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Watch Me
by Anjelica HustonPicking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, Watch Me chronicles her glamorous and eventful Hollywood years. She tells the story of falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning the art and craft of acting, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honour, about her collaborations with many of the greatest directors in Hollywood, including Woody Allen, Wes Anderson, Richard Condon, Bob Rafelson, Francis Ford Coppola and Stephen Frears. She writes movingly and beautifully about the death of her father, the legendary director John Huston and her marriage to sculptor Robert Graham.
Watching Anime, Reading Manga
by Fred Patten Carl MacekAnime's influence can be found in every corner of American media, from film and television to games and graphic arts. And Fred Patten is largely responsible. He was reading manga and watching anime before most of the current generation of fans was born. In fact, it was his active participation in fan clubs and his prolific magazine writing that helped create a market and build American anime fandom into the vibrant community it is today. Watching Anime, Reading Manga gathers together a quarter-century of Patten's lucid observations on the business of anime, fandom, artists, Japanese society and the most influential titles. Illustrated with original fanzine covers and archival photos. Foreword by Carl Macek (Robotech). Fred Patten lives in Los Angeles."Watching Anime, Reading Manga is a worthwhile addition to your library; it makes good bathroom browsing, cover-to-cover reading, and a worthwhile reference for writing or researching anime and manga, not to mention a window into the history of fandom in the United States." -- SF Site
Watching Arabic Television in Europe: From Diaspora to Hybrid Citizens
by Christina SladeWhat are Arabic Europeans watching on television and how does it affect their identities as Europeans? New evidence from seven capitals shows that, far from being isolated in ethnic media ghettoes, they are critical news consumers in Arabic and European languages and engaged citizens.
Watching Jim Crow: The Struggles Over Mississippi TV, 1955-1969
by Steven D. ClassenIn the early 1960s, whenever the Today Show discussed integration, wlbt-tv, the nbc affiliate in Jackson, Mississippi, cut away to local news after announcing that the Today Show content was "network news . . . represent[ing] the views of the northern press. " This was only one part of a larger effort by wlbt and other local stations to keep African Americans and integrationists off Jackson's television screens. Watching Jim Crow presents the vivid story of the successful struggles of African Americans to achieve representation in the tv programming of Jackson, a city many considered one of the strongest bastions of Jim Crow segregation. Steven D. Classen provides a detailed social history of media activism and communications policy during the civil rights era. He focuses on the years between 1955--when Medgar Evers and the naacp began urging the two local stations, wlbt and wjtv, to stop censoring African Americans and discussions of integration--and 1969, when the U. S. Court of Appeals issued a landmark decision denying wlbt renewal of its operating license. During the 1990s, Classen conducted extensive interviews with more than two dozen African Americans living in Jackson, several of whom, decades earlier, had fought to integrate television programming. He draws on these interviews not only to illuminate their perceptions--of the civil rights movement, what they accomplished, and the present as compared with the past--but also to reveal the inadequate representation of their viewpoints in the legal proceedings surrounding wlbt's licensing. The story told in Watching Jim Crow has significant implications today, not least because the Telecommunications Act of 1996 effectively undid many of the hard-won reforms achieved by activists--including those whose stories Classen relates here.
Watching Movies: The Biggest Names in Cinema Talk about the Films that Matter Most
by Rick LymanAn inside look at how some of the biggest names in the film industry view their craftIn this unique collection, New York Times film critic Rick Lyman sits down with notable directors, actors, screenwriters, cinematographers, and other film industry professionals to watch and discuss a movie that each person considers seminal or influential on his or her career. Steven Soderbergh on how All the President's Men influenced Erin Brockovich* Quentin Tarantino on The Golden Stallion* Ang Lee on Love Eternal* Denzel Washington on Ordinary People* Ron Howard on The Graduateand many moreEach interviewee's character is revealed in the resulting essays, which deepen our appreciation of landmark films, and give us extraordinary insight into the process of filmmaking.Lyman enhances every essay with a brief biography, career history, and complete filmography of each of the subjects, which puts them in a historical and creative context. Drawn from the enormously popular series in The New York Times, Watching Movies will fascinate film students and curious moviegoers alike.
