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Why Don't We: In the Limelight
by Why Don'T WeIn the Limelight is the official Why Don’t We autobiography, full of never-before-seen photos and behind-the-scenes info about one of today’s hottest bands.When five guys decided to form a band, they never imagined that they would go from playing music online to playing tours across the world so quickly. Why Don’t We has been together for less than two years, and they’ve already headlined sold out shows, played at Madison Square Garden, and amassed millions of fans. And this is all just the beginning.This is the official Why Don’t We story, full of never-before-seen photos and everything you need to know about Corbyn, Daniel, Zach, Jonah, and Jack. Find out the secrets they’ve never shared with fans before, their embarrassing childhood stories, what they look for in a girlfriend, and how it felt to have their lives completely changed by this incredible journey.
Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
by Joshua Louis MossFrom immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.
Why Harry Met Sally: Subversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love
by Joshua Louis MossFrom immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.
Why I Burned My Book And Other Essays On Disability
by Paul K. Longmore<P>This wide-ranging book shows why Paul Longmore is one of the most respected figures in disability studies today. Understanding disability as a major variety of human experience, he urges us to establish it as a category of social, political, and historical analysis in much the same way that race, gender, and class already have been. The essays here search for the often hidden pattern of systemic prejudice and probe into the institutionalized discrimination that affects the one in five Americans with disabilities. <P>Whether writing about the social critic Randolph Bourne, contemporary political activists, or media representations of people with disabilities, Longmore demonstrates that the search for heroes is a key part of the continuing struggle of disabled people to gain a voice and to shape their destinies. His essays on bioethics and public policy examine the conflict of agendas between disability rights activists and non-disabled policy makers, healthcare professionals, euthanasia advocates, and corporate medical bureaucracies. <P> The title essay, which concludes the book, demonstrates the necessity of activism for any disabled person who wants access to the American dream. <P> Author note: Paul K. Longmore is Professor of History at San Francisco State University. He is the author of The Invention of George Washington and the co-editor (with Lauri Umansky) of The New Disability History: American Perspectives.
Why I Fight: The Belt Is Just an Accessory
by B.J. Penn Dave WeintraubClaiming that “the belt is just an accessory,” Ultimate Fighting Championship (UFC) Lightweight Champion B.J. Penn explains Why I Fight in this honest, intimate, and fascinating memoir. Written with David Weintraub, Why I Fight is an unforgettable portrait of one of the top and most recognizable mixed martial artists in the UFC and an up-close look at one of the most exciting and fastest growing sports in the world. UFC and Jiu-Jitsu aficionados—and fans of Iceman, A Fighter’s Heart, and Bruce Lee’s classic The Tao of Jeet Kun Do—will want to explore Why I Fight.
Why I'm Not A Millionaire: The dazzling memoir of an extraordinary trailblazer
by Nancy SpainThe superb classic memoir from a dazzlingly eccentric and endlessly fascinating author - a woman very much ahead of her time.'She was bold, she was brave, she was funny, she was feisty. I owe her a great deal in leading the way' Sandi ToksvigNancy Spain was one of the most celebrated - and notorious - writers and broadcasters of the 40s, 50s and 60s. Hilarious, controversial and brilliant, she lived openly as a lesbian (sharing a household with her two lovers and their various children) and was frequently litigated against for her newspaper columns - Evelyn Waugh successfully sued her for libel... twice. She was also a fantastic crime novelist (and according to the Guardian, one of the 50 best female crime thriller writers of all time) writing with a unique style that marries the acid wit of Dorothy Parker with the intricacy of plotting worthy of Agatha Christie. WHY I AM NOT A MILLIONAIRE, has the same wit, style and fascinating detail - first published in 1956, with an introductory note from Noel Coward. After her death in a plane crash in 1964, Noel Coward commented: 'It is cruel that all that gaiety, intelligence and vitality should be snuffed out, when so many bores and horrors are left living.'
