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Vegas Pro 8 Editing Workshop
by Douglas Spotted EagleMaster the Vegas Pro 8 toolset, including its industry-leading HD and audio capabilities. This comprehensive guide delivers the nuts and bolts of the essential tasks, from installing the application to outputting, together with practical editing techniques and real-world examples for working more efficiently.Packed with all the necessary materials, including video footage, sequences, and detailed instructions, this book and downloadable resources combo gives you a working knowledge of Vegas Pro 8. Better expert advice simply can't be found. Key features include:* Capturing video including HD, HDV, XDCAM, and AVCHD* Using editing tools, transitions, filters, and third-party plug-ins* Multicam production and editing* Color correction, titling and compositing* Recording and editing audio; using audio plug-ins* Creating and using Media Manager databases* Web video workflow* 24p HDCAM/DVCAM workflow for the independent filmmaker
Vegas Pro 9 Editing Workshop
by Douglas Spotted EagleGo beyond the mechanics of Vegas X--learn a professional workflow from an award-winning professional. Packed with all the necessary materials, including raw video footage, sequences, and detailed instructions, this book and DVD combo lets you gain a working knowledge of Vegas X including its exceptional audio features and the DVD Architect toolset. Woven into this Editing Workshop are hands-on tutorials covering a complete range of essential tasks from installing the application to outputting. Novices learn the basics, and experienced editors get practical techniques with real-world examples for working more efficiently and making better media.
Veiled Desires: Intimate Portrayals of Nuns in Postwar Anglo-American Film
by Maureen SabineIngrid Bergman’s engaging screen performance as Sister Mary Benedict in The Bells of St. Mary’s made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a “complete understanding” of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naïve? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires—a unique full-length, in-depth look at nuns in film—Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary’s (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun’s Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. Sabine provides a framework for a more complex and holistic picture of nuns onscreen by showing how the films dramatize these women’s Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Venda su Historia a Hollywood: Guía de Bolsillo Para Irrumpir en la Industria
by José Reinaldo AmatoEste pequeño libro tiene como objetivo ayudarlo a descubrir cómo contar su historia en pantallas grandes o pequeñas. No le dará reglas y regulaciones, porque hoy simplemente no existen. Cualquier regla se ha roto y se romperá. En cambio, lo que ofrece este libro son casi treinta años de observación de cómo suceden las cosas en el mundo del espectáculo, el negocio del entretenimiento (más conocido en todo el mundo como Hollywood). La experiencia del Dr. Ken Atchity en Hollywood abarca desde la escritura hasta la gestión de escritores y la producción de sus películas para cine y televisión. Atchity, ha visto el mercado de las historias de Hollywood desde casi todos los ángulos, incluidos los asuntos legales y comerciales.
Venda sua história para Hollywood
by Kenneth AtchityA influência crescente da Internet e a transformação das empresas do ramo editorial e cinematográfico em grandes corporações tornou o caminho de um livro para a telinha e/ou para a telona mais complicado, mais excêntrico e mais empolgante. O objetivo deste pequeno livro é mostrar o caminho que a sua história terá de percorrer para chegar a ser contada na tela. Não há uma série de regras e regulamentos, porque não existem mais. Qualquer regra que venha a ser implantada já foi e continuará sendo desobedecida. O que este livro oferece é o resultado de quase trinta anos observando como as coisas acontecem no show business, o ramo do entretenimento (mais conhecido no mundo inteiro como Hollywood). A experiência do Dr. Ken Atchity em Hollywood vai de agenciar escritores a produzir seus filmes para o cinema e para a televisão. Ele já viu o mercado de histórias em Hollywood sob todos os ângulos possíveis e imagináveis, incluindo as questões jurídicas e comerciais. NOTA DO TRADUTOR: Se você está lendo este livro em português, é sinal de que o caminho da sua história até Hollywood será mais longo ainda, pois ela terá de chegar lá traduzida, em inglês, para concorrer em pé de igualdade com as que foram escritas originalmente no idioma local. Mas não deixe que isso o desiluda em relação a este livro. Se você escreve histórias que os leitores dizem que poderia dar um filme, aprender duas técnicas detalhadamente exemplificadas aqui, o tratamento e a cobertura, e aplicar uma ou outra no seu livro, vão passar a dizer que o certamente daria um ótimo filme. Além disso, há muito material interessante, que serve para matar a curiosidade sobre o caminho trilhado por um livro, quando o vemos encenado no cinema e na TV.
