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West Virginia's Traditional Country Music (Images of America)
by Ivan M. Tribe Jacob L. BapstWest Virginia has been known for a century as a rich repository of traditional country music and musicians. Beginning in the mid-1920s, phonograph recordings and radios brought this music to a wider audience. With the passing of time and the influence of commercialization, this music developed into what became first known as "hillbilly" and then into the more refined "country" because of its long appeal to those of rural background. Although modernization has caused the traditional element to recede considerably, much still remains. Many folk still cling to the older sounds exemplified by the "raw" traditionalists and the neo-traditional bluegrass style that emerged in the 1940s. From the earliest recording artists, such as the Tweedy Brothers and David Miller, who was blind, to contemporary stars like Kathy Mattea and Brad Paisley, West Virginians and others have held their musicians in high esteem.
The West Wing (TV Milestones)
by Janet MccabeWith its fast and furious dialogue, crackling wit, and political savvy, The West Wing became appointment TV for millions during its seven-season run between 1999 and 2006. The behind-the-scenes ensemble drama about Washington politics premiered on the wake of the Monica Lewinsky scandal, was the first series to respond to the 9/11 terrorist attacks, and concluded in the closing years of the Bush administration. Its subject matter was ambitious and germane, its cast star-studded, its production team acclaimed. In this volume, Janet McCabe explores The West Wing as both a space for political and social discourse and a force that reshaped contemporary television. McCabe begins by examining the series' broadcasting history, including its scheduling in the United States and around the world, and how the show defines channels and television markets. McCabe goes on to explore the role of the show's creator Aaron Sorkin as a TV auteur and investigates the program's aesthetic principles, including the distinctive look, feel, and sounds of the series. McCabe concludes by considering the political discourse of The West Wing, as the show spoke back to a U.S. culture divided by politics, race, and gender as well as the trauma of 9/11 and anxieties over terrorism and the wars in Iraq and Afghanistan. McCabe's analysis of The West Wing provides an intriguing look at the institutional, formal, and cultural politics of television. Fans of the series as well as students and teachers of television history will enjoy this detailed volume.
The Western: From Silents to Cinerama
by George N Fenin William K. EversonGround-breaking and essential history of the genre, highlighted by superb research, penetrating insights, and sharp, entertaining prose. Smartly designed, with scads of rare b&w photos laid out in a dynamic and witty design.-Print ed.“For many years the Western film has been strangely and unfairly neglected. Although many articles and essays have appeared in general and specialized periodicals all over the world, substantially organic books dealing exclusively with the Western are very rare indeed. And of all this material, the majority has been disguised publicity, or at best essays which refused to take the Western seriously, the work of writers who knew little or nothing of Westerns, writers who glibly referred to the cliché of the hero always kissing his horse instead of the girl, leaving it at that….We felt, therefore, that there was not only room, but a need, for a detailed history of the Western, a book which would represent not only a useful study of the industrial and aesthetic growth of a popular movie genre, but a critical analysis of it, as well. For the most part, we have adopted a strictly chronological approach, but, in the parlance of the film, it has sometimes been necessary to use “flash-forwards and cutbacks” and even a form of montage, in order to follow a thesis through to its logical conclusion.”-Introduction.
The Western (Inside Film)
by David LustedThe Western introduces the novice to the pleasures and the meanings of the Western film, shares the excitement of the genre with the fan, addresses the suspicions of the cynic and develops the knowledge of the student. The Western is about the changing times of the Western, and about how it has been understood in film criticism. Until the 1980s, more Westerns were made than any other type of film. For fifty of those years, the genre was central to Hollywood's popularity and profitability. The Western explores the reasons for its success and its latter-day decline among film-makers and audiences alike. Part I charts the history of the Western film and its role in film studies. Part II traces the origins of the Western in nineteenth-century America, and in its literary, theatrical and visual imagining. This sets the scene to explore the many evolving forms in successive chapters on early silent Westerns, the series Western, the epic, the romance, the dystopian, the elegiac and, finally, the revisionist Western. The Western concludes with an extensive bibliography, filmography and select further reading. Over 200 Westerns are discussed, among them close accounts of classics such as Duel in the Sun, The Wild Bunch and Unforgiven, formative titles like John Ford's epic The Iron Horse, and early cowboy star William S. Hart's The Silent One together with less familiar titles that deserve wider recognition, including Comanche Station, Pursued and Ulzana's Raid.
