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Unruly Cinema: History, Politics, and Bollywood
by Rini Bhattacharya MehtaBetween 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Unruly Comparison: Queerness, Hong Kong, and the Sinophone (Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe)
by Alvin K. WongIn Unruly Comparison, Alvin K. Wong examines queerness in Hong Kong through a transdisciplinary analysis of Sinophone literature, cinema, visual culture, and civil society. Moving beyond Eurocentrism in queer theory and China-centrism in area studies, Wong frames Hong Kong as a model for global comparison by theorizing a method of unruly comparison—acknowledging the incommensurability of cultural texts and queer figures across different temporal and spatial locations. Here, unruly comparison positions Hong Kong as an undefinable time-space that troubles historicist, colonial, and China-centric renderings of the city as merely a site of British colonial legacy, Chinese rule, or global capital. Wong analyzes queer interracial desire in WWII; a cinema of gay male cosmopolitanism; queer intimacy among migrant workers; trans visuality and legality; cross-border sex work; and the queer diaspora of Hong Kong after the 2019 protests. Through Wong’s readings, Hong Kong becomes a queer region of racial, gender, and sexual incommensurability. By foregrounding the friction, asymmetry, and perverse juxtapositions of unruly comparison of Hong Kong with the Sinophone world, Wong reframes key debates in queer theory and East Asian studies.
Unruly Girls, Unrepentant Mothers
by Kathleen Rowe KarlynSince the 1990s, when Reviving Ophelia became a best seller and “Girl Power” a familiar anthem, girls have assumed new visibility in the culture. Yet in asserting their new power, young women have redefined femininity in ways that have often mystified their mothers. They have also largely disavowed feminism, even though their new influence is a likely legacy of feminism’s Second Wave. At the same time, popular culture has persisted in idealizing, demonizing, or simply erasing mothers, rarely depicting them in strong and loving relationships with their daughters. Unruly Girls, Unrepentent Mothers, a companion to Kathleen Rowe Karlyn’s groundbreaking work, The Unruly Woman, studies the ways popular culture and current debates within and about feminism inform each other. Surveying a range of films and television shows that have defined girls in the postfeminist era—from Titanic and My So-Called Life to Scream and The Devil Wears Prada, and from Love and Basketball to Ugly Betty—Karlyn explores the ways class, race, and generational conflicts have shaped both Girl Culture and feminism’s Third Wave. Tying feminism’s internal conflicts to negative attitudes toward mothers in the social world, she asks whether today’s seemingly materialistic and apolitical girls, inspired by such real and fictional figures as the Spice Girls and Buffy the Vampire Slayer, have turned their backs on the feminism of their mothers or are redefining unruliness for a new age.
Unruly Women
by Margaret BoyleIn the first in-depth study of the interconnected relationships among public theatre, custodial institutions, and women in early modern Spain, Margaret E. Boyle explores the contradictory practices of rehabilitation enacted by women both on and off stage. Pairing historical narratives and archival records with canonical and non-canonical theatrical representations of women's deviance and rehabilitation, Unruly Women argues that women's performances of penitence and punishment should be considered a significant factor in early modern Spanish life.Boyle considers both real-life sites of rehabilitation for women in seventeenth-century Madrid, including a jail and a magdalen house, and women onstage, where she identifies three distinct representations of female deviance: the widow, the vixen, and the murderess. Unruly Women explores these archetypal figures in order to demonstrate the ways a variety of playwrights comment on women's non-normative relationships to the topics of marriage, sex, and violence.
Unscripted Joss Byrd: A Novel
by Lygia Day PeñaflorHollywood critics agree. Joss Byrd is "fiercely emotional," a young actress with "complete conviction," and a "powerhouse." Joss Byrd is America's most celebrated young actress, and but on the set of her latest project, a gritty indie film called The Locals, Joss's life is far from glamorous. While struggling with her mother's expectations, a crush on her movie brother, and a secret that could end her career, Joss must pull off a performance worthy of a star. When her renowned, charismatic director demands more than she is ready to deliver, Joss must go off-script to stay true to herself.