Veni, Vidi, Video: The Hollywood Empire and the VCR
by Frederick WasserA funny thing happened on the way to the movies. Instead of heading downtown to a first-run movie palace, or even to a suburban multiplex with the latest high-tech projection capabilities, many people's first stop is now the neighborhood video store. Indeed, video rentals and sales today generate more income than either theatrical releases or television reruns of movies. This pathfinding book chronicles the rise of home video as a mass medium and the sweeping changes it has caused throughout the film industry since the mid-1970s. Frederick Wasser discusses Hollywood's initial hostility to home video, which studio heads feared would lead to piracy and declining revenues, and shows how, paradoxically, video revitalized the film industry with huge infusions of cash that financed blockbuster movies and massive marketing campaigns to promote them. He also tracks the fallout from the video revolution in everything from changes in film production values to accommodate the small screen to the rise of media conglomerates and the loss of the diversity once provided by smaller studios and independent distributors.
Venue 2
by BrenkmanFirst Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Venus’s Palace: Shakespeare and the Antitheatricalists (Studies in Performance and Early Modern Drama)
by Reut BarzilaiThis book lays bare the dialogue between Shakespeare and critics of the stage, and positions it as part of an ongoing cultural, ethical, and psychological debate about the effects of performance on actors and on spectators. In so doing, the book makes a substantial contribution both to the study of representations of theatre in Shakespeare’s plays and to the understanding of ethical concerns about acting and spectating—then, and now. The book opens with a comprehensive and coherent analysis of the main early modern English anxieties about theatre and its power. These are read against 20th- and 21st-century theories of acting, interviews with actors, and research into the effects of media representation on spectator behaviour, all of which demonstrate the lingering relevance of antitheatrical claims and the personal and philosophical implications of acting and spectating. The main part of the book reveals Shakespeare’s responses to major antitheatrical claims about the powerful effects of poetry, music, playacting, and playgoing. It also demonstrates the evolution of Shakespeare’s view of these claims over the course of his career: from light-hearted parody in A Midsummer Night’s Dream, through systematic contemplation in Hamlet, to acceptance and dramatization in The Tempest. This study will be of great interest to scholars and students of theatre, English literature, history, and culture.
Vera Gran: The Accused
by Agata TuszyñskaThe extraordinary, controversial story of Vera Gran, beautiful, exotic prewar Polish singing star; legendary, sensual contralto, Dietrich-like in tone, favorite of the 1930s Warsaw nightclubs, celebrated before, and during, her year in the Warsaw Ghetto (spring 1941-summer 1942) . . . and her piano accompanist: W³adys³aw Szpilman, made famous by Roman Polanski's Oscar-winning film The Pianist, based on Szpilman's memoir.Following the war, singer and accompanist, each of whom had lived the same harrowing story, were met with opposing fates: Szpilman was celebrated for his uncanny ability to survive against impossible odds, escaping from a Nazi transport loading site, smuggling in weapons to the Warsaw Ghetto for the Jewish resistance. Gran was accused of collaborating with the Nazis; denounced as a traitor, a "Gestapo whore," reviled, imprisoned, ultimately exonerated yet afterward still shunned as a performer . . . in effect, sentenced to death without dying . . . until she was found by Agata Tuszyñska, acclaimed poet and biographer of, among others, Isaac Bashevis Singer, Nobel laureate ("Her book has few equals"--The Times Literary Supplement).Tuszyñska, who won the trust of the once-glamorous former singer, then living in a basement in Paris--elderly, bitter, shut away from the world--encouraged Gran to tell her story, including her seemingly inexplicable decision to return to Warsaw to be reunited with her family after she had fled Hitler's invading army, knowing she would have to live within the ghetto walls and, to survive, continue to perform at the popular Café Sztuka.At the heart of the book, Gran's complex, fraught relationship with her accompanist, performing together month after month, for the many who came from within the ghetto and outside its walls to hear her sing.Using Vera Gran's reflections and memories, as well as archives, letters, statements, and interviews with Warsaw Ghetto historians and survivors, Agata Tuszyñska has written an explosive, resonant portrait of lives lived inside a nightmare time, exploring the larger, more profound question of the nature of collaboration, of the price of survival, and of the long, treacherous shadow cast in its aftermath.