The Western and Political Thought: A Fistful of Politics
by Damien K. PicarielloThe Western and Political Thought: A Fistful of Politics offers a variety of engaging and entertaining answers to the question: What do Westerns have to do with politics? This collection features contributions from scholars in a variety of fields—political science, English, communication studies, and others—that explore the connections between Westerns (prose fiction, films, television series, and more) and politics.
Western Broadcasting over the Iron Curtain (Routledge Library Editions: Broadcasting #38)
by K.R.M. ShortWestern Broadcasting Over the Iron Curtain (1986) examines the development of broadcasting policy by Western democracies, levels of government control of policy, efforts by communist regimes to minimize the effects of western broadcasting, and Soviet and Eastern European audience opinions on such diverse subjects as the success or failure of socialism and the Korean airline disaster.
The Western Genre: From Lordsburg to Big Whiskey (Short Cuts)
by John SaundersThe Western Genre: From Lordsburg to Big Whiskey offers close readings of the definitive American film movement as represented by such leading exponents as John Ford, Howard Hawks, and Sam Peckinpah. In his consideration of such iconic motifs as the Outlaw Hero and the Lone Rider, John Saunders traces the development of perennial aspects of the genre, its continuity and, importantly, its change. Representations of morality and masculinity are also foregrounded in consideration of the genre's major stars John Wayne and Clint Eastwood, and such films as Shane, Rio Bravo, The Wild Bunch, and Unforgiven.
The Western in the Global South (Routledge Advances in Film Studies)
by MaryEllen Higgins Rita Keresztesi Dayna OscherwitzThe Western in the Global South investigates the Western film genre's impact, migrations, and reconfigurations in the Global South. Contributors explore how cosmopolitan directors have engaged with, appropriated, and subverted the tropes and conventions of Hollywood and Italian Westerns, and how Global South Westerns and Post-Westerns in particular address the inequities brought about by postcolonial patriarchy, globalization and neoliberalism. The book offers a wide range of historical engagements with the genre, from African, Caribbean, South and Southeast Asian, Central and South American, and transnational directors. The contributors employ interdisciplinary cultural studies approaches to cinema, integrating aesthetic considerations with historical, political, and gender studies readings of the international appropriations and U.S. re-appropriations of the Western genre.
Western New York Amusement Parks (Images of America)
by Rose Ann HirschFor more than 100 years, western New Yorkers have enjoyed the region's exciting amusement parks. During the days of trolleys and steamships, area businessmen created Celoron Park, Crystal Beach Park, and other fine local summer resorts. Decades later, lifelong memories were formed for neighborhood baby boomers who visited Glen Park and Fantasy Island, as well as one of New York State's finest theme parks, Darien Lake. Western New York has always been a proving ground for some of the nation's most famous roller coasters. The terrifying Cyclone, the fast and furious Silver Comet, and the extreme Ride of Steel have attracted the very bravest of visitors. In the new millennium, the summer tradition of visiting local amusement parks continues with a blend of family-orientated parks and theme parks that appeal to all ages.
Western Pennsylvania's Lost Amusement Parks (Images of America)
by Rachel E. SmithAt one time, Western Pennsylvania was home to dozens of small amusement parks, many of them trolley parks. These parks, originally designed to bolster streetcar business, were a way for workers to seek respite from the crowded, dirty cities. While some of these parks never developed into much more than a dance hall and a merry-go-round, others became full-scale amusement parks with rides, entertainment, and other amusements. After years of battling floods, changing economies, the decline of streetcars, and competition from other amusement parks, many of these amusement parks ended up closing their gates for good, the thrills they once provided now relegated to memories. With many of these parks all but lost to time, it is time to take a look back and remember some of the most prominent lost amusement parks of Western Pennsylvania.
