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Weimar Cinema, Embodiment, and Historicity: Cultural Memory and the Historical Films of Ernst Lubitsch (Routledge Focus on Film Studies)
by Mason Kamana AllredIn its retrieval and (re)construction, the past has become interwoven with the images and structure of cinema. Not only have mass media—especially film and television—shaped the content of memories and histories, but they have also shaped their very form. Combining historicization with close readings of German director Ernst Lubitsch's historical films, this book focuses on an early turning point in this development, exploring how the medium of film shaped modern historical experience and understanding—how it moved embodied audiences through moving images.
Weird and Wonderful: The Dime Museum in America
by Andrea Stulman DennettThe book talks about the almost forgotten dime museum and its history. During its heyday, it was a unique institution that integrated many types of entertainment under one roof and for a single price.
Weird Dance: Curious and Captivating Dance Trivia
by Tim Rayborn Abigail KeyesAttend a grand ball of the bizarre and never look at dance the same way again!Weird Dance processes through the odd, grim, and unintentionally humorous history of dance, uncovering strange stories and weird facts.These dark tales of murder, rivalry, insanity, and more reveal all sorts of grim goings-on, proving that—for dancers—life was not just one grand plié. Stories include: An elderly woman who stepped out of her Strasbourg home one summer day in 1518 and began to dance furiously; nothing and no one could stop her. Soon, dozens more joined her, and so began another strange epidemic of the deadly dancing plague. The horrific fate of a young ballerina who had a run-in with a gaslight and saw her career go up in smoke. The medieval Dance of Death that reminded all of their inevitable doom. The controversial ballet that sparked a riot. The strange and macabre fate of the infamous Mata Hari’s head after her execution. The grotesque scarf accident that led to Isadora Duncan’s demise.From Roman Bacchanals to medieval and Renaissance dancing plagues, from the bloody world of ballet to scandals, ghosts, spirit possessions, superstitions, and more, you will attend a grand ball of the bizarre that shows just how awful dancers, choreographers, and even audience members have been to each other over the centuries.
Weird Medieval Guys: How to Live, Laugh, Love (and Die) in Dark Times
by Olivia Swarthout'FASCINATING' Guardian | 'WE LOVE THIS BOOK' Blackwells | 'THE BEST GIFT BOOK THERE IS' IndependentA GUIDE TO LIVING IN DARK TIMES, FROM PEOPLE WHO REALLY DIDBursting with wisdom and artwork from the Middle Ages, this handy guide will give you time-tested solutions for all of life's biggest problems. Whether it's choosing an appropriate dog name like Garlik or Filthe, becoming an irresistible suitor even though you can't joust, surviving encounters with rabbits and dragons, or coming to terms with your inevitable demise, this book is full of illuminating advice that is sure to brighten up the darkest of times.Full of quizzes, how-to-guides, diagrams, and flow charts that take you from birth to your gruesome death, this is the ultimate laugh-out-loud read for history buffs.
Welcome, Foolish Mortals...The Life and Voices of Paul Frees
by Ben OhmartThe official biography of Paul Frees, the voice behind hundreds of radio shows, TV shows, cartoons, and Disneyland's Haunted Mansion.
Welcome Home, Mary Anne (The Baby-Sitters Club Friends Forever #11)
by Ann M. MartinMary Anne's been going through some big changes lately, but when a friend who's facing her own difficulties comes to stay for the summer, can Mary Anne help her cope?
Welcome to Advertising! Now, Get Cost
by Omkar SaneA 24-year-old who has spent not more than a few weeks in advertising, sums up the profession, its practitioners and their practices in a hilarious send-up of human nature and human pomposity.
Welcome to Dunder Mifflin: The Ultimate Oral History of The Office
by Ben Silverman Brian BaumgartnerJoin the entire Dunder Mifflin gang on a journey back to Scranton ... Based on hundreds of hours of exclusive interviews with the cast and creators and illustrated with 100 behind-the-scenes photographs, here, at last, is the untold inside story of The Office, featuring a foreword by Greg Daniels, who adapted the series for the U.S. and was its guiding creative force, and narrated by star Brian Baumgartner (aka “Kevin Malone”) and executive producer Ben Silverman. <p><p> Reuniting after nearly a decade, the entire Dunder Mifflin gang gathers again to share their favorite inside stories, spill untold secrets, and reveal how a little show that barely survived its first season became the most watched series in the universe. Welcome to Dunder Mifflin pulls back the curtain as never before on all the absurdity, genius, love, passion, and dumb luck that went into creating America's beloved The Office. <p><p> Featuring the memories of Steve Carell, John Krasinkski, Jenna Fischer, Greg Daniels, Ricky Gervais, Rainn Wilson, Angela Kinsey, Craig Robinson, Brian Baumgartner, Phyllis Smith, Kate Flannery, Ed Helms, Oscar Nunez, Amy Ryan, Ellie Kemper, Creed Bratton, Paul Lieberstein, Ben Silverman, Mike Schur, and many more.