Watching Porn: And Other Confessions of an Adult Entertainment Journalist
by Lynsey G“Lynsey G. is an intrepid explorer, boldly going where few reporters have gone with such a critical eye: deep inside the real world of commercial sex.” —Tina Horn, host of the Why Are People Into That?! podcast Lynsey G. never imagined that she would ever work in porn, but at twenty-four years old, with a degree in English literature and an empty bank account, she found herself reviewing the film East Coast ASSault for an adult magazine in New York City. One interview later and it was official: she was a porn journalist. The job was supposed to be temporary—just a paycheck until she could spark her legitimate writing career—but she loved it and spent nearly a decade describing the nuances of money shots and the effectiveness of sex toys. As both a porn consumer and a porn critic, she was not quite an insider, not quite an outsider, but came to know the industry intimately.She found it so fascinating that she co-founded WHACK! Magazine. Finally, she had a platform to voice her thoughts and observations of the adult film world, as well as educate the rest of us about what really goes on behind the scenes. Eventually, Lynsey was thrust back into the “real” world, but not before realizing that one of the most diverse and nebulous—and profitable—industries on the planet isn’t so quite as different from the rest of the world as she thought. Tantalizing, eye-opening, and witty, Watching Porn is a provocative book about an average girl’s foray into the porn industry and the people who make it what it is, both in front of and behind the camera.“Marvelous.” —The New York Times Book Review
Watching Rape: Film and Television in Postfeminist Culture
by Sarah ProjanskyLooking at popular culture from 1980 to the present, feminism appears to be "over": that is, according to popular critics we are in an era of "postfeminism" in which feminism has supposedly already achieved equality for women. Not so, says Sarah Projansky. In Watching Rape, Projansky undermines this complacent view in her fascinating and thorough analysis of depictions of rape in U.S. film, television, and independent video. Through a cultural studies analysis of such films as Thelma and Louise, Daughters of the Dust, and She's Gotta Have It, and television shows like ER, Ally McBeal, Beverly Hills 90210, and various made-for-tv movies, Projansky challenges us to see popular culture as a part of our everyday lives and practices, and to view that culture critically. How have media defined rape and feminism differently over time? How do popular narratives about rape also communicate ideas about gender, race, class, nationality, and sexuality? And, what is the future of feminist politics, theory, and criticism with regard to issues of sexual violence, postfeminism, and popular media? The first study to address the relationship between rape and postfeminism, and one of the most detailed and thorough analyses of rape in 25 years, Watching Rape is a crucial contribution to contemporary feminism.
Watching Skies: Star Wars, Spielberg and Us
by Mark O'ConnellMark O'Connell didn't want to be Luke Skywalker, He wanted to be one of the mop-haired kids on the Star Wars toy commercials. And he would have done it had his parents had better pine furniture and a condo in California. Star Wars, Jaws, Close Encounters of the Third Kind, E.T. The Extra Terrestrial, Raiders of the Lost Ark and Superman didn't just change cinema – they made lasting highways into our childhoods, toy boxes and video stores like never before. In Watching Skies, O'Connell pilots a gilded X-Wing flight through that shared universe of bedroom remakes of Return of the Jedi, close encounters with Christopher Reeve, sticker album swaps, the trauma of losing an entire Stars Wars figure collection and honeymooning on Amity Island. From the author of Catching Bullets – Memoirs of a Bond Fan, Watching Skies is a timely hologram from all our memory systems. It is about how George Lucas, Steven Spielberg, a shark, two motherships, some gremlins, ghostbusters and a man of steel jumper a whole generation to hyperspace.* *action figures sold separately.
Watching Sympathetic Perpetrators on Italian Television: Gomorrah and Beyond
by Dana RengaThis book offers the first comprehensive study of recent, popular Italian television. Building on work in American television studies, audience and reception theory, and masculinity studies, Sympathetic Perpetrators and their Audiences on Italian Television examines how and why viewers are positioned to engage emotionally with—and root for—Italian television antiheroes. Italy’s most popular exported series feature alluring and attractive criminal antiheroes, offer fictionalized accounts of historical events or figures, and highlight the routine violence of daily life in the mafia, the police force, and the political sphere. Renga argues that Italian broadcasters have made an international name for themselves by presenting dark and violent subjects in formats that are visually pleasurable and, for many across the globe, highly addictive. Taken as a whole, this book investigates what recent Italian perpetrator television can teach us about television audiences, and our viewing habits and preferences.
Watching TV: Six Decades of American Television (Expanded Second Edition)
by Harry Castleman Walter J. PodrazikWatching TV provides a fascinating history of how the personalities, popular shows, and coverage of key events have evolved during the past six decades. Watching TV is the standard history of American television, now updated to include the most recent programming and industry developments.