Westerns: The Essential 'Journal of Popular Film and Television' Collection
by Gary R. Edgerton Michael T. MarsdenFor nearly two centuries, Americans have embraced the Western like no other artistic genre. Creators and consumers alike have utilized this story form in literature, painting, film, radio and television to explore questions of national identity and purpose. Westerns: The Essential Collection comprises the Journal of Popular Film and Television’s rich and longstanding legacy of scholarship on Westerns with a new special issue devoted exclusively to the genre. This collection examines and analyzes the evolution and significance of the screen Western from its earliest beginnings to its current global reach and relevance in the 21st century. Westerns: The Essential Collection addresses the rise, fall and durability of the genre, and examines its preoccupation with multicultural matters in its organizational structure. Containing eighteen essays published between 1972 and 2011, this seminal work is divided into six sections covering Silent Westerns, Classic Westerns, Race and Westerns, Gender and Westerns, Revisionist Westerns and Westerns in Global Context. A wide range of international contributors offer original critical perspectives on the intricate relationship between American culture and Western films and television series. Westerns: The Essential Collection places the genre squarely within the broader aesthetic, socio-historical, cultural and political dimensions of life in the United States as well as internationally, where the Western has been reinvigorated and reinvented many times. This groundbreaking anthology illustrates how Western films and television series have been used to define the present and discover the future by looking backwards at America’s imagined past.
Westerns: The Institutes Of Architecture Of Western Australia (Routledge Film Guidebooks #1)
by John WhiteIt is a common assertion that the history of America is written in its Westerns, but how true is this? In this guidebook John White discusses the evolution of the Western through history and looks at theoretical and critical approaches to Westerns such as genre analysis, semiotics, representation, ideology, discourse analysis, narrative, realism, auteur and star theory, psychoanalytical theory, postmodernism and audience response. The book includes case studies of 8 key westerns: Stagecoach My Darling Clementine Shane The Good, The Bad and the Ugly McCabe and Mrs Miller Unforgiven Brokeback Mountain The Assassination of Jesse James by the Coward Robert Ford Including a chronology of significant events for the Western genre, a glossary and further reading, this introduction to an important genre in film studies is a great guide for students.
Wet Hot American Summer: The Annotated Screenplay
by Michael Showalter David WainThe screenwriters behind the cult classic comedy present the definitive behind-the-scenes companion volume.With its unbelievable ensemble cast, Wet Hot American Summer hilariously skewered 1980s teen comedies while becoming a beloved classic in its own right. Now screenwriters David Wain and Michael Showalter have created a behind-the-scenes annotated version of the original screenplay that launched a thousand Halloween costumes. They provide commentary on how and why they made the artistic decisions they did while writing and filming the movie, as well as the Netflix series that came after. The book also features reproduced ephemera from filming—photos, original (and scathing) reviews, AIM chat conversations, marked up script pages, and so much more. Written and curated by Wain and Showalter, this is the must-have guide to all things Wet Hot.
We've Decided to Go in a Different Direction: Essays
by Tess Sanchez&“Funny, relatable, honest, and most of all, just like Tess Sanchez, a really good time.&” —Mindy Kaling, actress and New York Times bestselling author A funny and heartfelt essay collection about working in Hollywood, starting over, defining your identity, and the relatable messiness that ensues from unforeseen circumstances. Wife to a well-known actor, the mother of two, a sister, daughter, and general meddler, Tess Sanchez&’s life was like a #1-rated sitcom. But the loss of her career as a highly successful casting executive equaled series cancellation. Now, with humor and insight, Sanchez examines the aftermath of a major shift that forever changed the course of her life, and the resilience that came from reframing loss into possibility. &“We&’ve decided to go in a different direction&” was a phrase Sanchez rattled off to countless agents, actors, producers, and many more. But in the fall of 2020, the tables turned as she was on the receiving end of that phrase, when she lost the long-held job she adored. She quickly discovered how much that career defined her identity, from her personal relationships to her own perception of herself. In the midst of facing this upheaval, her father was diagnosed with a devastating illness and suddenly, Sanchez had to learn what it means to parent her parents. Moving, witty, and fun, We've Decided to Go in a Different Direction offers you both welcome comedy and empowering strength when it comes to tackling life&’s challenges.
Whalesong: The True Story of the Musician Who Talked to Orcas
by Zachariah OHoraA captivating informational picture book about Paul Horn, a musician who communicated with orcas through the power of music. For fans of Shark Lady and Margaret and the Moon.Unbelievable but true, this is the story of two whales, two Pauls and two boys.The whales are Haida and Chimo, captive orcas who lived in an aquarium called Sealand of the Pacific in the 1970s.The Pauls are Paul Horn, a professional flute musician, and Dr. Paul Spong, a scientist studying the orcas in order to learn more about these mystifying creatures.And the boys are Marlen and Robin, Paul Horn's sons, who are fascinated with the orcas despite their father's fear of the giant whales.What follows is the spellbinding story of how the Pauls, through the power of music, learn to communicate with the orcas — and set into motion an entire anti-captivity movement dedicated to protecting these intelligent and majestic animals.