Why Not Me?
by Mindy KalingFrom the author of the beloved New York Times bestselling book Is Everyone Hanging Out Without Me? and the creator and star of The Mindy Project comes a collection of essays that are as hilarious and insightful as they are deeply personal. In Why Not Me?, Kaling shares her ongoing journey to find contentment and excitement in her adult life, whether it's falling in love at work, seeking new friendships in lonely places, attempting to be the first person in history to lose weight without any behavior modification whatsoever, or most important, believing that you have a place in Hollywood when you're constantly reminded that no one looks like you. In "How to Look Spectacular: A Starlet's Confessions," Kaling gives her tongue-in-cheek secrets for surefire on-camera beauty, ("Your natural hair color may be appropriate for your skin tone, but this isn't the land of appropriate-this is Hollywood, baby. Out here, a dark-skinned woman's traditional hair color is honey blonde.") "Player" tells the story of Kaling being seduced and dumped by a female friend in L.A. ("I had been replaced by a younger model. And now they had matching bangs.") In "Unlikely Leading Lady," she muses on America's fixation with the weight of actresses, ("Most women we see onscreen are either so thin that they're walking clavicles or so huge that their only scenes involve them breaking furniture.") And in "Soup Snakes," Kaling spills some secrets on her relationship with her ex-boyfriend and close friend, B.J. Novak ("I will freely admit: my relationship with B.J. Novak is weird as hell.") Mindy turns the anxieties, the glamour, and the celebrations of her second coming-of-age into a laugh-out-loud funny collection of essays that anyone who's ever been at a turning point in their life or career can relate to. And those who've never been at a turning point can skip to the parts where she talks about meeting Bradley Cooper.
Why Sinatra Matters
by Pete HamillIn this unique homage to an American icon, journalist and award-winning author Pete Hamill evokes the essence of Sinatra--examining his art and his legend from the inside, as only a friend of many years could do. Shaped by Prohibition, the Depression, and war, Francis Albert Sinatra became the troubadour of urban loneliness. With his songs, he enabled millions of others to tell their own stories, providing an entire generation with a sense of tradition and pride belonging distinctly to them.
Why the Theatre: In Personal Essays, College Teachers, Actors, Directors, and Playwrights Tell Why the Theatre Is So Vital to Them
by Sidney HomanWhy the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.
Why Theatre Matters
by Kathleen GallagherWhat makes young people care about themselves, others, their communities, and their futures? In Why Theatre Matters, Kathleen Gallagher uses the drama classroom as a window into the daily challenges of marginalized youth in Toronto, Boston, Taipei, and Lucknow. An ethnographic study which mixes quantitative and qualitative methodology in an international multi-site project, Why Theatre Matters ties together the issues of urban and arts education through the lens of student engagement. Gallagher's research presents a framework for understanding student involvement at school in the context of students' families and communities, as well as changing social, political, and economic realities around the world.Taking the reader into the classroom through the voices of the students themselves, Gallagher illustrates how creative expression through theatre can act as a rehearsal space for real, material struggles and for democratic participation. Why Theatre Matters is an invigorating challenge to the myths that surround urban youth and an impressive study of theatre's transformative potential.
Why to Kill a Mockingbird Matters: What Harper Lee's Book and the Iconic American Film Mean to Us Today
by Tom SantopietroTom Santopietro, an author well-known for his writing about American popular culture, delves into the heart of the beloved classic and shows readers why To Kill a Mockingbird matters more today than ever before.With 40 million copies sold, To Kill a Mockingbird’s poignant but clear eyed examination of human nature has cemented its status as a global classic. Tom Santopietro's new book, Why To Kill a Mockingbird Matters, takes a 360 degree look at the Mockingbird phenomenon both on page and screen.Santopietro traces the writing of To Kill a Mockingbird, the impact of the Pulitzer Prize, and investigates the claims that Lee’s book is actually racist. Here for the first time is the full behind the scenes story regarding the creation of the 1962 film, one which entered the American consciousness in a way that few other films ever have. From the earliest casting sessions to the Oscars and the 50th Anniversary screening at the White House, Santopietro examines exactly what makes the movie and Gregory Peck’s unforgettable performance as Atticus Finch so captivating.As Americans yearn for an end to divisiveness, there is no better time to look at the significance of Harper Lee's book, the film, and all that came after.