Watching Them Be: Star Presence on the Screen from Garbo to Balthazar
by James HarveyAn intimate, thought-provoking exploration of the mysteries of "star presence" in cinema"One does not go to see them act," James Baldwin wrote about the great iconic movie stars, "one goes to watch them be." It seems obvious . . . Where else besides the movies do you get to see other persons so intimately, so pressingly, so largely? Where else are you allowed such sustained and searching looks as you give to these strangers on the screen, whoever they really are? In life you try not to stare; but at the movies that's exactly what you get to do, two hours or more—safely, raptly, even blissfully.It's this sort of amplified, heightened, sometimes transcendent "seeing" that James Harvey explores in Watching Them Be. Marvelously vivid and perceptive, and impressively erudite, this is his take on how aura is communicated in movies. Beginning where Roland Barthes left off with the face of Greta Garbo and ending with Robert Bresson's Au hasard Balthazar (and its inscrutable nonhuman star), Harvey moves nimbly and expertly through film history, celebrating actors and directors who have particularly conveyed a feeling of transcendence. From Marlene Dietrich to John Wayne to Robert De Niro, from Nashville to Jackie Brown to Masculine/Feminine and the implicitly or explicitly religious films of Roberto Rossellini and Carl Theodor Dreyer, this is one man's personal, deeply felt account of the films that have changed his life. They will also, Harvey suggests, change yours.
Watching While Black Rebooted!: The Television and Digitality of Black Audiences
by Jacqueline Johnson Michael Boyce Gillespie Shelleen Greene Brandy Monk-Payton Eric Pierson Christine Acham Felicia D Henderson TreaAndrea M. Russworm Nghana Lewis Adrien Sebro Alfred L Martin Briana Barner Beretta E. Smith-ShomadeWatching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means in an expanded U.S. televisual landscape. In this updated edition, media scholars return to television and digital spaces to think anew about what engages and captures Black audiences and users and why it matters. Contributors traverse programs and platforms to wrestle with a changing television industry that has exploded and included Black audiences as a new and central target of its visioning. The book illuminates history, care, monetization, and affect. Within these frames, the chapters run the gamut from transmediation, regional relevance, and superhuman visioning to historical traumas and progress, queer possibilities, and how televisual programming can make viewers feel Black. Mostly, the work tackles what the future looks like now for a changing televisual industry, Black media makers, and Black audiences. Chapters rethink such historically significant programs as Roots and Underground, such seemingly innocuous programs as Soul Food, and such contemporary and culturally complicated programs as Being Mary Jane and Atlanta. The book makes a case for the centrality of these programs while always recognizing the racial dynamics that continue to shape Black representation on the small screen. Painting a decidedly introspective portrait across forty years of Black television, Watching While Black Rebooted sheds much-needed light on under examined demographics, broadens common audience considerations, and gives deference to the preferences of audiences and producers of Black-targeted programming.
Watching with The Simpsons: Television, Parody, and Intertextuality (Comedia)
by Jonathan GrayUsing our favourite Springfield family as a case study, Watching with The Simpsons examines the textual and social role of parody in offering critical commentary on other television programs and genres. Jonathan Gray brings together textual theory, discussions of television and the public sphere, and ideas of parody and comedy. Including primary audience research, it focuses on how The Simpsons has been able to talk back to three of television’s key genres - the sitcom, adverts and the news - and on how it holds the potential to short-circuit these genre’s meanings, power, and effects by provoking reinterpretations and offering more media literate recontextualizations. Examining television and media studies theory, the text of The Simpsons, and the show’s audience, Gray attempts to fully situate the show’s parody and humour within the lived realities of its audiences. In doing so, he further explores the possibilities for popular entertainment television to discuss issues of political and social importance. A must read for any student of media studies.
Water for Elephants: A Novel
by Sara GruenJacob Jankowski's 90-year-old mind remembers when he was a young veterinarian, traveling with a Depression-era circus.
Waxing On: The Karate Kid and Me
by Ralph MacchioSince The Karate Kid first crane-kicked its way into the pop culture stratosphere in June 1984, there hasn’t been a week Ralph Macchio hasn’t heard friendly shouts of “Wax on, wax off” or “Sweep the leg!” Now, with Macchio reprising his role as Daniel LaRusso in the #1 ranked Netflix show Cobra Kai, he is finally ready to look back at this classic movie and give the fans something they’ve long craved. <p><p>The book will be Ralph Macchio’s celebratory reflection on the legacy of The Karate Kid in film, pop culture, and his own life. It will be a comprehensive look at a film that shaped him as much as it influenced the world. Macchio will share an insider's perspective of the untold story behind his starring role—the innocence of the early days, the audition process, and the filmmaking experience—as well as take readers through the birth of some of the film’s most iconic moments. <p><p>Ultimately, the book centers on the film itself, focusing on the reason that the characters and themes have endured in such a powerful way and how these personal experiences have impacted Macchio's life. It will bring readers back to the day they met Daniel LaRusso and Mr. Miyagi for the first time, but will also provide a fascinating lens into how our pasts shape all of us and how the past can come back to enrich one's life in surprising and wonderful ways. <p> <b>New York Times Bestseller</b>
Wayfaring Stranger (American Autobiography Ser.)