Unscripted: The Epic Battle for a Media Empire and the Redstone Family Legacy
by James B Stewart Rachel AbramsThe instant New York Times bestseller • A New York Times Notable Book • Named a Best Book of the Year by The Economist • Nominated for the Financial Times and Schroders Business Book of the Year Award"Addicted to Succession? Well, here's the real thing." - The Hollywood Reporter&“Jaw-dropping . . . an epic tale of toxic wealth and greed populated by connivers and manipulators.&” —The New York Times Book Review, Editors&’ ChoiceThe shocking inside story of the struggle for power and control at Paramount Global, the multibillion-dollar entertainment empire controlled by the Redstone family, and the dysfunction, misconduct, and deceit that threatened the future of the company, from the Pulitzer Prize–winning journalists who first broke the newsIn 2016, the fate of Paramount Global&’s entertainment empire hung precariously in the balance. Its founder and head, ninety-three-year-old Sumner M. Redstone, was facing a very public lawsuit brought by a former romantic companion, Manuela Herzer, which placed Sumner&’s deteriorating health and questionable judgment under a harsh light.As an all-powerful media mogul, Sumner had been a demanding boss, and an even more demanding father. When his daughter, Shari, took control of the business, she faced the hostility of boards who for years had heard Sumner disparage her. Les Moonves, the CEO of CBS, schemed with his allies on the board to strip Shari of power. But while he publicly battled Shari, news began to leak of Moonves&’s involvement in multiple instances of sexual misconduct, and he began working behind the scenes to try to make the stories disappear.Unscripted is an explosive and unvarnished look at the usually secret inner workings of two public companies, their boards of directors, and a wealthy, dysfunctional family in the throes of seismic changes. From the Pulitzer Prize– winning journalists James B. Stewart and Rachel Abrams, Unscripted lays bare the battle for power at any price—and the carnage that ensued.
Unscripting the Present: The Security Panic of Queer Youth Sexuality (SUNY series in Queer Politics and Cultures)
by Timothy GitzenInterrogates contemporary sex panics in the United States, looking especially at popular culture texts to conceptualize queer youth survival strategies.Sex panics saturate contemporary discourse and politics in the United States. While such panics have a long history, they are now infused with rhetoric, logics, and methods of security that turn queer sexuality into an existential crisis. Queer youth bear the brunt of this crisis, with their presumed innocence always in danger of being lost. Unscripting the Present interweaves analysis of laws and lawsuits, news media, sociological studies, and popular culture both to understand contemporary sex panics and to highlight how queer youth find ways to survive in the here and now. Developing a novel technique of "unscripting," Timothy Gitzen focuses our attention on those impromptu moments when things go awry in representations of queer youth-moments that disrupt securitization's social "scripts." Foregoing well-worn promises of things getting better, texts such as Netflix's Sex Education, the film Love, Simon, and the multimodal show Skam upend the anxious hyperfocus on what's to come in favor of a hopeful present.
Unseen: My Journey
by Reggie YatesFrom Grange Hill to Top of the Pops, Reggie Yates has been on camera nearly all of his life, but it’s as a documentary filmmaker – and a pretty fearless one at that – where he has truly been making his mark, investigating everything from gun crime in Chicago, to life as a refugee in Iraq.In his first book, Unseen, Reggie takes us behind the scenes on his journey from TV host to documentary storyteller. Using some of the key moments and extreme circumstances he has found himself in, Reggie examines what he has learned about the world, and himself as a person.Beginning as a brief exploration of Reggie’s relationship with the camera and life growing up on screen, Unseen explores the journey Reggie has taken in the documentary world. Initially resistant to documentary making, Reggie was convinced his point of view as a young black working class man with a history in music, children’s TV and entertainment would not make his films remotely credible. Through conflict and challenges on screen, the understanding gained from the very thing once seen as a weakness would become his strength on camera, as the eye of the everyman and voice of the audience. Unseen unpicks the stories behind the fascinating characters and situations Reggie encounters across a series of films, as well as chronicling the personal growth through each testing shoot for Yates himself.