Why Unicorn Drinks
by C. W. MossUnicorns are just like us. They have problems, stresses, and like to blow off some steam. Author and illustrator C. W. Moss explores the inner psyche of the single-horned in Why Unicorn Drinks.A follow-up to Unicorn Being a Jerk, this volume of 67 four-color illustrations and captions gives readers a glimpse into the sad reality of life as a mythical creature, and reveals what drives Unicorn to the bottle.As fans of Moss' online comic undoubtedly know, Why Unicorn Drinks pours a double-shot of laughter and irreverence. You'll never look at a unicorn the same way again.
Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication
by Sheena C. HowardIn 2018, the Marvel Cinematic Universe finally delivered on something fans had long been waiting for: a feature film with a solo Black superhero. Black Panther introduced viewers to the stunning world of Wakanda, a fictional African country with incredible technological advancements, and to T'Challa, a young man stepping into his role as king and taking up the mantle of the Black Panther title from his late father. The unforgettable story, coupled with the film's mega-success, has undoubtedly shaped the future of superhero cinema, in addition to genuinely changing viewers' lives. Why Wakanda Matters gives this iconic film the in-depth analysis it deserves under the lens of the latest psychological concepts-as well as delving into the lasting cultural impact of this unforgettable story. Edited by Sheena C. Howard, an award-winning author, filmmaker, and scholar, Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication features a collection of essays from leading experts in a variety of fields who offer insightful perspectives on topics such as: • Cognitive dissonance: The important messages within T'Challa's nuanced identity and eventual shift from nationalism to globalism. • Intergenerational trauma and resistance: How N'Jadaka (aka Erik/Killmonger) identifies with the trauma that his ancestors have suffered. • Social identity: How Nakia, Shuri, Okoye, and Ramonda—all empowered, intelligent, and assertive women of color—can make a lasting impression on women and girls. • Collective identity: How Black Panther has created a shared fantasy for Black audience members—and why this is groundbreaking. • Cultural and racial identity: What we can learn from Black Panther's portrayal of a culture virtually untouched by white supremacy. Fans of the movie and those interested in deeper discussions about the film will revel in this thought-provoking examination of all aspects of Black Panther and the power of psychology.
Why We Dance: A Philosophy of Bodily Becoming
by Kimerer LaMotheWithin intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
Why We Don't Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches
by Denis LearyFrom the author of the bestselling Why We Suck comes a searing comic look at these divisive times, skewering liberals and conservatives alike with a signature dose of sarcasm and common sense.In an America so gluten-free that a box of jelly donuts is now a bigger threat than Vladimir Putin, where college kids are more afraid of Ann Coulter than HIV, it’s time for someone to stand up and make us all smell the covfefe. Dr. Denis Leary is that guy. With Why We DON’T Suck: And How All of Us Need to Stop Being Such Partisan Little Bitches, Denis is on a devoted mission to #MakeAmericaLaughAgain. Using the clamorous political atmosphere as a starting point, he takes a bipartisan look at the topics we all hold so dear to our patriotic hearts—including family, freedom, and the seemingly endless search for fame and diet vodka. Denis will answer important questions like: When will Hillary blame herself? Why does Beyoncé think he’s Bryan Adams? And why doesn’t he follow the millennial lead and post pictures of his food on social media? (Spoiler alert: He’s too busy actually eating it.) Not that Denis has anything against millennials: “When it comes to science, math, and technological advances, this generation has done more in three and a half decades than any other age group in history. What did my generation do? Cocaine and quaaludes mostly. With a side order of really stupid haircuts.” Dr. Leary is here to remind us of what truly makes America great, even though we’re #7 on the most recent list of Best Countries to Live In. Which may sound bad but means we still make the playoffs.
Why We Fought: America's Wars in Film and History (Film and History #Fmhi)
by Peter C. Rollins John E. O'ConnorThis book makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. Why We Fought: America's Wars in Film and History is a comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath. The volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front (1930), Sands of Iwo Jima (1949), Apocalypse Now (1979), Platoon (1986), and Saving Private Ryan (1998). Why We Fought reveals how film depictions of the country's wars have shaped our values, politics, and culture, and it offers a unique understanding of American history.