Verbatim Theatre Methodologies for Community Engaged Practice: Perspectives from Australian Theatre
by David Burton Sarah PetersVerbatim Theatre Methodologies for Community-Engaged Practice offers a framework for developing original community-engaged productions using a range of verbatim theatre approaches. This book's methodologies offer an approach to community-engaged productions that fosters collaborative artistry, ethically nuanced practice, and social intentionality. Through research-based discussion, case study analysis, and exercises, it provides a historical context for verbatim theatre; outlines the ethics and methods for community immersion that form the foundation of community-engaged best practice; explores the value of interviews and how to go about them; provides clear pathways for translating gathered data into an artistic product; and offers rehearsal room strategies for playwrights, producers, directors, and actors in managing the specific context of the verbatim theatre form. Based on diverse, real-world practice that spans regional, metropolitan, large-scale, micro, independent, commercial, and curriculum-based work, this is a practical and accessible guide for undergraduates, artists, and researchers alike.
Verdad, Mentiras y Propaganda
by Lucinda E Clarke José A Herrera REste libro describe la primera parte de mi viaje desde ser maestra de escuela primaria, pasando por anunciante en radio, luego escritora de libretos para radio hasta llegar a producir para televisión. Todas las historias son verídicas, aunque algunos nombres han sido cambiados para proteger a los personajes más interesantes. Si alguna vez se han preguntado qué ocurre detrás de las cámaras, este libro les brindará algunos secretos y les explicará cómo se hacen los programas de TV. ¿Cómo se siente trabajar con gente famosa, o entrevistarles cuando no les interesa hablarte? No se dejen engañar con eso de que trabajar en televisión es glamoroso. No lo es. Yo pasé más tiempo en baños y husmeando entre montañas de basura que en salas de banquete. Hacer cualquier tipo de programa de TV es un trabajo de equipo, y yo he trabajado con los mejores equipos de grabación y el mejor personal de estudio en Sudáfrica. Sin ellos y sin su pasión, no podría orgullosamente recordar nada de lo que produjimos. Este libro es para ellos y los clientes que nos dieron la confianza de relatar sus historias. Es también para mi esposo que sufre desde hace tiempo y cuya paciencia mientras escribo este libro ha resistido nuevos límites. No hay dos días que sean iguales en el mundo de los medios de comunicación y yo me siento privilegiada de haber sido parte de ello. Pero no crean todo lo que ven en la televisión. Probablemente, ¡es más sabio no creer en absolutamente nada! España 2014
Verdades, Mentiras e Propaganda
by Lucinda E Clarke Talita Mahfuz AdamoEmbora Lucinda sonhasse ser escritora, obediente, ela estudou para ser professora e obter um emprego “adequado”. Seu primeiro contato com a mídia foi através do trabalho no Serviço de Língua Inglesa em Benghazi, na Líbia. Infelizmente, depois disso, ela voltou às salas de aula. Ela não imaginava que perder o emprego de professora e fazer fiasco numa audição para a SABC a teria levado a escrever roteiros de rádio sobre gado doméstico, sobre o qual ela não sabia absolutamente nada. Assim, começou a sua jornada através da escritura, pré-produção e direção de programas sobre diversos assuntos. O que você vê na televisão, às vezes tem pouca relação com a verdade. Esta coleção de acontecimentos far-lhe-á rir e chorar. Ela retira a máscara da mídia e revela a verdade.
Verdi: His Music, Life and Times
by George MartinThis book relates the life and experiences of composer Giuseppe Verdi, from his birth in 1813 to his death in 1901. Besides documenting Verdi's life and the music he created, it also goes further in discussing the times and culture in which he was living in 19th century Italy, both socially and politically.