by Burl IvesFirst published in 1948, this autobiography from Burl Ives, whom Carl Sandberg calls “the greatest folk ballad singer of them all,” is as fresh and wholesome as a summer’s breeze out of an Illinois cornfield. His ballads have long been an authentic expression of his land and its people—songs his grandmother taught him in the Midwestern farm country, songs remembered by old-timers in small towns all over the land, songs he heard hobos singing—songs we have come to know and love.In Wayfaring Stranger, writing in the stirring imaginative language of the ballad, Burt Ives tells of a night spent in a haystack with a pig, and of a brief fight with a railroad cop on top of a boxcar. He hitched a ride with Al Capone’s master bootlegger; he barely escaped the clutches of an old maid in Maine; he fell in love on a Great Lakes steamer; he played for evangelists and politicians; in speakeasies and public parks. Always he listened to the people, and he learned their songs. Anywhere he could get an audience, he sang his ballads: Barbara Allen, The Riddle Song, Fair Eleanor, Old Smokey, Silver Dagger, Foggy Foggy Dew.Now in Wayfaring Stranger, he has written his own story—as warm and appealing as the songs he sings.“It’s a fine book, warm, and full-bided, like Burl himself. Burl gives the reader the combination which is in everything he sings: a sense of dignity without pretentiousness, of simplicity without sentimentality. He makes the folk feeling richly alive. Some of his little character sketches remind me of the unforgettable etchings in Sherwood Anderson’s Winesburg. In short, Burl tells stories just the way he plays and sings—naturally, unaffectedly, poignantly.”—Louis Untermeyer
Waylon: An Autobiography
by Waylon Jennings Lenny KayeWaylon Jennings relates the story of his life as a country music star. His beginnings were poor but he became Buddy Holly's protege before sinking into drug abuse and 3 failed marriages. His success came when he met his present wife, Jessi Colter.
Wayne and Ford: The Films, the Friendship, and the Forging of an American Hero
by Nancy SchoenbergerJohn Ford and John Wayne, two titans of classic film, made some of the most enduring movies of all time. The genre they defined—the Western—and the heroic archetype they built still matter today. For more than twenty years John Ford and John Wayne were a blockbuster Hollywood team, turning out many of the finest Western films ever made. Ford, known for his black eye patch and for his hard-drinking, brawling masculinity, was a son of Irish immigrants and was renowned as a director for both his craftsmanship and his brutality. John “Duke” Wayne was a mere stagehand and bit player in “B” Westerns, but he was strapping and handsome, and Ford saw his potential. In 1939 Ford made Wayne a star in Stagecoach, and from there the two men established a close, often turbulent relationship. Their most productive years saw the release of one iconic film after another: Rio Grande, The Quiet Man, The Searchers, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance. But by 1960 the bond of their friendship had frayed, and Wayne felt he could move beyond his mentor with his first solo project, The Alamo. Few of Wayne’s subsequent films would have the brilliance or the cachet of a John Ford Western, but viewed together the careers of these two men changed moviemaking in ways that endure to this day. Despite the decline of the Western in contemporary cinema, its cultural legacy, particularly the type of hero codified by Ford and Wayne—tough, self-reliant, and unafraid to fight but also honorable, trustworthy, and kind—resonates in everything from Star Wars to today’s superhero franchises. Drawing on previously untapped caches of letters and personal documents, Nancy Schoenberger dramatically narrates a complicated, poignant, and iconic friendship and the lasting legacy of that friendship on American culture.
Waypoints: My Scottish Journey
by Sam HeughanJourney deep into the Scottish Highlands in the first memoir by #1 New York Times bestselling author and award-winning star of Outlander, Sam Heughan—exploring his life and reflecting on the waypoints that define him"I had to believe, because frankly, I had come so far there could be no turning back." In this intimate journey of self-discovery, Sam sets out along Scotland's rugged ninety-six-mile West Highland Way to map out the moments that shaped his views on dreams and ambition, family, friendship, love, and life. The result is a love letter to the wild landscape that means so much to him, full of charming, funny, wise, and searching insights into the world through his eyes. Waypoints is a deeply personal journey that reveals as much about Sam to himself as it does to his readers.