Unsettled Scores: Politics, Hollywood, and the Film Music of Aaron Copland and Hanns Eisler (Music in American Life #489)
by Sally BickThe Hollywood careers of Aaron Copland and Hanns Eisler brought the composers and their high art sensibility into direct conflict with the premier producer of America's potent mass culture. Drawn by Hollywood's potential to reach—and edify—the public, Copland and Eisler expertly wove sophisticated musical ideas into Hollywood and, each in their own distinctive way, left an indelible mark on movie history. Sally Bick's dual study of Copland and Eisler pairs interpretations of their writings on film composing with a close examination of their first Hollywood projects: Copland's music for Of Mice and Men and Eisler's score for Hangmen Also Die! Bick illuminates the different ways the composers treated a film score as means of expressing their political ideas on society, capitalism, and the human condition. She also delves into Copland's and Eisler's often conflicted attempts to adapt their music to fit Hollywood's commercial demands, an enterprise that took place even as they wrote hostile critiques of the film industry.
Unsettling Scores: German Film, Music, and Ideology
by Roger Hillman"Hillman's groundbreaking study enables both serious and casual film students to approach these works with sharpened vision and improved hearing." --Klaus Phillips, Hollins UniversityUnsettling Scores: German Film, Music, and Ideology examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 80s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syberberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers.
Unsinkable: A Memoir
by Debbie Reynolds Dorian HannawayUnsinkable is the definitive memoir by film legend and Hollywood icon Debbie Reynolds.In Unsinkable, the late great actress, comedienne, singer, and dancer Debbie Reynolds shares the highs and lows of her life as an actress during Hollywood’s Golden Age, anecdotes about her lifelong friendship with Elizabeth Taylor, her experiences as the foremost collector of Hollywood memorabilia, and intimate details of her marriages and family life with her children, Carrie and Todd Fisher.A story of heartbreak, hope, and survival, “America’s Sweetheart” Debbie Reynolds picks up where she left off in her first memoir, Debbie: My Life, and is illustrated with previously unpublished photos from Reynolds’s personal collection.Debbie Reynolds died on December 28, 2016, at the age of 84, just one day after the death of her daughter, actress and author Carrie Fisher.
Unspeakable Histories: Film and the Experience of Catastrophe
by William GuynnIn Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events.Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds.
Unspeakable Histories: Film and the Experience of Catastrophe (Film and Culture Series)
by William GuynnIn Unspeakable Histories, William Guynn focuses on the sensation of encountering past events through film. Film is capable, he argues, of triggering moments of heightened awareness in which the barrier between the past and the present can fall and the reality of the past we thought lost can be momentarily rediscovered in its material being. In his readings of seven exceptional works depicting twentieth century atrocities, Guynn explores the emotional resonance that still adheres to traumatic historical events. Guynn considers dimensions of experience that historiography leaves untouched. Yaël Hersonski's A Film Unfinished (2010) deconstructs scenes from the Nazi propaganda film Das Ghetto through the testimony of ghetto survivors. Andrzej Wajda's Katyn (2007) revivifies the murder of the Polish officer corps (in which Wajda's father perished) by Stalin's security forces during the Second World War. Andrei Konchalovsky's Siberiade (1979) reimagines the turbulent history of the Soviet Union from the perspective of an isolated Siberian village. Larissa Shepitko's The Ascent (1977) evokes the existential drama Soviet partisans faced during the Nazi occupation. Patricio Guzmán's Nostalgia for the Light (2011) examines the vestiges of human experience, including the scattered remains of Pinochet's victims, alive in the aridity of the Atacama Desert. Rithy Panh's S-21 (2003) reawakens events of the Cambodian genocide through dramatic confrontation with some of its executioners, and Joshua Oppenheimer's The Act of Killing (2012) films the perpetrators of the Indonesian genocide as they restage scenes of killings and torture. Inspired by the work of Walter Benjamin, Frank Ankersmit, Joseph Mali, and Simon Schama, Guynn argues that the film medium, more immediate than language, is capable of restoring the affective dimension of historical experience, rooted in the deepest reaches of our minds.
Unspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11
by Peter C. HermanUnspeakable: Literature and Terrorism from the Gunpowder Plot to 9/11 explores the representation of terrorism in plays, novels, and films across the centuries. Time and time again, writers and filmmakers including William Shakespeare, Joseph Conrad, Henry James, Gillo Pontecorvo, Don DeLillo, John Updike, and Steven Spielberg refer to terrorist acts as beyond comprehension, “a deed without a name,” but they do not stop there. Instead of creating works that respond to terrorism by providing comforting narratives reassuring audiences and readers of their moral superiority and the perfidy of the terrorists, these writers and filmmakers confront the unspeakable by attempting to see the world from the terrorist’s perspective and by examining the roots of terrorist violence.
Unspeakable: Surviving My Childhood and Finding My Voice
by Jessica Willis FisherUsing the written word as her witness statement, Jessica Willis Fisher gives a lacerating portrait of a girl finding her voice after years of being silenced and an unforgettable story of risk and faith.Growing up the eldest daughter in a large, highly controlled, fundamentalist Christian household, Jessica Willis was groomed to perform, and to conform to her father's disturbing and chaotic teachings. Cut off from anything unapproved by her father, Jessica was persistently curious about the outside world, always wondering what was normal or potentially dangerous about her upbringing.When the Willis family rocketed into fame after their appearances on multiple televised talent competitions in 2014, Jessica and her family landed their own reality TV show and toured across the globe, singing and dancing for millions. The world loved this beautiful family of kids; young and vivacious, the Willis's presented themselves to be extraordinary and happy. But the older and wiser Jessica got, the more she had to face that what was going on behind closed doors would forever be escalating.In this elegant, harrowing story of the manipulation and codependency that defines abusive family relationships, Jessica Willis Fisher lets us see the formative moments of her childhood through her eyes. Fisher's haunting coming-of-age memoir captures the beauty and ugliness of a young woman finding her way—filled with longing, fear, confusion, secrecy, and most importantly, hope for the future.Unspeakable: Surviving My childhood and Finding My Voice shares:An unflinching look at the manipulation and codependency that defines abusive family relationshipsThe formative moments of Jessica's childhood through her eyesAn unforgettable story of courage and strengthBeautifully written and monumental in its bravery, Fisher's story is proof that we can all become so much more that the things that happen to us.
Unstinky
by Andy RashAndy Rash brings the laughs in this humorous story of a stinkbug who can't stink.Bud is a happy stinkbug, except when it comes to stinking contests.He always seems to lose to champions like P. U. Bottoms, Lord Stinkington, and The Fumigator.Every time they make smells like OUTHOUSE, GYM SOCK, and ARMPIT, poor Bud ends up smelling like FLOWERS, or FRESH-BAKED BREAD, or CANDY CANE.Stinking just isn't Bud's THING. But what IS his thing?With an ending as fresh as a daisy, and funnier than any funny smell, Andy Rash puts a hilarious spin on a tale of following your nose to happiness.