Wham!, George Michael and Me: A Memoir
by Andrew RidgeleyFor the first time, Andrew Ridgeley—one half of one of the most famous bands in the world—tells the inside story of Wham!, his lifelong friendship with George Michael, and the formation of a band that changed the shape of the music scene in the early eighties. In 1975 Andrew took a shy new boy at school under his wing. They instantly hit it off, and their boyhood escapades at Bushy Meads School built a bond that was never broken. The duo found themselves riding an astonishing roller coaster of success, taking them all over the world. They made and broke iconic records, they were treated like gods, but they stayed true to their friendship and ultimately to themselves. It was a party that seemed as if it would never end. And then it did, in front of tens of thousands of tearful fans at Wembley Stadium in 1986. Andrew’s memoir covers in wonderful detail those years, up until that last iconic concert: the scrapes, the laughs, the relationships, the good, and the bad. It’s a unique and one-and-only time to remember that era, that band, and those boys.
Wharfie Animator: Harry Reade, The Sydney Waterfront, and the Cuban Revolution
by Max BannahThis book examines the life of the Australian artist Harry Reade (1927–1998) and his largely overlooked contribution to animation. It constitutes a biography of Reade, tracing his life from his birth to his period of involvement with animation between 1956 and 1969. It explores the forces that shaped Reade and chronicles his experiences as a child, his early working life, the influence of left-wing ideology on his creative development, his introduction to animation through the small but radical Waterside Workers’ Federation Film Unit (WWFFU), and the influence he had on the development of Cuban animation as an educational tool of the Revolution. Key Features The text offers an alternative framework for considering the political, social, and cultural themes that characterised 1950s Australia and 1960s Cuba. A rare look into the cultural heritage of labor organizations and the populist power of animation to stimulate radical social consciousness. The book also crosses a range of intellectual disciplines, including Animation Studies, Art History, Cinema Studies, and the Social and Political Histories of Australia and Cuba. Max Bannah lives on Queensland’s Sunshine Coast. Between 1976 and 2010, he worked in Brisbane as an animator producing television commercials, short films, and cartoon graphics. He also lectured in Animation History and Practice and Drawing for Animation at the Queensland University of Technology where, in 2007, he completed his Masters by Research thesis, "A Cause for Animation: Harry Reade and the Cuban Revolution."
What a Body Can Do
by Ben SpatzIn What a Body Can Do, Ben Spatz develops, for the first time, a rigorous theory of embodied technique as knowledge. He argues that viewing technique as both training and research has much to offer current debates over the role of practice in the university, including the debates around "practice as research." Drawing on critical perspectives from the sociology of knowledge, phenomenology, dance studies, enactive cognition, and other areas, Spatz argues that technique is a major area of historical and ongoing research in physical culture, performing arts, and everyday life.
What a Girl Wants?: Fantasizing the Reclamation of Self in Postfeminism
by Diane NegraFrom domestic goddess to desperate housewife, What a Girl Wants? explores the importance and centrality of postfeminism in contemporary popular culture. Focusing on a diverse range of media forms, including film, TV, advertising and journalism, Diane Negra holds up a mirror to the contemporary female subject who finds herself centralized in commodity culture to a largely unprecedented degree at a time when Hollywood romantic comedies, chick-lit, and female-centred primetime TV dramas all compete for her attention and spending power. The models and anti-role models analyzed in the book include the chick flick heroines of princess films, makeover movies and time travel dramas, celebrity brides and bravura mothers, ‘Runaway Bride’ sensation Jennifer Wilbanks, the sex workers, flight attendants and nannies who maintain such a high profile in postfeminist popular culture, the authors of postfeminist panic literature on dating, marriage and motherhood and the domestic gurus who propound luxury lifestyling as a showcase for the ‘achieved’ female self.
What a Night! (Into Reading, Level N #77)
by Carmel Reilly Rob ManciniNIMAC-sourced textbook <p><p> Kayla, Joe and Dad are on their way to the Grand Theatre in the city. They are so excited to see Mum perform in a musical! But then something terrible happens – the car won’t start! How will they get to the theatre now?