Ways In
by Gilbert H. Muller John A. WilliamsBridging the gap between literary and composition theory, Ways In is a concise, integrated guide to critical reading, thinking, and writing about literature.
Ways of Seeing in the Neoliberal State: A Controversial Play and Its Contexts
by Asbjørn Skarsvåg GrønstadThis book focuses on the theme of counter-surveillance in art through a multi-faceted engagement with the highly controversial Norwegian play Ways of Seeing. Denounced by the prime minister and subject to a police investigation, the play gained notoriety when it featured footage showing the homes of the country’s financial and political elite as part of its scenography. The book provides a thorough consideration of the work’s reception context before elucidating its relation to the politics of neoliberalism. What is foregrounded in this analysis are, first, the use of an aesthetics of sousveillance to visualize the material infrastructure of racism and right-wing populism, second, the tangled interrelations of art and law, third, questions of censorship and artistic freedom, and fourth, the promotion of an alternative mode of political governance – grounded in feminism and ecological awareness – through the example of the Rojava experiment.
Ways to Fall Asleep: 100 Hacks for When You Can't Get to Sleep
by PyramidKeep this book by your bedside as the ultimate aid for nodding off in no time.In this handy little book you'll find a whole range of tips, tricks and relaxing activities to help you switch off and unwind. From dot-to-dots and colouring-in to meditations and yoga poses, you'll find all you need to wind down at the end of a stressful day and relax in preparation for a restful night's sleep.
Ways to Fall Asleep: 100 Hacks for When You Can't Get to Sleep
by Ways to Fall AsleepKeep this book by your bedside as the ultimate aid for nodding off in no time.In this handy little book you'll find a whole range of tips, tricks and relaxing activities to help you switch off and unwind. From dot-to-dots and colouring-in to meditations and yoga poses, you'll find all you need to wind down at the end of a stressful day and relax in preparation for a restful night's sleep.
Wayward Feeling: Audio-Visual Culture and Aesthetic Activism in Post-Rainbow South Africa (African & Diasporic Cultural Studies)
by Helene StraussInventive new methods of audio-visual mediation and aesthetic activism have been giving shape, since at least the mid-2000s, to feelings of despair, disappointment, and rage at the injustice that South Africa’s colonial and apartheid histories continue to trail in their wake. Wayward Feeling reveals how racism, sexism, and other forms of structural disenfranchisement have continued to assert themselves in affective terms, and how these terms have been recast in spaces both public and intimate in "post-rainbow" times. Helene Strauss argues that the tension between aspiration and achievability has yielded modes of feeling that increasingly disrupt the thrall of post-apartheid nation-building and reconciliation myths, even as wide-spread attachment to the utopian ideals of the anti-apartheid struggle continues to shape dissenting political organising and cultural production. Drawing on a variety of audio-visual forms – including video installations, conceptual artwork, documentary film, live art, and sonic installations – Wayward Feeling examines some of the affective resources that people in contemporary South Africa have been drawing on to make difficult lives more bearable.
We All Shine On: John, Yoko, and Me
by Elliot MintzA personal and revealing look at the last ten years of John Lennon&’s life and his partnership with Yoko Ono, written by the friend who knew them best In 1972, Elliot Mintz installed a red light in his bedroom in Laurel Canyon. When it started flashing, it meant that either John Lennon or Yoko Ono—or sometimes both—were calling him. Which they did almost every day for nearly ten years, engaging Mintz in hours-long late-night phone conversations that all but consumed him for the better part of a decade. In We All Shine On, Mintz—a former radio and television host in Los Angeles—recounts the story of how their unlikely friendship began and where it led him over the years, revealing the ups and downs of a wild, touching, heartbreaking, and sometimes shocking relationship. Mintz takes readers inside John and Yoko&’s inner sanctums, including their expansive seventh-floor apartment in New York&’s fabled Dakota building, where Mintz was something of a semipermanent fixture, ultimately becoming the Lennons' closest and most trusted confidant. Mintz was with John and Yoko through creative highs, relationship and private challenges, fascinating interactions with the other former Beatles, and the happiest moment of their lives together, the birth of their son, Sean. He was also by Yoko&’s side during the aftermath of John&’s assassination on the doorstep of the Dakota—not merely a witness to it all, but a key figure in the drama of John and Yoko&’s extraordinary lives. We All Shine On is a must-read for Beatles and Lennon fans, offering an up close and intimate view of one of the most celebrated artists of the twentieth century, as well as one of the most fascinating marriages. But it&’s also a relationship story that just about everyone can relate to, a tale about partnership, loyalty, and trust, and most of all, the lasting legacy of a true and deep friendship.