Unstoppable: How I Found My Strength Through Love and Loss
by Chiquis RiveraLatin Grammy Award–winning singer-songwriter and author of the New York Times bestseller Forgiveness returns with a new memoir that shares the triumphs, hardships, and lessons of life after her mother&’s, Jenni Rivera, death.Bringing her signature warmth, humor, and positivity to the page, Chiquis Rivera picks up where her memoir Forgiveness left off. Reeling from her mother&’s tragic death, Chiquis finds herself at a major crossroads. As a new parent to her younger brother and sister, she struggles to balance her family&’s needs with her dreams of becoming a successful singer and entrepreneur. Stepping out of the shadow of her mother&’s legendary career and finding her own identity as a singer is challenging…but navigating unhealthy relationships proves to be even harder. When she meets and marries the person she believes is the man of her dreams, it seems like life is finally falling into place. But a dark secret unravels their relationship, and Chiquis emerges stronger as a single woman. In the end, nothing can keep Chiquis down. Her life philosophy says it all: &“Either I thrive or I learn.&” Filled with life-affirming revelations, Chiquis ultimately shares her greatest gift with her fans—the accessible lessons that have made her unstoppable.
Unsuccessful Thug: One Comedian's Journey from Naptown to Tinseltown
by Mike EppsFrom Naptown to Tinseltown—legendary stand-up comedian and actor Mike Epps finally tells all in this outrageous, hilarious, no-holds-barred memoir.Before starring in Def Comedy Jam and Showtime at the Apollo—before the sold-out comedy shows, Uncle Buck, and becoming his hero Richard Pryor in a biopic—there was Indianapolis. And not the good part. Mike Epps is one of America’s favorite and funniest people, but the path to fame was paved with opportunities to mess it up. And mess it up he did. Growing up in “Naptown”—what people who live there really call rough-around-the-edges Indianapolis—Epps found himself forced to hustle from an early age. Despite his mother’s best efforts, and the love of his well-behaved brother, “Chaney,” and his beloved sister, Julie, Epps was drawn to a life of crime, but as he quickly discovered, stealing and dealing didn’t really fit his sweet sensibilities. Not to mention he wasn’t very good at it—take, for example, the day he had to call the cops on himself when a dog wouldn’t let him leave a house he was burgling. After several arrests and more than a few months in jail, Epps finally realized that he was an unsuccessful thug, and instead turned to the next most obvious career path: stand-up comedy. Heading first to New York, then all over the country, and finally to Hollywood, Mike Epps carved out a unique place in American comedy, combining hysterical tales of his family and friends with a mordant take on life in the Naptowns of America. Comedy saved Mike Epps, and here he reveals exactly how he finally grew up and got out, barely. And when describing how he survived when so many of his friends didn’t, Epps makes clear what he’s thankful for and sorry about. Unsuccessful Thug is about growing up black in America, facing down racism in Hollywood, and ultimately how it feels to fail at thugdom, pull yourself up by the bootstraps, and end up selling out arenas and starring in movies across the country.
Unsung: A Compendium of Creativity
by Kate CeberanoA beautiful illustrated memoir from beloved Australian musician Kate Ceberano, featuring her inspirational song lyrics, stories, paintings and embroidery, and celebrating four decades of songwriting and recording on the release of her 30th album. Kate Ceberano is used to a hush descending as she draws breath to release that magnificent voice but when the whole world quietened in 2020, she found the silence disorientating. Without an audience or long hours of travel with her tribe of musicians, there was time to think. But what does an artist do when they can&’t make art? They find a way. With characteristic passion, abundance and joy, Kate liberated her unsung songs. They flowed through her paintbrush as she embellished guitars, her needle as she stitched quilts to envelop her beloveds and her pen as she unfurled stories, poems and songs. In Unsung Kate muses on the people and experiences that have inspired her, on what has humbled her, what hurts and what sustains. This is the story of a powerful woman in her prime, but also of a reflective, romantic and vulnerable artist making sense of the universe. It&’s proof of a lifetime lived in music. It&’s a tribute to songs, wherever they come from and wherever they go.
