-barred book of comedic and personal essays, Brad Garrett waxes hilarious--and irreverently honest--about the gaffes, challenges, and ultimately the joys of middle age as he advises us on how to best approach the dreaded "second half" of life. Ranging in topics from genetics to genitals, weight to women, and dating to diarrhea, Brad leaves no stone unturned in this laugh-out-loud look at getting older. With pieces such as "No Scales in Heaven," in which Brad points out the essential pointlessness of overthinking diet and exercise, and "Celebrating Your E.D. (erectile dysfunction) During Your Mid-Life Crisis," the star comedian encourages you to forget the overwhelming concerns that accompany middle age and to welcome the laughs--even if you have a fifty-fifty chance of throwing your back out in doing so. Penned in Brad's signature witty, conversational, no-nonsense style that has cemented his status as an icon in the comedy industry, this autobiographical book will teach you the most important thing: that, no matter what, we're all in this together. So embrace it.
When the Beat Drops
by Anna HeckerIt's time to face the music.Seventeen-year-old Mira has always danced to her own beat. A music prodigy in a family of athletes, she'd rather play trumpet than play ball—and with her audition to a prestigious jazz conservatory just around the corner (and her two best friends at music camp without her), she plans to spend the summer focused on jazz and nothing else. She only goes to the warehouse party in a last-ditch effort to bond with her older sister. Instead, she falls in love with dance music, DJing... and Derek, a gorgeous promoter who thinks he can make her a star. Suddenly, trumpet practice and old friendships are taking a back seat to packed dance floors and sun-soaked music festivals, outsized personalities and endless beats. But when a devastating tragedy plunges her golden summer into darkness, Mira discovers just how little she knows about her new boyfriend, her old friends, and even her own sister. Music brought them together. Will it also tear them apart?
When the Circus Came to Town
by Polly HorvathA hilarious satire on small-town prejudice. It all started with the Halibuts. Then came Elmira Degoochy the snake lady. Then the Flying Gambinis -- all seven of them and their mother. And Mrs. Harrison the fortune-teller, and Mr. Wydel the strongman... These are the new residents of Springfield, the formerly peaceful Midwestern town where up to now young Ivy's life had been pretty uneventful. Ivy becomes fast friends with Alfred Halibut, who is an aspiring writer like herself and the son of a circus publicity manager. She also befriends the other circus people who have moved into town. But many of her neighbors are not feeling kindly about this invasion of strange characters. Tensions somersault into a climactic tangle at the Springfield bake-off. In the midst of hurtling pies, one voice alone can bring peace and tolerance back to the community.
When the Movies Mattered: The New Hollywood Revisited
by Jonathan Kirshner Jon LewisIn When the Movies Mattered Jonathan Kirshner and Jon Lewis gather a remarkable collection of authors to revisit the unique era in American cinema that was New Hollywood. Ten eminent contributors, some of whom wrote about the New Hollywood movement as it unfolded across the 1960s and 1970s, assess the convergence of film-industry developments and momentous social and political changes that created a new type of commercial film that reflected those revolutionary influences in American life. Even as New Hollywood first took shape, film industry insiders and commentators alike realized its significance. At the time, Pauline Kael compared the New Hollywood to the "tangled, bitter flowering of American letters in the 1850s" and David Thomson dubbed the era "the decade when movies mattered." Thomson's words provide the impetus for this volume in which a cohort of seasoned film critics and scholars who came of age watching the movies of this era reflect upon and reconsider this golden age in American filmmaking.Contributors: Molly Haskell, Heather Hendershot, J. Hoberman, George Kouvaros, Phillip Lopate, Robert Pippin, David Sterritt, David Thomson
When the Shooting Stops . . .The Cutting Begins: A Film Editor's Story
by Robert Karen Ralph RosenblumThe story of one of the most important and least-understood jobs in moviemaking?film editing?is here told by one of the wizards, Ralph Rosenblum, whose credentials include six Woody Allen films, as we
When the Tuna Went Down to Texas
by Mike ShropshireBill Parcells had earned living-legend status after transforming the Giants, Patriots, and Jets into champions. But in the final weeks of the 2002 season, he found himself living in a self-imposed exile from the National Football League. His heart aching, the Tuna yearned for another lost cause. Enter Dallas Cowboys owner Jerry Jones. Deep in the heart of Texas, Jones''s once-proud pro football powerhouse had suffered through three straight disastrous seasons. The Tuna and Jones needed each other in the worst kind of way. After a clandestine meeting, Parcells agreed to travel south to restore life to the Cowboys. Football pundits shouted, "Parcells and Jones can't stand each other! It'll never work!" As usual, the pundits were wrong. With Parcells applying his witchcraft, Dallas rolled to a 10-6 regular season record and shocked the NFL by making the playoffs.
When They Were Boys: The True Story of the Beatles' Rise to the Top
by Larry KaneThis is the story of the Beatles’ harrowing rise to fame: focusing on that seven-year stretch from the time the boys met as teenagers to early 1964, when the Fab Four made their momentous first appearance on The Ed Sullivan Show. From the boys’ humble beginnings in Liverpool, to the cellars of Hamburg, When They Were Boys includes stories never before told, including the heartbreaks and the lucky breaks. Included are an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, an exploration of the brilliant but troubled soul of manager Brian Epstein, and the real scoop on their disastrous first visit to Germany and the death of Stu Sutcliffe. With an eye for life in Liverpool during the 50’s and 60’s and over 65 eyewitness accounts from those closest to the Beatles, Larry Kane brings to life the evolution of the group that changed music forever.