Welcome to Fear City: Crime Film, Crisis, and the Urban Imagination (SUNY series, Horizons of Cinema)
by Nathan Holmes2019 CHOICE Outstanding Academic TitleThe early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture.
Welcome to Goon Holler
by Christian Jacobs Parker JacobsThe first book in a new, vibrantly hip illustrated series from the creators of Yo Gabba Gabba!Features Read-Aloud/Read-to-Me functionality where available.Tooba, a shy and unassuming bigfoot, stumbles through a waterfall into Goon Holler, a new and exciting world. There, he meets a feisty little gal named Dosie. She teaches him it's fun to meet new people and try new things--especially when the people are goons and the things are delicious, steaming-hot pancakes!
Welcome to Pawnee: Stories of Friendship, Waffles, and Parks and Recreation
by Jim O'HeirJim O’Heir, who played Jerry (or Garry or Larry) on Parks and Recreation and co-hosts the hit podcast Parks and Recollection, brings fans a heartfelt behind-the-scenes look at one of America’s most beloved sitcoms, brimming with never-before-told stories featuring the cast and crew, along with dozens of unseen photos! For seven seasons, Leslie Knope and the Parks and Recreation gang charmed millions of viewers with their quirky antics and unwavering positivity. The sitcom continues to be a fan-favorite for streaming services today, nearly a decade after its finale. Now for the first time, Jim O’Heir, who played the lovable Jerry (or, well, Garry/Larry/Terry/Barry, depending on the episode), invites readers back to Pawnee for an exclusive look behind the scenes.Joined by some of his Parks and Rec pals, including Chris Pratt, Retta, Rob Lowe, and showrunners Greg Daniels and Mike Schur, O’Heir reveals how this “little show that could” came to be, thanks to the tireless dedication and comedic genius of Amy Poehler, Nick Offerman, and the rest of the gang. As the show found its footing, the cast quickly bonded into a tight-knit family. Here O’Heir shares all his favorite unforgettable memories both on and off camera, from hilarious unscripted moments and epic dance-offs in the hair and makeup trailers, to iconic birthday parties at Rashida Jones’s house and quiet bonfires in Nick Offerman’s backyard.Welcome to Pawnee is O’Heir’s loving tribute to Parks and Recreation, imbued with the same warmth and humor that endeared the show to millions.
Welcome to the Dreamhouse: Popular Media and Postwar Suburbs
by Lynn SpigelIn Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television's changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U. S. media in the context of the period's reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines. The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women's history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies. Containing some of Spigel's well-known essays on television's cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women's studies, and sociology.
Welcome to the O.C.: The Oral History
by Josh Schwartz Stephanie Savage Alan Sepinwall“A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV.” —Town & CountryWelcome to the O.C., b*tch: it’s the definitive oral history of beloved TV show The O.C., from the show’s creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today. On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country.Just in time for the show’s twentieth anniversary, The O.C.’s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With Rolling Stone’s chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened, Welcome to the O.C. will offer the definitive inside look at the beloved show—a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu.The O.C. paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it’s time to go back where we started from and experience it all over again. Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more!
Welcome to the World of Sonic (Sonic the Hedgehog)
by Lloyd CordillGet a crash course in all things Sonic the Hedgehog in this introductory handbook, featuring a sheet of stickers from the world of Sonic!Everyone knows that Sonic the Hedgehog is the fastest hero in the world! He has thwarted Dr. Eggman's evil schemes time and time again with his supersonic speed and cool blue spikes. But what else should you know about the world of Sonic? Learn all about Tails, Amy, Knuckles, and the rest of Sonic's gang, and get to know the stories behind some of Sonic's greatest victories. This handbook is the perfect introduction to one of the most beloved video game characters of all time!