Verhüllung und Entblößung: Vom erzählenden Text:il zur filmischen Haut als Erfahrungsraum affektiver Identitätsentfaltung
by Anke SteinbornDieses Buch enthält eine interdisziplinäre Betrachtung zum identitätsbildenden Wechselspiel von Text, Textilem und der Haut im und über den Film. Kernthese ist die Überlegung, dass sich im Film über den Wechsel zwischen Textilem und nackter Haut ikonische Verdichtungen zugunsten eines assoziativen Erfahrungsraums entfalten. Dabei weicht der Stoff – der erzählerische gleichermaßen wie der textile – dem Sinnlichen, der Affizierung über die Haut. Die Untersuchung beleuchtet den Zusammenhang zwischen filmischer Rezeption und Selbstreflexion der Zuschauenden, aber auch einer Gesellschaft sowie des Films selbst im jeweils zeitlichen Kontext. Die Filmsehenden erfahren nicht nur das Geschehen und die Protagonist*innen, sondern vor allem auch sich selbst im Spiegel des Anderen – der anderen Figur, der anderen Geschichte, der anderen, filmischen Welt. Ziel der Untersuchung ist es, unter symbolische Hüllen zu schauen und das Wesentliche darunter zu entdecken. Durch die Interdisziplinarität der Arbeit werden nicht nur Interessierte der Film-, Medien- und Kulturwissenschaft, sondern auch der Soziologie, der Psychologie, des (Mode-)Designs, der Kunstgeschichte und der Architektur angesprochen. Das Buch regt zu Perspektivwechseln und interdisziplinärem Austausch auf der Basis der für uns alle existenziellen Haut an. Mit diesem Alleinstellungsmerkmal werden Grenzen überwunden und Kollaborationen angeregt.
Veronique: Veronique (The Divas)
by Victoria Christopher MurrayFrom the bestselling author of The Personal Librarian comes the third in the The Divas series following the stories of four fifteen-year-old girls who form their own singing group.Veronique wants to be a star just as much as her fellow Divas do, but there's more to it than just fame for her. Unlike her middle-class friends at Holy Cross Prep, Veronique is there on scholarship, and if she wins a recording contract, she can move her mother and brothers out of their crummy apartment. But Veronique has another dream that's hers alone. She longs to meet her dad, who disappeared to New York when she was just a baby. Could going to the Big A with the other Divas be Veronique's big chance to find him? Veronique knows she'll have to do some legwork on her own, though, so she turns to the internet for help. While it seems like a miracle when she gets a response, her friends aren't so sure. Is Veronique putting herself in danger, just when the Divas are on the brink of really making it big? And will her faith and her friends be enough to keep her safe?
Verschwörungsideologien in Filmen und Serien: Erklärungsansätze und Chancen zur Intervention
by Denis Newiak Anastasia SchnitzerCorona als inszeniertes Unterdrückungsinstrument, geheim gehaltene Impftote oder kinderbluttrinkende Politiker: Spätestens seit dem Ausbruch der Covid-19-Pandemie haben Verschwörungsideologien Hochkonjunktur und schaden durch ihren Dogmatismus dem sozialen Frieden und der demokratischen Willensbildung. Sogenannte Verschwörungstheorien (conspiracy theories) erzeugen systematisches Misstrauen gegenüber den legitimierten politischen Institutionen und können zu gesellschaftlicher Polarisierung, gefährlichem Populismus und extremistischer Eskalierung beitragen. In Kinofilmen und Fernsehserien waren Verschwörungsideologien schon immer Thema, setzen sie sich doch durch ihre filmischen Mittel seit jeher mit der Beziehung zwischen Realität und Illusion, Wahrheit und Fiktion, Wirklichkeit und Traum, Sinn und Wahnsinn auseinander. Serien und Filme dienen dabei nicht nur als Diskursraum gesellschaftlicher Selbstverständigung, sondern unterbreiten auch durch ihre komplexen Narrative, Figurenkonstellationen und Ästhetiken eingängige Erklärungsansätze für das Entstehen und die Verbreitung von Verschwörungserzählungen. Zugleich unterbreiten sie dabei zum Teil erstaunlich konkrete Vorschläge zur Handhabung solcher kollektiver Wahnvorstellungen. Was können wir aus den fiktionalen Welten von Serien und Filmen für den Umgang mit diesem ganz realen Gegenwartsphänomen lernen?