Untied: A Memoir of Family, Fame, and Floundering
by Meredith BaxterI remember Sarah asking me, when I'd just begun therapy with her, what I looked for in a man. After a few moments of silent, tense deliberation I had it. Hair, I blurted. He has to have hair. Meredith Baxter is a beloved and iconic television actress. Her warmth, humor, and brilliant smile made her one of the most popular women on television, with millions of viewers following her on the small screen each week. Yet her success masked a tumultuous personal story and a harrowing private life. For the first time, Baxter is ready to share her incredible highs, (working with Robert Redford, Doris Day, Lana Turner, and the cast of Family Ties), and lows (a thorny relationship with her mother, a difficult marriage to David Birney, a bout with breast cancer), finally revealing the woman behind the image. From her childhood in Hollywood, growing up the daughter of actress and co-creator of One Day at a Time Whitney Blake, Baxter became familiar with the ups and downs of show business from an early age. After wholeheartedly embracing the 60s counterculture lifestyle, she was forced to rely on her acting skills after her first divorce left her a 22-year-old single mother of two. Baxter began her professional career with supporting roles in the critically panned horror film Ben, and in the political thriller All the President's Men. More lucrative work soon followed on the small screen. Baxter starred with actor David Birney as the title characters in controversial sitcom Bridget Loves Bernie. While the series only lasted a year, her high-profile romance with Birney lasted 15 volatile and unhappy years. Hiding the worst of her situation from even those closest to her, Baxter's career flourished as her self-esteem and family crumbled. Her successful run as Nancy on Family was followed by her enormously popular role as hippie mom, Elyse Keaton, on Family Ties, and dozens of well-received television movies. After a bitter divorce and custody battle with Birney, Baxter increasingly relied on alcohol as a refuge, and here speaks candidly of her decision to take her last drink in 1990. And while another ruinous divorce to screenwriter Michael Blodgett taxed Baxter's strength and confidence, she has emerged from her experiences with the renewed self-assurance, poise, and understanding that have enabled her to find a loving, respectful relationship with Nancy Locke, and to speak about it openly. Told with insight, wit, and disarming frankness,Untied is the eye-opening and inspiring life of an actress, a woman, and a mother who has come into her own.
Until We Break
by Matthew DawkinsDance like everyone's watching. Because they are.As the only Black student at her ballet academy, Naomi Morgan knows her feelings of isolation and artistic sacrifice are the price she has to pay in order to win the Youth American Grand Prix, the country’s most prestigious dance competition. Winning means access to a spot in a top ballet school and, ultimately, a place with The New York City Ballet. Nothing else matters.But when Naomi’s dance instructor assigns her Odette’s variation from Swan Lake, Naomi’s world begins to fall apart. She doesn’t think she can dance the part—and her doubts become the loudest voice in her head. Her best friend, Jessica, used to be her sounding board, her support, her co-star—and even though Jessica died in a freak car accident, Naomi still sees and hears her everywhere.She’s been burying her grief by focusing on her dancing. But when an injury steals that refuge, Naomi’s mental health deteriorates and she starts to seek answers outside of her carefully constructed reality. Then one night, she meets Saint, a street artist, and he opens up an entirely new world for her. A world that’s not connected to dance.Saint spends his nights creating brilliant and beautiful messages of social change that the world needs to hear. In their sleepy California town, he wants to mix it up—to force the world to see him as he is—he’s got a voice and isn’t afraid to use it. Even if his family life is tough. Even if the same avenues that are open to Naomi are not open to him.Together they both learn that there’s no one right way to be in the world. For Naomi, this means that maybe dance isn’t the only choice for her. Maybe her voice can be louder off stage, and she can shine in a different kind of spotlight. Maybe she and Saint will shine together and everything will be different in the best possible way.