We'll Always Have Casablanca: The Life, Legend, and Afterlife of Hollywood's Most Beloved Movie
by Noah IsenbergFor the 75th anniversary of its premiere—the incredible story of how Casablanca was made and why it remains the most beloved of Hollywood films. Casablanca was first released in 1942, just two weeks after the city of Casablanca itself surrendered to American troops led by General Patton. Featuring a pitch-perfect screenplay, a classic soundtrack, and unforgettable performances by Humphrey Bogart, Ingrid Bergman, and a deep supporting cast, Casablanca was hailed in the New York Times as “a picture that makes the spine tingle and the heart take a leap.” The film won Oscars for best picture, best director, and best screenplay, and would go on to enjoy more revival screenings than any other movie in history. It became so firmly ensconced in the cultural imagination that, as Umberto Eco once said, Casablanca is “not one movie; it is ‘movies.’ ” We’ll Always Have Casablanca is celebrated film historian Noah Isenberg’s rich account of this most beloved movie’s origins. Through extensive research and interviews with filmmakers, film critics, family members of the cast and crew, and diehard fans, Isenberg reveals the myths and realities behind Casablanca’s production, exploring the transformation of the unproduced stage play into the classic screenplay, the controversial casting decisions, the battles with Production Code censors, and the effect of the war’s progress on the movie’s reception. Isenberg particularly focuses on the central role refugees from Hitler’s Europe played in the production (nearly all of the actors and actresses cast in Casablanca were immigrants). Finally, Isenberg turns to Casablanca’s long afterlife and the reasons it remains so revered. From the Marx Brothers’ 1946 spoof hit, A Night in Casablanca, to loving parodies in New Yorker cartoons, Saturday Night Live skits, and Simpsons episodes, Isenberg delves into the ways the movie has lodged itself in the American psyche. Filled with fresh insights into Casablanca’s creation, production, and legacy, We’ll Always Have Casablanca is a magnificent account of what made the movie so popular and why it continues to dazzle audiences seventy-five years after its release.
We'll Always Have the Movies: American Cinema During World War II
by Robert L. McLaughlin Sally E. ParryAn &“essential&” study of what Americans watched during wartime, and how films shaped their understanding of events (Publishers Weekly).During the highly charged years of World War II, movies perhaps best communicated to Americans who they were and why they were fighting. These films were more than just an explanation of historical events: they asked audiences to consider the Nazi threat; they put a face on both our enemies and allies, and they explored changing wartime gender roles.We&’ll Always Have the Movies shows how film after film repeated the narratives, character types, and rhetoric that made the war and each American&’s role in it comprehensible. Robert L. McLaughlin and Sally E. Parry have watched more than six hundred films made between 1937 and 1946—including many never before discussed in this context—and have analyzed the cultural and historical importance of these films in explaining the war to moviegoers. This extensive study shows how filmmakers made the chaotic elements of wartime familiar, while actual events became film history, and film history became myth.&“A terrific book that explores not only the themes of hundreds of films but also their impact on patriotism and national will in a time of war.&” —WWII History
We'll Be Here for the Rest of Our Lives: A Swingin' Show-Biz Saga
by Paul Shaffer David RitzFrom Shaffer, lifelong music junkie, hipster, and longtime leader of David Letterman's band, comes a candid, endearing, hilarious, and star-studded memoir of a life in--and a love of--show business.
Well, That Escalated Quickly: Memoirs and Mistakes of an Accidental Activist
by Franchesca RamseyIn this sharp, funny, and timely collection of personal essays, veteran video blogger and star of MTV's Decoded Franchesca Ramsey explores race, identity, online activism, and the downfall of real communication in the age of social media rants, trolls, and call-out wars. Franchesca Ramsey didn't set out to be an activist. Or a comedian. Or a commentator on identity, race, and culture, really. But then her YouTube video "What White Girls Say . . . to Black Girls" went viral. Twelve million views viral. Faced with an avalanche of media requests, fan letters, and hate mail, she had two choices: Jump in and make her voice heard or step back and let others frame the conversation. After a crash course in social justice and more than a few foot-in-mouth moments, she realized she had a unique talent and passion for breaking down injustice in America in ways that could make people listen and engage. In her first book, Ramsey uses her own experiences as an accidental activist to explore the many ways we communicate with each other--from the highs of bridging gaps and making connections to the many pitfalls that accompany talking about race, power, sexuality, and gender in an unpredictable public space...the internet. WELL, THAT ESCALATED QUICKLY includes Ramsey's advice on dealing with internet trolls and low-key racists, confessions about being a former online hater herself, and her personal hits and misses in activist debates with everyone from bigoted Facebook friends and misguided relatives to mainstream celebrities and YouTube influencers. With sharp humor and her trademark candor, Ramsey shows readers we can have tough conversations that move the dialogue forward, rather than backward, if we just approach them in the right way.