Vertigo (SparkNotes Film Guide)
by SparkNotesVertigo (SparkNotes Film Guide) Making the reading experience fun! SparkNotes Film Guides are one-stop guides to great works of film–masterpieces that are the foundations of filmmaking and film studies. Inside each guide you&’ll find thorough, insightful overviews of films from a variety of genres, styles, and time periods. Each film guide contains:Information about the director and the context in which the film was made Thoughtful analysis of major characters Details about themes, motifs, and symbols Explanations of the most important lines of dialogue In-depth discussions about what makes a film so remarkable SparkNotes Film Guides are an invaluable resource for students or anyone who wants to gain a deeper understanding of the great films they know and love.
Vertigo: The Temptation of Identity
by Andrea CavallettiReading philosophy through the lens of Alfred Hitchcock’s Vertigo, Andrea Cavalletti shows why, for two centuries, major philosophers have come to think of vertigo as intrinsically part of philosophy itself.Fear of the void, terror of heights: everyone knows what acrophobia is, and many suffer from it. Before Freud, the so-called “sciences of the mind” reserved a place of honor for vertigo in the domain of mental pathologies. The fear of falling—which is also the fear of giving in to the temptation to let oneself fall—has long been understood as a destabilizing yet intoxicating element without which consciousness itself was inconceivable. Some went so far as to induce it in patients through frightening rotational therapies.In a less cruel but no less radical way, vertigo also staked its claim in philosophy. If Montaigne and Pascal could still consider it a perturbation of reason and a trick of the imagination which had to be subdued, subsequent thinkers stopped considering it an occasional imaginative instability to be overcome. It came, rather, to be seen as intrinsic to reason, such that identity manifests itself as tottering, kinetic, opaque and, indeed, vertiginous.Andrea Cavalletti’s stunning book sets this critique of stable consciousness beside one of Hitchcock’s most famous thrillers, a drama of identity and its abysses. Hitchcock’s brilliant combination of a dolly and a zoom to recreate the effect of falling describes that double movement of “pushing away and bringing closer” which is the habitual condition of the subject and of intersubjectivity. To reach myself, I must see myself from the bottom of the abyss, with the eyes of another. Only then does my “here” flee down there and, from there, attract me.From classical medicine and from the role of imagination in our biopolitical world to the very heart of philosophy, from Hollywood to Heidegger’s “being-toward-death,” Cavalletti brings out the vertiginous nature of identity.
Very Naughty Boys [EBK]
by Robert SellersThe incredible, hilarious insider's story of Britain's favourite film company! It all started when Beatle George Harrison stepped in to fund Life of Brian when Monty Python's original backers pulled out. His company, HandMade films, went on to make some of the best British films of the 80s (Withnail and I, Time Bandits and Mona Lisa among them), but then things started to go wrong... This is the incredible and often hilarious insiders' story of what happened...
Very Special Episodes: Televising Industrial and Social Change
by Jonathan Cohn Ron Becker Christine Becker David Scott Diffrient Brett Mills Jorie Lagerwey Mimi White Taylor Nygaard Reba Wissner Jennifer Porst Philip Scepanski Barbara Selznick Lindsay Giggey Erin Copple Smith Erin Giannini Apryl AlexanderVery Special Episodes examines how the quintessential “very special episode” format became a primary way in which the television industry responded to and shaped social change, cultural traumas, and industrial transformations. With essays covering shows ranging from the birth of Desi Arnaz, Jr. on I Love Lucy to contemporary examples such as a delayed episode of Black-ish and the streaming-era phenomenon of the “Very Special Seasons” of UnReal and 13 Reasons Why, this collection seriously and critically uses the “very special episode” to chart the history of American television and its self-identified status as an arbiter of culture.
Vicarious Kinks
by Ummni KhanWho decides where "normal" stops and "perverse" begins? In Vicarious Kinks, Ummni Khan looks at the mass of claims that film, feminism, the human sciences, and law make about sadomasochism and its practitioners, and the way those claims become the basis for the legal regulation of sadomasochist pornography and practice. Khan's audacious proposal is that for film, feminism, law, and science, the constant focus on taboo sexuality is a form of "vicarious kink" itself.Rather than attempt to establish the "truth" about sadomasochism, Vicarious Kinks asks who decides that sadomasochism is perverse, examining how various fields present their claims to truth when it comes to sadomasochism. The first monograph by a new scholar working at the juncture of law and sexuality, Vicarious Kinks challenges the myth of law as an objective adjudicator of sexual truth.