Why We Love Die Hard
by Kim Taylor-FosterRediscover all the reasons you love Die Hard with this essential illustrated guide to the making of and impact of this quintessential action (and Christmas) flick!Fully loaded with John McClane sarcasm, Alan Rickman as a German terrorist, and Nakatomi Plaza blowing up on Christmas Eve, Die Hard is often cited as the film that took action blockbusters to the next level, but what has earned the film its fiercely devoted fan base? That's the question that Why We Love Die Hard seeks to answer. This is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify Die Hard as a must-see film. A Die Hard lover's dream, this guide includes punchy illustrations paired alongside essays exploring the film's history, characters, unique film techniques, and the thematic elements that have helped this film become the beloved classic it is today.
Why We Love The Matrix
by Kim Taylor-FosterRediscover all the reasons you love The Matrix with this unique guide to the cult 90s sci-fi classic, filled with trivia, essays, and behind the scenes looks at characters, production, and so much more. Whether you saw the movie in theaters in 1999 or watched it for the first time at home, there is no denying that The Matrix has had an immense impact on pop culture. A "must-see" of the science fiction genre and Why We Love The Matrix is the first and only guide that combines entertaining information about the history and making of the film with a celebratory look at all the different aspects that have helped solidify this as a beloved favorite of sci-fi fans.Offering entertaining essays about the key features that have helped the film become the classic it is today—like the origins of the plot and characters, film techniques, and the philosophy behind the story—plus quotes, sidebars, and eye-catching two-color illustrations throughout, Why We Love The Matrix is a great gift for both casual and more serious fans of the movie and, let's face it, Keanu Reeves.
Why We Love Star Wars: The Great Moments That Built a Galaxy Far, Far Away
by Ken NapzokCelebrate the greatest saga ever told with this “intergalactically awesome book” (Tiffany “Smithlord” Smith).The first shots of the ragtag Rebels running from the monstrous Galactic Empire. Young Anakin winning the podrace. The first time we saw the crackle of Luke Skywalker’s lightsaber. All of us who are deeply influenced by the epic saga of Star Wars have our favorite moments, and each time the screen goes black and we see those words—A Long Time Ago, In A Galaxy Far, Far Away—the music blasts through us and we feel like kids again.In this book, Star Wars aficionado Ken Napzok counts down one hundred of those special moments that makes this series not just the best movies of all time, but the Greatest Saga Ever Told. What began as one movie about good people, evil oppressors, and the space wizards that stood between them has exploded into so much more. The moments that continue to inspire are on screen and in the pages of novels. They are found in the panels of comic books and among animated sequences on television. And they all continue to grow in stature, importance, and myth through discussions, debates, and daydreams. Why We Love Star Wars is a joyful journey through the universe we love to inhabit, again and again.
Why We Make Movies: Black Filmmakers Talk About the Magic of Cinema
by George AlexanderA sparkling collection of interviews with African American directors and producers. Bringing together more than thirty candid conversations with filmmakers and producers such as Spike Lee, Gordon Parks, Julie Dash, Charles Burnett, and Robert Townsend, Why We Make Movies delivers a cultural celebration with the tips of a film-school master class. With journalist George Alexander, these revolutionary men and women discuss not only how they got their big breaks, but more importantly, they explore the creative process and what making movies means to them. Why We Make Movies also addresses the business of Hollywood and its turning tide, in a nation where African Americans comprise a sizable portion of the film-going public and go to the movies more frequently than whites. In addition, Alexander's cast of directors and producers considers the lead roles they now play in everything from documentaries and films for television to broad-based blockbusters (in fact, the highest-grossing film in Miramax history was Scary Movie, directed by Keenen Ivory Wayans). For film buffs and aspiring filmmakers alike,Why We Make Movies puts a long-overdue spotlight on one of the most exciting and cutting-edge segments of today's silver screen. INTERVIEWS INCLUDE: MELVIN VAN PEEBLES * MICHAEL SCHULTZ * CHARLES BURNETT * SPIKE LEE * ROBERT TOWNSEND * FRED WILLIAMSON * ERNEST DICKERSON * KEENEN IVORY WAYANS * ANTOINE FUQUA * BILL DUKE * FORREST WHITAKER * JULIE DASH * KASI LEMMONS * GINA PRINC-BLYTHEWOOD * JOHN SINGLETON * GEORGE TILLMAN Jr. * REGINALD HUDLIN * WARRINGTON HUDLIN * MALCOLM LEE * EUZHAN PALCY * DOUG McHENRY * DEBRA MARTIN CHASE * St. CLAIR BOURNE * STANLEY NELSON * WILLIAM GREAVES * KATHE SANDLER * CAMILLE BILLOPS * HAILE GERIMA * GORDON PARKS.