Wellmania: Extreme Misadventures in the Search for Wellness
by Brigid Delaney&“Illuminating, thought-provoking, and hilariously honest. You&’ll never look at fasting, yoga, or meditation the same way again.&” —Robyn Harding, USA Today bestselling author of The SwapBridget Jones meets A. J. Jacobs in Wellmania, an in-depth, laugh-out-loud exploration of the best and worst of the wellness industry. Cold-pressed juices, &“clean&” eating, colonic vacations, mindfulness apps, and Paleo: health-care trends and miracle diets seem to be more plentiful each year. But do any of these tactics actually work? What does &“wellness&” even mean? In Wellmania, longtime journalist Brigid Delaney tackles the good, the bad, and the just-a-little-ridiculous of the wellness industry, using herself as the guinea pig. Starting with a brutal 101-day fast, she leaves behind her thirty-something-year-old lifestyle of late-night parties and all-day hangovers to test the things that are supposed to make us healthy and whole: yoga classes, meditation, CBT, Balinese healing, silent retreats, group psychotherapy, and more. Writing with self-deprecating wit and refreshing honesty, she sorts through the fads and expensive hype to find out what actually works, while asking, What does all this say about us? Is total wellness even possible? And why do you start to smell so bad when you haven&’t eaten in seven days? According to comedian Judith Lucy, the result is &“a bloody entertaining read that leaves you wondering whether you want to do yoga or get mindlessly drunk and despair at the state of the world.&” &“I laughed so hard, I choked on a doughnut reading this book. I&’m so glad Brigid Delaney tried all of this crazy stuff so I never have to.&” —Jen Mann, New York Times bestselling author
Wendy and the Lost Boys
by Julie SalamonWinner of the Pulitzer Prize, the first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway luminary. But with her high-pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. In Wendy and the Lost Boys, Salamon delicately pieces together the many fractured narratives of Wendy’s life—the stories (often contradictory) that she shared amongst friends and family, the half truths of her plays and essays, the confessions and camouflage present even in her own journal writing--to reveal Wendy’s most expertly crafted character: herself. Born in Brooklyn on October 18, 1950 to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein’s five children. Her mother had big dreams for her children, and they didn’t disappoint: Sandra, Wendy’s glamorous sister, became a high-ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family’s remarkable success was a fiercely guarded world of private tragedies. Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her long time friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director André Bishop, New York Times theater critic Frank Rich, the many women of the theater for whom she served as both mentor and ally, and countless others. Yet almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy’s tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. At once a moving portrait of an uncommon woman, and a nuanced study of the generation she came to represent, Wendy and The Lost Boys uncovers the magic of Wendy’s work. A daughter of the 1950s, an artist that came of age during the freewheeling 1970s, a power woman in 1980s New York, and a single mother at the turn of the century, Wendy’s very life spoke to the tensions of an era of great change, for women in particular. Salamon brings each distinct moment to vibrant life, always returning to Wendy’s works—The Heidi Chronicles and others—to show her in the free space of the theater. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old. .
Wendy Wasserstein: A Casebook (Casebooks on Modern Dramatists #Vol. 26)
by Claudia BarnettWendy Wasserstein: A Casebook contains in-depth discussions of the playwright's major works, including her recent play 1 An American Daughter. Wasserstein's plays and essays are explored within diverse traditions, including Jewish storytelling, women's writing, and classical comedy. Critical perspectives include feminist, Bakhtinian, and actor/director. Comparisons with other playwrights, such as Rachel Crothers, Caryl Churchill, and Anton Chekhov, provide context and understanding. An interview with the playwright and an annotated bibliography are included.
Wendy Wasserstein
by Jill DolanPlaywright Wendy Wasserstein (1950–2006), author of The Heidi Chronicles, wrote topical, humorous plays addressing relationships among women and their families, taking the temperature of social moments from the 1960s onward to debate women’s rightful place in their professional and personal lives. The playwright’s popular plays continue to be produced on Broadway and in regional theaters around the country and the world. Wasserstein’s emergence as a popular dramatist in the 1970s paralleled the emergence of the second-wave feminist movement in the United States, a cultural context reflected in the themes of her plays. Yet while some of her comedies and witty dramas were wildly successful, packing theaters and winning awards, feminists of the era often felt that the plays did not go far enough. Wendy Wasserstein provides a critical introduction and a feminist reappraisal of the significant plays of one of the most famous contemporary American women playwrights. Following a biographical introduction, chapters address each of her important plays, situating Wasserstein’s work in the history of the US feminist movement and in a historical moment in which women artists continue to struggle for recognition.
The Wendy Williams Experience
by Wendy WilliamsIn the dishiest book of the year, the top-rated and controversial radio host delivers the good, the bad, and the ugly on the industry's biggest stars. But we'll let her speak for herself: Whitney Houston: "We have watched her go from our princess...to what looks like one step above a crackhead."
We're Back!: The Wildest Show on Earth
by Francine HughesTwo New York City kids, Louie and Cecilia, meet four friendly dinosaurs that can talk! They all go to the Eccentric Circus, become hypnotized, then escape. Quick paced story.
We're In The Wrong Book!
by Richard ByrneWhen a potato sack race goes awry, Bella and Ben find themselves bumped from their familiar page into uncharted territory. It's a brave new world of lollipops and sphinxes--and Bella and Ben are on one page-turning adventure. How will they find their way back into their very own book?