Vicious Circuits: Korea’s IMF Cinema and the End of the American Century (Post*45)
by Joseph Jonghyun JeonIn December of 1997, the International Monetary Fund announced the largest bailout package in its history, aimed at stabilizing the South Korean economy in response to a credit and currency crisis of the same year. Vicious Circuits examines what it terms "Korea's IMF Cinema," the decade of cinema following that crisis, in order to think through the transformations of global political economy at the end of the American century. It argues that one of the most dominant traits of the cinema that emerged after the worst economic crisis in the history of South Korea was its preoccupation with economic phenomena. As the quintessentially corporate art form—made as much in the boardroom as in the studio—film in this context became an ideal site for thinking through the global political economy in the transitional moment of American decline and Chinese ascension. With an explicit focus of state economic policy, IMF cinema did not just depict the economy; it also was this economy's material embodiment. That is, it both represented economic developments and was itself an important sector in which the same pressures and changes affecting the economy at large were at work. Joseph Jonghyun Jeon's window on Korea provides a peripheral but crucial perspective on the operations of late US hegemony and the contradictions that ultimately corrode it.
Victim
by Matthew SmithSuicide? Or murder? Marilyn Monroe's death in August 1962, apparently a suicide, shocked the world. A Hollywood star, a global icon, why would she have killed herself? Yet the coroner's report stated her death was due to a massive overdose of 47 Nembutal capsules. But what about the discrepancies between the official report and the scene of her death? What about the forensic evidence that went missing shortly after she died? Matthew Smith has constructed a startling new version of events. His interpretation is based not only on the full and true forensic evidence from the time, but also on the tapes that Marilyn made for her psychiatrist in the days and weeks before her death, tapes that portray a woman in full charge of her life and looking forward to a bright, busy, successful future. Forty years after her death, Marilyn remains an icon and a mystery. Matthew Smith's investigation into her death will lead to a new understanding of what really happened on the night of August 5th 1962 and in the weeks leading up to it.
Victor Feldbrill: Canadian Conductor Extraordinaire
by Walter PitmanVictor Feldbrill is an account of the life and cultural contribution of one of Canada’s most talented conductors. Born in 1924, he made his Toronto Symphony conducting debut at 18. He went on to become the artistic director of the Winnipeg Symphony, a conductor with the Toronto Symphony, and a guest conductor of virtually every major symphony orchestra in Canada. Feldbrill was also the first conductor-in-residence at the University of Toronto’s Faculty of Music from 1968 to 1982. However, what really set Feldbrill apart was his limitless enthusiasm and support of Canadian music and young musicians, as well as his insistence on playing the music of Canadian composers despite the reluctance of some orchestral managers and the initial opposition of audiences at the time. In doing so he reached out to young people and trained many to take their places as members of Canadian orchestras from coast to coast.
Victor Fleming: An American Movie Master (Screen Classics)
by Michael SragowThis definitive biography chronicles the life and work of the legendary director of Gone With the Wind and The Wizard of Oz.Victor Fleming was the most sought-after director in Hollywood’s golden age, renowned for his work across an astounding range of genres—from gritty westerns to screwball comedies, romances, boddy pictures, and family entertainment. Yet this chameleon-like versatility has resulted in his relative obscurity today—despite his having directed two of the most iconic movies of all time.Fleming is best remembered for Gone With the Wind and The Wizard of Oz, but he directed more than forty films, including classics like Red Dust, Test Pilot, Dr. Jekyll and Mr. Hyde, and Captains Courageous. Fleming created enduring screen personas for Clark Gable, Spencer Tracy, and Gary Cooper, as well as for Ingrid Bergman, Clara Bow, and Norma Shearer—who were among his many lovers.In this definitive biography, Michael Sragow restores the director to the pantheon of great American filmmakers, correcting a major oversight in Hollywood history. It is the dramatic story of a man at the center of the most exciting period in American filmmaking.