Why We Suck: A Feel Good Guide to Staying Fat, Loud, Lazy and Stupid
by Denis LearyOne of America’s most original and biting comic satirists, Denis Leary takes on all the poseurs, politicians, and pop culture icons who have sucked in public for far too long. Sparing no one, Leary zeroes in on the ridiculous wherever he finds it—his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics—with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows No Cure for Cancer Lock ’n Load.<P> Proudly Irish-American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are both penetrating social commentary with no holds barred and laugh-out-loud funny. As always, Leary’s impassioned comic perspective in Why We Suck is right on target.<P> Leary is the star and co-creator of the Emmy-nominated television show Rescue Me.
Why You Crying?
by George Lopez Armen KeteyianIn this eagerly awaited autobiography, comedian and prime-time television star George Lopez tells the heartbreaking yet humorous story of his inspirational rise from dead-end kid in the Valley to giving a command performance before the president of the United States. It is a rare story that touches us so deeply with its humor, sadness, and powerful message that it transcends the walls of race, culture, and class that divide us. Why You Crying? is just such a story. Abandoned by his migrant-worker father at the tender age of two months, deserted by a wild, mixed-up mother at the age of ten years, Lopez grew up angry, alone, teased, and tormented in California's San Fernando Valley, raised by grandparents who viewed love as a four-letter word. Inspired by his idols, Freddie Prinze Sr. and Richard Pryor, Lopez sets out on a tumultuous twenty-year journey into the manic world of stand-up comedy -- trying to learn a skill nobody can teach; scoring one night and bombing the next; fighting anger, alcohol, depression, and doubt all while battling the barriers built to keep Chicanos from breaking through, especially on network TV. Today, the George Lopez show is a prime-time hit on ABC and his sold-out stand-up performances attract thousands of fans of all ages, each drawn to the sidesplitting riffs mined from a life so sad it had to be funny. Why You Crying? takes an outsider from the San Fernando Valley to Warner Bros. studios to inside the Emmys to plush Pebble Beach and all the way to the halls of Harvard. Along the way it's pure G. Lo -- raw, real, and, ultimately, uplifting.
Why You Should Never Beam Down in a Red Shirt and 749 More Answers to Questions About Star Trek
by Robert W. BlyWith new movies, TV shows and books appearing all the time, the popularity of Star Trek is at an all-time high. Now, following his bestselling "The Ultimate Unauthorized Star Trek Quiz Book", Robert W. Bly provides 750 more multiple choice, fill-in-the-blank and mix-and-match questions covering the entire spectrum of Star Trek lore. Including information on the new series, Star Trek: Voyager, and film, Star Trek: Generations. Why You Should Never Beam Down in a Red Shirt also provides complete coverage of the final season of The Next Generation, more from the current season of Deep Space Nine and questions and answers from a variety of new sources-- including several recently published autobiographies by stars of the original series. In addition, the book contains a host of new features-- a listing of companies selling Star Trek collectibles, an appendix listing Star Trek fan publications, a Star Trek bibliography and more. "Why You Should Never Beam Down in a Red Shirt" is one book no Star Trek fan should be without.
Wichita's Riverside Parks
by James E. MasonWichita was founded in 1870 at the junction of the Little and Big Arkansas Rivers in south central Kansas. From the very beginning, the rivers have been a focus for social and recreational activity. Parks, both public and private, were established along these waterways near downtown to capitalize on this natural asset and have gone through many changes. Some of these parks are now over 100 years old, but one no longer exists, having literally been dug up and hauled away in wheelbarrows in 1933. This book chronicles many of the colorful activities and events that have occurred in these parks over the years, and shows how vital they are in the Wichita of today.
Wicked: The Grimmerie
by David CoteSo much happened before Dorothy dropped in. Two girls quite accidentally crossed paths: one, pretty and popular; the other smart and ... green. The story of how these two unlikely friends became Glinda the Good and the Wicked Witch of the West has made for the most spellbinding new musical in years: Wicked.