Untimely Bollywood: Globalization and India's New Media Assemblage
by Amit S. RaiKnown for its elaborate spectacle of music, dance, costumes, and fantastical story lines, Bollywood cinema is a genre that foregrounds narrative rupture, indeterminacy, and bodily sensation. In Untimely Bollywood, Amit S. Rai argues that the fast-paced, multivalent qualities of contemporary Bollywood cinema are emblematic of the changing conditions of media consumption in a globalizing India. Through analyses of contemporary media practices, Rai shifts the emphasis from a representational and linear understanding of the effects of audiovisual media to the multiple, contradictory, and evolving aspects of media events. He uses the Deleuzian concept of assemblage as a model for understanding the complex clustering of technological, historical, and physical processes that give rise to contemporary media practices. Exploring the ramifications of globalized media, he sheds light on how cinema and other popular media organize bodies, populations, and spaces in order to manage the risky excesses of power and sensation and to reinforce a liberalized postcolonial economy. Rai recounts his experience of attending the first showing of a Bollywood film in a single-screen theater in Bhopal: the sensory experience of the exhibition space, the sound system, the visual style of the film, the crush of the crowd. From that event, he elicits an understanding of cinema as a historically contingent experience of pleasure, a place where the boundaries of identity and social spaces are dissolved and redrawn. He considers media as a form of contagion, endlessly mutating and spreading, connecting human bodies, organizational structures, and energies, thus creating an inextricable bond between affect and capital. Expanding on the notion of media contagion, Rai traces the emerging correlation between the postcolonial media assemblage and capitalist practices, such as viral marketing and the development of multiplexes and malls in India.
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by Amanda HoldenActress, presenter, talent show judge. Daughter, wife, mother, survivor. There's so much more to Amanda Holden than fame. A natural-born performer, Amanda's journey to becoming one of the most recognisable faces on our screens today has been one full of love, laughter and tears. A British star and nationally treasured actress, she has appeared on our screens and stages for over 20 years. In the notoriously tricky world of show business, Amanda has carved out her own identity and enjoyed impressive longevity, not least as the longest running judge on hit ITV show Britain's Got Talent. She never fails to keep her audience engaged and entertained. Charming, funny and incredibly honest, her story is remarkable. For the first time, No Holding Back tells it in her own words, in her own way, and shows her fans the real woman behind the headlines.
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by Sean SmithTop celebrity biographer Sean Smith tells the story of national treasure Gary Barlow, one of the UK's greatest songwriters and musicians. Throughout a stellar career, nobody has been more misunderstood than Gary Barlow. When he first found fame, he was perceived as too arrogant. Then, after a spectacular slump and amazing recovery, he adopted a modesty that underrates his lifetime achievements. In this book Sean Smith redresses the balance by revealing the real man, the romances that shaped his life and the passion for music that drives him. A singer and virtuoso keyboard player who performed in working men's clubs from the age of thirteen, the young Gary Barlow had written more than a hundred songs while still at school. He would go on to achieve phenomenal success as the musical force behind Take That, the most popular boy band of all time. But an eagerly anticipated solo career flopped and Gary became depressed and overweight, while the triumphs of Robbie Williams were a constant reminder of his failure. In 2006 Take That returned bigger than ever and their huge success was followed by an emotional reunion between Gary and Robbie, that was cemented when they put aside past hurts to write and perform new songs together. Now recognized as one of the greatest songwriters and musicians the UK has ever produced, Gary is among the best-known faces on television, returning as head judge on the X Factor in 2013. Featuring original interviews with many people who have never spoken before, Gary is a celebration of a complex and unique talent.
Untold Horror
by Joe Dante John Landis George. A Romero Dave Alexander Brian YuznaInsightful interviews of horror legends George Romero, John Landis, Joe Dante, Brian Yuzna, and more, by former editor-in-chief of Rue Morgue, Dave Alexander, about the scariest horror movies never made!Take a behind-the-scenes look into development hell to find the most frightening horror movies that never were, from unmade Re-Animator sequels to alternate takes on legendary franchises like Frankenstein and Dracula!Features art, scripts, and other production material from unmade films that still might make you scream--with insights from dozens of directors, screenwriters, and producers with decades of experience. Featured Interviews With: George A. RomeroJohn LandisJoe DanteVincenzo NataliBrian YuznaWilliam LustigWilliam MaloneBuddy GiovinazzoTim SullivanRichard RaaphorstRuggero DeodatoJim ShooterBob LaytonDavid J. Skal