What a Song Can Do
by Jennifer ArmstrongThis compelling collection of stories explores the powerful impact that music has in our lives—especially in the lives of teens. Each story strikes a new note: Ron Koertge introduces us to the boys in the band—the marching band; Joseph Bruchac contributes a Native American boy with no rhythm whatsoever; Jennifer Armstrong writes about what was perhaps the first battle of the bands—during the American Civil War; and David Levithan offers up a love song that speaks powerfully to an unintended audience. But while each story is different, they combine into harmonic song of praise—for the depths music can reach in us, and the power it has to bind us together.
What Are You Laughing At?: How to Write Humor for Screenplays, Stories, and More
by Brad Schreiber Chris Vogler“People have forgotten how to be funny,” says Chris Vogler in his foreword to What Are You Laughing at? Luckily, experienced and award-winning humor writer Brad Schreiber is here to remind us all how it’s done. If laughter is the best medicine, be prepared to feel fit as a fiddle after perusing these pages. Brad’s clever wit and well-timed punch lines are sure to leave you grasping your sides, while his wise advice will ensure that you’re able to follow in his comedic footsteps.With more than seventy excerpts from such expert prose and screenwriters as Woody Allen, Steve Martin, and Kurt Vonnegut Jr., as well as unique writing exercises for all situations, this comprehensive tutorial will teach you how to write humor prose for any literary form, including screenwriting, story writing, theater, television, and audio/radio. Additionally, readers are given sage advice on different tactics for writing comedic fiction versus comedic nonfiction. Some of the topics discussed include:Life experience versus imaginationHow to use humor to develop theme/setting, character, and dialogueRhythm and sound of wordsVulgarity and bad tasteHow to market your humor prose in the digital marketThoroughly revised and updated, and with new information on writing short, humorous films, What Are You Laughing at? is your endless source to learning the art of comedy.
What Can You Do With Your Will Power
by Russell H. ConwellIn "What You Can Do With Your Will Power," Russell H. Conwell, the esteemed Baptist minister, lawyer, and founder of Temple University, explores the immense power of the human will and its critical role in achieving personal and professional success. This enlightening book offers practical insights and motivational wisdom that inspire readers to harness their inner strength and transform their lives.Conwell delves into the nature of willpower, illustrating how it can be developed and utilized to overcome obstacles, achieve goals, and realize one’s full potential. He shares inspiring stories and practical advice on how to cultivate a strong will, maintain focus, and persevere in the face of challenges.Key themes include:The Nature of Will Power: Conwell defines willpower as the inner strength and determination that drives individuals to pursue their goals relentlessly. He emphasizes that everyone possesses this power and can cultivate it through conscious effort and practice.Cultivating Will Power: The book provides practical strategies for strengthening willpower, such as setting clear goals, developing disciplined habits, and maintaining a positive mindset. Conwell encourages readers to practice self-control and stay committed to their objectives.Overcoming Obstacles: Conwell discusses the importance of resilience and perseverance in the face of adversity. He offers guidance on how to stay motivated and focused, even when confronted with setbacks and difficulties.The Role of Will Power in Success: Through compelling anecdotes and real-life examples, Conwell demonstrates how willpower has been a decisive factor in the achievements of successful individuals. He highlights the transformative impact of a determined and focused mind.Balancing Will Power and Flexibility: While emphasizing the importance of strong willpower, Conwell also advises on the need for flexibility and adaptability. "What You Can Do With Your Will Power" is an inspiring and practical guide for anyone looking to strengthen their resolve and achieve their ambitions. Russell H. Conwell’s timeless wisdom and motivational insights provide readers with the tools they need to unlock their inner strength and reach their fullest potential.
What Charlie Heard
by Mordicai GersteinDescribes the life of American composer Charles Ives, who wrote music which expressed all the sounds he heard in the world, but which was not well received during his lifetime.
What Cinema Is!: Bazin's Quest and its Charge (Wiley-Blackwell Manifestos #65)
by Dudley AndrewWhat Cinema Is! offers an engaging answer to Andre Bazin's famous question, exploring his 'idea of cinema' with a sweeping look back at the near century of Cinema's phenomenal ascendancy. Written by one of the foremost film scholars of our time Establishes cinema's distinction from the current enthusiasm over audio-visual entertainment, without relegating cinema to a single, older mode Examines cinema's institutions and its social force through the qualities of key films Traces the history of an idea that has made cinema supremely alive to (and in) our times